<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2548245778643600912</id><updated>2011-04-21T17:40:57.463-07:00</updated><title type='text'>deserttrikkes</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default?start-index=101&amp;max-results=100'/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>237</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-7810581137253398416</id><published>2009-04-10T00:12:00.000-07:00</published><updated>2009-04-10T00:13:36.092-07:00</updated><title type='text'>The Wallflower</title><content type='html'>The Wallflower,a.k.a Perfect Girl Evolution is a manga series written by Tomoko Hayakawa. The individual chapters have been serialized in Bessatsu Friend since its premiere in 2000, and in 21 tankōbon volumes in Japan by Kodansha. The series was licensed for an English language release in North America by Del Rey Manga and in Singapore by Chuang Yi — under the name My Fair Lady.&lt;br /&gt;&lt;br /&gt;Nippon Animation adapted part of the manga series into a twenty-five episode anime series which aired on TV Tokyo and TV Aichi from October 3, 2006 through March 27, 2007. The anime adaptation has been licensed for Region 1 release by A.D. Vision. In 2008, The WallFlower became one of over 30 ADV titles whose North American rights were transferred to Funimation Entertainment.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-7810581137253398416?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/7810581137253398416/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=7810581137253398416' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7810581137253398416'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7810581137253398416'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2009/04/wallflower.html' title='The Wallflower'/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-7666337639957886252</id><published>2008-05-02T09:45:00.001-07:00</published><updated>2008-05-02T09:45:30.071-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The name "&lt;b&gt;Vaalbara&lt;/b&gt;" is given to Earth's theorized first &lt;span href="/wiki/Supercontinent" title="Supercontinent"&gt;supercontinent&lt;/span&gt;. According to &lt;span href="/wiki/Radiometric_dating" title="Radiometric dating"&gt;radiometric&lt;/span&gt; data of the encompassing &lt;span href="/wiki/Craton" title="Craton"&gt;cratons&lt;/span&gt; that comprised Vaalbara, it is known to have existed 3.3 billion years ago (3.3 Ga) and possibly even as far back as 3.6 Ga. Evidence includes &lt;span href="/wiki/Geochronology" title="Geochronology"&gt;geochronological&lt;/span&gt; and &lt;span href="/wiki/Paleomagnetism" title="Paleomagnetism"&gt;palaeomagnetic&lt;/span&gt; studies between the two &lt;span href="/wiki/Archaean" title="Archaean"&gt;Archaean&lt;/span&gt; &lt;span href="/wiki/Craton" title="Craton"&gt;cratons&lt;/span&gt; (protocontinents) called the &lt;span href="/wiki/Kaapvaal_craton" title="Kaapvaal craton"&gt;Kaapvaal craton&lt;/span&gt; (the Kaapvaal province of &lt;span href="/wiki/South_Africa" title="South Africa"&gt;South Africa&lt;/span&gt;) and the &lt;span href="/wiki/Pilbara_craton" title="Pilbara craton"&gt;Pilbara craton&lt;/span&gt; (the Pilbara province of &lt;span href="/wiki/Western_Australia" title="Western Australia"&gt;Western Australia&lt;/span&gt;).&lt;br /&gt; Further evidence is the structural sequence similarities of the &lt;span href="/wiki/Greenstone_belts" title="Greenstone belts"&gt;greenstone belts&lt;/span&gt; and &lt;span href="/wiki/Gneiss" title="Gneiss"&gt;gneiss&lt;/span&gt; belts of these two cratons. These same Archaean greenstone belts are now spread out across the margins of the &lt;span href="/wiki/Superior_craton" title="Superior craton"&gt;Superior craton&lt;/span&gt; of &lt;span href="/wiki/Canada" title="Canada"&gt;Canada&lt;/span&gt; and are also spread out across the cratons of the former &lt;span href="/wiki/Gondwana" title="Gondwana"&gt;Gondwana&lt;/span&gt; and &lt;span href="/wiki/Laurasia" title="Laurasia"&gt;Laurasia&lt;/span&gt; &lt;span href="/wiki/Continent" title="Continent"&gt;continents&lt;/span&gt;. The subsequent drift paths of the Kaapvaal and Pilbara cratons after 2.8 Ga gives further evidence that they were once connected.&lt;br /&gt; It is not certain when Vaalbara began to break up, but geochronological and palaeomagnetic evidence show that the two cratons had a rotational 30 degree &lt;span href="/wiki/Latitudinal" title="Latitudinal"&gt;latitudinal&lt;/span&gt; separation at 2.78 to 2.77 Ga, implying that they were no longer contiguous after ~2.8 Ga.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.vaalbara.com/videos/2007/282-66.png"  alt="Vaalbara"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Supercontinent" title="Supercontinent"&gt;Supercontinent&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Kaapvaal_craton" title="Kaapvaal craton"&gt;Kaapvaal craton&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Pilbara_craton" title="Pilbara craton"&gt;Pilbara craton&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Gondwana" title="Gondwana"&gt;Gondwana&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Laurasia" title="Laurasia"&gt;Laurasia&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-7666337639957886252?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/7666337639957886252/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=7666337639957886252' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7666337639957886252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7666337639957886252'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/05/name-vaalbara-is-given-to-earths.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-5097787128112984349</id><published>2008-05-01T09:18:00.001-07:00</published><updated>2008-05-01T09:18:15.091-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.casbahrecords.com/BILL%2520DOGGETT.jpg"  alt="Bill Doggett"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Bill Doggett&lt;/b&gt; (&lt;span href="/wiki/February_16" title="February 16"&gt;February 16&lt;/span&gt;, &lt;span href="/wiki/1916" title="1916"&gt;1916&lt;/span&gt; – &lt;span href="/wiki/November_13" title="November 13"&gt;November 13&lt;/span&gt;, &lt;span href="/wiki/1996" title="1996"&gt;1996&lt;/span&gt;) was an &lt;span href="/wiki/United_States" title="United States"&gt;American&lt;/span&gt; &lt;span href="/wiki/Jazz" title="Jazz"&gt;jazz&lt;/span&gt; and &lt;span href="/wiki/Rhythm_and_blues" title="Rhythm and blues"&gt;rhythm and blues&lt;/span&gt; &lt;span href="/wiki/Pianist" title="Pianist"&gt;pianist&lt;/span&gt; and &lt;span href="/wiki/Organist" title="Organist"&gt;organist&lt;/span&gt;.&lt;br /&gt; &lt;b&gt;William Ballard Doggett&lt;/b&gt; was born in &lt;span href="/wiki/Philadelphia%2C_Pennsylvania" title="Philadelphia, Pennsylvania"&gt;Philadelphia, Pennsylvania&lt;/span&gt;. His mother, a church pianist, introduced him to music when he was 9 years old. By the time he was 15, he had joined a Philadelphia area combo, playing local theaters and clubs while attending high school.&lt;br /&gt; He later sold his band to &lt;span href="/wiki/Lucky_Millinder" title="Lucky Millinder"&gt;Lucky Millinder&lt;/span&gt;, and worked during the 1930s and early 1940s for both Millinder and arranger &lt;span href="/wiki/Jimmy_Mundy" title="Jimmy Mundy"&gt;Jimmy Mundy&lt;/span&gt;. In 1942 he was hired as &lt;span href="/wiki/The_Ink_Spots" title="The Ink Spots"&gt;The Ink Spots&lt;/span&gt;' pianist and arranger.&lt;br /&gt; In 1949, he replaced &lt;span href="/wiki/Wild_Bill_Davis" title="Wild Bill Davis"&gt;Wild Bill Davis&lt;/span&gt; in &lt;span href="/wiki/Louis_Jordan" title="Louis Jordan"&gt;Louis Jordan&lt;/span&gt;'s Tympany Five. It was there that he first achieved success playing the &lt;span href="/wiki/Hammond_organ" title="Hammond organ"&gt;Hammond organ&lt;/span&gt; and he is also reputed to have written one of Jordan's biggest hits, "Saturday Night Fish Fry", for which Jordan claimed the writing credit.&lt;br /&gt; In 1951, he organized his own trio and began recording for &lt;span href="/wiki/King_Records_%28USA%29" title="King Records (USA)"&gt;King Records&lt;/span&gt;. His best known recording is "Honky Tonk," a rhythm and blues hit of &lt;span href="/wiki/1956" title="1956"&gt;1956&lt;/span&gt; which sold four million copies. He won the &lt;span href="/wiki/Cash_Box_magazine" title="Cash Box magazine"&gt;Cash Box&lt;/span&gt; award for best rhythm and blues performer in 1957, 1958, and 1959. He also arranged for many bandleaders and performers, including &lt;span href="/wiki/Louis_Armstrong" title="Louis Armstrong"&gt;Louis Armstrong&lt;/span&gt;, &lt;span href="/wiki/Count_Basie" title="Count Basie"&gt;Count Basie&lt;/span&gt;, &lt;span href="/wiki/Ella_Fitzgerald" title="Ella Fitzgerald"&gt;Ella Fitzgerald&lt;/span&gt;, and &lt;span href="/wiki/Lionel_Hampton" title="Lionel Hampton"&gt;Lionel Hampton&lt;/span&gt;. He continued to play and arrange until he died of a heart attack in &lt;span href="/wiki/New_York_City" title="New York City"&gt;New York City&lt;/span&gt;.&lt;br /&gt; As a jazz player Doggett started in &lt;span href="/wiki/Swing_music" title="Swing music"&gt;swing music&lt;/span&gt; and later played &lt;span href="/wiki/Soul_jazz" title="Soul jazz"&gt;soul jazz&lt;/span&gt;, a field in which rhythm and blues organists were highly sought after.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-5097787128112984349?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/5097787128112984349/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=5097787128112984349' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/5097787128112984349'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/5097787128112984349'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/05/bill-doggett-february-16-1916-november.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3772955335631265405</id><published>2008-04-30T08:22:00.001-07:00</published><updated>2008-04-30T08:22:33.704-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/11/Story_Time.jpg/180px-Story_Time.jpg"  alt="California Proposition 98 (1988)"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;California Proposition 98&lt;/b&gt; requires a minimum percentage of the state budget to be spent on K-14 education. Prop 98 guarantees an annual increase in education in the California budget.&lt;br /&gt; &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3772955335631265405?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3772955335631265405/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3772955335631265405' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3772955335631265405'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3772955335631265405'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/california-proposition-98-requires.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3164508875624824137</id><published>2008-04-29T09:39:00.001-07:00</published><updated>2008-04-29T09:39:29.689-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;&lt;i&gt;Carry On&lt;/i&gt; films&lt;/b&gt; were a long-running series of &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;British&lt;/span&gt; low-budget comedy films, directed by &lt;span href="/wiki/Gerald_Thomas" title="Gerald Thomas"&gt;Gerald Thomas&lt;/span&gt; and produced by &lt;span href="/wiki/Peter_Rogers" title="Peter Rogers"&gt;Peter Rogers&lt;/span&gt;. An energetic mix of &lt;span href="/wiki/Parody" title="Parody"&gt;parody&lt;/span&gt;, &lt;span href="/wiki/Farce" title="Farce"&gt;farce&lt;/span&gt;, &lt;span href="/wiki/Slapstick" title="Slapstick"&gt;slapstick&lt;/span&gt; and &lt;span href="/wiki/Double_entendre" title="Double entendre"&gt;double entendres&lt;/span&gt;, they are seen as classic examples of how to do &lt;span href="/wiki/British_humour" title="British humour"&gt;British humour&lt;/span&gt;.&lt;br /&gt; Twenty-nine original films and one compilation film were made between 1958 and 1978 at &lt;span href="/wiki/Pinewood_Studios" title="Pinewood Studios"&gt;Pinewood Studios&lt;/span&gt;, with an additional film made in 1992. The films relied on a repertoire of comedy actors which changed gradually over the years. The mainstays of the series were &lt;span href="/wiki/Kenneth_Williams" title="Kenneth Williams"&gt;Kenneth Williams&lt;/span&gt; (26 films), &lt;span href="/wiki/Joan_Sims" title="Joan Sims"&gt;Joan Sims&lt;/span&gt; (24), &lt;span href="/wiki/Charles_Hawtrey_%2820th_century_actor%29" title="Charles Hawtrey (20th century actor)"&gt;Charles Hawtrey&lt;/span&gt; (23), &lt;span href="/wiki/Sid_James" title="Sid James"&gt;Sid James&lt;/span&gt; (19), &lt;span href="/wiki/Kenneth_Connor" title="Kenneth Connor"&gt;Kenneth Connor&lt;/span&gt; (17), &lt;span href="/wiki/Hattie_Jacques" title="Hattie Jacques"&gt;Hattie Jacques&lt;/span&gt; (14) and &lt;span href="/wiki/Bernard_Bresslaw" title="Bernard Bresslaw"&gt;Bernard Bresslaw&lt;/span&gt; (14). One of the most iconic &lt;i&gt;Carry On&lt;/i&gt; stars was &lt;span href="/wiki/Barbara_Windsor" title="Barbara Windsor"&gt;Barbara Windsor&lt;/span&gt;, although she appeared in only ten of the films. Comedy legend &lt;span href="/wiki/Frankie_Howerd" title="Frankie Howerd"&gt;Frankie Howerd&lt;/span&gt; is also associated with the Carry On films, but only appeared in two of them (&lt;i&gt;Doctor&lt;/i&gt; and &lt;i&gt;Up The Jungle&lt;/i&gt;)&lt;br /&gt; The films' humour was in the British comic tradition of the &lt;span href="/wiki/Music_hall" title="Music hall"&gt;music hall&lt;/span&gt; and &lt;span href="/wiki/Donald_McGill" title="Donald McGill"&gt;seaside postcards&lt;/span&gt;. Many of them parodied more serious films - in the case of &lt;i&gt;Carry On Cleo&lt;/i&gt; (1964), the &lt;span href="/wiki/Richard_Burton" title="Richard Burton"&gt;Burton&lt;/span&gt; and &lt;span href="/wiki/Elizabeth_Taylor" title="Elizabeth Taylor"&gt;Taylor&lt;/span&gt; film &lt;i&gt;&lt;span href="/wiki/Cleopatra_%281963_film%29" title="Cleopatra (1963 film)"&gt;Cleopatra&lt;/span&gt;&lt;/i&gt; (1963).&lt;br /&gt; The mainstay of &lt;i&gt;Carry On&lt;/i&gt; humour was innuendo and the sending-up of British institutions and customs, such as the National Health Service (&lt;i&gt;Nurse&lt;/i&gt;, &lt;i&gt;Doctor&lt;/i&gt;, &lt;i&gt;Again Doctor&lt;/i&gt;, &lt;i&gt;Matron&lt;/i&gt;), the monarchy (&lt;i&gt;Henry&lt;/i&gt;), the Empire (&lt;i&gt;&lt;span href="/wiki/Carry_On_up_the_Khyber" title="Carry On up the Khyber"&gt;Up the Khyber&lt;/span&gt;&lt;/i&gt;) and the trade unions (&lt;i&gt;&lt;span href="/wiki/Carry_On_at_Your_Convenience" title="Carry On at Your Convenience"&gt;At Your Convenience&lt;/span&gt;&lt;/i&gt;) as well as the &lt;span href="/wiki/Hammer_Film_Productions" title="Hammer Film Productions"&gt;Hammer horror&lt;/span&gt; film (&lt;i&gt;Screaming&lt;/i&gt;), camping (&lt;i&gt;&lt;span href="/wiki/Carry_On_Camping" title="Carry On Camping"&gt;Camping&lt;/span&gt;&lt;/i&gt;), foreigners (&lt;i&gt;Abroad&lt;/i&gt;), the seaside (&lt;i&gt;Girls&lt;/i&gt;), and caravanning holidays (&lt;i&gt;Behind&lt;/i&gt;) among others. Although the films were very often slated by the critics, they were popular.&lt;br /&gt; The series began with &lt;i&gt;&lt;span href="/wiki/Carry_On_Sergeant" title="Carry On Sergeant"&gt;Carry On Sergeant&lt;/span&gt;&lt;/i&gt; (1958), about a group of recruits on &lt;span href="/wiki/National_Service" title="National Service"&gt;National Service&lt;/span&gt;, and was sufficiently successful that others followed. A film had appeared the previous year under the title &lt;i&gt;Carry On Admiral&lt;/i&gt;; although this was a comedy in a similar vein (with Joan Sims in the cast) it has no connection to the series. There was also an unrelated 1937 film &lt;i&gt;Carry On London&lt;/i&gt;, starring future &lt;i&gt;Carry On&lt;/i&gt; performer &lt;span href="/wiki/Eric_Barker" title="Eric Barker"&gt;Eric Barker&lt;/span&gt;.&lt;br /&gt; The characters and comedy style of the &lt;i&gt;Carry On&lt;/i&gt; film series later moved into shows in other media. There was a television series titled &lt;i&gt;&lt;span href="/wiki/Carry_On_Laughing" title="Carry On Laughing"&gt;Carry On Laughing&lt;/span&gt;&lt;/i&gt;, and several &lt;i&gt;&lt;span href="/wiki/Carry_On_Christmas_specials" title="Carry On Christmas specials"&gt;Carry On Christmas specials&lt;/span&gt;&lt;/i&gt;. There were also three stage shows: &lt;i&gt;Carry On London&lt;/i&gt;, &lt;i&gt;Carry On Laughing&lt;/i&gt; and &lt;i&gt;Wot a Carry On In Blackpool&lt;/i&gt;.&lt;br /&gt; &lt;span name="Early_films" id="Early_films"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://news.bbc.co.uk/olmedia/175000/images/_176719_Carry_on_camping.300.jpg"  alt="Carry On films"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Early films&lt;/b&gt;&lt;br /&gt;  In 1963 &lt;span href="/wiki/Talbot_Rothwell" title="Talbot Rothwell"&gt;Talbot Rothwell&lt;/span&gt; took over the role of screenwriter. The settings became more ambitious, often parodying well-known films or genres. Coinciding with the &lt;span href="/wiki/Sexual_revolution" title="Sexual revolution"&gt;sexual revolution&lt;/span&gt;, they featured more explicit sexual jokes and situations. The films made in colour in the '60s remain among the most popular of the series.&lt;br /&gt; At one point, Talbot Rothwell sought and received permission to borrow several one-liners and quotes that &lt;span href="/wiki/Frank_Muir" title="Frank Muir"&gt;Frank Muir&lt;/span&gt; and &lt;span href="/wiki/Denis_Norden" title="Denis Norden"&gt;Denis Norden&lt;/span&gt; had written for the successful radio comedy series &lt;i&gt;&lt;span href="/wiki/Take_It_From_Here" title="Take It From Here"&gt;Take It From Here&lt;/span&gt;&lt;/i&gt;. Rothwell was a friend and colleague of Muir and Norden.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;Back to black-and-white; originally scripted as a non-&lt;i&gt;Carry On&lt;/i&gt; film called &lt;i&gt;Call Me a Cab&lt;/i&gt;&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;In colour again; not considered a successful film in the canon&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;In black-and-white as a deliberate spoof of &lt;span href="/wiki/Film_Noir" title="Film Noir"&gt;Film Noir&lt;/span&gt; in some sequences&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;In full colour again (as were all the rest), using costumes and sets left standing from filming portions of &lt;i&gt;&lt;span href="/wiki/Cleopatra_%281963_film%29" title="Cleopatra (1963 film)"&gt;Cleopatra&lt;/span&gt;&lt;/i&gt;; contains the line voted as the funniest comedy movie line ever: "Infamy! Infamy! they've all got it in for me!" (Kenneth Williams)&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;A spoof horror film, with the Gothic atmosphere of a &lt;span href="/wiki/Hammer_Film_Productions" title="Hammer Film Productions"&gt;Hammer&lt;/span&gt; production. In 2000, readers of &lt;i&gt;&lt;span href="/wiki/Total_Film" title="Total Film"&gt;Total Film&lt;/span&gt;&lt;/i&gt; magazine voted this the 40th greatest comedy film of all time. &lt;span href="/wiki/Harry_H._Corbett" title="Harry H. Corbett"&gt;Harry H. Corbett&lt;/span&gt; guest-starred in the &lt;span href="/wiki/Sid_James" title="Sid James"&gt;Sid James&lt;/span&gt; role. Most famous line is a lustily-delivered "Frying tonight!" from Kenneth Williams.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;A &lt;i&gt;&lt;span href="/wiki/Scarlet_Pimpernel" title="Scarlet Pimpernel"&gt;Scarlet Pimpernel&lt;/span&gt;&lt;/i&gt; spoof.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;A &lt;span href="/wiki/French_Foreign_Legion" title="French Foreign Legion"&gt;Foreign Legion&lt;/span&gt; parody, and an unsuccessful attempt to break into the American market by casting &lt;span href="/wiki/Phil_Silvers" title="Phil Silvers"&gt;Phil Silvers&lt;/span&gt; as the lead — in a role written for Sid James, who had suffered his first heart-attack just before the film went into production.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;The highest grossing film that year in the UK&lt;br /&gt; The loss of the &lt;i&gt;Carry On&lt;/i&gt; prefix from the titles of 'Don't Lose Your Head' and 'Follow That Camel' was due to the change of distributor from &lt;span href="/wiki/Anglo-Amalgamated" title="Anglo-Amalgamated"&gt;Anglo-Amalgamated&lt;/span&gt; to &lt;span href="/wiki/Rank_Organisation" title="Rank Organisation"&gt;Rank&lt;/span&gt;. Both films were later re-issued with a &lt;i&gt;Carry On...&lt;/i&gt; prefix.&lt;br /&gt; &lt;span name="Into_the_1970s" id="Into_the_1970s"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Cabby" title="Carry On Cabby"&gt;Carry On Cabby&lt;/span&gt;&lt;/i&gt; (1963)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Jack" title="Carry On Jack"&gt;Carry On Jack&lt;/span&gt;&lt;/i&gt; (1963)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Spying" title="Carry On Spying"&gt;Carry On Spying&lt;/span&gt;&lt;/i&gt; (1964)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Cleo" title="Carry On Cleo"&gt;Carry On Cleo&lt;/span&gt;&lt;/i&gt; (1964)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Cowboy" title="Carry On Cowboy"&gt;Carry On Cowboy&lt;/span&gt;&lt;/i&gt; (1965)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Screaming" title="Carry On Screaming"&gt;Carry On Screaming&lt;/span&gt;&lt;/i&gt; (1966)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Don%27t_Lose_Your_Head" title="Don't Lose Your Head"&gt;Don't Lose Your Head&lt;/span&gt;&lt;/i&gt; (1966)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Follow_That_Camel" title="Follow That Camel"&gt;Follow That Camel&lt;/span&gt;&lt;/i&gt; (1967)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Doctor" title="Carry On Doctor"&gt;Carry On Doctor&lt;/span&gt;&lt;/i&gt; (1967)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_up_the_Khyber" title="Carry On up the Khyber"&gt;Carry On up the Khyber&lt;/span&gt;&lt;/i&gt; (1968)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Camping" title="Carry On Camping"&gt;Carry On Camping&lt;/span&gt;&lt;/i&gt; (1969)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Again_Doctor" title="Carry On Again Doctor"&gt;Carry On Again Doctor&lt;/span&gt;&lt;/i&gt; (1969)   &lt;b&gt; Classic Carry On&lt;/b&gt;&lt;br /&gt;  Although the series continued to be popular in the early 1970s, there was a growing feeling among the cast and critics that the quality of the films was declining. British society was becoming more accustomed to seeing sexual content on screen, and the innuendos of the series no longer had the impact they did before, although they became noticeably stronger. Rothwell continued as writer.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;The Wedded Bliss agency, run by Sidney and Sophie Bliss, is a picture of domestic happiness, until the customers walk out the door! This film tried to introduce younger stars into the mix, incorporating such newcomers as &lt;span href="/wiki/Jacki_Piper" title="Jacki Piper"&gt;Jacki Piper&lt;/span&gt;, &lt;span href="/wiki/Imogen_Hassall" title="Imogen Hassall"&gt;Imogen Hassall&lt;/span&gt; and &lt;span href="/wiki/Richard_O%27Callaghan" title="Richard O'Callaghan"&gt;Richard O'Callaghan&lt;/span&gt; in key roles.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;This was the first box office failure in the series, something attributed to the film's attempt at exploring the political themes of the trade union movement — with, crucially, the unionists portrayed as buffoons. This apparently alienated the traditional working-class &lt;i&gt;Carry On&lt;/i&gt; core audience, and the film did not return full production costs until 1976 after several international and television sales. This film is considered by many Carry On fans to be one of the best of the series. Richard O'Callaghan, Jacki Piper and &lt;span href="/wiki/Kenneth_Cope" title="Kenneth Cope"&gt;Kenneth Cope&lt;/span&gt; play key roles along side the &lt;i&gt;Carry On&lt;/i&gt; regulars.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;After the problems caused by the topical and political nature of the previous film's story, this was a lightweight farce that returned to the familiar &lt;i&gt;Carry On...&lt;/i&gt; setting of a large hospital. &lt;i&gt;Matron&lt;/i&gt; featured all the main regular cast of the period with the exception of Peter Butterworth, and was the final &lt;i&gt;Carry On&lt;/i&gt; for recurring players Terry Scott and Jacki Piper. The first appearance for &lt;span href="/wiki/Jack_Douglas_%28actor%29" title="Jack Douglas (actor)"&gt;Jack Douglas&lt;/span&gt;.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;This film, about a disastrous package holiday where anything that could possibly go wrong did go wrong, was &lt;span href="/wiki/Charles_Hawtrey_%2820th_century_actor%29" title="Charles Hawtrey (20th century actor)"&gt;Charles Hawtrey&lt;/span&gt;'s last &lt;i&gt;Carry On&lt;/i&gt;.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;The story of a struggling seaside resort's attempt to organise a beauty contest, and the efforts of militant &lt;span href="/wiki/Feminist" title="Feminist"&gt;feminists&lt;/span&gt;, to oppose it. This was the first film where key regulars Kenneth Williams and Charles Hawtrey were both absent. The sexual humour in this film is notably less subtle than its predecessors. &lt;span href="/wiki/Robin_Askwith" title="Robin Askwith"&gt;Robin Askwith&lt;/span&gt; was cast as a sexually naïve young man; a similar role to that which he would play in the later &lt;i&gt;Confessions&lt;/i&gt; films.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;The last Rothwell film, and the last to feature &lt;span href="/wiki/Sid_James" title="Sid James"&gt;Sid James&lt;/span&gt;, &lt;span href="/wiki/Hattie_Jacques" title="Hattie Jacques"&gt;Hattie Jacques&lt;/span&gt;, and &lt;span href="/wiki/Barbara_Windsor" title="Barbara Windsor"&gt;Barbara Windsor&lt;/span&gt;. It is often seen as the last "true" &lt;i&gt;Carry On&lt;/i&gt;.&lt;br /&gt; &lt;span name="Decline" id="Decline"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Up_the_Jungle" title="Carry On Up the Jungle"&gt;Carry On Up the Jungle&lt;/span&gt;&lt;/i&gt; (1970)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Loving" title="Carry On Loving"&gt;Carry On Loving&lt;/span&gt;&lt;/i&gt; (1970)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Henry" title="Carry On Henry"&gt;Carry On Henry&lt;/span&gt;&lt;/i&gt; (1971) (with Sid James as &lt;span href="/wiki/Henry_VIII_of_England" title="Henry VIII of England"&gt;Henry VIII&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_at_Your_Convenience" title="Carry On at Your Convenience"&gt;Carry On at Your Convenience&lt;/span&gt;&lt;/i&gt; (1971)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Matron" title="Carry On Matron"&gt;Carry On Matron&lt;/span&gt;&lt;/i&gt; (1972)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Abroad" title="Carry On Abroad"&gt;Carry On Abroad&lt;/span&gt;&lt;/i&gt; (1972)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Girls" title="Carry On Girls"&gt;Carry On Girls&lt;/span&gt;&lt;/i&gt; (1973)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Dick" title="Carry On Dick"&gt;Carry On Dick&lt;/span&gt;&lt;/i&gt; (1974) (a &lt;span href="/wiki/Dick_Turpin" title="Dick Turpin"&gt;Dick Turpin&lt;/span&gt; spoof)   &lt;b&gt; Into the 1970s&lt;/b&gt;&lt;br /&gt;  After Rothwell ended his run as writer in 1974, the already variable quality of the series took a sharp downturn. British society had changed significantly and &lt;i&gt;Carry On&lt;/i&gt; humour now seemed dated and innocent. Moreover fewer and fewer of the established cast were now appearing in the films; &lt;i&gt;Abroad&lt;/i&gt; had been the last &lt;i&gt;Carry On&lt;/i&gt; film appearance for Charles Hawtrey and &lt;i&gt;Dick&lt;/i&gt; the last for Sid James (who died in 1976), Hattie Jacques and Barbara Windsor. Owing to the withdrawal of American funding from British films, with a few exceptions, many of the most profitable British films during the 1970s were those adapted from television series (such as &lt;i&gt;&lt;span href="/wiki/Steptoe_and_Son" title="Steptoe and Son"&gt;Steptoe and Son&lt;/span&gt;&lt;/i&gt;), or erotic comedies. The influence of these genres is keenly felt in the &lt;i&gt;Carry On&lt;/i&gt; series' output of this period, with an increased sexual content and more television stars (such as &lt;span href="/wiki/Windsor_Davies" title="Windsor Davies"&gt;Windsor Davies&lt;/span&gt;) appearing in place of regulars.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;Basically a remake of &lt;i&gt;Carry On Camping&lt;/i&gt; with several established &lt;i&gt;Carry On&lt;/i&gt; regulars along with an influx of new actors in main roles including &lt;span href="/wiki/Windsor_Davies" title="Windsor Davies"&gt;Windsor Davies&lt;/span&gt;, &lt;span href="/wiki/Ian_Lavender" title="Ian Lavender"&gt;Ian Lavender&lt;/span&gt;, and headlining guest star &lt;span href="/wiki/Elke_Sommer" title="Elke Sommer"&gt;Elke Sommer&lt;/span&gt;. This was the final &lt;i&gt;Carry On&lt;/i&gt; film appearance for &lt;span href="/wiki/Bernard_Bresslaw" title="Bernard Bresslaw"&gt;Bernard Bresslaw&lt;/span&gt;.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;This film featured an almost entirely new cast. Although &lt;i&gt;Carry On&lt;/i&gt; regular Kenneth Connor had a leading role the only other regulars present, Joan Sims and Peter Butterworth, had only small roles in the film. Windsor Davies who had joined the series with the preceding film again plays a major role. Other key roles are taken by established and recognisable actors &lt;span href="/wiki/Judy_Geeson" title="Judy Geeson"&gt;Judy Geeson&lt;/span&gt; and &lt;span href="/wiki/Patrick_Mower" title="Patrick Mower"&gt;Patrick Mower&lt;/span&gt;. A major commercial failure, this film was withdrawn from some cinemas after just three days .&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;A compilation of clips with specially filmed linking footage presented by Kenneth Williams and Barbara Windsor.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;An attempt to revive the series by increasing the sexual content. This film is notable in that Jack Douglas plays a character other than his stuttering &lt;i&gt;Alf Ippititimus&lt;/i&gt;-type persona, in this case a snooty butler.&lt;br /&gt; &lt;span name="Unmade_Carry_On.27s" id="Unmade_Carry_On.27s"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Behind" title="Carry On Behind"&gt;Carry On Behind&lt;/span&gt;&lt;/i&gt; (1975)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_England" title="Carry On England"&gt;Carry On England&lt;/span&gt;&lt;/i&gt; (1976)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/That%27s_Carry_On%21" title="That's Carry On!"&gt;That's Carry On!&lt;/span&gt;&lt;/i&gt; (1977)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Carry_On_Emmannuelle" title="Carry On Emmannuelle"&gt;Carry On Emmannuelle&lt;/span&gt;&lt;/i&gt; (1978)   &lt;b&gt; Decline&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;The next film after Carry on Regardless, What A Carry On was to have been set around an Amateur Dramatics group putting on a production of Romeo and Juliet but Hudis couldn't work it into a full feature script and it was incorporated into Teacher.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;Conflicting reports state that the script for this film would have been written by Michael Pertwee or Norman Hudis (Hudis sounds more likely), had it gone ahead. The story revolved around a fire station, under the command of Sid James, and various attempts to train a bungling group of new recruits. Kenneth Williams and Charles Hawtrey were to have played the supporting roles. The idea was abandoned because Gerald Thomas was afraid the film might suffer if a major disaster occurred at the time of its release.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;Scripted by Norman Hudis, this story revolved around a group of RAF recruits. It got as far as pre-production, but was abandoned. This is probably what inspired the making of the failed &lt;span href="/wiki/Carry_On_England" title="Carry On England"&gt;Carry On England&lt;/span&gt; which had a similar plot.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;See main article for more information.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;During the Second World War, Talbot Rothwell and Peter Butterworth spent time interred in the same prisoner of war camp. Carry On Escaping was inspired by their experiences there and progressed as far in pre-production as a near-final script.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;See main article for more information.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;A planned spoof of the then popular US soap, Carry on Dallas. A full script was written and casting offers made - including Kenny Williams, Kenny Connor, Jack Douglas, Suzanne Danielle, Joan Sims, Charlie Hawtrey (in a guest role) and Jim Dale. The script centred around the Ramming family (and not screwing which was dropped in an early draft as this could have endangered the A certificate). When the 'Who Shot JR' thing happened and &lt;span href="/wiki/Dallas" title="Dallas"&gt;Dallas&lt;/span&gt; became the most watched TV programme in the world at that time. Lorrimar then wanted a royalty about 20 times the size of the total budget to use the programme as a base - so the production dried up.&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;Carry On Down Under was loosely to have been based on the Neighbours series and its ilk. Location scouting had been carried out by Gerald Thomas, in Australia, but eventually the finance fell through. Essentially, Peter always liked the script for Carry On Dallas, and so a couple of years later the oil tycoons became sewage farmers and the whole thing shifted to Australia. Gerry Thomas had seen some locations there whilst on holiday and spoke to the Australian film commission who welcomed the idea with open arms. The scripts for Carry On Dallas and Carry On Down Under were identical!&lt;br /&gt; &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;See main article for more information.&lt;br /&gt; &lt;span name="Revival" id="Revival"&gt;&lt;/span&gt;&lt;br /&gt; What a Carry On... (1961)&lt;br /&gt; Carry On Smoking (1961)&lt;br /&gt; Carry On Flying (1962)&lt;br /&gt; &lt;span href="/wiki/Carry_On_Spaceman" title="Carry On Spaceman"&gt;Carry On Spaceman&lt;/span&gt; (1962)&lt;br /&gt; Carry On Escaping (60's or 70's)&lt;br /&gt; &lt;span href="/wiki/Carry_On_Again_Nurse" title="Carry On Again Nurse"&gt;Carry On Again Nurse&lt;/span&gt; (1979)&lt;br /&gt; Carry on Dallas (AKA Carry on Texas) (1987)&lt;br /&gt; Carry on Down Under (1988)&lt;br /&gt; &lt;span href="/wiki/Carry_On_Again_Nurse" title="Carry On Again Nurse"&gt;Carry On Again Nurse&lt;/span&gt; (1988)   &lt;b&gt; Unmade Carry On's&lt;/b&gt;&lt;br /&gt;  During the 1980s the &lt;i&gt;Carry On&lt;/i&gt; films were viewed by many as representing the worst side of British attitudes to women and to sex. However, they were still very popular and were regularly broadcast on television.&lt;br /&gt; In 1992, an attempt was made to revive the series with &lt;i&gt;&lt;span href="/wiki/Carry_On_Columbus" title="Carry On Columbus"&gt;Carry On Columbus&lt;/span&gt;&lt;/i&gt;, co-inciding with the production of two serious movies on the subject and the 500th anniversary of &lt;span href="/wiki/Christopher_Columbus" title="Christopher Columbus"&gt;Christopher Columbus&lt;/span&gt;' first landing in the Americas. The producers managed to persuade a number of &lt;span href="/wiki/Alternative_comedy" title="Alternative comedy"&gt;alternative comedians&lt;/span&gt; such as &lt;span href="/wiki/Rik_Mayall" title="Rik Mayall"&gt;Rik Mayall&lt;/span&gt;, &lt;span href="/wiki/Alexei_Sayle" title="Alexei Sayle"&gt;Alexei Sayle&lt;/span&gt;, &lt;span href="/wiki/Peter_Richardson" title="Peter Richardson"&gt;Peter Richardson&lt;/span&gt;, and &lt;span href="/wiki/Julian_Clary" title="Julian Clary"&gt;Julian Clary&lt;/span&gt; to appear in the film as well as the comic actress &lt;span href="/wiki/Maureen_Lipman" title="Maureen Lipman"&gt;Maureen Lipman&lt;/span&gt;, but it did not achieve any great commercial success and was panned by some critics.&lt;br /&gt; Of all the original &lt;i&gt;Carry On&lt;/i&gt; stars, only Jim Dale (playing the title role) and Jack Douglas appeared in the film – many of the others had died. &lt;span href="/wiki/Barbara_Windsor" title="Barbara Windsor"&gt;Barbara Windsor&lt;/span&gt;, however, refused to appear after reading the script. A handful of other actors who had played a few roles in the original films, such as &lt;span href="/wiki/Peter_Gilmore" title="Peter Gilmore"&gt;Peter Gilmore&lt;/span&gt;, &lt;span href="/wiki/Bernard_Cribbins" title="Bernard Cribbins"&gt;Bernard Cribbins&lt;/span&gt;, &lt;span href="/wiki/Jon_Pertwee" title="Jon Pertwee"&gt;Jon Pertwee&lt;/span&gt;, &lt;span href="/wiki/June_Whitfield" title="June Whitfield"&gt;June Whitfield&lt;/span&gt;, and &lt;span href="/wiki/Leslie_Phillips" title="Leslie Phillips"&gt;Leslie Phillips&lt;/span&gt; also appeared. &lt;span href="/wiki/Frankie_Howerd" title="Frankie Howerd"&gt;Frankie Howerd&lt;/span&gt; had originally agreed to appear, but he passed away before filming, and the role was adapted to be played by Julian Clary.&lt;br /&gt; The script, by Dave Freeman, was more polished than those he wrote for the &lt;i&gt;Carry On&lt;/i&gt; films during the 1970s, including comment on &lt;span href="/wiki/Colonialism" title="Colonialism"&gt;colonialism&lt;/span&gt; as well as the obligatory innuendo and slapstick.&lt;br /&gt; &lt;span name="Recent_activity" id="Recent_activity"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Regular actors&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3164508875624824137?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3164508875624824137/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3164508875624824137' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3164508875624824137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3164508875624824137'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/carry-on-films-were-long-running-series.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-2610172597445978029</id><published>2008-04-27T08:42:00.001-07:00</published><updated>2008-04-27T08:42:34.349-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;span href="/wiki/Image:Armoiries_G%C3%AAnes.png" class="image" title="Coat of arms of Trier"&gt;&lt;img alt="Coat of arms of Trier" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/03/Armoiries_G%C3%AAnes.png/85px-Armoiries_G%C3%AAnes.png" width="85" height="94" border="0" /&gt;&lt;/span&gt;&lt;br /&gt; Coat of arms&lt;br /&gt; The &lt;b&gt;Bishopric and Archbishopric of Trier&lt;/b&gt; was one of the important ecclesiastical principalities of the &lt;span href="/wiki/Holy_Roman_Empire" title="Holy Roman Empire"&gt;Holy Roman Empire&lt;/span&gt;. Unlike the other Rhenish archbishoprics — &lt;span href="/wiki/Archbishop_of_Mainz" title="Archbishop of Mainz"&gt;Mainz&lt;/span&gt; and &lt;span href="/wiki/Archbishop_of_Cologne" title="Archbishop of Cologne"&gt;Cologne&lt;/span&gt; — &lt;span href="/wiki/Trier" title="Trier"&gt;Trier&lt;/span&gt;, as the important Roman provincial capital of &lt;b&gt;&lt;span href="/wiki/Augusta_Treverorum" title="Augusta Treverorum"&gt;Augusta Treverorum&lt;/span&gt;&lt;/b&gt;, had been the seat of a bishop since Roman times. It was raised to archiepiscopal status during the reign of &lt;span href="/wiki/Charlemagne" title="Charlemagne"&gt;Charlemagne&lt;/span&gt;, whose will mentions the bishoprics of &lt;span href="/wiki/Diocese_of_Metz" title="Diocese of Metz"&gt;Metz&lt;/span&gt;, &lt;span href="/wiki/Diocese_of_Toul" title="Diocese of Toul"&gt;Toul&lt;/span&gt; and &lt;span href="/wiki/Diocese_of_Verdun" title="Diocese of Verdun"&gt;Verdun&lt;/span&gt; as its suffragans.&lt;br /&gt; &lt;span name="History" id="History"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  The early bishops in this list are strictly legendary. The earliest authenticated bishop, according to the &lt;i&gt;&lt;span href="/wiki/Catholic_Encyclopedia" title="Catholic Encyclopedia"&gt;Catholic Encyclopedia&lt;/span&gt;&lt;/i&gt; (1908), was Agricius, who took part in the &lt;span href="/wiki/Council_of_Arles" title="Council of Arles"&gt;Council of Arles&lt;/span&gt; in 314, but who does not appear among the traditional list.&lt;br /&gt;    &lt;b&gt; Bishops and Archbishops&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;span href="/wiki/Eucherius" title="Eucherius"&gt;Eucherius&lt;/span&gt; c. 50–&lt;span href="/wiki/73" title="73"&gt;73&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Valerius_of_Tr%C3%A8ves" title="Valerius of Trèves"&gt;Valerius of Trèves&lt;/span&gt;, &lt;i&gt;c.&lt;/i&gt;73–&lt;span href="/wiki/88" title="88"&gt;88&lt;/span&gt;   &lt;b&gt; Archbishops of Trier, 791–1189&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;span href="/w/index.php?title=John_I%2C_Archbishop_of_Trier&amp;amp;action=edit" class="new" title="John I, Archbishop of Trier"&gt;John I&lt;/span&gt; 1189–&lt;span href="/wiki/1212" title="1212"&gt;1212&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Theodoric_II%2C_Archbishop_of_Trier&amp;amp;action=edit" class="new" title="Theodoric II, Archbishop of Trier"&gt;Theodoric II&lt;/span&gt; 1212–&lt;span href="/wiki/1242" title="1242"&gt;42&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Arnold_II_von_Isenburg&amp;amp;action=edit" class="new" title="Arnold II von Isenburg"&gt;Arnold II von Isenburg&lt;/span&gt; 1242–&lt;span href="/wiki/1259" title="1259"&gt;59&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Heinrich_I_von_Finstingen&amp;amp;action=edit" class="new" title="Heinrich I von Finstingen"&gt;Heinrich I von Finstingen&lt;/span&gt; &lt;span href="/wiki/1260" title="1260"&gt;1260&lt;/span&gt;–&lt;span href="/wiki/1286" title="1286"&gt;86&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Bohemond_I_von_Warnesberg" title="Bohemond I von Warnesberg"&gt;Bohemond I von Warnesberg&lt;/span&gt; 1286–&lt;span href="/wiki/1299" title="1299"&gt;99&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Diether_von_Nassau&amp;amp;action=edit" class="new" title="Diether von Nassau"&gt;Diether von Nassau&lt;/span&gt; &lt;span href="/wiki/1300" title="1300"&gt;1300&lt;/span&gt;–&lt;span href="/wiki/1307" title="1307"&gt;07&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Heinrich_III_von_Virneburg&amp;amp;action=edit" class="new" title="Heinrich III von Virneburg"&gt;Heinrich III von Virneburg&lt;/span&gt; 1300–&lt;span href="/wiki/1306" title="1306"&gt;06&lt;/span&gt; (in opposition)&lt;br /&gt; &lt;span href="/wiki/Baldwin_von_Luxemburg" title="Baldwin von Luxemburg"&gt;Baldwin von Luxemburg&lt;/span&gt; 1307–&lt;span href="/wiki/1354" title="1354"&gt;54&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Bohemond_II_von_Saarbr%C3%BCcken" title="Bohemond II von Saarbrücken"&gt;Bohemond II von Saarbrücken&lt;/span&gt; 1354–&lt;span href="/wiki/1361" title="1361"&gt;61&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Kuno_II_von_Falkenstein&amp;amp;action=edit" class="new" title="Kuno II von Falkenstein"&gt;Kuno II von Falkenstein&lt;/span&gt; &lt;span href="/wiki/1362" title="1362"&gt;1362&lt;/span&gt;–&lt;span href="/wiki/1388" title="1388"&gt;88&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Werner_von_Falkenstein&amp;amp;action=edit" class="new" title="Werner von Falkenstein"&gt;Werner von Falkenstein&lt;/span&gt; 1388–&lt;span href="/wiki/1418" title="1418"&gt;1418&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Otto_von_Ziegenhain&amp;amp;action=edit" class="new" title="Otto von Ziegenhain"&gt;Otto von Ziegenhain&lt;/span&gt; 1418–&lt;span href="/wiki/1430" title="1430"&gt;30&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Rhaban_von_Helmstadt&amp;amp;action=edit" class="new" title="Rhaban von Helmstadt"&gt;Rhaban von Helmstadt&lt;/span&gt; 1430–&lt;span href="/wiki/1438" title="1438"&gt;38&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Jakob_von_Sierk&amp;amp;action=edit" class="new" title="Jakob von Sierk"&gt;Jakob von Sierk&lt;/span&gt; &lt;span href="/wiki/1439" title="1439"&gt;1439&lt;/span&gt;–&lt;span href="/wiki/1456" title="1456"&gt;56&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Johann_II_of_Baden&amp;amp;action=edit" class="new" title="Johann II of Baden"&gt;Johann II of Baden&lt;/span&gt; 1456–&lt;span href="/wiki/1503" title="1503"&gt;1503&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Jakob_II_of_Baden&amp;amp;action=edit" class="new" title="Jakob II of Baden"&gt;Jakob II of Baden&lt;/span&gt; 1503–&lt;span href="/wiki/1511" title="1511"&gt;11&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Richard_Greiffenklau_zu_Vollraths&amp;amp;action=edit" class="new" title="Richard Greiffenklau zu Vollraths"&gt;Richard Greiffenklau zu Vollraths&lt;/span&gt; 1511–&lt;span href="/wiki/1531" title="1531"&gt;31&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Johann_III_von_Metzenhausen&amp;amp;action=edit" class="new" title="Johann III von Metzenhausen"&gt;Johann III von Metzenhausen&lt;/span&gt; 1531–&lt;span href="/wiki/1540" title="1540"&gt;40&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Johann_Ludwig_von_Hagen&amp;amp;action=edit" class="new" title="Johann Ludwig von Hagen"&gt;Johann Ludwig von Hagen&lt;/span&gt; 1540–&lt;span href="/wiki/1547" title="1547"&gt;47&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Johann_IV_von_Isenburg" title="Johann IV von Isenburg"&gt;Johann IV von Isenburg&lt;/span&gt; 1547–&lt;span href="/wiki/1556" title="1556"&gt;56&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Johann_V_von_der_Leyen&amp;amp;action=edit" class="new" title="Johann V von der Leyen"&gt;Johann V von der Leyen&lt;/span&gt; 1556–&lt;span href="/wiki/1567" title="1567"&gt;67&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Jakob_III_von_Eltz&amp;amp;action=edit" class="new" title="Jakob III von Eltz"&gt;Jakob III von Eltz&lt;/span&gt; 1567–&lt;span href="/wiki/1581" title="1581"&gt;81&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Johann_VI_von_Schonenberg&amp;amp;action=edit" class="new" title="Johann VI von Schonenberg"&gt;Johann VI von Schonenberg&lt;/span&gt; 1581–&lt;span href="/wiki/1599" title="1599"&gt;99&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Lothar_von_Metternich&amp;amp;action=edit" class="new" title="Lothar von Metternich"&gt;Lothar von Metternich&lt;/span&gt; 1599–&lt;span href="/wiki/1623" title="1623"&gt;1623&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Philipp_Christoph_von_Sotern&amp;amp;action=edit" class="new" title="Philipp Christoph von Sotern"&gt;Philipp Christoph von Sotern&lt;/span&gt; 1623–&lt;span href="/wiki/1652" title="1652"&gt;52&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Karl_Kaspar_von_der_Leyen&amp;amp;action=edit" class="new" title="Karl Kaspar von der Leyen"&gt;Karl Kaspar von der Leyen&lt;/span&gt; 1652–&lt;span href="/wiki/1676" title="1676"&gt;76&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Johann_Hugo_von_Orsbeck&amp;amp;action=edit" class="new" title="Johann Hugo von Orsbeck"&gt;Johann Hugo von Orsbeck&lt;/span&gt; 1676–&lt;span href="/wiki/1711" title="1711"&gt;1711&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Charles_Joseph_of_Lorraine" title="Charles Joseph of Lorraine"&gt;Charles Joseph of Lorraine&lt;/span&gt; 1711–&lt;span href="/wiki/1715" title="1715"&gt;15&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Franz_Ludwig_of_Palatinate-Neuburg" title="Franz Ludwig of Palatinate-Neuburg"&gt;Franz Ludwig of Palatinate-Neuburg&lt;/span&gt; &lt;span href="/wiki/1716" title="1716"&gt;1716&lt;/span&gt;–&lt;span href="/wiki/1729" title="1729"&gt;29&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Franz_Georg_von_Sch%C3%B6nborn-Buchheim" title="Franz Georg von Schönborn-Buchheim"&gt;Franz Georg von Schönborn-Buchheim&lt;/span&gt; 1729–&lt;span href="/wiki/1756" title="1756"&gt;56&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Johann_Philipp_von_Walderdorf" title="Johann Philipp von Walderdorf"&gt;Johann Philipp von Walderdorf&lt;/span&gt; 1756–&lt;span href="/wiki/1768" title="1768"&gt;68&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Clemens_Wenzel_of_Saxony" title="Clemens Wenzel of Saxony"&gt;Clemens Wenzel of Saxony&lt;/span&gt; 1768–&lt;span href="/wiki/1803" title="1803"&gt;1803&lt;/span&gt;   &lt;b&gt; Archbishop-Electors of Trier, 1189–1803&lt;/b&gt;&lt;br /&gt;  &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Charles_Mannay&amp;amp;action=edit" class="new" title="Charles Mannay"&gt;Charles Mannay&lt;/span&gt; &lt;span href="/wiki/1802" title="1802"&gt;1802&lt;/span&gt;–&lt;span href="/wiki/1816" title="1816"&gt;16&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Josef_von_Hommer&amp;amp;action=edit" class="new" title="Josef von Hommer"&gt;Josef von Hommer&lt;/span&gt; &lt;span href="/wiki/1824" title="1824"&gt;1824&lt;/span&gt;–&lt;span href="/wiki/1836" title="1836"&gt;36&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Wilhelm_Arnoldi&amp;amp;action=edit" class="new" title="Wilhelm Arnoldi"&gt;Wilhelm Arnoldi&lt;/span&gt; &lt;span href="/wiki/1842" title="1842"&gt;1842&lt;/span&gt;–&lt;span href="/wiki/1864" title="1864"&gt;64&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Leopold_Pelldram&amp;amp;action=edit" class="new" title="Leopold Pelldram"&gt;Leopold Pelldram&lt;/span&gt; 1864–&lt;span href="/wiki/1867" title="1867"&gt;67&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Matthias_Eberhard&amp;amp;action=edit" class="new" title="Matthias Eberhard"&gt;Matthias Eberhard&lt;/span&gt; 1867–&lt;span href="/wiki/1876" title="1876"&gt;76&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Michael_Felix_Korum&amp;amp;action=edit" class="new" title="Michael Felix Korum"&gt;Michael Felix Korum&lt;/span&gt; &lt;span href="/wiki/1881" title="1881"&gt;1881&lt;/span&gt;–&lt;span href="/wiki/1921" title="1921"&gt;1921&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Franz_Rudolf_Bornewasser&amp;amp;action=edit" class="new" title="Franz Rudolf Bornewasser"&gt;Franz Rudolf Bornewasser&lt;/span&gt; &lt;span href="/wiki/1922" title="1922"&gt;1922&lt;/span&gt;–&lt;span href="/wiki/1951" title="1951"&gt;51&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Matthias_Wehr&amp;amp;action=edit" class="new" title="Matthias Wehr"&gt;Matthias Wehr&lt;/span&gt; 1951–&lt;span href="/wiki/1966" title="1966"&gt;66&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Bernhard_Stein&amp;amp;action=edit" class="new" title="Bernhard Stein"&gt;Bernhard Stein&lt;/span&gt; &lt;span href="/wiki/1967" title="1967"&gt;1967&lt;/span&gt;–&lt;span href="/wiki/1980" title="1980"&gt;80&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Hermann_Josef_Spital&amp;amp;action=edit" class="new" title="Hermann Josef Spital"&gt;Hermann Josef Spital&lt;/span&gt; &lt;span href="/wiki/1981" title="1981"&gt;1981&lt;/span&gt;–&lt;span href="/wiki/2001" title="2001"&gt;2001&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Reinhard_Marx&amp;amp;action=edit" class="new" title="Reinhard Marx"&gt;Reinhard Marx&lt;/span&gt; &lt;span href="/wiki/2001" title="2001"&gt;2001&lt;/span&gt;–&lt;i&gt;present&lt;/i&gt; &lt;img src="http://www.wilsonsalmanac.com/images1/peter_hermit1.jpg"  alt="Saint Auspicius"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; Notes&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/History_of_Trier" title="History of Trier"&gt;History of Trier&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-2610172597445978029?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/2610172597445978029/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=2610172597445978029' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2610172597445978029'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2610172597445978029'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/coat-of-arms-bishopric-and.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3386478565132378827</id><published>2008-04-26T08:27:00.001-07:00</published><updated>2008-04-26T08:27:59.882-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/National_Express_Group" title="National Express Group"&gt;National Express Group&lt;/span&gt;, operators of long-distance coach services in the &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;United Kingdom&lt;/span&gt; under the &lt;i&gt;&lt;span href="/wiki/National_Express" title="National Express"&gt;National Express&lt;/span&gt;&lt;/i&gt; brand, has a fleet of twelve Neoplan Skyliners. On the evening of &lt;span href="/wiki/January_3" title="January 3"&gt;3 January&lt;/span&gt; &lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;, one overturned and crashed on a &lt;span href="/wiki/Interchange_%28road%29" title="Interchange (road)"&gt;slip road&lt;/span&gt; near Heathrow Airport, killing two passengers. The other sixty-five passengers and two staff members were all taken to hospital. National Express Group temporarily withdrew all twelve Skyliners from service on &lt;span href="/wiki/January_5" title="January 5"&gt;5 January&lt;/span&gt; &lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;, pending investigations only reinstating them in late May 2007.&lt;br /&gt; &lt;span name="Products" id="Products"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Accidents&lt;/b&gt;&lt;br /&gt;  &lt;span name="Current" id="Current"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Products&lt;/b&gt;&lt;br /&gt;  &lt;span name="Coaches" id="Coaches"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.chieftain.com/archive/2006/oct/29/bizNeoplan-welding.jpg"  alt="Neoplan"  align="center" style="padding:10px"  /&gt;&lt;img src="http://busexplorer.com/NABus/Images/Archives/xnMartaNeoplanAlt.jpg"  alt="Neoplan"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Current&lt;/b&gt;&lt;br /&gt;  &lt;span name="Buses" id="Buses"&gt;&lt;/span&gt;&lt;br /&gt; Cityliner&lt;br /&gt; &lt;span href="/w/index.php?title=Neoplan_Skyliner&amp;amp;action=edit" class="new" title="Neoplan Skyliner"&gt;Skyliner&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Neoplan_Starliner&amp;amp;action=edit" class="new" title="Neoplan Starliner"&gt;Starliner&lt;/span&gt;&lt;br /&gt; Tourliner&lt;br /&gt; Trendliner   &lt;b&gt; Coaches&lt;/b&gt;&lt;br /&gt;  &lt;span name="Past" id="Past"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Neoplan_Centroliner" title="Neoplan Centroliner"&gt;Centroliner&lt;/span&gt;&lt;br /&gt; Electroliner&lt;br /&gt; Airliner   &lt;b&gt; Buses&lt;/b&gt;&lt;br /&gt;  &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt; Hamburg&lt;br /&gt; &lt;span href="/w/index.php?title=Neoplan_Megaliner&amp;amp;action=edit" class="new" title="Neoplan Megaliner"&gt;Megaliner&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Neoplan_Jumbocruiser" title="Neoplan Jumbocruiser"&gt;Jumbocruiser&lt;/span&gt;&lt;br /&gt; Jetliner&lt;br /&gt; Spaceliner&lt;br /&gt; Metroliner&lt;br /&gt; &lt;span href="/wiki/Neoplan_Transliner" title="Neoplan Transliner"&gt;Transliner&lt;/span&gt;&lt;br /&gt; Euroliner&lt;br /&gt; &lt;span href="/w/index.php?title=Neoplan_Megashuttle&amp;amp;action=edit" class="new" title="Neoplan Megashuttle"&gt;Megashuttle&lt;/span&gt;&lt;br /&gt; Apron   &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Alexander_Dennis" title="Alexander Dennis"&gt;Alexander Dennis&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Ayats" title="Ayats"&gt;Ayats&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Berkhof" title="Berkhof"&gt;Berkhof&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/VDL_Bova" title="VDL Bova"&gt;Bova&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Irizar" title="Irizar"&gt;Irizar&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Jonckheere" title="Jonckheere"&gt;Jonckheere&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Marcopolo_S.A." title="Marcopolo S.A."&gt;Marcopolo&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Plaxton" title="Plaxton"&gt;Plaxton&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Setra" title="Setra"&gt;Setra&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/TEMSA" title="TEMSA"&gt;TEMSA&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Van_Hool" title="Van Hool"&gt;Van Hool&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Wrightbus" title="Wrightbus"&gt;Wrightbus&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3386478565132378827?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3386478565132378827/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3386478565132378827' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3386478565132378827'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3386478565132378827'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/history-national-express-group.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3517442981640787500</id><published>2008-04-25T09:57:00.001-07:00</published><updated>2008-04-25T09:57:21.878-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;BG Group Plc&lt;/b&gt; (&lt;span href="/wiki/London_Stock_Exchange" title="London Stock Exchange"&gt;LSE&lt;/span&gt;:&amp;#160;&lt;span href="http://www.londonstockexchange.com/en-gb/pricesnews/prices/Trigger/genericsearch.htm?bsg=true&amp;amp;ns=BG." class="external text" title="http://www.londonstockexchange.com/en-gb/pricesnews/prices/Trigger/genericsearch.htm?bsg=true&amp;amp;ns=BG." rel="nofollow"&gt;BG.&lt;/span&gt;) is an energy production and distribution company which has its headquarters in &lt;span href="/wiki/Reading%2C_Berkshire" title="Reading, Berkshire"&gt;Reading&lt;/span&gt; outside &lt;span href="/wiki/London" title="London"&gt;London&lt;/span&gt;, &lt;span href="/wiki/England" title="England"&gt;England&lt;/span&gt;. The company was created in 1997 when &lt;span href="/wiki/British_Gas_plc" title="British Gas plc"&gt;British Gas plc&lt;/span&gt; divested &lt;span href="/wiki/Centrica_plc" title="Centrica plc"&gt;Centrica plc&lt;/span&gt; and became &lt;b&gt;BG plc&lt;/b&gt;, which was reorganised in 1999 as BG Group plc. BG Group has use of the trading name "British Gas" outside the United Kingdom; Centrica owns the rights to use it within the UK.&lt;br /&gt; &lt;span name="History" id="History"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.discover-bulgaria.com/picturesw/pic35.bmp"  alt="BG Group"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Activities&lt;/b&gt;&lt;br /&gt;  &lt;span name="Board_of_Directors" id="Board_of_Directors"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Board of Directors&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3517442981640787500?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3517442981640787500/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3517442981640787500' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3517442981640787500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3517442981640787500'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/bg-group-plc-lse-bg.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-1701026593141420583</id><published>2008-04-24T08:34:00.000-07:00</published><updated>2008-04-24T11:32:36.632-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Carl Thomas Rowan&lt;/b&gt; (&lt;span href="/wiki/August_11" title="August 11"&gt;August 11&lt;/span&gt;, &lt;span href="/wiki/1925" title="1925"&gt;1925&lt;/span&gt; - &lt;span href="/wiki/September_23" title="September 23"&gt;September 23&lt;/span&gt;, &lt;span href="/wiki/2000" title="2000"&gt;2000&lt;/span&gt;), was an &lt;span href="/wiki/African_American" title="African American"&gt;African American&lt;/span&gt; public servant, journalist and author. Rowan was a nationally-syndicated op-ed columnist for the &lt;i&gt;&lt;span href="/wiki/Washington_Post" title="Washington Post"&gt;Washington Post&lt;/span&gt;&lt;/i&gt; and the &lt;i&gt;&lt;span href="/wiki/Chicago_Sun-Times" title="Chicago Sun-Times"&gt;Chicago Sun-Times&lt;/span&gt;.&lt;/i&gt; He was one of the most prominent black journalists of the 20th century.&lt;br /&gt; &lt;span name="Background" id="Background"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.voanews.com/specialenglish/images/Carl-Rowan_oberlin_edu.3.jpg"  alt="Carl Rowan"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; Controversy&lt;/b&gt;&lt;br /&gt;  &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;South of Freedom&lt;/i&gt; (1952)&lt;br /&gt; &lt;i&gt;The Pitiful and the Proud&lt;/i&gt; (1956)&lt;br /&gt; &lt;i&gt;Go South to Sorrow&lt;/i&gt; (1957)&lt;br /&gt; &lt;i&gt;Wait till Next Year: The Life Story of Jackie Robinson&lt;/i&gt; (1960)&lt;br /&gt; &lt;i&gt;Just Between Us Blacks&lt;/i&gt; (1974)&lt;br /&gt; &lt;i&gt;Breaking Barriers: A Memoir&lt;/i&gt; (1991)&lt;br /&gt; &lt;i&gt;Growing up Black: From The Slave Days to the Present - 25 African-Americans Reveal the Trials and Triumphs of Their Childhoods&lt;/i&gt; (contributor, 1992)&lt;br /&gt; &lt;i&gt;Dream Makers, Dream Breakers: The World of Justice Thurgood Marshall&lt;/i&gt; (1993)&lt;br /&gt; &lt;i&gt;The Coming Race War in America: A Wake-Up Call&lt;/i&gt; (1996)  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-1701026593141420583?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/1701026593141420583/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=1701026593141420583' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1701026593141420583'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1701026593141420583'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/carl-thomas-rowan-august-11-1925.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-2519067585868429881</id><published>2008-04-23T09:09:00.001-07:00</published><updated>2008-04-23T09:09:32.679-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Duncan Fegredo&lt;/b&gt; is a &lt;span href="/wiki/Comic_book_artist" title="Comic book artist"&gt;comic book artist&lt;/span&gt; born in &lt;span href="/wiki/Leicester" title="Leicester"&gt;Leicester&lt;/span&gt; in &lt;span href="/wiki/1968" title="1968"&gt;1968&lt;/span&gt;.&lt;br /&gt; &lt;span name="Biography" id="Biography"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.stumblebumstudios.com/images/features/Hellboy_Darkness_Promo_small.jpg"  alt="Duncan Fegredo"  align="center" style="padding:10px"  /&gt;&lt;img src="http://namtab.com/aquablog/fregredo.gif"  alt="Duncan Fegredo"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Biography&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/New_Statesmen_%28comic%29" title="New Statesmen (comic)"&gt;New Statesmen&lt;/span&gt;&lt;/i&gt; (with &lt;span href="/wiki/John_Smith_%28comics%29" title="John Smith (comics)"&gt;John Smith&lt;/span&gt;):&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;"Where the railroad meets the sea" (in &lt;i&gt;&lt;span href="/wiki/Crisis_%28comic%29" title="Crisis (comic)"&gt;Crisis&lt;/span&gt;&lt;/i&gt; #7, 1988)&lt;br /&gt; "Memories on Ice" (in &lt;i&gt;&lt;span href="/wiki/Crisis_%28comic%29" title="Crisis (comic)"&gt;Crisis&lt;/span&gt;&lt;/i&gt; #8, 1988)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Third_World_War_%28comics%29&amp;amp;action=edit" class="new" title="Third World War (comics)"&gt;Third World War&lt;/span&gt;&lt;/i&gt; (with &lt;span href="/wiki/Pat_Mills" title="Pat Mills"&gt;Pat Mills&lt;/span&gt;):&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;"Liats law" (in &lt;i&gt;&lt;span href="/wiki/Crisis_%28comic%29" title="Crisis (comic)"&gt;Crisis&lt;/span&gt;&lt;/i&gt; #19, 1989)&lt;br /&gt; "Liats law II" (in &lt;i&gt;&lt;span href="/wiki/Crisis_%28comic%29" title="Crisis (comic)"&gt;Crisis&lt;/span&gt;&lt;/i&gt; #26, 1989)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Kid_Eternity" title="Kid Eternity"&gt;Kid Eternity&lt;/span&gt;&lt;/i&gt; (with &lt;span href="/wiki/Grant_Morrison" title="Grant Morrison"&gt;Grant Morrison&lt;/span&gt;, &lt;span href="/wiki/Vertigo_Comics" title="Vertigo Comics"&gt;Vertigo&lt;/span&gt;, 3-issue mini-series, 1991, tpb, 2006 &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=1401209335" class="internal"&gt;ISBN 1-4012-0933-5&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Enigma_%28comic%29" title="Enigma (comic)"&gt;Enigma&lt;/span&gt;&lt;/i&gt; (with &lt;span href="/wiki/Peter_Milligan" title="Peter Milligan"&gt;Peter Milligan&lt;/span&gt;, DC, 1993, tpb, 1995)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Judge_Dredd" title="Judge Dredd"&gt;Judge Dredd&lt;/span&gt;&lt;/i&gt; (with &lt;span href="/wiki/John_Wagner" title="John Wagner"&gt;John Wagner&lt;/span&gt;):&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;"Dead Ringer" (in &lt;i&gt;&lt;span href="/wiki/Judge_Dredd_Megazine" title="Judge Dredd Megazine"&gt;Judge Dredd Megazine&lt;/span&gt;&lt;/i&gt; #3.64, 2000)&lt;br /&gt; "The Bad Juve (in &lt;i&gt;2000 AD&lt;/i&gt; #1227, 2001)&lt;br /&gt; "The Runner" (in &lt;i&gt;2000 AD&lt;/i&gt; #1240. 2001)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Hellboy" title="Hellboy"&gt;Hellboy&lt;/span&gt;&lt;/i&gt; "Darkness Calls" (upcoming)  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-2519067585868429881?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/2519067585868429881/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=2519067585868429881' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2519067585868429881'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2519067585868429881'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/duncan-fegredo-is-comic-book-artist.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-2897189749463225502</id><published>2008-04-22T09:21:00.001-07:00</published><updated>2008-04-22T09:21:53.218-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://ecx.images-amazon.com/images/I/21DXFE7B2QL._SS160_.jpg"  alt="How to Talk to a Liberal (If You Must)"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;How to Talk to a Liberal (If You Must)&lt;/b&gt; is a 2004 book by &lt;span href="/wiki/Author" title="Author"&gt;author&lt;/span&gt; &lt;span href="/wiki/Ann_Coulter" title="Ann Coulter"&gt;Ann Coulter&lt;/span&gt;.&lt;br /&gt; &lt;span name="Description" id="Description"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Description&lt;/b&gt;&lt;br /&gt;  The book is a collection of columns written by Coulter between &lt;span href="/wiki/September_12" title="September 12"&gt;September 12&lt;/span&gt;, &lt;span href="/wiki/2001" title="2001"&gt;2001&lt;/span&gt; and &lt;span href="/wiki/March_9" title="March 9"&gt;March 9&lt;/span&gt;, &lt;span href="/wiki/2005" title="2005"&gt;2005&lt;/span&gt; on &lt;span href="/wiki/Liberalism" title="Liberalism"&gt;liberalism&lt;/span&gt;, the &lt;span href="/wiki/War_on_terror" title="War on terror"&gt;war on terror&lt;/span&gt;, and the &lt;span href="/wiki/Mass_media" title="Mass media"&gt;media&lt;/span&gt;.&lt;br /&gt; In it, Coulter offers advice gleaned from her experience as a political &lt;span href="/wiki/Pundit_%28politics%29" title="Pundit (politics)"&gt;pundit&lt;/span&gt;. She attacks the &lt;i&gt;&lt;span href="/wiki/New_York_Times" title="New York Times"&gt;New York Times&lt;/span&gt;&lt;/i&gt; and the &lt;span href="/wiki/Democratic_Party_%28United_States%29" title="Democratic Party (United States)"&gt;Democratic Party&lt;/span&gt;, and sums up her opinion of liberals in two sentences: "Want to make liberals angry? Defend the United States." In arguing with liberals, she advises, "don't be defensive", "always outrage the enemy", and "never apologize to, compliment, or show graciousness to a Democrat".&lt;br /&gt; The book was on the &lt;span href="/wiki/New_York_Times_Bestseller_list" title="New York Times Bestseller list"&gt;New York Times Bestseller list&lt;/span&gt; for 17 weeks.&lt;br /&gt; &lt;span name="Links" id="Links"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-2897189749463225502?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/2897189749463225502/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=2897189749463225502' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2897189749463225502'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2897189749463225502'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/how-to-talk-to-liberal-if-you-must-is.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-8027308132376008860</id><published>2008-04-21T08:17:00.001-07:00</published><updated>2008-04-21T08:17:24.527-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;For the &lt;span href="/wiki/United_States" title="United States"&gt;United States&lt;/span&gt; &lt;span href="/wiki/United_States_Department_of_Agriculture" title="United States Department of Agriculture"&gt;Department of Agriculture's&lt;/span&gt; nutritional program with a similar name, see &lt;span href="/wiki/Child_and_Adult_Care_Food_Program" title="Child and Adult Care Food Program"&gt;Child and Adult Care Food Program&lt;/span&gt;.&lt;/i&gt;&lt;br /&gt; &lt;b&gt;Childcare&lt;/b&gt; (also written &lt;b&gt;child care&lt;/b&gt; and babycare) is the act of caring for and supervising &lt;span href="/wiki/Minor_%28law%29" title="Minor (law)"&gt;minor&lt;/span&gt; &lt;span href="/wiki/Child" title="Child"&gt;children&lt;/span&gt;. (In Australia, &lt;span href="/wiki/Daycare" title="Daycare"&gt;daycare&lt;/span&gt; is referred to as "childcare"—cf.)&lt;br /&gt; &lt;span name="Childcare_roles" id="Childcare_roles"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://wwwstatic.kern.org/images/News/childcare04022.jpg"  alt="Childcare"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; The childcare debate&lt;/b&gt;&lt;br /&gt;  In many families (and almost exclusively so in some communities), the childcare role is taken on by the &lt;span href="/wiki/Extended_family" title="Extended family"&gt;extended family&lt;/span&gt;. One of the challenges for parents who choose to use other sources of childcare is finding and affording qualified providers.&lt;br /&gt; Some jurisdictions require licensing or certification. Parents may also turn to independent rating services, or rely on recommendations and referrals. Some places develop voluntary quality networks, for example in Australia most childcare services are part of the national Quality Assurance system which ensures they provide good developmental programs.&lt;br /&gt; Many organizations (in the developed world) campaign for free or subsidized childcare for all. Others campaign for tax breaks or allowances to allow parents a non-finance driven choice. Many of the free or subsidized childcare programs in the United States are also Child Development programs, or after school programs which hire certified teachers to teach the children while they are in their care.&lt;br /&gt; Most countries have laws relating to childcare, which seek to prevent and punish &lt;span href="/wiki/Child_abuse" title="Child abuse"&gt;child abuse&lt;/span&gt;. Such laws may add cost and complexity to childcare provision and may provide tools to help ensure quality childcare.&lt;br /&gt; &lt;span name="Finding_childcare_providers_online" id="Finding_childcare_providers_online"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The challenge of childcare&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Internet" title="Internet"&gt;Internet&lt;/span&gt; has become a tool for parents and childcare providers to connect.&lt;br /&gt; Online classified ads allow parents to post job offers and childcare providers to post resumes in hopes of connecting with each other via cyberspace. Such postings allow anyone to post almost anything at any time with little monitoring. Services dedicated to matching parents and childcare providers have evolved from for-profit, nonprofit and governmental organizations. Such services generally offer greater screening, than general listing services.&lt;br /&gt; &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Notes&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Babysitter" title="Babysitter"&gt;Babysitter&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Daycare" title="Daycare"&gt;Daycare&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Infant#Care_and_feeding" title="Infant"&gt;Care and feeding of an infant&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Wood_kindergarten" title="Wood kindergarten"&gt;Wood kindergarten&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-8027308132376008860?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/8027308132376008860/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=8027308132376008860' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8027308132376008860'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8027308132376008860'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/for-united-states-department-of.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-8119998429789865260</id><published>2008-04-20T09:44:00.001-07:00</published><updated>2008-04-20T09:44:01.681-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Ohio Turnpike&lt;/b&gt; (officially the &lt;b&gt;&lt;span href="/wiki/James_W._Shocknessy" title="James W. Shocknessy"&gt;James W. Shocknessy&lt;/span&gt; Ohio Turnpike&lt;/b&gt;) is a 241.26&amp;#160;&lt;span href="/wiki/Mile" title="Mile"&gt;mi&lt;/span&gt; (388.27&amp;#160;&lt;span href="/wiki/Kilometre" title="Kilometre"&gt;km&lt;/span&gt;)-long, &lt;span href="/wiki/Limited-access" title="Limited-access"&gt;limited-access&lt;/span&gt; &lt;span href="/wiki/Toll_road" title="Toll road"&gt;toll highway&lt;/span&gt; in the &lt;span href="/wiki/U.S._state" title="U.S. state"&gt;U.S. state&lt;/span&gt; of &lt;span href="/wiki/Ohio" title="Ohio"&gt;Ohio&lt;/span&gt;, serving as a primary corridor to &lt;span href="/wiki/Chicago%2C_Illinois" title="Chicago, Illinois"&gt;Chicago&lt;/span&gt; and &lt;span href="/wiki/Pittsburgh%2C_Pennsylvania" title="Pittsburgh, Pennsylvania"&gt;Pittsburgh&lt;/span&gt;. The road runs east-west in the northern section of the state, from the &lt;span href="/wiki/Indiana_Toll_Road" title="Indiana Toll Road"&gt;Indiana Toll Road&lt;/span&gt; (at the &lt;span href="/wiki/Indiana" title="Indiana"&gt;Indiana&lt;/span&gt;-Ohio border near &lt;span href="/wiki/Montpelier%2C_Ohio" title="Montpelier, Ohio"&gt;Montpelier&lt;/span&gt;) to the &lt;span href="/wiki/Pennsylvania_Turnpike" title="Pennsylvania Turnpike"&gt;Pennsylvania Turnpike&lt;/span&gt; (at the Ohio-&lt;span href="/wiki/Pennsylvania" title="Pennsylvania"&gt;Pennsylvania&lt;/span&gt; border near &lt;span href="/wiki/Petersburg%2C_Ohio" title="Petersburg, Ohio"&gt;Petersburg&lt;/span&gt;).&lt;br /&gt; Built from 1949 to 1955, construction for the roadway was completed a year prior to the &lt;span href="/wiki/Interstate_Highway_System" title="Interstate Highway System"&gt;Interstate Highway System&lt;/span&gt;. The modern Ohio Turnpike is signed as three interstate numbers: &lt;span href="/wiki/Interstate_76_%28Ohio%29" title="Interstate 76 (Ohio)"&gt;I-76&lt;/span&gt;, &lt;span href="/wiki/Interstate_80_%28Ohio%29" title="Interstate 80 (Ohio)"&gt;I-80&lt;/span&gt;, and &lt;span href="/wiki/Interstate_90_%28Ohio%29" title="Interstate 90 (Ohio)"&gt;I-90&lt;/span&gt;.&lt;br /&gt; The road is owned and maintained by the Ohio Turnpike Commission, headquartered in &lt;span href="/wiki/Berea%2C_Ohio" title="Berea, Ohio"&gt;Berea&lt;/span&gt;.&lt;br /&gt; &lt;span name="History" id="History"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  The Ohio Turnpike has had &lt;span href="/wiki/Service_area" title="Service area"&gt;service plazas&lt;/span&gt; since its inception. Service plazas differ from typical freeway rest areas in that they offer amenities such as 24-hour food and fuel service, which means motorists do not have to pay the toll to exit, then re-enter when they have to re-fuel or stop to eat.&lt;br /&gt; Beginning in 1998, The Ohio Turnpike Commission began modernizing its service plazas, first demolishing the original plazas and then reconstructing them from the ground-up. In addition to modern restrooms, the new plazas offer several &lt;span href="/wiki/Fast_food" title="Fast food"&gt;fast food&lt;/span&gt; choices, which vary between the plazas. They also include &lt;span href="/wiki/Automated_teller_machine" title="Automated teller machine"&gt;ATMs&lt;/span&gt;, gift shops, travel information counters, &lt;span href="/wiki/Wi-Fi" title="Wi-Fi"&gt;Wi-Fi&lt;/span&gt; internet access, and facilities for &lt;span href="/wiki/Truck_drivers" title="Truck drivers"&gt;truck drivers&lt;/span&gt;, including shower facilities, lounge, and laundry areas. A &lt;span href="/wiki/Fueling_station" title="Fueling station"&gt;fueling station&lt;/span&gt; is provided at each plaza. Facilities for overnight &lt;span href="/wiki/RV" title="RV"&gt;RV&lt;/span&gt; &lt;span href="/wiki/Travel_trailer" title="Travel trailer"&gt;campers&lt;/span&gt; are provided at the service plazas located at mile markers 76, 139, and 197.&lt;br /&gt; &lt;span name="Law_enforcement" id="Law_enforcement"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Service Plazas&lt;/b&gt;&lt;br /&gt;  Since the turnpike opened, the Ohio Turnpike Commission has contracted with the &lt;span href="/wiki/Ohio_State_Highway_Patrol" title="Ohio State Highway Patrol"&gt;Ohio State Highway Patrol&lt;/span&gt; (District 10) to provide law enforcement, as well as assistance to disabled or stranded motorists. The Patrol is the only law enforcement agency with jurisdiction on the turnpike. It monitors &lt;span href="/wiki/Citizen%27s_Band" title="Citizen's Band"&gt;Citizen's Band&lt;/span&gt; channel 9 for distress calls.&lt;br /&gt; &lt;span name="Truck_speed_limit" id="Truck_speed_limit"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Law enforcement&lt;/b&gt;&lt;br /&gt;  In September 2004, the &lt;span href="/wiki/Speed_limit" title="Speed limit"&gt;speed limit&lt;/span&gt; for heavy trucks was raised to 65 mph (105 km/h), creating a uniform speed limit for all traffic. For years, trucks had avoided the turnpike due to large toll increases in the &lt;span href="/wiki/1990s" title="1990s"&gt;1990s&lt;/span&gt;, and because they could travel for free at the same speed on parallel highways such as &lt;span href="/wiki/Ohio_State_Route_2" title="Ohio State Route 2"&gt;State Route 2&lt;/span&gt; and &lt;span href="/wiki/US_20" title="US 20"&gt;US 20&lt;/span&gt;. Truck traffic clogged the downtown shopping areas of US 20 towns such as &lt;span href="/wiki/Bellevue%2C_Ohio" title="Bellevue, Ohio"&gt;Bellevue&lt;/span&gt;, &lt;span href="/wiki/Clyde%2C_Ohio" title="Clyde, Ohio"&gt;Clyde&lt;/span&gt;, and &lt;span href="/wiki/Fremont%2C_Ohio" title="Fremont, Ohio"&gt;Fremont&lt;/span&gt;, essentially driving away customers who didn't want to deal with the truck traffic; shopkeepers begged the state for relief for years.&lt;br /&gt; Eventually, after prodding by &lt;span href="/wiki/Bob_Taft" title="Bob Taft"&gt;Governor Bob Taft&lt;/span&gt;, the Ohio Turnpike Commission lowered truck tolls and implemented the uniform 65-mph speed limit on September 8, 2004. Truck traffic levels on the turnpike are estimated to be 20% higher since the change was made. The turnpike's 65-mph truck speed limit is unique in Ohio, as a 55-mph statutory speed limit applies to trucks on every other highway in the state.&lt;br /&gt; &lt;span name="Proposed_leasing" id="Proposed_leasing"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Proposed leasing&lt;/b&gt;&lt;br /&gt;  Tolls are based upon the distance traveled, as well as the type and weight of vehicle driven. &lt;span href="/wiki/As_of_January_2007" title="As of January 2007"&gt;As of January 2007&lt;/span&gt;, the toll for a typical non-commercial passenger vehicle to travel the entire turnpike is $10.25. The system is expected to be fully functional by 2009.&lt;br /&gt; &lt;span name="Exit_list" id="Exit_list"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.thepostcard.com/walt/state/oh/oh532.gif"  alt="Ohio Turnpike"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; Exit list&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Interstate_76_in_Ohio" title="Interstate 76 in Ohio"&gt;Interstate 76 in Ohio&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Interstate_80_in_Ohio" title="Interstate 80 in Ohio"&gt;Interstate 80 in Ohio&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Interstate_90_in_Ohio" title="Interstate 90 in Ohio"&gt;Interstate 90 in Ohio&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-8119998429789865260?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/8119998429789865260/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=8119998429789865260' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8119998429789865260'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8119998429789865260'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/ohio-turnpike-officially-james-w.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-8591173026459825802</id><published>2008-04-19T09:06:00.001-07:00</published><updated>2008-04-19T09:06:58.035-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://co.livingston.mi.us/airport/images/VICINITY_MAP_small1.gif"  alt="Livingston County, Michigan"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Livingston County&lt;/b&gt; is a &lt;span href="/wiki/Counties_of_the_United_States" title="Counties of the United States"&gt;county&lt;/span&gt; in the &lt;span href="/wiki/U.S._state" title="U.S. state"&gt;U.S. state&lt;/span&gt; of &lt;span href="/wiki/Michigan" title="Michigan"&gt;Michigan&lt;/span&gt;, and is part of the Detroit-Warren-Livonia &lt;span href="/wiki/Metropolitan_Statistical_Area" title="Metropolitan Statistical Area"&gt;Metropolitan Statistical Area&lt;/span&gt;. As of the &lt;span href="/wiki/United_States_2000_Census" title="United States 2000 Census"&gt;2000 census&lt;/span&gt;, the population was 156,951, with a 2003 Census estimate placing the population at 181,517. The &lt;span href="/wiki/County_seat" title="County seat"&gt;county seat&lt;/span&gt; and most populous incorporated city is &lt;span href="/wiki/Howell%2C_Michigan" title="Howell, Michigan"&gt;Howell&lt;/span&gt;&lt;span href="/wiki/Geographic_references" title="Geographic references"&gt;&lt;/span&gt;. As one of Michigan's "&lt;span href="/wiki/Cabinet_counties" title="Cabinet counties"&gt;Cabinet counties&lt;/span&gt;", a group of counties whose names honor members of &lt;span href="/wiki/President_of_the_United_States" title="President of the United States"&gt;President&lt;/span&gt; Andrew Jackson's Cabinet, it is named after former &lt;span href="/wiki/United_States_Secretary_of_State" title="United States Secretary of State"&gt;U.S. Secretary of State&lt;/span&gt; &lt;span href="/wiki/Edward_Livingston" title="Edward Livingston"&gt;Edward Livingston&lt;/span&gt;.&lt;br /&gt; &lt;span name="Geography" id="Geography"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Geography&lt;/b&gt;&lt;br /&gt;  &lt;span name="Demographics" id="Demographics"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Genesee_County%2C_Michigan" title="Genesee County, Michigan"&gt;Genesee County&lt;/span&gt; (northeast)&lt;br /&gt; &lt;span href="/wiki/Shiawassee_County%2C_Michigan" title="Shiawassee County, Michigan"&gt;Shiawassee County&lt;/span&gt; (northwest)&lt;br /&gt; &lt;span href="/wiki/Washtenaw_County%2C_Michigan" title="Washtenaw County, Michigan"&gt;Washtenaw County&lt;/span&gt; (south)&lt;br /&gt; &lt;span href="/wiki/Oakland_County%2C_Michigan" title="Oakland County, Michigan"&gt;Oakland County&lt;/span&gt; (east)&lt;br /&gt; &lt;span href="/wiki/Ingham_County%2C_Michigan" title="Ingham County, Michigan"&gt;Ingham County&lt;/span&gt; (west)&lt;br /&gt; &lt;span href="/wiki/Jackson_County%2C_Michigan" title="Jackson County, Michigan"&gt;Jackson County&lt;/span&gt; (southwest) &lt;img src="http://www.sciclean.com/images/map.jpg"  alt="Livingston County, Michigan"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Adjacent counties&lt;/b&gt;&lt;br /&gt;  As of the &lt;span href="/wiki/Census" title="Census"&gt;census&lt;/span&gt;&lt;span href="/wiki/Geographic_references#2" title="Geographic references"&gt;²&lt;/span&gt; of 2000, there were 156,951 people, 55,384 households, and 43,531 families residing in the county. The &lt;span href="/wiki/Population_density" title="Population density"&gt;population density&lt;/span&gt; was 107/km² (276/mi²). There were 58,919 housing units at an average density of 40/km² (104/mi²). The racial makeup of the county was 97.13% &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;White&lt;/span&gt;, 0.46% &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;Black&lt;/span&gt; or &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;African American&lt;/span&gt;, 0.43% &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;Native American&lt;/span&gt;, 0.57% &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;Asian&lt;/span&gt;, 0.03% &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;Pacific Islander&lt;/span&gt;, 0.32% from &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;other races&lt;/span&gt;, and 1.06% from two or more races. 1.24% of the population were &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;Hispanic&lt;/span&gt; or &lt;span href="/wiki/Race_%28United_States_Census%29" title="Race (United States Census)"&gt;Latino&lt;/span&gt; of any race. 96.8% spoke &lt;span href="/wiki/English_language" title="English language"&gt;English&lt;/span&gt; and 1.1% &lt;span href="/wiki/Spanish_language" title="Spanish language"&gt;Spanish&lt;/span&gt; as their first language.&lt;br /&gt; There were 55,384 households out of which 39.80% had children under the age of 18 living with them, 68.50% were &lt;span href="/wiki/Marriage" title="Marriage"&gt;married couples&lt;/span&gt; living together, 6.80% had a female householder with no husband present, and 21.40% were non-families. 17.10% of all households were made up of individuals and 5.40% had someone living alone who was 65 years of age or older. The average household size was 2.80 and the average family size was 3.18.&lt;br /&gt; In the county the population was spread out with 28.80% under the age of 18, 6.60% from 18 to 24, 31.70% from 25 to 44, 24.60% from 45 to 64, and 8.30% who were 65 years of age or older. The median age was 36 years. For every 100 females there were 102.10 males. For every 100 females age 18 and over, there were 99.70 males.&lt;br /&gt; With a median household income of $67,400, and a median family income of $75,284, Livingston county is one of the &lt;span href="/wiki/Highest-income_counties_in_the_United_States" title="Highest-income counties in the United States"&gt;Highest-income counties in the United States&lt;/span&gt;. Males had a median income of $54,358 versus $32,073 for females. The &lt;span href="/wiki/Per_capita_income" title="Per capita income"&gt;per capita income&lt;/span&gt; for the county was $28,069. About 2.40% of families and 3.40% of the population were below the &lt;span href="/wiki/Poverty_line" title="Poverty line"&gt;poverty line&lt;/span&gt;, including 3.60% of those under age 18 and 4.50% of those age 65 or over.&lt;br /&gt; Livingston County has been the fastest growing county in the state for the past decade and also through the 1970s. More than 50% of all the population of Livingston County is located in the southeastern communities of Brighton Township, Genoa Township, Hamburg Township, Green Oak Township, the Village of Pinckney, Putnam Township and the City of Brighton.&lt;br /&gt; The US Census Bureau in 2000 identified Brighton, Howell, and the nearby city of &lt;span href="/wiki/South_Lyon%2C_Michigan" title="South Lyon, Michigan"&gt;South Lyon&lt;/span&gt; to be a contiguous, urbanized area, one of the newest such areas in the United States.&lt;br /&gt; By 2006 the county population had grown 17.6% to 184,511. Livingston County is the fastest-growing county in Michigan.&lt;br /&gt; In 2006, non-Hispanic whites made up 95.7% of the county population; African-Americans made up 0.7%; Asians 0.8%; and Native Americans 0.4%. Hispanics were 1.6% of the population.&lt;br /&gt; &lt;span name="Location" id="Location"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Location&lt;/b&gt;&lt;br /&gt;  There are two local newspapers, &lt;i&gt;The Livingston Community News&lt;/i&gt;, a relatively new free weekly that is part of the Booth newspaper chain (which also owns &lt;i&gt;The Ann Arbor News&lt;/i&gt;), and the &lt;i&gt;The Livingston County Daily Press &amp;amp; Argus&lt;/i&gt;. Published Sunday through Friday, the "Daily Press &amp;amp; Argus" was launched in 2000 through the combination of two weekly newspapers -- &lt;i&gt;The Livingston County Press&lt;/i&gt; and &lt;i&gt;The Brighton Argus&lt;/i&gt; -- which served the communities for many decades. The Web site for the "Daily Press &amp;amp; Argus" was launched in 2005 and is located at www.livingstondaily.com.&lt;br /&gt; Other media in the county includes WHMI-FM, a Classic Hits radio station that has local news on the hour. Local news and other station information is located at www.whmi.com&lt;br /&gt; &lt;span name="Government" id="Government"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Media&lt;/b&gt;&lt;br /&gt;  The county government operates the &lt;span href="/wiki/County_jail" title="County jail"&gt;jail&lt;/span&gt;, maintains rural roads, operates the major local courts, keeps files of deeds and mortgages, maintains &lt;span href="/wiki/Vital_records" title="Vital records"&gt;vital records&lt;/span&gt;, administers &lt;span href="/wiki/Public_health" title="Public health"&gt;public health&lt;/span&gt; regulations, and participates with the state in the provision of welfare and other social services. The &lt;span href="/wiki/County_commission" title="County commission"&gt;county board of commissioners&lt;/span&gt; controls the budget but has only limited authority to make laws or ordinances. In Michigan, most local government functions — police and fire, building and zoning, tax assessment, street maintenance, etc. — are the responsibility of individual cities and townships.&lt;br /&gt; &lt;span name="Livingston_County_elected_officials" id="Livingston_County_elected_officials"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Government&lt;/b&gt;&lt;br /&gt;  &lt;small&gt;(information as of September 2005)&lt;/small&gt;&lt;br /&gt; &lt;span name="Cities.2C_villages.2C_and_townships" id="Cities.2C_villages.2C_and_townships"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Prosecutor" title="Prosecutor"&gt;Prosecuting Attorney&lt;/span&gt;: David L. Morse&lt;br /&gt; &lt;span href="/wiki/Sheriff" title="Sheriff"&gt;Sheriff&lt;/span&gt;: Robert J. Bezotte&lt;br /&gt; &lt;span href="/wiki/County_Clerk" title="County Clerk"&gt;County Clerk&lt;/span&gt;: Margaret M. Dunleavy&lt;br /&gt; &lt;span href="/wiki/Treasurer" title="Treasurer"&gt;County Treasurer&lt;/span&gt;: Dianne H. Hardy&lt;br /&gt; &lt;span href="/wiki/Register_of_Deeds" title="Register of Deeds"&gt;Register of Deeds&lt;/span&gt;: Sally Reynolds&lt;br /&gt; &lt;span href="/wiki/Drain_Commissioner" title="Drain Commissioner"&gt;Drain Commissioner&lt;/span&gt;: Brian Jonckheere   &lt;b&gt; Livingston County elected officials&lt;/b&gt;&lt;br /&gt;  &lt;span name="Cities" id="Cities"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Cities, villages, and townships&lt;/b&gt;&lt;br /&gt;  &lt;span name="Villages" id="Villages"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Brighton%2C_Michigan" title="Brighton, Michigan"&gt;Brighton&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Howell%2C_Michigan" title="Howell, Michigan"&gt;Howell&lt;/span&gt;   &lt;b&gt; Cities&lt;/b&gt;&lt;br /&gt;  &lt;span name="Townships" id="Townships"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Pinckney%2C_Michigan" title="Pinckney, Michigan"&gt;Pinckney&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Fowlerville%2C_Michigan" title="Fowlerville, Michigan"&gt;Fowlerville&lt;/span&gt;   &lt;b&gt; Villages&lt;/b&gt;&lt;br /&gt;  &lt;span name="Census_Designated_Places_.28CDP.29" id="Census_Designated_Places_.28CDP.29"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Brighton_Township%2C_Michigan" title="Brighton Township, Michigan"&gt;Brighton Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Cohoctah_Township%2C_Michigan" title="Cohoctah Township, Michigan"&gt;Cohoctah Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Conway_Township%2C_Michigan" title="Conway Township, Michigan"&gt;Conway Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Deerfield_Township%2C_Livingston_County%2C_Michigan" title="Deerfield Township, Livingston County, Michigan"&gt;Deerfield Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Genoa_Township%2C_Michigan" title="Genoa Township, Michigan"&gt;Genoa Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Green_Oak_Township%2C_Michigan" title="Green Oak Township, Michigan"&gt;Green Oak Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Hamburg_Township%2C_Michigan" title="Hamburg Township, Michigan"&gt;Hamburg Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Handy_Township%2C_Michigan" title="Handy Township, Michigan"&gt;Handy Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Hartland_Township%2C_Michigan" title="Hartland Township, Michigan"&gt;Hartland Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Howell_Township%2C_Michigan" title="Howell Township, Michigan"&gt;Howell Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Iosco_Township%2C_Michigan" title="Iosco Township, Michigan"&gt;Iosco Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Marion_Township%2C_Livingston_County%2C_Michigan" title="Marion Township, Livingston County, Michigan"&gt;Marion Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Oceola_Township%2C_Michigan" title="Oceola Township, Michigan"&gt;Oceola Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Putnam_Township%2C_Michigan" title="Putnam Township, Michigan"&gt;Putnam Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Tyrone_Township%2C_Livingston_County%2C_Michigan" title="Tyrone Township, Livingston County, Michigan"&gt;Tyrone Township&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Unadilla_Township%2C_Michigan" title="Unadilla Township, Michigan"&gt;Unadilla Township&lt;/span&gt;   &lt;b&gt; Census Designated Places (CDP)&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Hell%2C_Michigan" title="Hell, Michigan"&gt;Hell&lt;/span&gt;, &lt;span href="/wiki/Unincorporated_community" title="Unincorporated community"&gt;unincorporated community&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Parshallville%2C_Michigan&amp;amp;action=edit" class="new" title="Parshallville, Michigan"&gt;Parshallville&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Hartland%2C_Michigan" title="Hartland, Michigan"&gt;Hartland&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-8591173026459825802?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/8591173026459825802/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=8591173026459825802' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8591173026459825802'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8591173026459825802'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/livingston-county-is-county-in-u.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-4545839257579146655</id><published>2008-04-18T09:04:00.001-07:00</published><updated>2008-04-18T09:04:11.798-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.historysociety.ca/images/gga-pro-RiRi.gif"  alt="Wilfrid Pelletier"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Wilfrid Pelletier&lt;/b&gt; (&lt;span href="/wiki/June_20" title="June 20"&gt;June 20&lt;/span&gt;, &lt;span href="/wiki/1896" title="1896"&gt;1896&lt;/span&gt; – &lt;span href="/wiki/April_9" title="April 9"&gt;April 9&lt;/span&gt;, &lt;span href="/wiki/1982" title="1982"&gt;1982&lt;/span&gt;) was a &lt;span href="/wiki/Canada" title="Canada"&gt;Canadian&lt;/span&gt; orchestra &lt;span href="/wiki/Conducting" title="Conducting"&gt;conductor&lt;/span&gt;.&lt;br /&gt; In &lt;span href="/wiki/1937" title="1937"&gt;1937&lt;/span&gt;, Pelletier married American opera singer &lt;span href="/wiki/Rose_Bampton" title="Rose Bampton"&gt;Rose Bampton&lt;/span&gt;. In &lt;span href="/wiki/1967" title="1967"&gt;1967&lt;/span&gt;, he was made a Companion of the &lt;span href="/wiki/Order_of_Canada" title="Order of Canada"&gt;Order of Canada&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Place_des_Arts" title="Place des Arts"&gt;Place des Arts&lt;/span&gt;' Salle Wilfrid-Pelletier, the largest multi-purpose concert hall in Canada, was named in his honour in &lt;span href="/wiki/1966" title="1966"&gt;1966&lt;/span&gt;.&lt;br /&gt; In 2002, Wilfrid Pelletier became a MasterWorks honouree for the &lt;span href="/w/index.php?title=Audio-Visual_Preservation_Trust_of_Canada&amp;amp;action=edit" class="new" title="Audio-Visual Preservation Trust of Canada"&gt;Audio-Visual Preservation Trust of Canada&lt;/span&gt;.&lt;br /&gt; &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-4545839257579146655?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/4545839257579146655/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=4545839257579146655' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/4545839257579146655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/4545839257579146655'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/wilfrid-pelletier-june-20-1896-april-9.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-2541825714596101031</id><published>2008-04-17T09:15:00.001-07:00</published><updated>2008-04-17T09:15:49.558-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://upload.wikimedia.org/wikipedia/en/thumb/2/27/BlueBanner.png/125px-BlueBanner.png"  alt="Bishops' Wars"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Bishops' Wars&lt;/b&gt; — &lt;i&gt;Bellum Episcopale&lt;/i&gt; — refers to two armed encounters between &lt;span href="/wiki/Charles_I_of_England" title="Charles I of England"&gt;Charles I&lt;/span&gt; and the Scottish &lt;span href="/wiki/Covenanters" title="Covenanters"&gt;Covenanters&lt;/span&gt; in &lt;span href="/wiki/1639" title="1639"&gt;1639&lt;/span&gt; and &lt;span href="/wiki/1640" title="1640"&gt;1640&lt;/span&gt;, which helped to set the stage for the &lt;span href="/wiki/English_Civil_War" title="English Civil War"&gt;English Civil War&lt;/span&gt; and the subsequent &lt;span href="/wiki/Wars_of_the_Three_Kingdoms" title="Wars of the Three Kingdoms"&gt;Wars of the Three Kingdoms&lt;/span&gt;&lt;br /&gt; &lt;span name="Rise_of_the_Bishops" id="Rise_of_the_Bishops"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Rise of the Bishops&lt;/b&gt;&lt;br /&gt;  For Charles, war with the Scots was a risky strategy. In England he had ruled without Parliament for eleven years and simply did not have the resources for a sustained campaign. Calling a new Parliament was potentially dangerous because of past opposition and current hostility to official policy. Instead the king tried to conjure up a coalition of forces against the Covenanters, to include such armed units he was able to gather in England from his existing resources, the domestic opposition to the Covenanters in Scotland, concentrated in the Highlands and the territory of the Gordons of Huntly in Aberdeenshire, as well as troops from Ireland. Scotland was to be enveloped in attacks from without and within.&lt;br /&gt; Charles' strategy was bold but amateurish: he would advance to the borders of Berwickshire with the royal army, while &lt;span href="/w/index.php?title=James_Hamilton%2C_3rd_Marquess_of_Hamilton&amp;amp;action=edit" class="new" title="James Hamilton, 3rd Marquess of Hamilton"&gt;James, Marquess of Hamilton&lt;/span&gt;. led an amphibious force into the Firth of Forth, and &lt;span href="/wiki/Randal_MacDonnell%2C_1st_Marquess_of_Antrim_%281645_creation%29" title="Randal MacDonnell, 1st Marquess of Antrim (1645 creation)"&gt;Randal Macdonnell, Earl of Antrim&lt;/span&gt;, advanced from Ireland against &lt;span href="/wiki/Archibald_Campbell%2C_1st_Marquess_of_Argyll" title="Archibald Campbell, 1st Marquess of Argyll"&gt;Archibald Campbell, Earl of Argyll&lt;/span&gt;, a leading Covenanter. Hamilton was given the supplementary aim of aiding the Marquess of Huntly.&lt;br /&gt; But like all such grand strategies the whole scheme fell apart when confronted by the detailed logistical problems that real soldiers always have to face: the men were badly trained and equipped; transport, especially shipping, was a serious problem; there were few secure bases and insufficient stores; and there was no detailed plan of campaign. &lt;span href="/wiki/Thomas_Wentworth%2C_1st_Earl_of_Strafford" title="Thomas Wentworth, 1st Earl of Strafford"&gt;Thomas Wentworth&lt;/span&gt;, Charles' Lord Deputy in Ireland, did little to disguise his contempt for the mercurial Antrim, and refused to extend the necessary support for the planned invasion of Scotland. The Covenanters, though little better prepared than the king, at least had the advantage of superior morale, defending a cause they believed to be just. All internal resistance to the Covenanters was swept aside in June 1639 when the Gordons were defeated by &lt;span href="/wiki/James_Graham%2C_1st_Marquess_of_Montrose" title="James Graham, 1st Marquess of Montrose"&gt;Montrose&lt;/span&gt; at the Battle of the Bridge of Dee, the only serious clash of the whole war.&lt;br /&gt; Charles arrived at Berwick at the end of May, camping with the rest of his army a few miles to the west at a place called Birks on the English side of the River Tweed. Things were far from good. Most of the troops were badly prepared, food was scarce, and disease had broken out. All were tormented by lice, known in the grim humour of the camp as "Covenanters." When the weather turned bad few had any shelter, and for miles there were no trees from which to build huts. Smallpox was an ever present hazard; desertions were frequent. Thomas Windebank, son of the king's Secretary of State, carried his own frustrations to an explosive extent. The only thing that kept out the cold and the wet, he wrote,&lt;br /&gt; …was the hope of; Rubbing, fubbing and scrubbing those scurvy, filthy, dirty, nasty, lousy, itchy, scabby, shitten, stinking, slovenly, snotty-nosed, logger-headed, foolish, insolent, proud, beggarly, impertinent, absurd, grout-headed, villainous, barbarous, bestial, false, lying, rougish, devlish, long-eared, short-haired, damnable, atheistic, puritanical crew of the Scottish Covenant.&lt;br /&gt; On the other side of the border the army of the Scots, commanded by Alexander Leslie were little better off than their English opponents. As Archibald Johnston of Warriston relates, Leslie was short of money, horses and provisions. The stand-off could not last indefinitely, but the Scots were unwilling to cross the border. Even if they defeated the king in battle, their position would not be secure, as English national passions would be aroused. With neither side willing to advance or retreat, the only alternative was to open negotiations.&lt;br /&gt; &lt;span name="Peace_of_Berwick" id="Peace_of_Berwick"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; First Bishops' War (1639)&lt;/b&gt;&lt;br /&gt;  At Birks, Charles had reached a dead end. His last hope disappeared when he received a letter from Wentworth, saying he could expect no help from Ireland and urging him to delay his campaign for a year. The Earl of Bristol and several other noblemen told him frankly that he would have to summon Parliament if he wished to proceed with his war against the Scots. Realising that his whole strategy was falling to pieces he decided to accept the Scots proposal for negotiations.&lt;br /&gt; Talks began in the Earl of Arundel's tent on 11 June, with six Scottish commissioners—headed by &lt;span href="/wiki/Earl_of_Rothes" title="Earl of Rothes"&gt;John Leslie, earl of Rothes&lt;/span&gt;, Johnston of Warriston and &lt;span href="/wiki/Alexander_Henderson_%28theologian%29" title="Alexander Henderson (theologian)"&gt;Alexander Henderson&lt;/span&gt;—facing a similar number of Englishmen. Soon after they began the King appeared in person, frosty at first, then becoming more relaxed. After Charles promised a new Assembly and Parliament to settle the church question, Warriston responded, by accusing him of playing for time. Although Charles expostulated that "The Devil himself could not make a more uncharitable construction," it is unlikely that anyone believed the peace would be permanent. Both sides agreed to disband their armies, however, and Charles, while refusing to accept the decisions of the "pretended" Glasgow Assembly, agreed to summon a new gathering to meet in Edinburgh on 20 August, followed shortly after by a Parliament. On this basis, the &lt;span href="/wiki/Pacification_of_Berwick" title="Pacification of Berwick"&gt;Pacification of Berwick&lt;/span&gt; was signed on 18 June. It was only to be a short breathing space.&lt;br /&gt; &lt;span name="Confirming_a_Revolution" id="Confirming_a_Revolution"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Peace of Berwick&lt;/b&gt;&lt;br /&gt;  As expected, the Edinburgh Assembly confirmed all the acts passed at Glasgow, without mentioning its predecessor by name. But it went even further, uncovering the real causes of the contest with the King. It was no longer only a struggle over confessional differences and church government; it was over secular political power as well. Not only was Episcopacy abolished, but churchmen were also declared incapable of holding civil office. Worse, from the King's point of view, the appointment of bishops was declared not only wrong in practice but also contrary to the law of God. (Charles had accepted the argument that Episcopacy might be set aside in the Scottish church as a temporary expedient. However, to declare it contrary to scripture meant that its rejection could not be limited by time or space. If Episcopacy was universally unlawful, how could it be maintained in England and Ireland?) Parliament, which met soon after the Assembly, in effect confirmed a revolution: in Scotland royal power, absolute royal power, was dead.&lt;br /&gt; It was an impossible situation for Charles to accept: he could not rule as a constitutional monarch in one kingdom and hope to retain the powers of an absolute monarch in the other two. For England, the situation was particularly invidious because of its more advanced tradition of constitutional law. For Charles to summon a new Westminster assembly any time before the outbreak of the First Bishops' war would have been a risky enterprise; after the Edinburgh Assembly and Parliament it was a step fraught with suicidal implications.&lt;br /&gt; &lt;span name="Second_Bishops.27_War_.281640.29" id="Second_Bishops.27_War_.281640.29"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Primary&lt;/b&gt;&lt;br /&gt;  &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt; Donald, P., &lt;i&gt;An Uncounselled King. Charles I and the Scottish Troubles, 1637–1641&lt;/i&gt;, 1990.&lt;br /&gt; Fissel, M. C., &lt;i&gt;The Bishops' Wars. Charles I's Campaigns against Scotland, 1638–1640,&lt;/i&gt; 1994.&lt;br /&gt; Lee, M., &lt;i&gt;The Road to Revolution. Scotland under Charles I&lt;/i&gt;, 1985.&lt;br /&gt; McCoy, F. N., &lt;i&gt;Robert Baillie and the Second Scots Reformation&lt;/i&gt;, 1974.&lt;br /&gt; MacInnes, A. I., &lt;i&gt;Charles I and the Making of the Covenanting Movement&lt;/i&gt;, 1991.&lt;br /&gt; Russel, C, &lt;i&gt;The Fall of the British Monarchies, 1637–1642&lt;/i&gt;, 1991.&lt;br /&gt; Stevenson, D., &lt;i&gt;The Scottish Revolution, 1637–1644&lt;/i&gt;, 1973  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-2541825714596101031?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/2541825714596101031/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=2541825714596101031' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2541825714596101031'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2541825714596101031'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/bishops-wars-bellum-episcopale-refers.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-58310192318367456</id><published>2008-04-16T09:50:00.001-07:00</published><updated>2008-04-16T09:50:04.945-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.zip.com.au/~lnbdds/home/images4/armsofsmythe.jpg"  alt="Great Crosby"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  Most residents commute to &lt;span href="/wiki/Liverpool" title="Liverpool"&gt;Liverpool&lt;/span&gt; to work either by &lt;span href="/wiki/Automobile" title="Automobile"&gt;car&lt;/span&gt;, &lt;span href="/wiki/Bus" title="Bus"&gt;bus&lt;/span&gt; or on the electric &lt;span href="/wiki/Train" title="Train"&gt;train&lt;/span&gt; service from &lt;span href="/wiki/Blundellsands_%26_Crosby_railway_station" title="Blundellsands &amp;amp; Crosby railway station"&gt;Blundellsands &amp;amp; Crosby&lt;/span&gt; and &lt;span href="/wiki/Hall_Road_railway_station" title="Hall Road railway station"&gt;Hall Road&lt;/span&gt; stations.&lt;br /&gt; &lt;span name="Amenities" id="Amenities"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Amenities&lt;/b&gt;&lt;br /&gt;  Famous residents of the town have included:&lt;br /&gt; &lt;span id="coordinates" class="plainlinksneverexpand"&gt;&lt;span href="/wiki/Geographic_coordinate_system" title="Geographic coordinate system"&gt;Coordinates&lt;/span&gt;: &lt;span class="plainlinksneverexpand"&gt;&lt;span href="http://tools.wikimedia.de/~magnus/geo/geohack.php?pagename=Great_Crosby&amp;amp;params=53_29_N_3_01_W_region:GB_type:city" class="external text" title="http://tools.wikimedia.de/~magnus/geo/geohack.php?pagename=Great_Crosby&amp;amp;params=53_29_N_3_01_W_region:GB_type:city" rel="nofollow"&gt;&lt;span title="Maps, aerial photos, and other data for this location"&gt;53°29′N, 3°01′W&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt; &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Cherie_Booth" title="Cherie Booth"&gt;Cherie Booth&lt;/span&gt;, the wife of &lt;span href="/wiki/Tony_Blair" title="Tony Blair"&gt;Tony Blair&lt;/span&gt;&lt;br /&gt; the composer &lt;span href="/wiki/Simon_Rattle" title="Simon Rattle"&gt;Simon Rattle&lt;/span&gt;&lt;br /&gt; footballer &lt;span href="/wiki/Kenny_Dalglish" title="Kenny Dalglish"&gt;Kenny Dalglish&lt;/span&gt;&lt;br /&gt; footballer &lt;span href="/wiki/Steve_McManaman" title="Steve McManaman"&gt;Steve McManaman&lt;/span&gt;&lt;br /&gt; writer &lt;span href="/wiki/Helen_Forrester" title="Helen Forrester"&gt;Helen Forrester&lt;/span&gt;&lt;br /&gt; broadcaster &lt;span href="/wiki/Anne_Robinson" title="Anne Robinson"&gt;Anne Robinson&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-58310192318367456?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/58310192318367456/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=58310192318367456' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/58310192318367456'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/58310192318367456'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/history-most-residents-commute-to.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3665920902049756427</id><published>2008-04-15T08:28:00.001-07:00</published><updated>2008-04-15T08:28:30.128-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.bbelectric.net/images/B_and_B_Electric_Telluride_Conference_Center_01.jpg"  alt="Telluride Association"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  Telluride Association seeks out young people with the desire and the ability to contribute to society, and helps them develop intellectually and as community members. Telluride Association promotes no particular political or religious viewpoint.&lt;br /&gt; &lt;b&gt;Telluride Houses&lt;/b&gt;, or Branches, have operated at &lt;span href="/wiki/Cornell_University" title="Cornell University"&gt;Cornell University&lt;/span&gt; since &lt;span href="/wiki/1911" title="1911"&gt;1911&lt;/span&gt; and at the &lt;span href="/wiki/University_of_Michigan" title="University of Michigan"&gt;University of Michigan&lt;/span&gt; since &lt;span href="/wiki/1999" title="1999"&gt;1999&lt;/span&gt;. Each house is populated by a diverse group of graduate students and undergraduates who share an interest in self-government and intellectual community. Students participate in a year-round public speaking program and plan academic seminars. The houses are largely self-governed, with somewhat different focuses: residents of Cornell Branch take on such responsibilities such as hiring employees and maintaining and renovating the house, while residents of Michigan Branch plan and execute an annual project linking practical work in the community with theoretical and academic inquiry. A handful of faculty also live at the houses for limited terms. Distinguished faculty guests of the Cornell Branch have included &lt;span href="/wiki/Michel_Foucault" title="Michel Foucault"&gt;Michel Foucault&lt;/span&gt;, &lt;span href="/wiki/Richard_Feynman" title="Richard Feynman"&gt;Richard Feynman&lt;/span&gt;, &lt;span href="/wiki/Frances_Perkins" title="Frances Perkins"&gt;Frances Perkins&lt;/span&gt;, &lt;span href="/wiki/Linus_Pauling" title="Linus Pauling"&gt;Linus Pauling&lt;/span&gt;, and &lt;span href="/wiki/Allan_Bloom" title="Allan Bloom"&gt;Allan Bloom&lt;/span&gt;.&lt;br /&gt; Telluride Houses have formerly existed in &lt;span href="/wiki/Pasadena%2C_California" title="Pasadena, California"&gt;Pasadena, California&lt;/span&gt;, the &lt;span href="/wiki/University_of_California%2C_Berkeley" title="University of California, Berkeley"&gt;University of California, Berkeley&lt;/span&gt;, and the &lt;span href="/wiki/University_of_Chicago" title="University of Chicago"&gt;University of Chicago&lt;/span&gt;.&lt;br /&gt; &lt;b&gt;Telluride Association Summer Programs&lt;/b&gt;, or TASPs, are six-week educational experiences for rising high school seniors offering intellectual challenges rarely found in secondary school or even in college. They are designed to bring together young people from around the world who share a passion for learning. Telluride students, or TASPers, attend an intensive seminar led by college and university faculty members and participate in many other educational and social activities outside the classroom. Like the Telluride houses, each TASP receives a discretionary budget, whose use is democratically distributed via weekly house meetings&lt;br /&gt; Admission to TASP is based on an application that includes six essay prompts and for some, an interview. Out of approximately 950 applicants, about 180 are given an interview with members of the Telluride Association or TASP alumni. Admission is very competitive; in recent years, fewer than 10 percent of TASP applicants have been admitted. A total of 86 students are admitted to the five TASPs. Many students are invited to apply based on strong standardized test scores or the nomination of educators who are familiar with TASP. However, any high school junior may request an application, and acceptance largely ignores standardized test scores and graded academic performance. Like other Telluride programs, TASPs are free.&lt;br /&gt; Since the first TASP was held in &lt;span href="/wiki/1954" title="1954"&gt;1954&lt;/span&gt;, TASPs have been held at college and university campuses across the United States. Nationally known faculty who have taught TASP include: &lt;span href="/wiki/John_Schaar" title="John Schaar"&gt;John Schaar&lt;/span&gt; (UC Santa Cruz), &lt;span href="/wiki/Hanna_Pitkin" title="Hanna Pitkin"&gt;Hanna Pitkin&lt;/span&gt; (UC Berkeley), &lt;span href="/wiki/Donald_Kagan" title="Donald Kagan"&gt;Donald Kagan&lt;/span&gt; (Yale), &lt;span href="/w/index.php?title=Kurt_Heinzelman&amp;amp;action=edit" class="new" title="Kurt Heinzelman"&gt;Kurt Heinzelman&lt;/span&gt; and &lt;span href="/w/index.php?title=Sue_Heinzelman&amp;amp;action=edit" class="new" title="Sue Heinzelman"&gt;Sue Heinzelman&lt;/span&gt; (University of Texas), &lt;span href="/wiki/Herbert_Storing" title="Herbert Storing"&gt;Herbert Storing&lt;/span&gt; (University of Chicago), &lt;span href="/wiki/Robert_Nozick" title="Robert Nozick"&gt;Robert Nozick&lt;/span&gt; (Harvard), &lt;span href="/wiki/Leon_Kass" title="Leon Kass"&gt;Leon Kass&lt;/span&gt; (University of Chicago), and &lt;span href="/wiki/Thomas_Palaima" title="Thomas Palaima"&gt;Thomas Palaima&lt;/span&gt; (University of Texas). Alumni of TASPs and Telluride Houses include political economist &lt;span href="/wiki/Francis_Fukuyama" title="Francis Fukuyama"&gt;Francis Fukuyama&lt;/span&gt;, literary critic &lt;span href="/wiki/Gayatri_Spivak" title="Gayatri Spivak"&gt;Gayatri Spivak&lt;/span&gt;, political theorist &lt;span href="/wiki/William_Galston" title="William Galston"&gt;William Galston&lt;/span&gt;, former &lt;span href="/wiki/Stanford_Law_School" title="Stanford Law School"&gt;Stanford Law&lt;/span&gt; dean &lt;span href="/wiki/Kathleen_Sullivan" title="Kathleen Sullivan"&gt;Kathleen Sullivan&lt;/span&gt;, &lt;span href="/wiki/Nobel_Prize" title="Nobel Prize"&gt;Nobel&lt;/span&gt; laureate in physics &lt;span href="/wiki/Steven_Weinberg" title="Steven Weinberg"&gt;Steven Weinberg&lt;/span&gt;, literary critic &lt;span href="/w/index.php?title=Paul_Wang&amp;amp;action=edit" class="new" title="Paul Wang"&gt;Paul Wang&lt;/span&gt;, and former &lt;span href="/wiki/World_Bank" title="World Bank"&gt;World Bank&lt;/span&gt; president &lt;span href="/wiki/Paul_Wolfowitz" title="Paul Wolfowitz"&gt;Paul Wolfowitz&lt;/span&gt;.&lt;br /&gt; &lt;b&gt;Telluride Association Sophomore Seminars&lt;/b&gt;, or TASSes, are also six-week summer programs. TASSes, which are offered to high school sophomores, have an academic focus on &lt;span href="/wiki/African_American_studies" title="African American studies"&gt;African American studies&lt;/span&gt; and related fields. Their basic plan is similar to that of the TASPs, and some TASS alumni choose to attend a TASP the following summer.&lt;br /&gt; TASSes have been held at &lt;span href="/wiki/Indiana_University_Bloomington" title="Indiana University Bloomington"&gt;Indiana University&lt;/span&gt; since &lt;span href="/wiki/1993" title="1993"&gt;1993&lt;/span&gt; and at the &lt;span href="/wiki/University_of_Michigan" title="University of Michigan"&gt;University of Michigan&lt;/span&gt; since &lt;span href="/wiki/2002" title="2002"&gt;2002&lt;/span&gt;.&lt;br /&gt; &lt;span name="Awards" id="Awards"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Awards&lt;/b&gt;&lt;br /&gt;  Telluride Association consists of about 100 volunteer members. Members are elected to membership, usually while in their early twenties, on the basis of demonstrated leadership and commitment to Telluride's educational goals. The Association's membership is comprised mainly of current and former participants of its programs and a few who are alumni of &lt;span href="/wiki/Deep_Springs_College" title="Deep Springs College"&gt;Deep Springs College&lt;/span&gt;, a separate two-year college founded by &lt;span href="/wiki/L._L._Nunn" title="L. L. Nunn"&gt;Nunn&lt;/span&gt; in &lt;span href="/wiki/1917" title="1917"&gt;1917&lt;/span&gt;.&lt;br /&gt; &lt;span name="External_link" id="External_link"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3665920902049756427?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3665920902049756427/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3665920902049756427' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3665920902049756427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3665920902049756427'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/history-telluride-association-seeks-out.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3376134531748626500</id><published>2008-04-14T08:59:00.001-07:00</published><updated>2008-04-14T08:59:13.290-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.newpoland.com/krasinsk.gif"  alt="Zygmunt Krasiński"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  Count &lt;b&gt;Napoleon Stanisław Adam Ludwik Zygmunt Krasiński&lt;/b&gt; (&lt;span href="/wiki/Paris" title="Paris"&gt;Paris&lt;/span&gt;, &lt;span href="/wiki/France" title="France"&gt;France&lt;/span&gt;, &lt;span href="/wiki/February_19" title="February 19"&gt;February 19&lt;/span&gt;, &lt;span href="/wiki/1812" title="1812"&gt;1812&lt;/span&gt; – &lt;span href="/wiki/February_23" title="February 23"&gt;February 23&lt;/span&gt;, &lt;span href="/wiki/1859" title="1859"&gt;1859&lt;/span&gt;) is traditionally ranked with &lt;span href="/wiki/Adam_Mickiewicz" title="Adam Mickiewicz"&gt;Mickiewicz&lt;/span&gt; and &lt;span href="/wiki/Juliusz_Slowacki" title="Juliusz Slowacki"&gt;Słowacki&lt;/span&gt; as one of &lt;span href="/wiki/Poland" title="Poland"&gt;Poland&lt;/span&gt;'s trio of great &lt;span href="/wiki/Romantic_poetry" title="Romantic poetry"&gt;Romantic&lt;/span&gt; &lt;span href="/wiki/Poets" title="Poets"&gt;poets&lt;/span&gt;.&lt;br /&gt; &lt;span name="Life_and_work" id="Life_and_work"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Life and work&lt;/b&gt;&lt;br /&gt;  Krasiński was the son of &lt;span href="/wiki/Wincenty_Krasi%C5%84ski" title="Wincenty Krasiński"&gt;Wincenty Krasiński&lt;/span&gt;, of the aristocratic Krasiński family. He studied law in Warsaw (&lt;span href="/wiki/Warsaw_University" title="Warsaw University"&gt;Warsaw University&lt;/span&gt;) and in Geneva, where he met &lt;span href="/wiki/Adam_Mickiewicz" title="Adam Mickiewicz"&gt;Adam Mickiewicz&lt;/span&gt;.&lt;br /&gt; Krasiński was more sociopolitically conservative than the other two poets. He is best known for his &lt;span href="/wiki/Philosophy" title="Philosophy"&gt;philosophical&lt;/span&gt; &lt;span href="/wiki/Messianism" title="Messianism"&gt;Messianist&lt;/span&gt; ideas. His drama, &lt;i&gt;Nie-boska Komedia&lt;/i&gt; (The Un-Divine Comedy, 1835), portrays the tragedy of an old-world &lt;span href="/wiki/Aristocracy" title="Aristocracy"&gt;aristocracy&lt;/span&gt; defeated by a new order of &lt;span href="/wiki/Communism" title="Communism"&gt;communism&lt;/span&gt; and &lt;span href="/wiki/Democracy" title="Democracy"&gt;democracy&lt;/span&gt;, and is a poetic prophecy of &lt;span href="/wiki/Class_conflict" title="Class conflict"&gt;class conflict&lt;/span&gt; and of Russia's &lt;span href="/wiki/October_Revolution" title="October Revolution"&gt;October Revolution&lt;/span&gt; (see also &lt;i&gt;&lt;span href="/wiki/Okopy_%C5%9Awi%C4%99tej_Tr%C3%B3jcy" title="Okopy Świętej Trójcy"&gt;Okopy Świętej Trójcy&lt;/span&gt;&lt;/i&gt;); and his drama, &lt;i&gt;Irydion&lt;/i&gt; (1836), deals, in the context of &lt;span href="/wiki/Christian_ethics" title="Christian ethics"&gt;Christian ethics&lt;/span&gt;, with the struggle of a subjugated nation against its oppressor.&lt;br /&gt; Krasiński's &lt;i&gt;Agaj-Han&lt;/i&gt; (1834) is also well known in Poland. Later (&lt;span href="/wiki/1844" title="1844"&gt;1844&lt;/span&gt;-&lt;span href="/wiki/1848" title="1848"&gt;1848&lt;/span&gt;) he wrote &lt;i&gt;Psalmy Przyszłości&lt;/i&gt; (Psalms of the Future).&lt;br /&gt; He published much of his work anonymously.&lt;br /&gt; Krasiński was married to Polish &lt;span href="/wiki/Szlachta" title="Szlachta"&gt;noblewoman&lt;/span&gt; and Countess Eliza Branicka (&lt;span href="/wiki/1820" title="1820"&gt;1820&lt;/span&gt;-&lt;span href="/wiki/1876" title="1876"&gt;1876&lt;/span&gt;). He married her on &lt;span href="/wiki/July_26" title="July 26"&gt;26 July&lt;/span&gt; &lt;span href="/wiki/1843" title="1843"&gt;1843&lt;/span&gt;.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3376134531748626500?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3376134531748626500/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3376134531748626500' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3376134531748626500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3376134531748626500'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/count-napoleon-stanisaw-adam-ludwik.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-2139153557602814551</id><published>2008-04-13T09:35:00.001-07:00</published><updated>2008-04-13T09:35:03.750-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.artinliverpool.com/blogarch/peter-blake-for-john.jpg"  alt="John Drummond (arts administrator)"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Sir John Richard Gray Drummond&lt;/b&gt; &lt;span href="/wiki/Order_of_the_British_Empire" title="Order of the British Empire"&gt;CBE&lt;/span&gt; (&lt;span href="/wiki/November_25" title="November 25"&gt;25 November&lt;/span&gt; &lt;span href="/wiki/1934" title="1934"&gt;1934&lt;/span&gt;, &lt;span href="/wiki/London" title="London"&gt;London&lt;/span&gt; - &lt;span href="/wiki/September_6" title="September 6"&gt;6 September&lt;/span&gt; &lt;span href="/wiki/2006" title="2006"&gt;2006&lt;/span&gt;) was an &lt;span href="/wiki/England" title="England"&gt;English&lt;/span&gt; arts administrator who spent most of his career at the &lt;span href="/wiki/BBC" title="BBC"&gt;BBC&lt;/span&gt;. He was the son of a master mariner in the British India line and an Australian &lt;i&gt;&lt;span href="/wiki/Lied" title="Lied"&gt;lieder&lt;/span&gt;&lt;/i&gt; singer.&lt;br /&gt; He was educated at &lt;span href="/wiki/Canford_School" title="Canford School"&gt;Canford School&lt;/span&gt; and, after his &lt;span href="/wiki/National_Service#United_Kingdom" title="National Service"&gt;National Service&lt;/span&gt; in the Navy, read History at &lt;span href="/wiki/Trinity_College%2C_Cambridge" title="Trinity College, Cambridge"&gt;Trinity College, Cambridge&lt;/span&gt;. At Cambridge he was a member of the &lt;span href="/w/index.php?title=Marlowe_Society&amp;amp;action=edit" class="new" title="Marlowe Society"&gt;Marlowe Society&lt;/span&gt;, performing in &lt;span href="/wiki/Christopher_Marlowe" title="Christopher Marlowe"&gt;Christopher Marlowe's&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/Edward_II_%28play%29" title="Edward II (play)"&gt;Edward II&lt;/span&gt;&lt;/i&gt;, which was broadcast on the &lt;span href="/wiki/BBC_Third_Programme" title="BBC Third Programme"&gt;Third Programme&lt;/span&gt; in 1958 with &lt;span href="/wiki/Derek_Jacobi" title="Derek Jacobi"&gt;Derek Jacobi&lt;/span&gt; in the title role. At the time he had already gained a BBC general traineeship (Carpenter p316).&lt;br /&gt; His early career at the BBC was as a foreign correspondent (Drummond spoke fluent French and Russian) and then director/producer of arts programmes for BBC Television; ultimately he became Assistant Head of Music and Arts before becaming director of the &lt;span href="/wiki/Edinburgh_International_Festival" title="Edinburgh International Festival"&gt;Edinburgh International Festival&lt;/span&gt; at the end of 1977. Drummond's period at the Festival was particularly successful, and &lt;span href="/wiki/Norman_Lebrecht" title="Norman Lebrecht"&gt;Norman Lebrecht&lt;/span&gt; commended him in a tribute for his multi-disciplinary approach in a celebration of '&lt;span href="/wiki/Fin_de_si%C3%A8cle" title="Fin de siècle"&gt;fin de siècle&lt;/span&gt;' Vienna in 1983.&lt;span href="http://www.bloomberg.com/apps/news?pid=20601088&amp;amp;sid=aAJ14gwOATiQ&amp;amp;refer=home" class="external autonumber" title="http://www.bloomberg.com/apps/news?pid=20601088&amp;amp;sid=aAJ14gwOATiQ&amp;amp;refer=home" rel="nofollow"&gt;[1]&lt;/span&gt;&lt;br /&gt; After leaving his post in Edinburgh in 1983, he returned to the BBC and was appointed Controller, Music (in tandem with his predecessor &lt;span href="/w/index.php?title=Robert_Ponsonby&amp;amp;action=edit" class="new" title="Robert Ponsonby"&gt;Robert Ponsonby&lt;/span&gt; for a year as Controller, Designate) in 1985 and then Controller of &lt;span href="/wiki/BBC_Radio_3" title="BBC Radio 3"&gt;Radio 3&lt;/span&gt; (1987-92) when the two posts were merged. He was succeeded by &lt;span href="/wiki/Nicholas_Kenyon" title="Nicholas Kenyon"&gt;Nicholas Kenyon&lt;/span&gt; as Controller of Radio 3, but Drummond continued to be responsible for the Proms until his last season in 1995. While Controller of Radio 3, Drummond introduced the co-ordination of interval talks with the evening concert, doubled the length of the Saturday morning &lt;i&gt;&lt;span href="/w/index.php?title=Record_Review&amp;amp;action=edit" class="new" title="Record Review"&gt;Record Review&lt;/span&gt;&lt;/i&gt; programme and scheduled the first Jazz concert at the Proms with &lt;span href="/wiki/Loose_Tubes" title="Loose Tubes"&gt;Loose Tubes&lt;/span&gt; in 1987. Drummond had a low opinion of the Radio 3 audience, which he saw as consisting of "thirty minority tastes, each of which is characterised by its intense dislike of the other twenty-nine" (Carpenter p335).&lt;br /&gt; Drummond attacked &lt;span href="/wiki/Nigel_Kennedy" title="Nigel Kennedy"&gt;Nigel Kennedy&lt;/span&gt; in 1991 for wearing a black cloak while performing &lt;span href="/wiki/Alban_Berg" title="Alban Berg"&gt;Berg's&lt;/span&gt; Violin Concerto,&lt;span href="http://www.findarticles.com/p/articles/mi_qn4153/is_20020926/ai_n12015106" class="external autonumber" title="http://www.findarticles.com/p/articles/mi_qn4153/is_20020926/ai_n12015106" rel="nofollow"&gt;[2]&lt;/span&gt; and comparing Kennedy's usual punk clothing to the vulgarity of &lt;span href="/wiki/Liberace" title="Liberace"&gt;Liberace&lt;/span&gt; (Carpenter p335). Most opinion in the media sided with Kennedy.&lt;br /&gt; Having chosen not to renew his contract as Radio 3 Controller for a second five-year term in 1992, he became openly critical of the &lt;span href="/wiki/John_Birt%2C_Baron_Birt" title="John Birt, Baron Birt"&gt;Birt&lt;/span&gt; regime at the BBC, for its managerial and populist instincts. For Drummond, the BBC "has been an organisation which has seen itself as leading society, not following taste. If it no longer wishes to be that, I can't see any reason for its existence."&lt;span href="http://www.for3.org/third/history3.html" class="external autonumber" title="http://www.for3.org/third/history3.html" rel="nofollow"&gt;[3]&lt;/span&gt; At about the same time, he called &lt;span href="/wiki/Tony_Blair" title="Tony Blair"&gt;Tony Blair&lt;/span&gt; a "professional philistine" and attacked the Blair government for destroying "the national sense of culture".&lt;span href="http://www.guardian.co.uk/Archive/Article/0,4273,4053491,00.html" class="external autonumber" title="http://www.guardian.co.uk/Archive/Article/0,4273,4053491,00.html" rel="nofollow"&gt;[4]&lt;/span&gt;&lt;br /&gt; John Drummond was chairman of the Theatres Trust near the end of his life (1998-2001). He had also been on the Council of Management of the early music group, the &lt;span href="/wiki/Fires_of_London" title="Fires of London"&gt;Fires of London&lt;/span&gt;.&lt;br /&gt; &lt;span name="Bibliography" id="Bibliography"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-2139153557602814551?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/2139153557602814551/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=2139153557602814551' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2139153557602814551'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2139153557602814551'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/sir-john-richard-gray-drummond-cbe-25.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-1395628494806468601</id><published>2008-04-12T08:38:00.001-07:00</published><updated>2008-04-12T08:38:35.760-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  h2g2 is really two separate but complementary Guides, one Edited and one Unedited. The Unedited Guide is described in a separate section below. The Edited Guide consists of articles (usually called 'Entries') which have passed through a &lt;span href="/wiki/Peer_review" title="Peer review"&gt;peer review&lt;/span&gt; process, and then been checked and tidied up first by a volunteer sub-editor and then, more briefly, by an in-house editor. The 7,000th entry was added to the Edited Guide on &lt;span href="/wiki/April_8" title="April 8"&gt;April 8&lt;/span&gt;, 2005. &lt;span href="http://www.bbc.co.uk/dna/h2g2/F77636?thread=628854" class="external autonumber" title="http://www.bbc.co.uk/dna/h2g2/F77636?thread=628854" rel="nofollow"&gt;[3]&lt;/span&gt;&lt;br /&gt; &lt;span name="Peer_Review" id="Peer_Review"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Editing process&lt;/b&gt;&lt;br /&gt;  On h2g2, entries are peer reviewed by any members of the community who feel like spending a little time reading and commenting. Some of these may be specialists on the topic, but generally most are not, and it soon becomes obvious, therefore, whether the average Researcher can understand an Entry. While this has the advantage that Entries are generally written in terms that the layman can understand, it also means that mistakes can occasionally slip into the Edited Guide &lt;span href="http://www.bbc.co.uk/dna/h2g2/F2124165?thread=1649554" class="external autonumber" title="http://www.bbc.co.uk/dna/h2g2/F2124165?thread=1649554" rel="nofollow"&gt;[4]&lt;/span&gt;.&lt;br /&gt; Once an entry has been picked by a Scout (see later) and leaves Peer Review, a copy is made and editing rights are handed to a Sub-editor. After the Entry has its day on the Front Page of h2g2 and becomes part of the Edited Guide it can only be modified or updated by its author either by requesting minor changes through the Editorial Feedback section of h2g2, or by submitting it to the Update Forum if larger changes or a rewrite are needed. However, the author can still update the unedited version, which remains in the wider unedited guide. Many authors choose to delete the original (unedited) version, so that it does not show up in &lt;span href="http://www.bbc.co.uk/dna/h2g2/search" class="external text" title="http://www.bbc.co.uk/dna/h2g2/search" rel="nofollow"&gt;search&lt;/span&gt; results.&lt;br /&gt; &lt;span name="Sub-editing" id="Sub-editing"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Peer Review&lt;/b&gt;&lt;br /&gt;  Sub-editors, likewise, are not generally experts on the material they are editing, which is assigned on a more or less random basis. Sub-editing is mainly limited to ensuring readability and conformity to the h2g2 &lt;span href="/wiki/House_style" title="House style"&gt;house style&lt;/span&gt;, though the amount of changes made varies from one Entry to another.&lt;br /&gt; Some sub-editors tend to discuss changes with the Researcher who wrote the Entry to make sure that they are correct in their information and written in the right way. However, this is entirely at the individual sub-editor's discretion. h2g2 lacks an effective change control system, and this often leads to errors creeping in at this stage.&lt;br /&gt; &lt;span name="Updating" id="Updating"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Sub-editing&lt;/b&gt;&lt;br /&gt;  After years of discussion, h2g2 has now adopted a formal update system. This consists of an &lt;span href="http://www.bbc.co.uk/dna/h2g2/UpdateForum" class="external text" title="http://www.bbc.co.uk/dna/h2g2/UpdateForum" rel="nofollow"&gt;Update Forum&lt;/span&gt;, which works in the same way as Peer Review, allowing a new version of an existing entry to be submitted for full review.&lt;br /&gt; Smaller changes to Edited Entries can be made by posting to the Editorial Feedback page. The Editors and the Curators (a volunteer group) will attend to them. This can include &lt;span href="/wiki/Typos" title="Typos"&gt;typos&lt;/span&gt;, minor errors, and other small changes.&lt;span href="http://www.bbc.co.uk/dna/h2g2/F47997?thread=2991206" class="external autonumber" title="http://www.bbc.co.uk/dna/h2g2/F47997?thread=2991206" rel="nofollow"&gt;[5]&lt;/span&gt; &lt;span href="http://www.bbc.co.uk/dna/h2g2/F47997?thread=3095080" class="external autonumber" title="http://www.bbc.co.uk/dna/h2g2/F47997?thread=3095080" rel="nofollow"&gt;[6]&lt;/span&gt; It can also include the addition of extra information:&lt;br /&gt; &lt;i&gt;If the information is more than a few paragraphs, but less than a full reworking, the information can be submitted via Editorial Feedback. For us to accept the update, however, it must be presented with explicit directions as to why the update is required, as well as directions as to what goes where/replaces what and it should be in full &lt;span href="/wiki/GuideML" title="GuideML"&gt;GuideML&lt;/span&gt;, including links.&lt;/i&gt;&lt;span href="http://www.bbc.co.uk/dna/h2g2/UpdateForum" class="external autonumber" title="http://www.bbc.co.uk/dna/h2g2/UpdateForum" rel="nofollow"&gt;[7]&lt;/span&gt;&lt;br /&gt; &lt;span name="The_workshops" id="The_workshops"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Updating&lt;/b&gt;&lt;br /&gt;  If an article is not yet ready for submission to Peer Review, there exists an Edited Guide Writing Workshop, where other researchers can post suggestions and corrections, so that the author can improve their work, and bring it up to the standard required of the Edited Guide. There is another review forum, the Flea Market, where abandoned Entries from Peer Review are moved, so that other researchers can adopt them. An Entry might be moved to the Flea Market if, for example, its author leaves h2g2 (called 'Elvising').&lt;br /&gt; There is also an Alternative Writing Workshop, where entries that don't adhere to the Writing Guidelines can be worked on. Entries from this workshop are candidates for the UnderGuide (see below).&lt;br /&gt; &lt;span name="The_Unedited_Guide" id="The_Unedited_Guide"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The workshops&lt;/b&gt;&lt;br /&gt;  The Edited Guide forms only a small part of h2g2 as a whole. Most of the site's 'cultural life' takes place in the far larger Unedited Guide, which contains, amongst other things, various clubs and societies, discussion areas, Researchers' h2g2 homepages (known as their 'personal spaces'), and writing workshops. The Unedited Guide can also contain fiction, although this cannot be submitted for inclusion to the Edited Guide, which only contains factual information.&lt;br /&gt; If an article does not make it through the Peer Review process, the original (unedited) entry can still be viewed, as before, in the Unedited Guide. It can, of course, also be rewritten by the author(s) and submitted again at a later date.&lt;br /&gt; &lt;span name="The_UnderGuide" id="The_UnderGuide"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The Unedited Guide&lt;/b&gt;&lt;br /&gt;  The UnderGuide is h2g2's most ambitious attempt to bring the attention of the community to the best entries that fall outside of the Edited Guide's &lt;span href="http://www.bbc.co.uk/dna/h2g2/Writing-Guidelines" class="external text" title="http://www.bbc.co.uk/dna/h2g2/Writing-Guidelines" rel="nofollow"&gt;Guidelines&lt;/span&gt;. The UnderGuide and its volunteers have a similar structure to the Edited Guide's volunteers. They have scouts, but call them Miners. They have sub editors, but their name is Gem Polishers. Miners inhabit the &lt;span href="http://www.bbc.co.uk/dna/h2g2/RF5" class="external text" title="http://www.bbc.co.uk/dna/h2g2/RF5" rel="nofollow"&gt;Alternative Writing Workshop&lt;/span&gt; to comment on entries and pick them for the UG.&lt;br /&gt; &lt;span name="The_community" id="The_community"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The UnderGuide&lt;/b&gt;&lt;br /&gt;  The bulk of site activity takes place in the &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;United Kingdom&lt;/span&gt; (&lt;span href="/wiki/GMT" title="GMT"&gt;GMT&lt;/span&gt;/&lt;span href="/wiki/British_Summer_Time" title="British Summer Time"&gt;BST&lt;/span&gt;) daytime, which is when the in-house &lt;span href="/wiki/London" title="London"&gt;London&lt;/span&gt; based team (known as 'The Italics', see below), is there. But at other times, the &lt;span href="/wiki/United_States" title="United States"&gt;US&lt;/span&gt;, &lt;span href="/wiki/Canada" title="Canada"&gt;Canadian&lt;/span&gt; and &lt;span href="/wiki/Australia" title="Australia"&gt;Australian&lt;/span&gt; researchers are also very active.&lt;br /&gt; &lt;span name="The_Italics" id="The_Italics"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The community&lt;/b&gt;&lt;br /&gt;  The Italics (technically 'the Editors'), the inhouse editors of h2g2, are the only people on the site who get paid (by the BBC) for what they do. They monitor the content of the Edited Guide and oversee the general development of community life. They are named for the way their names appear in conversations, in bold italics, to keep people from impersonating them. There are informal nicknames for the editors such as 'The Powers That Be', 'The Towers', 'The Powers in the Towers' and '&lt;span href="/wiki/Leaning_Tower_of_Pisa" title="Leaning Tower of Pisa"&gt;Pisa&lt;/span&gt; People'.&lt;br /&gt; The core personnel have changed considerably since h2g2 started in 1999. Of the original TDV team, only Technical Lead &lt;span href="/w/index.php?title=Jim_Lynn&amp;amp;action=edit" class="new" title="Jim Lynn"&gt;Jim Lynn&lt;/span&gt; remains working on the site, although most of his time is spent developing the DNA software base for other uses within the BBC. The first full-time editor, Mark Moxon, left in 2002, and with the exception of Community Editor Peta Haigh, all other Italics have moved on.&lt;br /&gt; &lt;span name="Volunteers" id="Volunteers"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The Italics&lt;/b&gt;&lt;br /&gt;  There are seven different kinds of volunteer on the site, with varying responsibilities. Any researcher can apply to become a volunteer; if accepted, they gain a badge for their Personal Space, advertising their status as a member of that particular group:&lt;br /&gt; &lt;span name="Clubs_and_societies" id="Clubs_and_societies"&gt;&lt;/span&gt;&lt;br /&gt; &lt;b&gt;Aces&lt;/b&gt; (the name is an &lt;span href="/wiki/Acronym" title="Acronym"&gt;acronym&lt;/span&gt; for Assistant Community Editor) are responsible for welcoming new users and assisting them in becoming active and experienced members of h2g2. No &lt;span href="/wiki/Statistics" title="Statistics"&gt;statistics&lt;/span&gt; are publicly available, but this approach ensures that a large proportion of initially active Researchers continue to contribute. Aces are also expected to take a responsible role within the community, encouraging discussion and debate.&lt;br /&gt; &lt;b&gt;Gurus&lt;/b&gt; help Researchers later on with technical issues, such as with &lt;span href="/wiki/GuideML" title="GuideML"&gt;GuideML&lt;/span&gt;, a custom markup language designed to allow additional features (such as formatting for headings and subheadings, and graphical &lt;span href="/wiki/Emoticon" title="Emoticon"&gt;emoticons&lt;/span&gt;), whilst removing unwanted &lt;span href="/wiki/HTML" title="HTML"&gt;HTML&lt;/span&gt; tags (such as &lt;span href="/wiki/JavaScript" title="JavaScript"&gt;JavaScript&lt;/span&gt; and embedded images and sounds).&lt;br /&gt; &lt;b&gt;Scouts&lt;/b&gt; are responsible for making sure that quality work does not languish in Peer Review for too long. They keep an eye open for entries that have received a favourable response from other Researchers, and pick a few each month to recommend for inclusion in the Edited Guide. The picks are reviewed by the 'Italics' and then forwarded to a sub-editor.&lt;br /&gt; &lt;b&gt;Sub-editors&lt;/b&gt; check and edit Entries to be added to the Edited Guide. After that is done, the new Edited Entry is posted to the front page for a day and one in three articles is awarded its own professionally drawn picture. Once Edited, the original authors cannot change the articles anymore, although there is a small team of Curators who continuously trawl old edited entries repairing broken links, making updates, and so forth. These were the first volunteers, originally hand picked, who used to do the jobs of scouts as well prior to the creation of Peer Review.&lt;br /&gt; &lt;b&gt;Community Artists&lt;/b&gt; contribute the art that illustrates many of the entries. The volunteer group provides graphics frequently, in order to meet the one-in-three requirement mentioned above. They are always credited on the pages they have illustrated. Everyone on h2g2 has some respect for the artists.&lt;br /&gt; &lt;b&gt;University Field Researchers&lt;/b&gt; write groups of entries based around a common theme, aiming to provide a comprehensive guide to a specific subject. These projects often become quite involved and take several months to complete. Once finished, they are usually featured on the h2g2 home page for a week. This scheme was discontinued on &lt;span href="/wiki/June_25" title="June 25"&gt;June 25&lt;/span&gt;, &lt;span href="/wiki/2003" title="2003"&gt;2003&lt;/span&gt;, though previous Field Researchers retained their badges. &lt;span href="http://www.bbc.co.uk/dna/h2g2/F77636?thread=289496" class="external autonumber" title="http://www.bbc.co.uk/dna/h2g2/F77636?thread=289496" rel="nofollow"&gt;[8]&lt;/span&gt; In late 2005, the scheme was reinstated and projects began to be featured on the Front Page again.&lt;br /&gt; &lt;b&gt;Curators&lt;/b&gt; are long-term responsible Researchers who have demonstrated a commitment to the Edited Guide. They have been granted the power to edit Entries in the Edited Guide. They work with the Italics to keep the Edited Guide tidy and up-to-date. Their duties include correcting typos which have slipped through the editing process, cross-linking newer Entries to older ones and removing broken links, and taking care of requests for minor changes which have been posted to the &lt;span href="http://www.bbc.co.uk/dna/h2g2/Feedback-Editorial" class="external text" title="http://www.bbc.co.uk/dna/h2g2/Feedback-Editorial" rel="nofollow"&gt;Editorial Feedback&lt;/span&gt; forum.   &lt;b&gt; Volunteers&lt;/b&gt;&lt;br /&gt;  h2g2 is large enough to have many unofficial &lt;span href="/wiki/Club" title="Club"&gt;clubs&lt;/span&gt; and societies, set up and maintained by researchers. Examples include:&lt;br /&gt; &lt;span name="Talk_forums" id="Talk_forums"&gt;&lt;/span&gt;&lt;br /&gt; &lt;b&gt;The Musicians' Guild&lt;/b&gt; - self explanatory; this is a place for &lt;span href="/wiki/Musician" title="Musician"&gt;musicians&lt;/span&gt; to gather and discuss &lt;span href="/wiki/Music" title="Music"&gt;musical&lt;/span&gt; topics.&lt;br /&gt; &lt;b&gt;The Zaphodistas&lt;/b&gt; - Loosely based on &lt;span href="/wiki/Mexico" title="Mexico"&gt;Mexico&lt;/span&gt;'s &lt;span href="/wiki/Zapatista_Army_of_National_Liberation" title="Zapatista Army of National Liberation"&gt;Zapatista&lt;/span&gt; rebels, the Zaphodistas campaign for researcher rights, for example, to include external images on h2g2 pages.&lt;br /&gt; &lt;b&gt;The Freedom from Faith Foundation&lt;/b&gt; - An organization of &lt;span href="/wiki/Free-thinker" title="Free-thinker"&gt;free-thinkers&lt;/span&gt;, the FFFF is a forum for non-&lt;span href="/wiki/Dogmatic" title="Dogmatic"&gt;dogmatic&lt;/span&gt; discussion of &lt;span href="/wiki/Philosophy" title="Philosophy"&gt;philosophical&lt;/span&gt; and &lt;span href="/wiki/Religion" title="Religion"&gt;religious&lt;/span&gt; issues.&lt;br /&gt; &lt;b&gt;The Society for the Addition of a Towel Smiley&lt;/b&gt; - This is a group that campaigned (successfully) to have a graphic representing a &lt;span href="/wiki/Towel" title="Towel"&gt;towel&lt;/span&gt; added to the extensive list of h2g2 &lt;span href="/wiki/Smiley" title="Smiley"&gt;smileys&lt;/span&gt;.&lt;br /&gt; &lt;b&gt;The Thingites&lt;/b&gt; - This is a group that campaigns (not yet successfully) to have the days of the &lt;span href="/wiki/Week" title="Week"&gt;week&lt;/span&gt; renamed (chiefly to rename 'Thursday' as 'Thing'). The group is also attempting (as yet also unsuccessfully) to have one of their threads ('No no no!!') recognised by the &lt;span href="/wiki/Guinness_Book_of_Records" title="Guinness Book of Records"&gt;Guinness Book of Records&lt;/span&gt; as the longest thread in any chat community in the world. (As of April 2007, that particular thread had over 90,000 posts, so maybe they have a point.)&lt;br /&gt; &lt;b&gt;The Thursdayites&lt;/b&gt; - This group campaigns to have the days of the week as they are now&lt;br /&gt; &lt;b&gt;The Terranic Army&lt;/b&gt; - This virtual &lt;span href="/wiki/Army" title="Army"&gt;army&lt;/span&gt; used to have online battles on their own World War battlefield. The army is now in general disuse, although many copycat societies have emerged.&lt;br /&gt; &lt;b&gt;United Friends of h2g2space&lt;/b&gt; - One of the largest clubs at the site, United Friends is simply a celebration of the friendliness of h2g2. Membership is open to any researcher.   &lt;b&gt; Clubs and societies&lt;/b&gt;&lt;br /&gt;  Among the most popular Talk Forums on the site are:&lt;br /&gt; &lt;span name="The_Post" id="The_Post"&gt;&lt;/span&gt;&lt;br /&gt; &lt;b&gt;Ask the h2g2 Community&lt;/b&gt; - usually abbreviated to &lt;b&gt;Ask&lt;/b&gt;. This is a general forum where Researchers can ask members of the community questions on various subjects. It also contains long-running conversations such as "My penis and I - what do women think of penises?", "What Films have you seen recently?" and "(The Return of) What book are you reading at this time?".&lt;br /&gt; &lt;b&gt;The Forum&lt;/b&gt; - The Forum contains many similar conversations to Ask, but they tend to be of a more serious nature.&lt;br /&gt; &lt;b&gt;SEx - Science Explained Forum&lt;/b&gt; - an area for Researchers to discuss all things scientific. Many of the Researchers are experts in particular fields, and so are able to provide explanations on a broad range of subjects.&lt;br /&gt; &lt;b&gt;Miscellaneous Chat&lt;/b&gt; - an area devoted to conversations about anything and everything&lt;br /&gt; &lt;b&gt;Talking heads of h2g2&lt;/b&gt; - A place for general chatting.   &lt;b&gt; Talk forums&lt;/b&gt;&lt;br /&gt;  &lt;span href="http://www.bbc.co.uk/dna/h2g2/ThePost" class="external text" title="http://www.bbc.co.uk/dna/h2g2/ThePost" rel="nofollow"&gt;The Post&lt;/span&gt; is h2g2's own virtual &lt;span href="/wiki/Broadsheet" title="Broadsheet"&gt;broadsheet&lt;/span&gt; &lt;span href="/wiki/Newspaper" title="Newspaper"&gt;newspaper&lt;/span&gt;, published weekly by a team of community members. It includes cartoons, regular columns, fiction, poetry and feature stories written and submitted by the h2g2 Researchers. It is edited by a few dedicated h2g2 Researchers, not paid in-house editors. The Post provides an outlet for comment and for sharing experiences, and often features content that is not intended to form a part of the Edited Guide.&lt;br /&gt; The h2g2 community also investigates its own progress at times, for example in the h2g2 Reports, written by a varied group of Researchers on a relatively infrequent basis.&lt;br /&gt; &lt;span name="Terms_and_conditions" id="Terms_and_conditions"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The Post&lt;/b&gt;&lt;br /&gt;  In order to contribute to the site, it is necessary to register and to agree to the h2g2 "House Rules" and the general BBC Terms and Conditions. Registered users are called &lt;i&gt;Researchers&lt;/i&gt;. Researchers retain the &lt;span href="/wiki/Copyright" title="Copyright"&gt;copyright&lt;/span&gt; to their articles, but grant the BBC a non-exclusive license to do pretty much whatever it likes with them.&lt;br /&gt; The &lt;span href="http://www.bbc.co.uk/dna/h2g2/HouseRules" class="external text" title="http://www.bbc.co.uk/dna/h2g2/HouseRules" rel="nofollow"&gt;House Rules&lt;/span&gt; prohibit various things, including &lt;span href="/wiki/Racism" title="Racism"&gt;racism&lt;/span&gt;, "hard-core" &lt;span href="/wiki/Profanity" title="Profanity"&gt;swearing&lt;/span&gt;, &lt;span href="/wiki/Spamming" title="Spamming"&gt;spamming&lt;/span&gt;, &lt;span href="/wiki/Usenet_flood" title="Usenet flood"&gt;flooding&lt;/span&gt;, languages other than &lt;span href="/wiki/English_language" title="English language"&gt;English&lt;/span&gt;, and "otherwise objectionable" material. The &lt;span href="http://www.bbc.co.uk/terms/" class="external text" title="http://www.bbc.co.uk/terms/" rel="nofollow"&gt;Terms and Conditions&lt;/span&gt; are more legalistic, and prohibit material that is not the submitter's own and original work, &lt;span href="/wiki/Defamation" title="Defamation"&gt;defamatory&lt;/span&gt; material, etc.&lt;br /&gt; When the site became part of BBCi, the BBC insisted on moderating all contributions to the site soon after they were made. However, they were eventually persuaded that the h2g2 Community could be trusted to a system of "Reactive Moderation", in which posts are not checked by moderators unless a complaint is made. Individual user accounts are sometimes put on "pre-moderation", meaning that any posts they make are not displayed until they have been reviewed by a moderator.&lt;br /&gt; Occasionally, there has been an issue that is particularly contentious and discussion of this issue may be moderated differently. For example:&lt;br /&gt; Additionally, several of the more contentious Entries submitted for review have had to be hidden pending moderation for fear of litigation, with two articles about the &lt;span href="/wiki/Nestl%C3%A9_boycott" title="Nestlé boycott"&gt;Nestlé boycott&lt;/span&gt; having been pulled in the past.&lt;br /&gt; &lt;span name="DNA" id="DNA"&gt;&lt;/span&gt;&lt;br /&gt; Political Discussions during any &lt;span href="/wiki/Elections_in_the_United_Kingdom" title="Elections in the United Kingdom"&gt;Elections in the United Kingdom&lt;/span&gt; are restricted to specific forums. These forums have all posts read by moderators to ensure that the BBC cannot be seen to break the tight rules that govern the UK media during such elections.&lt;br /&gt; During the &lt;span href="/wiki/War_in_Afghanistan_%282001%E2%80%93present%29" title="War in Afghanistan (2001–present)"&gt;2001 invasion of Afghanistan&lt;/span&gt;, extra rules were put in place and, for example, the username &lt;i&gt;&lt;span href="/wiki/Osama_bin_Laden" title="Osama bin Laden"&gt;OBL&lt;/span&gt;&lt;/i&gt; was deemed unacceptable.&lt;br /&gt; On &lt;span href="/wiki/March_17" title="March 17"&gt;17 March&lt;/span&gt; &lt;span href="/wiki/2003" title="2003"&gt;2003&lt;/span&gt;, h2g2 issued guidelines for discussions during the &lt;span href="/wiki/2003_invasion_of_Iraq" title="2003 invasion of Iraq"&gt;2003 Iraq war&lt;/span&gt;, including saying that "Postings and Entries on the subject of the conflict posted to h2g2 will be removed".&lt;br /&gt; In February 2006, various posts linking to the &lt;span href="/wiki/Jyllands-Posten_Muhammad_cartoons_controversy" title="Jyllands-Posten Muhammad cartoons controversy"&gt;Muhammad cartoons&lt;/span&gt; were removed. &lt;img src="http://www.buddhistchannel.tv/picture/hitchhiker.jpg"  alt="H2g2"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Terms and conditions&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/Software" title="Software"&gt;software&lt;/span&gt; for h2g2 - and all of its related 'sister' communities in the BBC, such as "606", "Film Network", "Action Network", "Comedy Soup", "British Film" and "collective" – is affectionately known as DNA, after the initials of author and site founder &lt;span href="/wiki/Douglas_Adams" title="Douglas Adams"&gt;Douglas Noel Adams&lt;/span&gt;. The DNA technology was introduced a few months after the BBC takeover. Before this technology, there was "Ripley", which was named after the &lt;span href="/wiki/Ellen_Ripley" title="Ellen Ripley"&gt;character&lt;/span&gt; from the film &lt;i&gt;&lt;span href="/wiki/Aliens_%281986_film%29" title="Aliens (1986 film)"&gt;Aliens&lt;/span&gt;&lt;/i&gt;, in homage to the quote "I say we take off and nuke the entire site from orbit. It's the only way to be sure." Before that there was a technology with no particular name, which subsequently gained the &lt;span href="/wiki/Retronym" title="Retronym"&gt;retronym&lt;/span&gt; Llama, due to the code holding the site together being written mostly in &lt;span href="/wiki/Perl" title="Perl"&gt;Perl&lt;/span&gt;.&lt;br /&gt; All of the BBC message boards moved onto the DNA engine in 2005.&lt;br /&gt; Adams himself was rather involved in the website in its early days. His account name (of course) was DNA, and his user number was 42, a reference to the famous joke in &lt;i&gt;&lt;span href="/wiki/The_Hitchhiker%27s_Guide_to_the_Galaxy" title="The Hitchhiker's Guide to the Galaxy"&gt;The Hitchhiker's Guide to the Galaxy&lt;/span&gt;&lt;/i&gt; that &lt;span href="/wiki/The_Answer_to_Life%2C_the_Universe%2C_and_Everything" title="The Answer to Life, the Universe, and Everything"&gt;the Answer to the Ultimate Question of Life, the Universe and Everything&lt;/span&gt; is 42. When Adams died, in May 2001, his personal space was the focus for a huge reaction from the community. Tributes and messages poured in at a rate of about one every two minutes.&lt;br /&gt; Adams' legacy is still felt on h2g2, and naturally the site is peppered with references to the Hitchhiker books; it is, however, not a fan site, and was never intended as such.&lt;br /&gt; &lt;span name="The_skins" id="The_skins"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; DNA&lt;/b&gt;&lt;br /&gt;  h2g2 has four different &lt;span href="/wiki/Skin_%28computing%29" title="Skin (computing)"&gt;skins&lt;/span&gt; which are different ways of viewing the site. Users can set their options menu to view the site in one or other of the skins when they are logged in. Some skins are more popular than others; some even have fanclubs. It is possible to switch between skins while not logged in by altering the URL, for example changing &lt;span href="http://www.bbc.co.uk/dna/h2g2/classic/A352487" class="external free" title="http://www.bbc.co.uk/dna/h2g2/classic/A352487" rel="nofollow"&gt;http://www.bbc.co.uk/dna/h2g2/classic/A352487&lt;/span&gt; to &lt;span href="http://www.bbc.co.uk/dna/h2g2/alabaster/A352487" class="external free" title="http://www.bbc.co.uk/dna/h2g2/alabaster/A352487" rel="nofollow"&gt;http://www.bbc.co.uk/dna/h2g2/alabaster/A352487&lt;/span&gt; would alter the skin from Classic Goo to Alabaster.&lt;br /&gt; &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt; &lt;b&gt;Classic Goo&lt;/b&gt; was the first skin. It has large white text on a blue background. The first programmers of h2g2 nicknamed it 'Goo' but it appears as /classic in the URL.&lt;br /&gt; &lt;b&gt;Alabaster&lt;/b&gt; was the second skin. Its layout is most like the rest of the internet, featuring small black text on a white background with chunks of orange and green. Originally called 'the corporate skin', its design was considered necessary to increase registrations from visitors who might previously have been intimidated by Goo. Launch editor &lt;span href="/w/index.php?title=Tim_Browse&amp;amp;action=edit" class="new" title="Tim Browse"&gt;Tim Browse&lt;/span&gt; suggested the name &lt;i&gt;Alabaster&lt;/i&gt; to the development team, who were immediately delighted by the concept and suggested further possibilies along the lines of &lt;i&gt;Porcelain&lt;/i&gt;, &lt;i&gt;Ivory&lt;/i&gt; and &lt;i&gt;China&lt;/i&gt;. It wasn't mentioned at the time that the suggestions, whilst reflecting the change to a white design from the classic blue, were also associated with toilets.&lt;br /&gt; &lt;b&gt;Brunel&lt;/b&gt; is the newest official skin, and consequently it is the default format for visitors who are not logged in. It has black text on white backgrounds, and was designed to look more like the rest of the BBC. The border colours vary depending on what type of Entry is being viewed, and can be determined by creators of Entries by using special &lt;span href="/wiki/GuideML" title="GuideML"&gt;GuideML&lt;/span&gt; tags; the h2g2 Front Page changes its colour scheme with its content. This skin is generally considered as having the best layout, as it has several useful buttons that are not on the other skins.&lt;br /&gt; &lt;b&gt;Plain&lt;/b&gt; was designed for &lt;span href="/wiki/Digibox" title="Digibox"&gt;Digibox&lt;/span&gt;, &lt;span href="/wiki/Palm_Pilot" title="Palm Pilot"&gt;Palm&lt;/span&gt; and &lt;span href="/wiki/Pocket_PC" title="Pocket PC"&gt;Pocket PC&lt;/span&gt; users who can't load the more graphic alabaster, brunel or classic. The Plain skin is not officially supported on the site, so it has not undergone the same level of testing as the other skins and has a few small problems. Unlike the other site skins, plain allows registered site users to define and use their own &lt;span href="/wiki/Cascading_Style_Sheets" title="Cascading Style Sheets"&gt;Style Sheet&lt;/span&gt; if they so wish.&lt;br /&gt; &lt;b&gt;pda&lt;/b&gt; for &lt;span href="/wiki/Mobile_phones" title="Mobile phones"&gt;mobile phones&lt;/span&gt;. Contains Edited Guide only. Articles are cut into sections at headers. Does not contain conversation fora.   &lt;b&gt; Notes&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Internet_encyclopedia_project" title="Internet encyclopedia project"&gt;Internet encyclopedia project&lt;/span&gt; - for similar online projects&lt;br /&gt; &lt;span href="/wiki/Collective_%28BBC%29" title="Collective (BBC)"&gt;Collective&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Science_humour" title="Science humour"&gt;Science humour&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-1395628494806468601?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/1395628494806468601/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=1395628494806468601' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1395628494806468601'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1395628494806468601'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/history-h2g2-is-really-two-separate-but.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-1873358543276865217</id><published>2008-04-11T10:26:00.001-07:00</published><updated>2008-04-11T10:26:23.036-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.cdunsigned.com/images/garycd150.jpg"  alt="The Sound Explosion"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;TheSoundEx&lt;/b&gt;, also known as "The Sound Explosion" are a self-proclaimed Rock n' Soul band from &lt;span href="/wiki/Newcastle_upon_Tyne" title="Newcastle upon Tyne"&gt;Newcastle upon Tyne&lt;/span&gt;, &lt;span href="/wiki/England" title="England"&gt;England&lt;/span&gt;.&lt;br /&gt; Their self titled debut album was released in March 2005 on the &lt;span href="/wiki/Durham" title="Durham"&gt;Durham&lt;/span&gt; based inde label &lt;span href="/wiki/Captains_of_Industry" title="Captains of Industry"&gt;Captains of Industry&lt;/span&gt;. When they were all 20, The Soundex co-headlined The &lt;span href="/wiki/Nokia" title="Nokia"&gt;Nokia&lt;/span&gt; New School of Rock Tour with &lt;span href="/wiki/The_Answer_%28band%29" title="The Answer (band)"&gt;The Answer&lt;/span&gt; and &lt;span href="/wiki/The_Tokyo_Dragons" title="The Tokyo Dragons"&gt;The Tokyo Dragons&lt;/span&gt;. The band have also toured with &lt;span href="/wiki/The_Datsuns" title="The Datsuns"&gt;The Datsuns&lt;/span&gt;, &lt;span href="/wiki/Hell_Is_for_Heroes_%28band%29" title="Hell Is for Heroes (band)"&gt;Hell Is for Heroes&lt;/span&gt;, &lt;span href="/wiki/The_Mooney_Suzuki" title="The Mooney Suzuki"&gt;The Mooney Suzuki&lt;/span&gt;, &lt;span href="/wiki/International_Noise_Conspiracy" title="International Noise Conspiracy"&gt;International Noise Conspiracy&lt;/span&gt;, &lt;span href="/wiki/Million_Dead" title="Million Dead"&gt;Million Dead&lt;/span&gt;, &lt;span href="/wiki/The_5678%27s" title="The 5678's"&gt;The 5678's&lt;/span&gt; and &lt;span href="/wiki/The_Glitterati" title="The Glitterati"&gt;The Glitterati&lt;/span&gt;.&lt;br /&gt; Early 2005 brought a headline tour, a pilgrimage to &lt;span href="/wiki/Dublin" title="Dublin"&gt;Dublin&lt;/span&gt;, a brainstorming session with &lt;span href="/wiki/Gordon_Raphael" title="Gordon Raphael"&gt;Gordon Raphael&lt;/span&gt; who recorded the B-side to Apollo entitled Let It Turn Inside Itself), lots of positive reviews from the press and a nasty bite from the &lt;i&gt;&lt;span href="/wiki/NME" title="NME"&gt;NME&lt;/span&gt;&lt;/i&gt;. After releasing their debut single "Apollo" in November, the band signed to Red Ink, &lt;span href="/wiki/Sony" title="Sony"&gt;Sony&lt;/span&gt; in January, and completed recording their second album with &lt;span href="/wiki/Paul_Reeve" title="Paul Reeve"&gt;Paul Reeve&lt;/span&gt; in October.&lt;br /&gt; &lt;span name="Members" id="Members"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Members&lt;/b&gt;&lt;br /&gt;  &lt;span name="Discography" id="Discography"&gt;&lt;/span&gt;&lt;br /&gt; Kit Endean - Guitar + Vocals&lt;br /&gt; Glen Roughead - Guitar + Vocals&lt;br /&gt; Stevey Gibson - Drums&lt;br /&gt; Euan Macfarlane - Bass  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-1873358543276865217?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/1873358543276865217/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=1873358543276865217' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1873358543276865217'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1873358543276865217'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/thesoundex-also-known-as-sound.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-2340853447702883102</id><published>2008-04-10T09:24:00.001-07:00</published><updated>2008-04-10T09:24:17.500-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  Over its history, the &lt;span href="/wiki/BBC" title="BBC"&gt;BBC&lt;/span&gt; has employed many journalists and newsreaders to present its news programmes as well as to provide news reports and interviews. The following list as of August 2007 contains the names of those individuals who for whatever reason are no longer employed by the BBC in its news division &lt;span href="/wiki/BBC_News" title="BBC News"&gt;BBC News&lt;/span&gt;.&lt;br /&gt; &lt;span name="B" id="B"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; B&lt;/b&gt;&lt;br /&gt;  &lt;span name="D" id="D"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Stephen_Cole" title="Stephen Cole"&gt;Stephen Cole&lt;/span&gt; - presenter on &lt;span href="/wiki/BBC_World" title="BBC World"&gt;BBC World&lt;/span&gt; and of technical programme &lt;i&gt;&lt;span href="/wiki/Click_Online" title="Click Online"&gt;Click Online&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;span href="/wiki/Alistair_Cooke" title="Alistair Cooke"&gt;Alistair Cooke&lt;/span&gt; - broadcaster, presented &lt;i&gt;&lt;span href="/wiki/Letter_from_America" title="Letter from America"&gt;Letter from America&lt;/span&gt;&lt;/i&gt; until October 2004, he died later in the same month.   &lt;b&gt; C&lt;/b&gt;&lt;br /&gt;  &lt;span name="F" id="F"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Jill_Dando" title="Jill Dando"&gt;Jill Dando&lt;/span&gt; - presenter of BBC News programmes as well as others including &lt;i&gt;&lt;span href="/wiki/Holiday" title="Holiday"&gt;Holiday&lt;/span&gt;&lt;/i&gt; and &lt;i&gt;&lt;span href="/wiki/Crimewatch_UK" title="Crimewatch UK"&gt;Crimewatch UK&lt;/span&gt;&lt;/i&gt; until her murder in 1999.&lt;br /&gt; &lt;span href="/wiki/Robin_Day" title="Robin Day"&gt;Sir Robin Day&lt;/span&gt; - political broadcaster and commentator, he died in 2000.&lt;br /&gt; &lt;span href="/wiki/Robert_Dougall" title="Robert Dougall"&gt;Robert Dougall&lt;/span&gt; - one of the first &lt;i&gt;BBC Television News&lt;/i&gt; newsreaders, together with Richard Baker and &lt;span href="/wiki/Kenneth_Kendall" title="Kenneth Kendall"&gt;Kenneth Kendall&lt;/span&gt;. He died in 1999.   &lt;b&gt; D&lt;/b&gt;&lt;br /&gt;  &lt;span name="G" id="G"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Anna_Ford" title="Anna Ford"&gt;Anna Ford&lt;/span&gt; - presenter of the &lt;i&gt;&lt;span href="/wiki/BBC_One_O%27Clock_News" title="BBC One O'Clock News"&gt;One O'Clock News&lt;/span&gt;&lt;/i&gt; from 1999 until 2006. She had also worked across other BBC News programmes, having been the first female newsreader at &lt;span href="/wiki/ITN" title="ITN"&gt;ITN&lt;/span&gt;. She left the BBC in 2006 to follow other interests.&lt;br /&gt; &lt;span href="/wiki/David_Frost_%28broadcaster%29" title="David Frost (broadcaster)"&gt;Sir David Frost&lt;/span&gt; - veteran broadcaster, presented &lt;i&gt;&lt;span href="/wiki/Breakfast_with_Frost" title="Breakfast with Frost"&gt;Breakfast with Frost&lt;/span&gt;&lt;/i&gt; from 1993 to 2005, when he left the corporation.   &lt;b&gt; F&lt;/b&gt;&lt;br /&gt;  &lt;span name="H" id="H"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Andrew_Gilligan" title="Andrew Gilligan"&gt;Andrew Gilligan&lt;/span&gt; - journalist implicated in the &lt;span href="/wiki/Hutton_Report" title="Hutton Report"&gt;Hutton Report&lt;/span&gt; of 2003 following his report on BBC Radio 4's &lt;i&gt;&lt;span href="/wiki/The_Today_Programme" title="The Today Programme"&gt;The Today Programme&lt;/span&gt;&lt;/i&gt; regarding the content of a British government briefing paper. Resigned following publication of the report's findings in the same year.   &lt;b&gt; G&lt;/b&gt;&lt;br /&gt;  &lt;span name="J" id="J"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Andrew_Harvey_%28journalist%29" title="Andrew Harvey (journalist)"&gt;Andrew Harvey&lt;/span&gt; - presenter of main BBC News programme as well as regional news programmes later including &lt;span href="/wiki/BBC_Points_West" title="BBC Points West"&gt;BBC Points West&lt;/span&gt; and &lt;i&gt;&lt;span href="/wiki/South_Today" title="South Today"&gt;South Today&lt;/span&gt;&lt;/i&gt;. Left the corporation to join rival ITN.&lt;br /&gt; &lt;span href="/wiki/Philip_Hayton" title="Philip Hayton"&gt;Philip Hayton&lt;/span&gt; - veteran broadcaster, presented the &lt;i&gt;One O'Clock News&lt;/i&gt; as well as regional news in the North of England. Presented on BBC World and &lt;span href="/wiki/BBC_News_24" title="BBC News 24"&gt;BBC News 24&lt;/span&gt;, resigning from the corporation in 2005 citing "incompatibility" with his new co-presenter &lt;span href="/wiki/Kate_Silverton" title="Kate Silverton"&gt;Kate Silverton&lt;/span&gt;. He had been with the BBC for 37 years.   &lt;b&gt; H&lt;/b&gt;&lt;br /&gt;  &lt;span name="K" id="K"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Anna_Jones" title="Anna Jones"&gt;Anna Jones&lt;/span&gt; - presented the morning 9-1pm shift alongside &lt;span href="/wiki/Phillip_Hayton" title="Phillip Hayton"&gt;Phillip Hayton&lt;/span&gt; on &lt;span href="/wiki/BBC_News_24" title="BBC News 24"&gt;BBC News 24&lt;/span&gt; from 2003. She had been with the channel since its 1997 launch, originally as a business presenter. She left in 2005, after 12 years at the BBC, to become a presenter on &lt;span href="/wiki/Sky_News" title="Sky News"&gt;Sky News&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Darren_Jordon" title="Darren Jordon"&gt;Darren Jordon&lt;/span&gt; - originally sports correspondent on BBC News 24, he moved up within the department to present &lt;i&gt;&lt;span href="/wiki/BBC_Breakfast" title="BBC Breakfast"&gt;BBC Breakfast&lt;/span&gt;&lt;/i&gt;and was later deputy presenter of the &lt;i&gt;&lt;span href="/wiki/BBC_One_O%27Clock_News" title="BBC One O'Clock News"&gt;BBC One O'Clock News&lt;/span&gt;&lt;/i&gt; and weekend bulletins. He left the corporation in October 2006 to become a main presenter on the &lt;span href="/wiki/Al_Jazeera_English" title="Al Jazeera English"&gt;Al Jazeera English&lt;/span&gt; service, based in &lt;span href="/wiki/Doha" title="Doha"&gt;Doha&lt;/span&gt;.   &lt;b&gt; K&lt;/b&gt;&lt;br /&gt;  &lt;span name="P" id="P"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Martyn_Lewis_%28journalist%29" title="Martyn Lewis (journalist)"&gt;Martyn Lewis&lt;/span&gt; - was the first presenter of the &lt;span href="/wiki/BBC_One_O%27Clock_News" title="BBC One O'Clock News"&gt;BBC One O'Clock News&lt;/span&gt; when it launched in 1986. He also presented the &lt;span href="/wiki/BBC_Six_O%27Clock_News" title="BBC Six O'Clock News"&gt;BBC Six O'Clock News&lt;/span&gt; and the &lt;span href="/wiki/BBC_Nine_O%27Clock_News" title="BBC Nine O'Clock News"&gt;BBC Nine O'Clock News&lt;/span&gt;. He left &lt;span href="/wiki/BBC_News" title="BBC News"&gt;BBC News&lt;/span&gt; in 1999. &lt;img src="http://www.bbc.co.uk/blogs/theeditors/newswebsite.gif"  alt="List of former BBC newsreaders and journalists"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; P&lt;/b&gt;&lt;br /&gt;  &lt;span name="See_Also" id="See_Also"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Valerie_Sanderson" title="Valerie Sanderson"&gt;Valerie Sanderson&lt;/span&gt; - was a presenter for &lt;span href="/wiki/BBC_News_24" title="BBC News 24"&gt;BBC News 24&lt;/span&gt; from its 1997 launch until 2003. She presented the 1-4pm shift alongside &lt;span href="/wiki/Bill_Turnbull" title="Bill Turnbull"&gt;Bill Turnbull&lt;/span&gt;, and later &lt;span href="/wiki/Chris_Eakin" title="Chris Eakin"&gt;Chris Eakin&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Moira_Stuart" title="Moira Stuart"&gt;Moira Stuart&lt;/span&gt; - presented many of the BBC's main bulletins, including the &lt;span href="/wiki/Six_O%27Clock_News" title="Six O'Clock News"&gt;Six O'Clock News&lt;/span&gt; and the &lt;span href="/wiki/Nine_O%27Clock_News" title="Nine O'Clock News"&gt;Nine O'Clock News&lt;/span&gt;, during a long career with the BBC. She was dropped from her weekend slot by the BBC in 2007, leading to accusations of ageism.  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-2340853447702883102?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/2340853447702883102/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=2340853447702883102' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2340853447702883102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2340853447702883102'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/over-its-history-bbc-has-employed-many.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-5668004312770050476</id><published>2008-04-09T08:17:00.001-07:00</published><updated>2008-04-09T08:17:49.700-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.brown.edu/Student_Services/Food_Services/img/eateries/refectory2.jpg"  alt="Refectory"  align="left" style="padding:10px"  /&gt;&lt;img src="http://www.foodmuseum.com/images/fhsDiningLastSupperRefectory.gif"  alt="Refectory"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Refectories and monastic culture&lt;/b&gt;&lt;br /&gt;  Refectories varied in size and dimension, based primarily on the wealth and size of the monastery, as well as the period in which the room was built. They shared certain design features. Monks ate at long benches; important officials sat at raised benches at one end of the hall. Outside the refectory usually stood a &lt;span href="/wiki/Lavabo" title="Lavabo"&gt;lavabo&lt;/span&gt;, or large basin for hand-washing. Other factors were also largely fixed by tradition. In England, the refectory was generally built on an &lt;span href="/wiki/Undercroft" title="Undercroft"&gt;undercroft&lt;/span&gt; (perhaps in an allusion to the upper room in which the &lt;span href="/wiki/Last_Supper" title="Last Supper"&gt;Last Supper&lt;/span&gt; reportedly took place) on the side of the &lt;span href="/wiki/Cloister" title="Cloister"&gt;cloister&lt;/span&gt; opposite the church. Benedictine models were generally laid out on an east-west axis, while &lt;span href="/wiki/Cistercian" title="Cistercian"&gt;Cistercian&lt;/span&gt; models lay north-south.&lt;br /&gt; &lt;span href="/wiki/Norman_architecture" title="Norman architecture"&gt;Norman&lt;/span&gt; refectories could be as large as 160 feet long by 35 feet wide (as is that in the abbey at &lt;span href="/wiki/Norwich" title="Norwich"&gt;Norwich&lt;/span&gt;). Even relatively early refectories might have windows, but these became larger and more elaborate in the high medieval period: the refectory at &lt;span href="/wiki/Cluny_Abbey" title="Cluny Abbey"&gt;Cluny Abbey&lt;/span&gt; was lit through thirty-six large glazed windows. That in the twelfth-century abbey at &lt;span href="/wiki/Mont_Saint-Michel" title="Mont Saint-Michel"&gt;Mont Saint-Michel&lt;/span&gt; had six windows, five feet wide by twenty feet high.&lt;br /&gt; &lt;span name="Eastern_Orthodox" id="Eastern_Orthodox"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Eastern Orthodox&lt;/b&gt;&lt;br /&gt;  &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Henry_Adams" title="Henry Adams"&gt;Adams, Henry&lt;/span&gt;, &lt;i&gt;Mont Saint-Michel and Chartres&lt;/i&gt;. New York: Penguin, 1986.&lt;br /&gt; Fernie, E. C. &lt;i&gt;The Architecture of Norman England&lt;/i&gt;. Oxford: Oxford University Press, 2000.&lt;br /&gt; Harvey, Barbara. &lt;i&gt;Living and Dying in England, 1100-1450&lt;/i&gt;. Oxford: Clarendon Press, 1995.&lt;br /&gt; Singman, Henry. &lt;i&gt;Daily Life in Medieval Europe&lt;/i&gt;. Westport, CT: Greenwood Press, 1999.&lt;br /&gt; Webb, Geoffrey. &lt;i&gt;Architecture in Britain: the Middle Ages&lt;/i&gt;. Baltimore: Penguin, 1956.  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-5668004312770050476?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/5668004312770050476/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=5668004312770050476' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/5668004312770050476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/5668004312770050476'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/refectories-and-monastic-culture.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-8641378387647417567</id><published>2008-04-08T09:22:00.001-07:00</published><updated>2008-04-08T09:22:28.059-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Harold Pinter&lt;/b&gt;, &lt;span href="/wiki/Companion_of_Honour" title="Companion of Honour"&gt;CH&lt;/span&gt;, &lt;span href="/wiki/Order_of_the_British_Empire" title="Order of the British Empire"&gt;CBE&lt;/span&gt; (born &lt;span href="/wiki/October_10" title="October 10"&gt;10 October&lt;/span&gt; &lt;span href="/wiki/1930" title="1930"&gt;1930&lt;/span&gt;) is an &lt;span href="/wiki/English_people" title="English people"&gt;English&lt;/span&gt; playwright, screenwriter, poet, actor, director, author, and political activist, best known for his plays &lt;i&gt;&lt;span href="/wiki/The_Birthday_Party_%28play%29" title="The Birthday Party (play)"&gt;The Birthday Party&lt;/span&gt;&lt;/i&gt; (1957), &lt;i&gt;&lt;span href="/wiki/The_Caretaker" title="The Caretaker"&gt;The Caretaker&lt;/span&gt;&lt;/i&gt; (1959), &lt;i&gt;&lt;span href="/wiki/The_Homecoming" title="The Homecoming"&gt;The Homecoming&lt;/span&gt;&lt;/i&gt; (1964), and &lt;i&gt;&lt;span href="/wiki/Betrayal_%28play%29" title="Betrayal (play)"&gt;Betrayal&lt;/span&gt;&lt;/i&gt; (1978), and also for his screenplay adaptations of novels by others, such as &lt;i&gt;&lt;span href="/wiki/The_Servant_%28film%29" title="The Servant (film)"&gt;The Servant&lt;/span&gt;&lt;/i&gt; (1963), &lt;i&gt;&lt;span href="/wiki/The_Go-Between_%28film%29" title="The Go-Between (film)"&gt;The Go-Between&lt;/span&gt;&lt;/i&gt; (1970), &lt;i&gt;&lt;span href="/wiki/The_French_Lieutenant%27s_Woman_%28film%29" title="The French Lieutenant's Woman (film)"&gt;The French Lieutenant's Woman&lt;/span&gt;&lt;/i&gt; (1980), and &lt;i&gt;&lt;span href="/wiki/The_Trial_%281993_film%29" title="The Trial (1993 film)"&gt;The Trial&lt;/span&gt;&lt;/i&gt; (1993).&lt;br /&gt; The recipient of scores of awards and honorary degrees, Pinter received the &lt;span href="/wiki/Nobel_Prize_in_Literature" title="Nobel Prize in Literature"&gt;Nobel Prize in Literature&lt;/span&gt; from the &lt;span href="/wiki/Swedish_Academy" title="Swedish Academy"&gt;Swedish Academy&lt;/span&gt; in December 2005. In its citation, the Academy states that "Harold Pinter is generally regarded as the foremost representative of British drama in the second half of the 20th century."&lt;br /&gt; &lt;span name="Biography" id="Biography"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Biography&lt;/b&gt;&lt;br /&gt;  Beginning in autumn 1948, for two semesters, he attended the &lt;span href="/wiki/Royal_Academy_of_Dramatic_Art" title="Royal Academy of Dramatic Art"&gt;Royal Academy of Dramatic Art&lt;/span&gt; (RADA). Later that year, he was "called up for &lt;span href="/wiki/National_Service" title="National Service"&gt;National Service&lt;/span&gt;," registered as a &lt;span href="/wiki/Conscientious_objector" title="Conscientious objector"&gt;conscientious objector&lt;/span&gt;, was brought to trial twice, and ultimately fined by the magistrate for refusing to serve. He "loath[ed]" RADA, mostly cut classes, and dropped out in 1949. He had a minor role in &lt;i&gt;&lt;span href="/wiki/Dick_Whittington" title="Dick Whittington"&gt;Dick Whittington&lt;/span&gt; and His Cat&lt;/i&gt; at the Chesterfield Hippodrome in 1949-50. From January to July 1951, he attended "two terms" at the &lt;span href="/wiki/Central_School_of_Speech_and_Drama" title="Central School of Speech and Drama"&gt;Central School of Speech and Drama&lt;/span&gt; (a constituent college of the &lt;span href="/wiki/University_of_London" title="University of London"&gt;University of London&lt;/span&gt; since 2005). From 1951-52, he toured Ireland with the Anew McMaster repertory company, playing over a dozen roles; in 1952 he began regional repertory acting jobs in England; and from 1953-54, he worked for the &lt;span href="/wiki/Donald_Wolfit" title="Donald Wolfit"&gt;Donald Wolfit&lt;/span&gt; Company, King's Theatre, Hammersmith, performing nearly ten roles. From 1954 until 1959, Harold Pinter acted under the stage name &lt;b&gt;David Baron&lt;/b&gt;.&lt;br /&gt; &lt;span name="Personal_life" id="Personal_life"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Early theatrical training and stage experience&lt;/b&gt;&lt;br /&gt;  From 1956 until 1980, Pinter was married to &lt;span href="/wiki/Vivien_Merchant" title="Vivien Merchant"&gt;Vivien Merchant&lt;/span&gt;, a &lt;span href="/wiki/Repertory" title="Repertory"&gt;rep&lt;/span&gt; actress whom he met on tour, probably best known for her performance in the original film &lt;i&gt;&lt;span href="/wiki/Alfie" title="Alfie"&gt;Alfie&lt;/span&gt;&lt;/i&gt; (1966). Their son, Daniel, was born in 1958. Through the early 70s, Merchant appeared in many of Pinter's works, most notably &lt;i&gt;&lt;span href="/wiki/The_Homecoming" title="The Homecoming"&gt;The Homecoming&lt;/span&gt;&lt;/i&gt; on stage (1965) and screen (1973). The marriage was turbulent and began disintegrating in the mid-1960s. For seven years, from 1962-69, Pinter was engaged in a clandestine affair with &lt;span href="/wiki/Joan_Bakewell" title="Joan Bakewell"&gt;Joan Bakewell&lt;/span&gt;, which informed his play &lt;i&gt;&lt;span href="/wiki/Betrayal_%28play%29" title="Betrayal (play)"&gt;Betrayal&lt;/span&gt;&lt;/i&gt; (1978). According to his own program notes for that play, between 1975 and 1980, he lived with historian &lt;span href="/wiki/Antonia_Fraser" title="Antonia Fraser"&gt;Lady Antonia Fraser&lt;/span&gt;, wife of &lt;span href="/wiki/Hugh_Fraser_%28politician%29" title="Hugh Fraser (politician)"&gt;Sir Hugh Fraser&lt;/span&gt;. In 1975, Merchant filed for divorce.&lt;br /&gt; Chairman of the Gaieties Cricket Club, Pinter has called &lt;span href="/wiki/Cricket" title="Cricket"&gt;cricket&lt;/span&gt; one of his three great "loves." The other two are "love" (of women) and "writing" (Gussow, &lt;i&gt;Conversations with Pinter&lt;/i&gt; 28-29). "Running" (as a teenage sprinter [29]) and "reading" are two other pleasures that he mentions at times in interviews. Pinter is an Honorary Associate of the &lt;span href="/wiki/National_Secular_Society" title="National Secular Society"&gt;National Secular Society&lt;/span&gt;.&lt;br /&gt; &lt;span name="Main_career_.281957-2005.29" id="Main_career_.281957-2005.29"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Personal life&lt;/b&gt;&lt;br /&gt;  Pinter is the author of twenty-nine plays, fifteen dramatic sketches, over twenty-one screenplays and filmscripts for cinema and television, a novel, and other prose fiction and essays, and co-author of two works for stage and radio. Along with the 1967 &lt;span href="/wiki/Tony_Award_for_Best_Play" title="Tony Award for Best Play"&gt;Tony Award for Best Play&lt;/span&gt; for &lt;i&gt;&lt;span href="/wiki/The_Homecoming" title="The Homecoming"&gt;The Homecoming&lt;/span&gt;&lt;/i&gt; and several other American awards and award nominations, he and his plays have received many awards in the UK and elsewhere throughout the world. His screenplays for &lt;i&gt;&lt;span href="/wiki/The_French_Lieutenant%27s_Woman_%28film%29" title="The French Lieutenant's Woman (film)"&gt;The French Lieutenant's Woman&lt;/span&gt;&lt;/i&gt; and &lt;i&gt;&lt;span href="/wiki/Betrayal_%28play%29" title="Betrayal (play)"&gt;Betrayal&lt;/span&gt;&lt;/i&gt; were nominated for &lt;span href="/wiki/Academy_Awards" title="Academy Awards"&gt;Academy Awards&lt;/span&gt; in the category of "Writing: Screenplay Based on Material from Another Medium" in 1981 and 1983, respectively. (See &lt;span href="/wiki/Harold_Pinter#Honors" title="Harold Pinter"&gt;Honors&lt;/span&gt;.)&lt;br /&gt; Pinter's first &lt;span href="/wiki/Play" title="Play"&gt;play&lt;/span&gt;, &lt;i&gt;&lt;span href="/wiki/The_Room" title="The Room"&gt;The Room&lt;/span&gt;&lt;/i&gt;, written in 1957, was a student production at the &lt;span href="/wiki/University_of_Bristol" title="University of Bristol"&gt;Bristol University&lt;/span&gt; directed by (later acclaimed) actor &lt;span href="/wiki/Henry_Woolf" title="Henry Woolf"&gt;Henry Woolf&lt;/span&gt;, who also originated the role of Mr. Kidd in that play (which he reprised in 2001). After his longtime friend Pinter had mentioned that he had an "idea" for a play, Woolf asked him to write it so that he could direct it as part of fulfilling requirements for his postgraduate work. Pinter wrote it in three days. There was also a revival of &lt;i&gt;&lt;span href="/wiki/The_Caretaker" title="The Caretaker"&gt;The Caretaker&lt;/span&gt;&lt;/i&gt; in the &lt;span href="/wiki/West_End_of_London" title="West End of London"&gt;West End&lt;/span&gt;.&lt;br /&gt; Late in 2001, Pinter was diagnosed with &lt;span href="/wiki/Esophageal_cancer" title="Esophageal cancer"&gt;cancer of the esophagus&lt;/span&gt;, for which, in 2002, he underwent a successful operation and &lt;span href="/wiki/Chemotherapy" title="Chemotherapy"&gt;chemotherapy&lt;/span&gt;. During the course of his treatment, he directed a production of his play &lt;i&gt;&lt;span href="/wiki/No_Man%27s_Land_%28play%29" title="No Man's Land (play)"&gt;No Man's Land&lt;/span&gt;&lt;/i&gt;, wrote and performed in his new sketch "Press Conference" for a two-part otherwise-retrospective program of his dramatic sketches at the &lt;span href="/wiki/National_Theatre" title="National Theatre"&gt;National Theatre&lt;/span&gt;, and was seen on television in America in the role of Vivian Bearing's father in the HBO film version of &lt;span href="/wiki/Margaret_Edson" title="Margaret Edson"&gt;Margaret Edson&lt;/span&gt;'s &lt;span href="/wiki/Pulitzer_Prize" title="Pulitzer Prize"&gt;Pulitzer Prize&lt;/span&gt;-winning play &lt;i&gt;&lt;span href="/wiki/Wit_%28play%29" title="Wit (play)"&gt;Wit&lt;/span&gt;&lt;/i&gt;. Since then, having become increasingly politically "engaged" as "citizen Pinter", Pinter has continued to write and present politically-charged poetry, essays and speeches, a dramatic collaborative work for radio (&lt;i&gt;&lt;span href="/w/index.php?title=Voices_%28radio_play%29&amp;amp;action=edit" class="new" title="Voices (radio play)"&gt;Voices&lt;/span&gt;&lt;/i&gt;), and two new screenplay adaptations of plays by Shakespeare &lt;i&gt;&lt;span href="/wiki/King_Lear" title="King Lear"&gt;King Lear&lt;/span&gt;&lt;/i&gt; (unfilmed) and Anthony Shaffer's play &lt;i&gt;&lt;span href="/wiki/Sleuth_%282007_film%29" title="Sleuth (2007 film)"&gt;Sleuth&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; &lt;span name="Public_announcement_of_retirement_from_playwriting_.282005.29" id="Public_announcement_of_retirement_from_playwriting_.282005.29"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Main career (1957-2005)&lt;/b&gt;&lt;br /&gt;  On &lt;span href="/wiki/February_28" title="February 28"&gt;28 February&lt;/span&gt; &lt;span href="/wiki/2005" title="2005"&gt;2005&lt;/span&gt;, in an interview with &lt;span href="/wiki/Mark_Lawson" title="Mark Lawson"&gt;Mark Lawson&lt;/span&gt; on the &lt;span href="/wiki/BBC_Radio_4" title="BBC Radio 4"&gt;BBC Radio 4&lt;/span&gt; program &lt;i&gt;&lt;span href="/wiki/Front_Row_%28radio%29" title="Front Row (radio)"&gt;Front Row&lt;/span&gt;&lt;/i&gt;, Pinter announced publicly that he would retire from writing plays to dedicate himself to his political &lt;span href="/wiki/Activism" title="Activism"&gt;activism&lt;/span&gt; and writing &lt;span href="/wiki/Poetry" title="Poetry"&gt;poetry&lt;/span&gt;: "I think I've written 29 plays. I think it's enough for me. I think I've found other forms now. My energies are going in different directions—over the last few years I've made a number of political speeches at various locations and ceremonies . . . I'm using a lot of energy more specifically about political states of affairs, which I think are very, very worrying as things stand."&lt;br /&gt; &lt;span name="Political_activism" id="Political_activism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Public announcement of retirement from playwriting (2005)&lt;/b&gt;&lt;br /&gt;  Pinter was an early member of the &lt;span href="/wiki/Campaign_for_Nuclear_Disarmament" title="Campaign for Nuclear Disarmament"&gt;Campaign for Nuclear Disarmament&lt;/span&gt; in the &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;United Kingdom&lt;/span&gt; and supported the British &lt;span href="/wiki/Anti-Apartheid_Movement" title="Anti-Apartheid Movement"&gt;Anti-Apartheid Movement&lt;/span&gt; (1959-94), participating in British artists' refusal to permit professional productions of their work in &lt;span href="/wiki/South_Africa" title="South Africa"&gt;South Africa&lt;/span&gt; in 1963 and in subsequent related campaigns). In both his writing and his public speaking, as McDowell observes,&lt;br /&gt; Pinter's precision of language is immensely political. Twist words like "democracy" and "freedom", as he believes Blair and Bush have done over Iraq, and hundreds of thousands of people die.  Earlier this year [March 2006], when he was presented with the European Theatre Prize in &lt;span href="/wiki/Turin" title="Turin"&gt;Turin&lt;/span&gt;, Pinter said he intended to spend the rest of his life railing against the United States. Surely, asked chair Ramona Koval, he was doomed to fail?  "Oh yes — me against the United States!" he said, laughing along with the audience at the absurdity, before adding: "But I can't stop reacting to what is done in our name, and what is being done in the name of freedom and democracy is disgusting." (Qtd. by McDowell)&lt;br /&gt; &lt;span name="Honors" id="Honors"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Political activism&lt;/b&gt;&lt;br /&gt;  Pinter was appointed &lt;span href="/wiki/Order_of_the_British_Empire" title="Order of the British Empire"&gt;CBE&lt;/span&gt; in 1966 and became a &lt;span href="/wiki/Order_of_the_Companions_of_Honour" title="Order of the Companions of Honour"&gt;Companion of Honour&lt;/span&gt; in 2002 (having previously declined a knighthood in 1996). He has also received the 1995 &lt;span href="/wiki/David_Cohen_Prize" title="David Cohen Prize"&gt;David Cohen Prize&lt;/span&gt; for Literature , in recognition of a lifetime's achievement in literature, the 1996 &lt;span href="/wiki/Laurence_Olivier_Award" title="Laurence Olivier Award"&gt;Laurence Olivier Special Award&lt;/span&gt; for a lifetime's achievement in the theater; a 2001 World Leaders Award for "creative genius"; the 2004 &lt;span href="/wiki/Wilfred_Owen" title="Wilfred Owen"&gt;Wilfred Owen&lt;/span&gt; Award for Poetry—"in recognition of Pinter's lifelong contribution to literature, 'and specifically for his collection of poetry entitled &lt;i&gt;War&lt;/i&gt;, published in 2003,'" and the Europe Theatre Prize, in recognition of lifetime achievements pertaining to drama and theater (conferred March 2006).&lt;br /&gt; &lt;i&gt;Further information: &lt;span href="#Artist_and_Citizen:_50_Years_of_Performing_Pinter" title=""&gt;#Artist and Citizen: 50 Years of Performing Pinter&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;span name="The_Nobel_Prize_in_Literature_2005" id="The_Nobel_Prize_in_Literature_2005"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Honors&lt;/b&gt;&lt;br /&gt;  On &lt;span href="/wiki/October_13" title="October 13"&gt;13 October&lt;/span&gt; &lt;span href="/wiki/2005" title="2005"&gt;2005&lt;/span&gt; the &lt;span href="/wiki/Swedish_Academy" title="Swedish Academy"&gt;Swedish Academy&lt;/span&gt; announced that it had decided to award the &lt;span href="/wiki/Nobel_Prize_in_Literature" title="Nobel Prize in Literature"&gt;Nobel Prize in Literature&lt;/span&gt; for 2005 to "Harold Pinter", "who in his plays uncovers the precipice under everyday prattle and forces entry into oppression's closed rooms."&lt;br /&gt; &lt;span name="Art.2C_Truth_.26_Politics:_The_Nobel_Lecture" id="Art.2C_Truth_.26_Politics:_The_Nobel_Lecture"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The Nobel Prize in Literature 2005&lt;/b&gt;&lt;br /&gt;  In his &lt;span href="/wiki/Controversial" title="Controversial"&gt;controversial&lt;/span&gt; Nobel Lecture "Art, Truth &amp;amp; Politics", speaking with obvious difficulty while seated in a wheelchair, Pinter distinguishes between the search for &lt;span href="/wiki/Truth" title="Truth"&gt;truth&lt;/span&gt; in &lt;span href="/wiki/Art" title="Art"&gt;art&lt;/span&gt; and the avoidance of truth in &lt;span href="/wiki/Politics" title="Politics"&gt;politics&lt;/span&gt;.&lt;br /&gt; &lt;span name="Subsequent_interviews.2C_media_appearances.2C_and_productions_.282006_.E2.80.93_the_present.29" id="Subsequent_interviews.2C_media_appearances.2C_and_productions_.282006_.E2.80.93_the_present.29"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Art, Truth &amp;amp; Politics: The Nobel Lecture&lt;/b&gt;&lt;br /&gt;  In his first public appearance in Britain since he won the 2005 Nobel Prize in Literature, Pinter participated in "Meet the Author" with Ramona Koval, at the &lt;span href="/wiki/Edinburgh_Book_Festival" title="Edinburgh Book Festival"&gt;Edinburgh Book Festival&lt;/span&gt;, in &lt;span href="/wiki/Edinburgh%2C_Scotland" title="Edinburgh, Scotland"&gt;Edinburgh, Scotland&lt;/span&gt;, in the evening of &lt;span href="/wiki/August_25" title="August 25"&gt;25 August&lt;/span&gt; &lt;span href="/wiki/2006" title="2006"&gt;2006&lt;/span&gt;. Prior to the interview, Pinter read a scene from his play &lt;i&gt;&lt;span href="/wiki/The_Birthday_Party_%28play%29" title="The Birthday Party (play)"&gt;The Birthday Party&lt;/span&gt;&lt;/i&gt;. (Other recent and "upcoming events" [updated periodically] are listed on the home page of Pinter's official website and through its menu of links to the "Calendar".)&lt;br /&gt; &lt;span name="Pinter_and_Academia" id="Pinter_and_Academia"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Subsequent interviews, media appearances, and productions (2006 – the present)&lt;/b&gt;&lt;br /&gt;  Among his other honors, Pinter is the recipient of over fifteen honorary degrees conferred by European and American &lt;span href="/wiki/Academia" title="Academia"&gt;academic institutions&lt;/span&gt;, as well as an Honorary Fellow of the &lt;span href="/wiki/Modern_Language_Association" title="Modern Language Association"&gt;Modern Language Association of America (MLA)&lt;/span&gt; (1970). He received the honorary degree of &lt;span href="/wiki/Doctor_of_Letters" title="Doctor of Letters"&gt;Doctor of Letters&lt;/span&gt; from the &lt;span href="/wiki/University_of_Leeds" title="University of Leeds"&gt;University of Leeds&lt;/span&gt; School of English on 13 April 2007.&lt;br /&gt; &lt;span name="The_Harold_Pinter_Society" id="The_Harold_Pinter_Society"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Pinter and Academia&lt;/b&gt;&lt;br /&gt;  In 1986, a group of American academic scholars formed the &lt;span href="http://www.pintersociety.org" class="external text" title="http://www.pintersociety.org" rel="nofollow"&gt;Harold Pinter Society&lt;/span&gt; (an Allied Organization of the &lt;span href="/wiki/Modern_Language_Association" title="Modern Language Association"&gt;MLA&lt;/span&gt;); members and individual and institutional subscribers receive &lt;i&gt;&lt;span href="http://www.haroldpinter.org/pinterreview/index.shtml" class="external text" title="http://www.haroldpinter.org/pinterreview/index.shtml" rel="nofollow"&gt;The Pinter Review: Collected Essays&lt;/span&gt;&lt;/i&gt;, at first an &lt;span href="/wiki/Academic_journal" title="Academic journal"&gt;academic journal&lt;/span&gt; and now a biennial book publication published by the &lt;span href="/wiki/University_of_Tampa" title="University of Tampa"&gt;University of Tampa&lt;/span&gt; Press since 1987.&lt;br /&gt; &lt;span name="Artist_and_Citizen:_50_Years_of_Performing_Pinter" id="Artist_and_Citizen:_50_Years_of_Performing_Pinter"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Artist and Citizen: 50 Years of Performing Pinter&lt;/b&gt;&lt;br /&gt;  &lt;span href="/wiki/Goldsmiths_College%2C_University_of_London" title="Goldsmiths College, University of London"&gt;Goldsmiths College, University of London&lt;/span&gt;, established the Pinter Centre for Performance and Creative Writing, inaugurated in June 2003, with Harold Pinter as Honorary President. It is "an interdisciplinary research centre, involving principally the Departments of English &amp;amp; Comparative Literature and of Drama, the latter organising and hosting the Centre, and with links in Media and Communications, Music, PACE and the Digital Studios." So far it has planned three conferences, "one on the work of &lt;span href="/wiki/Stephen_Sondheim" title="Stephen Sondheim"&gt;Stephen Sondheim&lt;/span&gt;, and another on African Women Playwrights." Its third conference, Ravenhill 10, was a symposium on the occasion of the 10th anniversary of the first production of &lt;span href="/wiki/Mark_Ravenhill" title="Mark Ravenhill"&gt;Mark Ravenhill&lt;/span&gt;'s play &lt;i&gt;Shopping and Fucking&lt;/i&gt; (11-12 Nov. 2006). The Pinter Centre will sponsor additional conferences in the future, "including one on Black British Drama and a major conference in 2008 to be entitled, 'Pinter, Postmodernism and Contemporary Writing'."&lt;br /&gt; &lt;span name="Characteristics_of_Pinter.27s_work" id="Characteristics_of_Pinter.27s_work"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The Pinter Centre for Performance and Creative Writing&lt;/b&gt;&lt;br /&gt;  &lt;span name=".22Pinteresque.22"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Characteristics of Pinter's work&lt;/b&gt;&lt;br /&gt;  "That [Harold Pinter] occupies a position as a modern classic is illustrated by his name entering the language as an adjective used to describe a particular atmosphere and environment in drama: '&lt;span href="/wiki/Pinteresque" title="Pinteresque"&gt;Pinteresque&lt;/span&gt;'" (&lt;span href="http://nobelprize.org/nobel_prizes/literature/laureates/2005/pinter-bibl.html" class="external text" title="http://nobelprize.org/nobel_prizes/literature/laureates/2005/pinter-bibl.html" rel="nofollow"&gt;"Bio-bibliography"&lt;/span&gt;), placing him in the company of authors considered unique or influential enough to elicit &lt;span href="/wiki/List_of_eponymous_adjectives_in_English" title="List of eponymous adjectives in English"&gt;eponymous adjectives&lt;/span&gt;. Susan Harris Smith observes: "The term '&lt;span href="/wiki/Pinteresque" title="Pinteresque"&gt;Pinteresque&lt;/span&gt;' has had an established place in the English language for almost thirty years. The &lt;i&gt;&lt;span href="/wiki/Oxford_English_Dictionary" title="Oxford English Dictionary"&gt;OED&lt;/span&gt;&lt;/i&gt; defines it as 'of or relating to the British playwright, Harold Pinter, or his works'; thus, like a snake swallowing its own tail the definition forms the impenetrable logic of a closed circle and begs the tricky question of what the word specifically means" (103). The &lt;i&gt;Online &lt;span href="/wiki/Oxford_English_Dictionary" title="Oxford English Dictionary"&gt;OED&lt;/span&gt;&lt;/i&gt; (2006) defines &lt;i&gt;&lt;span href="/wiki/Pinteresque" title="Pinteresque"&gt;Pinteresque&lt;/span&gt;&lt;/i&gt; more explicitly: "Resembling or characteristic of his plays. . . . Pinter's plays are typically characterized by implications of threat and strong feeling produced through colloquial language, apparent triviality, and long pauses." &lt;span name=".22The_weasel_under_the_cocktail_cabinet.22"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; "Pinteresque"&lt;/b&gt;&lt;br /&gt;  Once asked what his plays are about, Pinter lobbed back a phrase "the weasel under the cocktail cabinet", which he regrets has been taken seriously and applied in popular criticism:&lt;br /&gt; Once many years ago, I found myself engaged uneasily in a public discussion on theatre. Someone asked me what was my work 'about'. I replied with no thought at all and merely to frustrate this line of enquiry: 'the weasel under the cocktail cabinet'. This was a great mistake. Over the years I have seen that remark quoted in a number of learned columns. It has now seemingly acquired a profound significance, and is seen to be a highly relevant and meaningful observation about my own work. But for me the remark meant precisely nothing. &lt;span name=".22Two_silences.22:_a_.22continual_evasion.22_of_.22communication.22"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.mahmag.org/media/1/20051102-pinter.gif"  alt="Harold Pinter"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; "The weasel under the cocktail cabinet"&lt;/b&gt;&lt;br /&gt;  Among the most-commonly cited of Pinter's comments on his own work are his remarks about two kinds of silence ("two silences"), including his objections to "that tired, grimy phrase 'failure of communication'," as defined in his speech to the &lt;span href="/wiki/National_Student_Drama_Festival" title="National Student Drama Festival"&gt;National Student Drama Festival&lt;/span&gt; in &lt;span href="/wiki/Bristol" title="Bristol"&gt;Bristol&lt;/span&gt; in &lt;span href="/wiki/1962" title="1962"&gt;1962&lt;/span&gt;, incorporated in his published version of the speech entitled "Writing for the Theatre":&lt;br /&gt; There are two silences. One when no word is spoken. The other when perhaps a torrent of language is being employed. This speech is speaking of a language locked beneath it. That is its continual reference. The speech we hear is an indication of that which we don't hear. It is a necessary avoidance, a violent, sly, anguished or mocking smoke screen which keeps the other in its place. When true silence falls we are still left with echo but are nearer nakedness. One way of looking at speech is to say that it is a constant stratagem to cover nakedness.  We have heard many times that tired, grimy phrase: 'failure of communication'...and this phrase has been fixed to my work quite consistently. I believe the contrary. I think that we communicate only too well, in our silence, in what is unsaid, and that what takes place is a continual evasion, desperate rearguard attempts to keep ourselves to ourselves. Communicaton is too alarming. To enter into someone else's life is too frightening. To disclose to others the poverty within us is too fearsome a possibility.  I am not suggesting that no character in a play can never say what he in fact means. Not at all. I have found that there invariably does come a moment when this happens, when he says something, perhaps, which he has never said before. And where this happens, what he says is irrevocable, and can never be taken back.&lt;br /&gt; &lt;span name="The_.22Pinter_pause.22" id="The_.22Pinter_pause.22"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; "Two silences": a "continual evasion" of "communication"&lt;/b&gt;&lt;br /&gt;  One of the "two silences"–when Pinter's stage directions indicate &lt;i&gt;pause&lt;/i&gt; and &lt;i&gt;silence&lt;/i&gt; when his characters are not speaking at all–has become a "trademark" of Pinter's dialogue called the "Pinter pause": "During the 1960s, Pinter became famous–nay, notorious–for his trademark: 'The Pinter pause.'"&lt;br /&gt; &lt;span name="Pinter.27s_cultural_influence" id="Pinter.27s_cultural_influence"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; The "Pinter pause"&lt;/b&gt;&lt;br /&gt;  &lt;span name="Some_literary_allusions_to_Pinter_and_his_work_in_Anglo-American_popular_culture" id="Some_literary_allusions_to_Pinter_and_his_work_in_Anglo-American_popular_culture"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Pinter's cultural influence&lt;/b&gt;&lt;br /&gt;  A line in "The Ladies Who Lunch", a song in &lt;i&gt;&lt;span href="/wiki/Company_%28musical%29" title="Company (musical)"&gt;Company&lt;/span&gt;&lt;/i&gt;, the 1970 Broadway musical by &lt;span href="/wiki/George_Furth" title="George Furth"&gt;George Furth&lt;/span&gt; and &lt;span href="/wiki/Stephen_Sondheim" title="Stephen Sondheim"&gt;Stephen Sondheim&lt;/span&gt;, alludes to "a Pinter play."&lt;br /&gt; &lt;span name="Works" id="Works"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Some literary allusions to Pinter and his work in Anglo-American popular culture&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;See main article: &lt;span href="/wiki/Works_of_Harold_Pinter" title="Works of Harold Pinter"&gt;Works of Harold Pinter&lt;/span&gt;&lt;/i&gt; &lt;i&gt;Further information: &lt;span href="/wiki/Works_of_Harold_Pinter#Awards_and_nominations_for_plays" title="Works of Harold Pinter"&gt;Works of Harold Pinter#Awards and nominations for plays&lt;/span&gt;,&amp;#160;&lt;span href="/wiki/Works_of_Harold_Pinter#Awards_and_nominations_for_screenwriting" title="Works of Harold Pinter"&gt;Works of Harold Pinter#Awards and nominations for screenwriting&lt;/span&gt;,&amp;#160;and&amp;#160;&lt;span href="/wiki/Works_of_Harold_Pinter#Awards_for_poetry" title="Works of Harold Pinter"&gt;Works of Harold Pinter#Awards for poetry&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;span name="Notes" id="Notes"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Works&lt;/b&gt;&lt;br /&gt;  One of the actors in Harold Pinter[']s The Birthday Party at the Lyric, Hammersmith, announces in the programme that he read History at Oxford, and took his degree with Fourth Class Honours. Now I am well aware that Mr Pinter[']s play received extremely bad notices last Tuesday morning. At the moment I write these it is uncertain even whether the play will still be in the bill by the time they appear, though it is probable it will soon be seen elsewhere. Deliberately, I am willing to risk whatever reputation I have as a judge of plays by saying that The Birthday Party is not a Fourth, not even a Second, but a First; and that Pinter, on the evidence of his work, possesses the most original, disturbing and arresting talent in theatrical London. . . . Mr Pinter and The Birthday Party, despite their experiences last week, will be heard of again. Make a note of their names.&lt;br /&gt; Pinteresque, adj. (and n.) Brit. /pntrsk/, U.S. /pn(t)rsk/ [&amp;lt; the name of Harold Pinter (b. 1930), British playwright + -ESQUE suffix. Cf. PINTERISH adj.] Of or relating to Harold Pinter; resembling or characteristic of his plays. Also occas. as n. Pinter's plays are typically characterized by implications of threat and strong feeling produced through colloquial language, apparent triviality, and long pauses.&lt;br /&gt; &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Notes&lt;/b&gt;&lt;br /&gt;  &lt;span name="Further_resources" id="Further_resources"&gt;&lt;/span&gt;&lt;br /&gt; Baker, William, and John C. Ross. &lt;i&gt;Harold Pinter: A Bibliographical History&lt;/i&gt;. London: The British Library and New Castle, DE: Oak Knoll P, 2005. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=1584561564" class="internal"&gt;ISBN 1-58456-156-4&lt;/span&gt;.&lt;br /&gt; Batty, Mark. &lt;i&gt;About Pinter: The Playwright and The Work&lt;/i&gt;. London: Faber and Faber, 2005. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0571220053" class="internal"&gt;ISBN 0-571-22005-3&lt;/span&gt;.&lt;br /&gt; Bensky, Lawrence M. &lt;span href="http://www.theparisreview.org/viewinterview.php/prmMID/4351" class="external text" title="http://www.theparisreview.org/viewinterview.php/prmMID/4351" rel="nofollow"&gt;"The Art of Theater No. 3: Harold Pinter" (Interview).&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/The_Paris_Review" title="The Paris Review"&gt;The Paris Review&lt;/span&gt;&lt;/i&gt; 39 (Fall 1966). 30 June 2006.&lt;br /&gt; &lt;span href="/wiki/Michael_Billington_%28critic%29" title="Michael Billington (critic)"&gt;Billington, Michael&lt;/span&gt;. &lt;i&gt;The Life and Work of Harold Pinter&lt;/i&gt;. 1996; rpt. London: Faber and Faber, 1997. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0571171036" class="internal"&gt;ISBN 0-571-17103-6&lt;/span&gt;. Updated 2nd ed. retitled &lt;i&gt;Harold Pinter&lt;/i&gt;. London: Faber and Faber, 2007. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=9780571234769" class="internal"&gt;ISBN 978-0-571-23476-9&lt;/span&gt;.&lt;br /&gt; –––. &lt;span href="http://books.guardian.co.uk/news/articles/0,6109,1661931,00.html" class="external text" title="http://books.guardian.co.uk/news/articles/0,6109,1661931,00.html" rel="nofollow"&gt;"Passionate Pinter's Devastating Assault On US Foreign Policy&lt;/span&gt;: Shades of Beckett As Ailing Playwright Delivers Powerful Nobel Lecture". &lt;i&gt;&lt;span href="/wiki/The_Guardian" title="The Guardian"&gt;The Guardian&lt;/span&gt;&lt;/i&gt; 8 Dec. 2005. 31 July 2006.&lt;br /&gt; –––, comp. &lt;span href="http://books.guardian.co.uk/nobelprize/story/0,,1592185,00.html" class="external text" title="http://books.guardian.co.uk/nobelprize/story/0,,1592185,00.html" rel="nofollow"&gt;"'They said you've a call from the Nobel committee. I said, why?': Harold Pinter in His Own Words".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/The_Guardian" title="The Guardian"&gt;The Guardian&lt;/span&gt;&lt;/i&gt; 14 Oct. 2005. 31 July 2006.&lt;br /&gt; &lt;span href="http://nobelprize.org/literature/laureates/2005/pinter-bibl.html" class="external text" title="http://nobelprize.org/literature/laureates/2005/pinter-bibl.html" rel="nofollow"&gt;"Bio-bibliography" for Harold Pinter: The Nobel Prize in Literature 2005.&lt;/span&gt; &lt;span href="/wiki/Nobel_Foundation" title="Nobel Foundation"&gt;Nobel Foundation&lt;/span&gt; and &lt;span href="/wiki/Swedish_Academy" title="Swedish Academy"&gt;Swedish Academy&lt;/span&gt;. &lt;i&gt;NobelPrize.org&lt;/i&gt;. Oct. 2005. 31 July 2006.&lt;br /&gt; Bond, Paul. &lt;span href="http://www.wsws.org/articles/2005/dec2005/pint-d29.shtml" class="external text" title="http://www.wsws.org/articles/2005/dec2005/pint-d29.shtml" rel="nofollow"&gt;"Harold Pinter's Artistic Achievement".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/World_Socialist_Web_Site" title="World Socialist Web Site"&gt;World Socialist Web Site&lt;/span&gt;&lt;/i&gt; 29 Dec. 2005. 31 July 2006.&lt;br /&gt; Brown, Mark. &lt;span href="http://www.socialistreview.org.uk/article.php?articlenumber=8575" class="external text" title="http://www.socialistreview.org.uk/article.php?articlenumber=8575" rel="nofollow"&gt;"What Is It (War) Good for?"&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/Socialist_Review" title="Socialist Review"&gt;Socialist Review&lt;/span&gt;&lt;/i&gt; Sept. 2003. 31 July 2006.&lt;br /&gt; &lt;span href="http://news.bbc.co.uk/2/hi/entertainment/4505874.stm" class="external text" title="http://news.bbc.co.uk/2/hi/entertainment/4505874.stm" rel="nofollow"&gt;"Bush and Blair slated by Pinter".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/BBC_News" title="BBC News"&gt;BBC News&lt;/span&gt;&lt;/i&gt; 7 Dec. 2005. 31 July 2006. [Features related links.]&lt;br /&gt; Chrisafis, Angelique, and Imogen Tilden. &lt;span href="http://www.guardian.co.uk/arts/news/story/0,11711,975050,00.html" class="external text" title="http://www.guardian.co.uk/arts/news/story/0,11711,975050,00.html" rel="nofollow"&gt;"Pinter Blasts 'Nazi America' and 'deluded idiot' Blair".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/The_Guardian" title="The Guardian"&gt;The Guardian&lt;/span&gt;&lt;/i&gt; 11 June 2003.&lt;br /&gt; Eden, Richard, and Tim Walker. &lt;span href="http://www.telegraph.co.uk/opinion/main.jhtml?menuId=5365&amp;amp;menuItemId=-1&amp;amp;view=DISPLAYCONTENT&amp;amp;grid=P8&amp;amp;targetRule=0" class="external text" title="http://www.telegraph.co.uk/opinion/main.jhtml?menuId=5365&amp;amp;menuItemId=-1&amp;amp;view=DISPLAYCONTENT&amp;amp;grid=P8&amp;amp;targetRule=0" rel="nofollow"&gt;"Mandrake: A Pinteresque Silence".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/The_Telegraph" title="The Telegraph"&gt;Sunday Telegraph&lt;/span&gt;&lt;/i&gt; 27 Aug. 2006, accessed 31 Aug. 2006.&lt;br /&gt; &lt;span href="/wiki/Donald_Freed" title="Donald Freed"&gt;Freed, Donald&lt;/span&gt;. &lt;span href="http://www.anotheramerica.org/courage_of_harold_pinter.htm" class="external text" title="http://www.anotheramerica.org/courage_of_harold_pinter.htm" rel="nofollow"&gt;"The Courage of Harold Pinter"&lt;/span&gt;. Presentation at the conference Artist and Citizen: Fifty Years of Performing Pinter. &lt;span href="/wiki/University_of_Leeds" title="University of Leeds"&gt;University of Leeds&lt;/span&gt;. 13 April 2007. Online posting. &lt;i&gt;&lt;span href="/w/index.php?title=Another_America&amp;amp;action=edit" class="new" title="Another America"&gt;Another America&lt;/span&gt;&lt;/i&gt;. © Donald Freed, Apr. 2007. Accessed 28 May 2007.&lt;br /&gt; &lt;span href="/wiki/M.C._Gardner" title="M.C. Gardner"&gt;Gardner, M.C.&lt;/span&gt; &lt;span href="http://www.anotheramerica.org/harold_pinter's_war.htm" class="external text" title="http://www.anotheramerica.org/harold_pinter's_war.htm" rel="nofollow"&gt;"Harold Pinter's &lt;i&gt;War&lt;/i&gt;"&lt;/span&gt;. Book rev. &lt;i&gt;&lt;span href="/w/index.php?title=Another_America&amp;amp;action=edit" class="new" title="Another America"&gt;Another America&lt;/span&gt; Journal&lt;/i&gt; (Lightning Source, Inc., 2003). Online posting. &lt;i&gt;&lt;span href="/w/index.php?title=Another_America&amp;amp;action=edit" class="new" title="Another America"&gt;Another America&lt;/span&gt;&lt;/i&gt;. Updated May 2007. Accessed &lt;span href="/wiki/May_28" title="May 28"&gt;May 28&lt;/span&gt;, &lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;.&lt;br /&gt; Grimes, Charles. &lt;i&gt;Harold Pinter's Politics: A Silence Beyond Echo&lt;/i&gt;. Madison &amp;amp; Teaneck: Fairleigh Dickinson UP; Cranbury, NJ: Associated UP, 2005. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0838640508" class="internal"&gt;ISBN 0-8386-4050-8&lt;/span&gt;.&lt;br /&gt; Gussow, Mel. &lt;i&gt;Conversations with Pinter.&lt;/i&gt; London: Nick Hern Books, 1994. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=1854592017" class="internal"&gt;ISBN 1-85459-201-7&lt;/span&gt;. Rpt. New York: Limelight, 2004. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0879101792" class="internal"&gt;ISBN 0-87910-179-2&lt;/span&gt;.&lt;br /&gt; Higgins, Charlotte. &lt;span href="http://arts.guardian.co.uk/edinburgh2006/story/0,,1858853,00.html" class="external text" title="http://arts.guardian.co.uk/edinburgh2006/story/0,,1858853,00.html" rel="nofollow"&gt;"Edinburgh Festival: Two-act rant from Sean and Harold".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/The_Guardian" title="The Guardian"&gt;The Guardian&lt;/span&gt;&lt;/i&gt; 26 Aug. 2006. Accessed 26 Aug. 2006.&lt;br /&gt; &lt;span href="/wiki/Christopher_Hitchens" title="Christopher Hitchens"&gt;Hitchens, Christopher&lt;/span&gt;. "Commentary: The Sinister Mediocrity of Harold Pinter". &lt;i&gt;&lt;span href="/wiki/Wall_Street_Journal" title="Wall Street Journal"&gt;Wall Street Journal&lt;/span&gt;&lt;/i&gt; 17 Oct. 2005, A18. (Online ed. of this article restricted to subscribers.) &lt;span href="http://blog.zmag.org/comment/reply/2403/51108" class="external text" title="http://blog.zmag.org/comment/reply/2403/51108" rel="nofollow"&gt;The Silver Christopher&lt;/span&gt;. &lt;span href="/wiki/Znet" title="Znet"&gt;Znet&lt;/span&gt; 18 Oct. 2005. 4 July 2006.&lt;br /&gt; Howard, Jennifer. &lt;span href="http://chronicle.com/free/2005/10/2005101301n.htm" class="external text" title="http://chronicle.com/free/2005/10/2005101301n.htm" rel="nofollow"&gt;"Nobel Prize in Literature Goes to Harold Pinter, British Playwright Widely Studied in Academe".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/Chronicle_of_Higher_Education" title="Chronicle of Higher Education"&gt;Chronicle of Higher Education&lt;/span&gt;&lt;/i&gt; 13 Oct. 2006. 8 July 2006.&lt;br /&gt; Koval, Ramona. &lt;span href="http://www.abc.net.au/rn/arts/bwriting/stories/s671912.htm" class="external text" title="http://www.abc.net.au/rn/arts/bwriting/stories/s671912.htm" rel="nofollow"&gt;"Books and Writing with Ramona Koval: Harold Pinter".&lt;/span&gt; Radio National (&lt;span href="/wiki/Australian_Broadcasting_Corporation" title="Australian Broadcasting Corporation"&gt;Australian Broadcasting Corporation&lt;/span&gt;) 15 Sept. 2002. Transcript of interview of Harold Pinter conducted at Edinburgh Book Festival, Edinburgh, Scotland, Aug. 2002.&lt;br /&gt; –––. &lt;span href="http://www.abc.net.au/rn/bookshow/stories/2006/1746077.htm" class="external text" title="http://www.abc.net.au/rn/bookshow/stories/2006/1746077.htm" rel="nofollow"&gt;"Harold Pinter, Nobel Prize-Winning Playwright and Poet&lt;/span&gt;, at &lt;span href="/wiki/Edinburgh_Book_Festival" title="Edinburgh Book Festival"&gt;Edinburgh International Book Festival&lt;/span&gt; (transcript available)". &lt;i&gt;The Book Show&lt;/i&gt;, Radio National (&lt;span href="/wiki/Australian_Broadcasting_Corporation" title="Australian Broadcasting Corporation"&gt;Australian Broadcasting Corporation&lt;/span&gt;), 25 Sept. 2006. Downloadable audio file (MP3) and printable transcript of interview of Harold Pinter conducted at &lt;span href="/wiki/Edinburgh_Book_Festival" title="Edinburgh Book Festival"&gt;Edinburgh International Book Festival&lt;/span&gt; (transcript available)",] Edinburgh, Scotland, 25 Aug. 2006, &lt;i&gt;The Book Show&lt;/i&gt;, Radio National (&lt;span href="/wiki/Australian_Broadcasting_Corporation" title="Australian Broadcasting Corporation"&gt;Australian Broadcasting Corporation&lt;/span&gt;), 25 Sept. 2006, accessed 26 Sept. (The audio file includes Pinter's dramatic reading of a scene from his play &lt;i&gt;&lt;span href="/wiki/The_Birthday_Party_%28play%29" title="The Birthday Party (play)"&gt;The Birthday Party&lt;/span&gt;&lt;/i&gt;.)&lt;br /&gt; Lawson, Mark. &lt;span href="http://news.bbc.co.uk/1/hi/entertainment/arts/4305725.stm" class="external text" title="http://news.bbc.co.uk/1/hi/entertainment/arts/4305725.stm" rel="nofollow"&gt;"Pinter 'to give up writing plays'".&lt;/span&gt; Interview with Harold Pinter. Incl. "Pinter on Front Row". Broadcast on BBC Radio 4. Online posting. Last updated 28 Feb. 2005. BBC News. (RealPlayer audio.) 11 Nov. 2006.&lt;br /&gt; Lyall, Sarah. &lt;span href="http://www.nytimes.com/2005/12/08/international/europe/08pinter.html" class="external text" title="http://www.nytimes.com/2005/12/08/international/europe/08pinter.html" rel="nofollow"&gt;"Playwright Takes a Prize and a Jab at U.S."&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/New_York_Times" title="New York Times"&gt;New York Times&lt;/span&gt;&lt;/i&gt; 8 Dec. 2006. Correction appended 10 Dec. 2005. 1 Aug. 2006. (Site registration required.)&lt;br /&gt; [McDowell, Leslie.] "Book Festival Reviews: &lt;span href="http://living.scotsman.com/topics.cfm?tid=893&amp;amp;id=1260982006" class="external text" title="http://living.scotsman.com/topics.cfm?tid=893&amp;amp;id=1260982006" rel="nofollow"&gt;Pinter at 75: The Anger Still Burns: Harold Pinter".&lt;/span&gt; &lt;span href="/wiki/The_Scotsman" title="The Scotsman"&gt;The Scotsman&lt;/span&gt; 26 Aug. 2006: 5. (Updated 27 Aug. 2006.) 31 Aug. 2006.&lt;br /&gt; Merritt, Susan Hollis. &lt;i&gt;Pinter in Play: Critical Strategies and the Plays of Harold Pinter&lt;/i&gt;. Paperback ed. 1990; Durham and London: Duke UP, 1995. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0822316749" class="internal"&gt;ISBN 0-8223-1674-9&lt;/span&gt;.&lt;br /&gt; –––. "Talking about Pinter". (On the Lincoln Center 2001: Harold Pinter Festival Symposia.) &lt;i&gt;&lt;span href="http://www.haroldpinter.org/pinterreview/review01_02.shtml" class="external text" title="http://www.haroldpinter.org/pinterreview/review01_02.shtml" rel="nofollow"&gt;The Pinter Review:&lt;/span&gt; Collected Essays 2001 and 2002&lt;/i&gt;. Ed. Francis Gillen and Steven H. Gale. Tampa: U of Tampa P, 2002. 144-67.&lt;br /&gt; –––, comp. &lt;span href="http://susanhollismerritt.org/_wsn/page2.html" class="external text" title="http://susanhollismerritt.org/_wsn/page2.html" rel="nofollow"&gt;"Harold Pinter Bibliography".&lt;/span&gt; &lt;i&gt;&lt;span href="http://www.haroldpinter.org/pinterreview/index.shtml" class="external text" title="http://www.haroldpinter.org/pinterreview/index.shtml" rel="nofollow"&gt;The Pinter Review&lt;/span&gt;&lt;/i&gt; 1987- .&lt;br /&gt; Moss, Stephen. &lt;span href="http://www.guardian.co.uk/saturday_review/story/0,3605,268400,00.html" class="external text" title="http://www.guardian.co.uk/saturday_review/story/0,3605,268400,00.html" rel="nofollow"&gt;"The Guardian Profile: Harold Pinter: Under the Volcano".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/The_Guardian" title="The Guardian"&gt;The Guardian&lt;/span&gt;&lt;/i&gt; 4 Sept. 1999. 7 July 2006.&lt;br /&gt; &lt;span href="/wiki/John_Pilger" title="John Pilger"&gt;Pilger, John&lt;/span&gt;. &lt;span href="http://www.zmag.org/content/showarticle.cfm?ItemID=8941" class="external text" title="http://www.zmag.org/content/showarticle.cfm?ItemID=8941" rel="nofollow"&gt;"The Silence of Writers".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/Z_Communications" title="Z Communications"&gt;ZNet&lt;/span&gt;&lt;/i&gt; 16 Oct. 2005. 5 July 2006.&lt;br /&gt; Pinter, Harold. &lt;i&gt;&lt;span href="http://nobelprize.org/literature/laureates/2005/pinter-lecture-e.html" class="external text" title="http://nobelprize.org/literature/laureates/2005/pinter-lecture-e.html" rel="nofollow"&gt;Art, Truth &amp;amp; Politics: The Nobel Lecture&lt;/span&gt;&lt;/i&gt;. Presented on video in Stockholm, Sweden. 7 Dec. 2005. &lt;span href="/wiki/Nobel_Foundation" title="Nobel Foundation"&gt;Nobel Foundation&lt;/span&gt; and &lt;span href="/wiki/Swedish_Academy" title="Swedish Academy"&gt;Swedish Academy&lt;/span&gt;. &lt;i&gt;NobelPrize.org&lt;/i&gt; 8 Dec. 2005. (RealPlayer streaming audio and video as well as text available). London: Faber and Faber, 2006. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0571233961" class="internal"&gt;ISBN 0-571-23396-1&lt;/span&gt; (10). &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=9780571233960" class="internal"&gt;ISBN 9780571233960&lt;/span&gt; (13). Rpt. also in &lt;i&gt;The Essential Pinter&lt;/i&gt;. New York: Grove P, 2006, as listed below. Rpt. in &lt;i&gt;&lt;span href="http://www.stopwar.org.uk/new/NotOneMoreDeath.htm" class="external text" title="http://www.stopwar.org.uk/new/NotOneMoreDeath.htm" rel="nofollow"&gt;Not One More Death&lt;/span&gt;&lt;/i&gt;. London: &lt;span href="/wiki/Stop_the_War_Coalition" title="Stop the War Coalition"&gt;Stop the War Coalition&lt;/span&gt;, 2006. Rpt. in &lt;i&gt;&lt;span href="/wiki/MLA" title="MLA"&gt;PMLA&lt;/span&gt;&lt;/i&gt; (&lt;i&gt;Publications of the &lt;span href="/wiki/Modern_Language_Association" title="Modern Language Association"&gt;Modern Language Association&lt;/span&gt;&lt;/i&gt;) 121 (2006): 811-18.&lt;br /&gt; –––. &lt;span href="http://www.haroldpinter.org/politics/politics_torture.shtml" class="external text" title="http://www.haroldpinter.org/politics/politics_torture.shtml" rel="nofollow"&gt;"Campaigning Against Torture: Arthur Miller's Socks" (1985).&lt;/span&gt; ("Written as a tribute to &lt;span href="/wiki/Arthur_Miller" title="Arthur Miller"&gt;Arthur Miller&lt;/span&gt;, on the occasion of his 80th birthday".) &lt;i&gt;HaroldPinter.org&lt;/i&gt; 3 July 2006. Rpt. in &lt;i&gt;Various Voices&lt;/i&gt; 56-57.&lt;br /&gt; –––. &lt;i&gt;Death etc.&lt;/i&gt; 1990; New York: Grove P, 2005. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0802142257" class="internal"&gt;ISBN 0-8021-4225-7&lt;/span&gt;.&lt;br /&gt; –––. &lt;i&gt;The Dwarfs&lt;/i&gt;. New York: Grove P, 2006. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0802132669" class="internal"&gt;ISBN 0-8021-3266-9&lt;/span&gt;.&lt;br /&gt; –––. &lt;i&gt;The Essential Pinter: Selections from the Work of Harold Pinter&lt;/i&gt;. New York: Grove P, 2006. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0802142699" class="internal"&gt;ISBN 0-8021-4269-9&lt;/span&gt;. [Incl. "Art, Truth &amp;amp; Politics", Harold Pinter's Nobel Lecture.]&lt;br /&gt; –––. "Evacuees". &lt;i&gt;&lt;span href="http://www.haroldpinter.org/pinterreview/review94.shtml" class="external text" title="http://www.haroldpinter.org/pinterreview/review94.shtml" rel="nofollow"&gt;The Pinter Review: Annual Essays 1994&lt;/span&gt;&lt;/i&gt;. Ed. Francis Gillen and Steven H. Gale. Tampa: U of Tampa P, 1994. 8-13. (First publication of an interview with Pinter conducted by B.S. Johnson in 1968.)&lt;br /&gt; –––. &lt;i&gt;Various Voices: Prose, Poetry, Politics 1948-2005&lt;/i&gt;. Rev. ed. 1998; London: Faber and Faber, 2005. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0571230091" class="internal"&gt;ISBN 0-571-23009-1&lt;/span&gt;.&lt;br /&gt; –––. &lt;i&gt;War.&lt;/i&gt; London: Faber and Faber, 2003. &lt;span href="/w/index.php?title=Special:Booksources&amp;amp;isbn=0571221319" class="internal"&gt;ISBN 0-571-22131-9&lt;/span&gt;. (Book rev. by Gardner.)&lt;br /&gt; &lt;span href="http://news.bbc.co.uk/1/hi/entertainment/arts/4305725.stm" class="external text" title="http://news.bbc.co.uk/1/hi/entertainment/arts/4305725.stm" rel="nofollow"&gt;"Pinter 'to give up writing plays.'"&lt;/span&gt; Online posting. &lt;i&gt;&lt;span href="/wiki/BBC_News" title="BBC News"&gt;BBC News&lt;/span&gt;&lt;/i&gt; 28 Feb. 2005. 2 July 2006.&lt;br /&gt; &lt;span href="http://news.bbc.co.uk/2/hi/entertainment/4338082.stm" class="external text" title="http://news.bbc.co.uk/2/hi/entertainment/4338082.stm" rel="nofollow"&gt;"Pinter Wins Nobel Literary Prize".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/BBC_News" title="BBC News"&gt;BBC News&lt;/span&gt;&lt;/i&gt; 13 Oct. 2005. 8 July 2006.&lt;br /&gt; Riddell, Mary. &lt;span href="http://books.guardian.co.uk/nobelprize/story/0,,1664822,00.html" class="external text" title="http://books.guardian.co.uk/nobelprize/story/0,,1664822,00.html" rel="nofollow"&gt;"Comment: Prophet without Honour: Harold Pinter can be cantankerous and puerile. But he is a worthy Nobel prizewinner."&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/The_Observer" title="The Observer"&gt;The Observer&lt;/span&gt;&lt;/i&gt; 11 Dec. 2005. 3 July 2006.&lt;br /&gt; –––. &lt;span href="http://www.newstatesman.co.uk/199911080014.htm" class="external text" title="http://www.newstatesman.co.uk/199911080014.htm" rel="nofollow"&gt;"The New Statesman Interview: Harold Pinter".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/New_Statesman" title="New Statesman"&gt;New Statesman&lt;/span&gt;&lt;/i&gt; 8 Nov. 1999. 1 July 2006. (Limited access.)&lt;br /&gt; Robinson, David. &lt;span href="http://living.scotsman.com/books.cfm?id=1265162006" class="external text" title="http://living.scotsman.com/books.cfm?id=1265162006" rel="nofollow"&gt;"Books: Doyle Returns to an Old Favourite in New Work; . . . Harold Pinter."&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/The_Scotsman" title="The Scotsman"&gt;The Scotsman&lt;/span&gt;&lt;/i&gt; 28 Aug. 2006, Living. 28 Aug. 2006.&lt;br /&gt; –––. &lt;span href="http://news.scotsman.com/uk.cfm?id=1258602006" class="external text" title="http://news.scotsman.com/uk.cfm?id=1258602006" rel="nofollow"&gt;"I'm Written Out, Says Controversial Pinter".&lt;/span&gt; &lt;span href="/wiki/The_Scotsman" title="The Scotsman"&gt;The Scotsman&lt;/span&gt; 26 Aug. 2006: 6. 9 Sept. 2006.&lt;br /&gt; Rockley, John. &lt;span href="http://www.bbc.co.uk/gloucestershire/content/articles/2007/03/07/neil_pearson_feature.shtml" class="external text" title="http://www.bbc.co.uk/gloucestershire/content/articles/2007/03/07/neil_pearson_feature.shtml" rel="nofollow"&gt;"Neil Pearson Drops in for a Morning Coffee!"&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/BBC_Radio_Gloucestershire" title="BBC Radio Gloucestershire"&gt;BBC Radio Gloucestershire&lt;/span&gt;&lt;/i&gt; 7 Mar. 2007. 17 Mar. 2007. [Interview with actor &lt;span href="/wiki/Neil_Pearson" title="Neil Pearson"&gt;Neil Pearson&lt;/span&gt; about performing in &lt;i&gt;&lt;span href="/wiki/Old_Times" title="Old Times"&gt;Old Times&lt;/span&gt;&lt;/i&gt; at the Everyman Theatre in &lt;span href="/wiki/Cheltenham%2C_England" title="Cheltenham, England"&gt;Cheltenham, England&lt;/span&gt;.]&lt;br /&gt; &lt;span href="/wiki/Charlie_Rose" title="Charlie Rose"&gt;Rose, Charlie&lt;/span&gt;. "A Conversation with Harold Pinter". Interview of Harold Pinter. &lt;i&gt;&lt;span href="/wiki/The_Charlie_Rose_Show" title="The Charlie Rose Show"&gt;The Charlie Rose Show&lt;/span&gt;&lt;/i&gt; &lt;span href="/wiki/WNET-TV" title="WNET-TV"&gt;WNET-TV&lt;/span&gt; (&lt;span href="/wiki/New_York_City" title="New York City"&gt;New York City&lt;/span&gt;) (&lt;span href="/wiki/Public_Broadcasting_Service" title="Public Broadcasting Service"&gt;Public Broadcasting Service&lt;/span&gt;). First broadcast on 19 July 2001 from 11:00 p.m. EST to 12:00 a.m. EST. Also broadcast on PBS affiliate channels at various scheduled times. 58 mins. (3-min. preview video clip posted by copyright owner Charlie Rose on &lt;span href="http://video.google.com/videoplay?docid=5643475180929004220&amp;amp;q=owner%3ACharlie_Rose+Harold+Pinter" class="external text" title="http://video.google.com/videoplay?docid=5643475180929004220&amp;amp;q=owner%3ACharlie_Rose+Harold+Pinter" rel="nofollow"&gt;Google&lt;/span&gt;.) Full-length streaming video accessible directly from the show's website. Accessed &lt;span href="/wiki/May_30" title="May 30"&gt;May 30&lt;/span&gt;, &lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;.&lt;br /&gt; –––. &lt;span href="http://www.charlierose.com/guests/harold-pinter" class="external text" title="http://www.charlierose.com/guests/harold-pinter" rel="nofollow"&gt;"A Conversation with Harold Pinter"&lt;/span&gt;. Interview of Harold Pinter. &lt;i&gt;&lt;span href="/wiki/The_Charlie_Rose_Show" title="The Charlie Rose Show"&gt;The Charlie Rose Show&lt;/span&gt;&lt;/i&gt;. &lt;span href="/wiki/WNET-TV" title="WNET-TV"&gt;WNET-TV&lt;/span&gt; (&lt;span href="/wiki/New_York_City" title="New York City"&gt;New York City&lt;/span&gt;) (&lt;span href="/wiki/Public_Broadcasting_Service" title="Public Broadcasting Service"&gt;Public Broadcasting Service&lt;/span&gt;). First broadcast on 1 Mar. 2007 from 11:00 p.m. ET to 12:00 a.m. ET. Also broadcast on PBS affiliate channels at various scheduled times. &lt;span href="/wiki/WXXI-TV" title="WXXI-TV"&gt;WXXI-TV&lt;/span&gt; (&lt;span href="/wiki/Rochester%2C_New_York" title="Rochester, New York"&gt;Rochester, New York&lt;/span&gt;) (&lt;span href="/wiki/Public_Broadcasting_Service" title="Public Broadcasting Service"&gt;Public Broadcasting Service&lt;/span&gt;). Broadcast 1 Mar. 2007 from 11:00 p.m. ET to 12:00 a.m. ET. 52 mins., 21 secs. Full-length streaming video accessible directly from the show's website. Accessed &lt;span href="/wiki/May_30" title="May 30"&gt;May 30&lt;/span&gt;, &lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;.&lt;br /&gt; Smith, Susan Harris. "'Pinteresque' in the Popular Press". &lt;i&gt;&lt;span href="http://www.haroldpinter.org/pinterreview/review03_04.shtml" class="external text" title="http://www.haroldpinter.org/pinterreview/review03_04.shtml" rel="nofollow"&gt;The Pinter Review&lt;/span&gt;: Collected Essays 2003 and 2004.&lt;/i&gt; Ed. Francis Gillen and Steven H. Gale. Tampa: U of Tampa P, 2004. 103-8.&lt;br /&gt; Sofer, Andrew. "The Cheese-Roll under the Cocktail Cabinet: Pinter's Object Lessons". &lt;i&gt;&lt;span href="http://www.haroldpinter.org/pinterreview/review03_04.shtml" class="external text" title="http://www.haroldpinter.org/pinterreview/review03_04.shtml" rel="nofollow"&gt;The Pinter Review&lt;/span&gt;: Collected Essays 2003 and 2004.&lt;/i&gt; Ed. Francis Gillen and Steven H. Gale. Tampa: U of Tampa P, 2004. 29-38.&lt;br /&gt; &lt;span href="http://books.guardian.co.uk/nobelprize/0,14969,1285607,00.html" class="external text" title="http://books.guardian.co.uk/nobelprize/0,14969,1285607,00.html" rel="nofollow"&gt;"Special Report: The Nobel Prize for Literature: 2005 Harold Pinter".&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/The_Guardian" title="The Guardian"&gt;The Guardian&lt;/span&gt;&lt;/i&gt; Dec. 2005. 30 June 2006. 1 Aug. 2006. [Features related links.]&lt;br /&gt; Traub, James. &lt;span href="http://www.nytimes.com/2005/10/30/magazine/30wwln.html" class="external text" title="http://www.nytimes.com/2005/10/30/magazine/30wwln.html" rel="nofollow"&gt;"The Way We Live Now: Their Highbrow Hatred of Us."&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/New_York_Times" title="New York Times"&gt;New York Times&lt;/span&gt; Mag.&lt;/i&gt; 30 Oct. 2005. 2 July 2006.&lt;br /&gt; &lt;span href="/wiki/Kirsty_Wark" title="Kirsty Wark"&gt;Wark,Kirsty&lt;/span&gt;. &lt;span href="http://news.bbc.co.uk/2/hi/programmes/newsnight/5110060.stm" class="external text" title="http://news.bbc.co.uk/2/hi/programmes/newsnight/5110060.stm" rel="nofollow"&gt;"Harold Pinter on &lt;i&gt;Newsnight Review&lt;/i&gt;".&lt;/span&gt; &lt;span href="/wiki/BBC_Two" title="BBC Two"&gt;BBC Two&lt;/span&gt; 23 June 2006. 1 Aug. 2006. &lt;span href="http://news.bbc.co.uk/nolavconsole/ukfs_news/hi/newsid_4780000/newsid_4785400/nb_rm_4785475.stm" class="external text" title="http://news.bbc.co.uk/nolavconsole/ukfs_news/hi/newsid_4780000/newsid_4785400/nb_rm_4785475.stm" rel="nofollow"&gt;"Interviews: Nobel Prize winning playwright Harold Pinter talks to Kirsty".&lt;/span&gt; RealPlayer streaming video of program. 25 June, 4 Sept., &amp;amp; 6 Nov. 2006.   &lt;b&gt; Further resources&lt;/b&gt;&lt;br /&gt;  &lt;span name="Additional_essays_and_speeches_by_Harold_Pinter" id="Additional_essays_and_speeches_by_Harold_Pinter"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="http://www.illuminationsmedia.co.uk/ourfilms/product/6/harold_pinter_art,_truth__politics.html" class="external text" title="http://www.illuminationsmedia.co.uk/ourfilms/product/6/harold_pinter_art,_truth__politics.html" rel="nofollow"&gt;Harold Pinter: Art, Truth &amp;amp; Politics&lt;/span&gt;&lt;/i&gt;. © Copyright 2006 Illuminations. All Rights Reserved. Transmission Channel 4, 2005. DVD. 46 mins. (Digital video disc and VHS video recording.)   &lt;b&gt; Additional essays and speeches by Harold Pinter&lt;/b&gt;&lt;br /&gt;  &lt;span name="Other_external_links" id="Other_external_links"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="http://www.haroldpinter.org/poetry/index.shtml#" class="external text" title="http://www.haroldpinter.org/poetry/index.shtml#" rel="nofollow"&gt;"Harold Pinter's Poetry".&lt;/span&gt; Authorized official webpage (incl. "Harold Pinter's Most Recent Poetry", periodically updated).&lt;br /&gt; &lt;span href="http://www.anotheramerica.org/Harold_Pinter_Poetry.htm" class="external text" title="http://www.anotheramerica.org/Harold_Pinter_Poetry.htm" rel="nofollow"&gt;"Poetry by Harold Pinter"&lt;/span&gt;. Online posting (with permission of author). &lt;i&gt;&lt;span href="/w/index.php?title=Another_America&amp;amp;action=edit" class="new" title="Another America"&gt;Another America&lt;/span&gt;&lt;/i&gt;. Updated May 2007. Accessed &lt;span href="/wiki/May_28" title="May 28"&gt;May 28&lt;/span&gt;, &lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;.&lt;br /&gt; Pinter's print publications of his poems in various collections (such as &lt;i&gt;Death etc.&lt;/i&gt;, &lt;i&gt;The Essential Pinter&lt;/i&gt;, &lt;i&gt;The Pinter Review&lt;/i&gt;, &lt;i&gt;Various Voices&lt;/i&gt;, and &lt;i&gt;War&lt;/i&gt;), and related book reviews (such as &lt;span href="http://www.anotheramerica.org/harold_pinter's_war.htm" class="external text" title="http://www.anotheramerica.org/harold_pinter's_war.htm" rel="nofollow"&gt;"Harold Pinter's &lt;i&gt;War&lt;/i&gt;"&lt;/span&gt;, by &lt;span href="/wiki/M.C._Gardner" title="M.C. Gardner"&gt;M.C. Gardner&lt;/span&gt;), as listed above in &lt;span href="#References" title=""&gt;#References&lt;/span&gt; and &lt;span href="/wiki/Works_of_Harold_Pinter#Collected_poetry" title="Works of Harold Pinter"&gt;#Works&lt;/span&gt;.  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-8641378387647417567?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/8641378387647417567/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=8641378387647417567' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8641378387647417567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8641378387647417567'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/harold-pinter-ch-cbe-born-10-october.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3704609397969210875</id><published>2008-04-07T10:11:00.001-07:00</published><updated>2008-04-07T10:11:36.121-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.mirroroftheworld.com.au/images/3_eastindiaco1.jpg"  alt="Dutch East India Company"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;&lt;span href="/wiki/Dutch_East_Indies" title="Dutch East Indies"&gt;Dutch East India&lt;/span&gt; Company&lt;/b&gt; (&lt;i&gt;Vereenigde Oostindische Compagnie&lt;/i&gt; or &lt;i&gt;VOC&lt;/i&gt; in &lt;span href="/wiki/Spelling_reform" title="Spelling reform"&gt;old-spelling&lt;/span&gt; &lt;span href="/wiki/Dutch_language" title="Dutch language"&gt;Dutch&lt;/span&gt;, literally "United &lt;span href="/wiki/Indies" title="Indies"&gt;East Indian&lt;/span&gt; Company") was established in 1602, when the &lt;span href="/wiki/States-General_of_the_Netherlands" title="States-General of the Netherlands"&gt;States-General of the Netherlands&lt;/span&gt; granted it a 21-year &lt;span href="/wiki/Monopoly" title="Monopoly"&gt;monopoly&lt;/span&gt; to carry out colonial activities in &lt;span href="/wiki/Asia" title="Asia"&gt;Asia&lt;/span&gt;. It was the first &lt;span href="/wiki/Multinational_corporation" title="Multinational corporation"&gt;multinational corporation&lt;/span&gt; in the world and the first company to issue &lt;span href="/wiki/Stock" title="Stock"&gt;stock&lt;/span&gt;. It remained an important trading concern for almost two centuries, paying an 18% annual &lt;span href="/wiki/Dividend" title="Dividend"&gt;dividend&lt;/span&gt; for almost 200 years, until it became bankrupt and was formally dissolved in 1800, its possessions and the debt being taken over by the government of the &lt;span href="/wiki/Batavian_Republic" title="Batavian Republic"&gt;Batavian Republic&lt;/span&gt;.&lt;br /&gt; &lt;span name="Organization" id="Organization"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Organization&lt;/b&gt;&lt;br /&gt;  &lt;span name="Background" id="Background"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  In the late sixteenth century, considerable pressure was upon the United Provinces of the Netherlands to expand overseas.&lt;br /&gt; &lt;span name="Formation" id="Formation"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Background&lt;/b&gt;&lt;br /&gt;  At the time, it was customary for a company to be set up only for the duration of a single voyage, and to be liquidated right after the return of the fleet. As the competition between companies intensified, the profitability of the new trade was threatened, but consolidation was not possible as the merchants of different provinces were unwilling to cooperate. In 1602, the Dutch government forced the issue, sponsoring the creation of a single "United East Indies Company" that was granted a monopoly over the Asian trade. In 1603, the first permanent Dutch trading post in Indonesia was established in &lt;span href="/wiki/Banten" title="Banten"&gt;Banten&lt;/span&gt;, &lt;span href="/wiki/West_Java" title="West Java"&gt;West Java&lt;/span&gt; and in 1611, another was established at &lt;span href="/wiki/Jayakarta" title="Jayakarta"&gt;Jayakarta&lt;/span&gt; (later 'Batavia' and then 'Jakarta'). Although this caused outrage in Europe and a diplomatic crisis, the English quietly withdrew from most of their Indonesian activities (except trading in Bantam) and focused on other Asian interests.&lt;br /&gt; In 1619, &lt;span href="/wiki/Jan_Pieterszoon_Coen" title="Jan Pieterszoon Coen"&gt;Jan Pieterszoon Coen&lt;/span&gt; was appointed Governor-General of the VOC. He was not afraid to use brute force to put the VOC on a firm footing. On 30 May that year, Coen, backed by a force of nineteen ships, stormed Jayakarta driving out the Banten forces, and from the ashes, established &lt;span href="/wiki/Batavia" title="Batavia"&gt;Batavia&lt;/span&gt; as the VOC headquarters. In the 1620s, almost the entire native population of &lt;span href="/wiki/Banda_Islands" title="Banda Islands"&gt;Banda Islands&lt;/span&gt;, the source of &lt;span href="/wiki/Nutmeg" title="Nutmeg"&gt;nutmeg&lt;/span&gt; was deported, driven away, starved to death or killed in an attempt to replace them with Dutch colonial slave labour.&lt;br /&gt; The VOC traded throughout Asia. Ships coming into Batavia from the Netherlands carried silver from Spanish mines in Peru and supplies for VOC settlements in Asia. Silver, combined with copper from Japan, was used to trade with India and China for textiles. These products, such as cotton, silk and ceramics, were either traded within Asia for the coveted spices or brought back to Europe. The VOC was also instrumental in introducing European ideas and technology to Asia. The Company supported Christian missionaries and traded modern technology with China and Japan.&lt;br /&gt; A more peaceful VOC trade post on &lt;span href="/wiki/Dejima" title="Dejima"&gt;Dejima&lt;/span&gt;, an &lt;span href="/wiki/Artificial_island" title="Artificial island"&gt;artificial island&lt;/span&gt; off the coast of &lt;span href="/wiki/Nagasaki" title="Nagasaki"&gt;Nagasaki&lt;/span&gt;, was for a long time the only place where Europeans could trade with &lt;span href="/wiki/Japan" title="Japan"&gt;Japan&lt;/span&gt;.&lt;br /&gt; In &lt;span href="/wiki/1640" title="1640"&gt;1640&lt;/span&gt;, the VOC obtained the port of &lt;span href="/wiki/Galle" title="Galle"&gt;Galle&lt;/span&gt;, &lt;span href="/wiki/Sri_Lanka" title="Sri Lanka"&gt;Sri Lanka&lt;/span&gt;, from the &lt;span href="/wiki/Portugal" title="Portugal"&gt;Portuguese&lt;/span&gt; and broke the latter's monopoly of the &lt;span href="/wiki/Cinnamon" title="Cinnamon"&gt;cinnamon&lt;/span&gt; trade. In &lt;span href="/wiki/1658" title="1658"&gt;1658&lt;/span&gt;, Gerard Hulft laid siege to &lt;span href="/wiki/Colombo" title="Colombo"&gt;Colombo&lt;/span&gt;, which was captured with the help of King &lt;span href="/w/index.php?title=Rajasinghe_II&amp;amp;action=edit" class="new" title="Rajasinghe II"&gt;Rajasinghe II&lt;/span&gt; of &lt;span href="/wiki/Kandy" title="Kandy"&gt;Kandy&lt;/span&gt;. By &lt;span href="/wiki/1659" title="1659"&gt;1659&lt;/span&gt;, the Portuguese had been expelled from the coastal regions, which were then occupied by the VOC, securing for it the monopoly over cinnamon.&lt;br /&gt; In &lt;span href="/wiki/1652" title="1652"&gt;1652&lt;/span&gt;, &lt;span href="/wiki/Jan_van_Riebeeck" title="Jan van Riebeeck"&gt;Jan van Riebeeck&lt;/span&gt; established an outpost at the &lt;span href="/wiki/Cape_of_Good_Hope" title="Cape of Good Hope"&gt;Cape of Good Hope&lt;/span&gt; (the southwestern tip of &lt;span href="/wiki/Africa" title="Africa"&gt;Africa&lt;/span&gt;, currently in &lt;span href="/wiki/South_Africa" title="South Africa"&gt;South Africa&lt;/span&gt;) to re-supply VOC ships on their journey to East Asia. This post later became a fully-fledged colony, the &lt;span href="/wiki/History_of_Cape_Colony" title="History of Cape Colony"&gt;Cape Colony&lt;/span&gt;, when more Dutch and other Europeans started to settle there. VOC outposts were also established in &lt;span href="/wiki/Persia" title="Persia"&gt;Persia&lt;/span&gt; (now &lt;span href="/wiki/Iran" title="Iran"&gt;Iran&lt;/span&gt;), &lt;span href="/wiki/Bengal" title="Bengal"&gt;Bengal&lt;/span&gt; (now &lt;span href="/wiki/Bangladesh" title="Bangladesh"&gt;Bangladesh&lt;/span&gt;, but then part of &lt;span href="/wiki/India" title="India"&gt;India&lt;/span&gt;), &lt;span href="/wiki/Malacca" title="Malacca"&gt;Malacca&lt;/span&gt; (Melaka, now in &lt;span href="/wiki/Malaysia" title="Malaysia"&gt;Malaysia&lt;/span&gt;), Siam (now &lt;span href="/wiki/Thailand" title="Thailand"&gt;Thailand&lt;/span&gt;), mainland &lt;span href="/wiki/China" title="China"&gt;China&lt;/span&gt; (&lt;span href="/wiki/Guangzhou" title="Guangzhou"&gt;Canton&lt;/span&gt;), Formosa (now &lt;span href="/wiki/Taiwan" title="Taiwan"&gt;Taiwan&lt;/span&gt;) and southern India. In &lt;span href="/wiki/1662" title="1662"&gt;1662&lt;/span&gt;, &lt;span href="/wiki/Koxinga" title="Koxinga"&gt;Koxinga&lt;/span&gt; expelled the Dutch from Taiwan (&lt;i&gt;see&lt;/i&gt; &lt;span href="/wiki/History_of_Taiwan" title="History of Taiwan"&gt;History of Taiwan&lt;/span&gt;).&lt;br /&gt; By &lt;span href="/wiki/1669" title="1669"&gt;1669&lt;/span&gt;, the VOC was the richest private company the world had ever seen, with over 150 merchant ships, 40 warships, 50,000 employees, a private army of 10,000 soldiers, and a &lt;span href="/wiki/Dividend" title="Dividend"&gt;dividend&lt;/span&gt; payment of 40%.&lt;br /&gt; &lt;span name="Decline" id="Decline"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Formation&lt;/b&gt;&lt;br /&gt;  From 1720 on, the market for sugar from Indonesia declined as the competition from cheap sugar from Brazil increased and European markets became saturated. Dozens of Chinese sugar traders went bankrupt which led to massive unemployment, which in turn led to gangs of unemployed &lt;span href="/wiki/Coolies" title="Coolies"&gt;coolies&lt;/span&gt;. The Dutch government in Batavia did not adequately respond to these problems. In &lt;span href="/wiki/1740" title="1740"&gt;1740&lt;/span&gt;, rumours of deportation of the gangs from the Batavia area led to widespread rioting. The Dutch military searched houses of Chinese in Batavia searching for weapons. When a house accidentally burnt down, military and impoverished citizens started slaughtering and pillaging the Chinese community. This incident was deemed sufficiently serious for the board of the VOC to start an official investigation into the Government of the Dutch East Indies for the first time in its history the company was dissolved, four years after the States-General were replaced by the French supported &lt;span href="/wiki/Batavian_Republic" title="Batavian Republic"&gt;Batavian Republic&lt;/span&gt;. This was soon replaced by French occupation. After the defeat of the French empire, the previously privately owned East Indies territories were granted to the newly created &lt;span href="/wiki/Kingdom_of_the_Netherlands" title="Kingdom of the Netherlands"&gt;Kingdom of the Netherlands&lt;/span&gt; by the &lt;span href="/wiki/Congress_of_Vienna" title="Congress of Vienna"&gt;Congress of Vienna&lt;/span&gt; in &lt;span href="/wiki/1815" title="1815"&gt;1815&lt;/span&gt;.&lt;br /&gt; &lt;span name="Notable_VOC_ships" id="Notable_VOC_ships"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Decline&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;dl&gt;&lt;br /&gt; &lt;dd&gt;&lt;i&gt;&lt;span href="/wiki/Ship_replica" title="Ship replica"&gt;Replicas&lt;/span&gt; have been constructed of several VOC ships, marked with an (R)&lt;/i&gt;&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/VOC_ship_Amsterdam" title="VOC ship Amsterdam"&gt;&lt;i&gt;Amsterdam&lt;/i&gt;&lt;/span&gt; (R)&lt;br /&gt; &lt;span href="/w/index.php?title=Arnhem_%28ship%29&amp;amp;action=edit" class="new" title="Arnhem (ship)"&gt;&lt;i&gt;Arnhem&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Batavia_%28ship%29" title="Batavia (ship)"&gt;&lt;i&gt;Batavia&lt;/i&gt;&lt;/span&gt; (R)&lt;br /&gt; &lt;span href="/w/index.php?title=VOC_ship_Braek&amp;amp;action=edit" class="new" title="VOC ship Braek"&gt;&lt;i&gt;Braek&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Duyfken" title="Duyfken"&gt;&lt;i&gt;Duyfken&lt;/i&gt;&lt;/span&gt; ("Little Dove") (R)&lt;br /&gt; &lt;span href="/wiki/Eendracht_%281615_ship%29" title="Eendracht (1615 ship)"&gt;&lt;i&gt;Eendracht&lt;/i&gt; (1615)&lt;/span&gt; ("Unity")&lt;br /&gt; &lt;span href="/w/index.php?title=Galias&amp;amp;action=edit" class="new" title="Galias"&gt;&lt;i&gt;Galias&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Grooten_Broeck&amp;amp;action=edit" class="new" title="Grooten Broeck"&gt;&lt;i&gt;Grooten Broeck&lt;/i&gt;&lt;/span&gt; ("Great Brook")&lt;br /&gt; &lt;span href="/w/index.php?title=Gulden_Zeepaert&amp;amp;action=edit" class="new" title="Gulden Zeepaert"&gt;&lt;i&gt;Gulden Zeepaert&lt;/i&gt;&lt;/span&gt; ("Golden Seahorse")&lt;br /&gt; &lt;span href="/wiki/Halve_Maen" title="Halve Maen"&gt;&lt;i&gt;Halve Maen&lt;/i&gt;&lt;/span&gt; ("Half moon") (R)&lt;br /&gt; &lt;span href="/w/index.php?title=VOC_ship_Heemskerck&amp;amp;action=edit" class="new" title="VOC ship Heemskerck"&gt;&lt;i&gt;Heemskerck&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/VOC_ship_Hollandia" title="VOC ship Hollandia"&gt;&lt;i&gt;Hollandia&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=Klein_Amsterdam&amp;amp;action=edit" class="new" title="Klein Amsterdam"&gt;&lt;i&gt;Klein Amsterdam&lt;/i&gt;&lt;/span&gt; ("Small Amsterdam")&lt;br /&gt; &lt;span href="/w/index.php?title=Leeuwerik&amp;amp;action=edit" class="new" title="Leeuwerik"&gt;&lt;i&gt;Leeuwerik&lt;/i&gt;&lt;/span&gt; ("Lark")&lt;br /&gt; &lt;span href="/w/index.php?title=VOC_ship_Leyden&amp;amp;action=edit" class="new" title="VOC ship Leyden"&gt;&lt;i&gt;Leyden&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=VOC_ship_Limmen&amp;amp;action=edit" class="new" title="VOC ship Limmen"&gt;&lt;i&gt;Limmen&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=VOC_ship_Pera&amp;amp;action=edit" class="new" title="VOC ship Pera"&gt;&lt;i&gt;Pera&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Prins_Willem_%281649_ship%29" title="Prins Willem (1649 ship)"&gt;&lt;i&gt;Prins Willem&lt;/i&gt;&lt;/span&gt; &lt;span href="/wiki/Prins_Willem_%28ship_replica%29" title="Prins Willem (ship replica)"&gt;(R)&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Ridderschap_van_Holland" title="Ridderschap van Holland"&gt;&lt;i&gt;Ridderschap van Holland&lt;/i&gt;&lt;/span&gt; ("Knighthood of Holland")&lt;br /&gt; &lt;span href="/wiki/VOC_ship_Rooswijk" title="VOC ship Rooswijk"&gt;&lt;i&gt;Rooswijk&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Sardam" title="Sardam"&gt;&lt;i&gt;Sardam&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=VOC_ship_Texel&amp;amp;action=edit" class="new" title="VOC ship Texel"&gt;&lt;i&gt;Texel&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/w/index.php?title=VOC_ship_Utrecht&amp;amp;action=edit" class="new" title="VOC ship Utrecht"&gt;&lt;i&gt;Utrecht&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Vergulde_Draeck" title="Vergulde Draeck"&gt;&lt;i&gt;Vergulde Draeck&lt;/i&gt;&lt;/span&gt; ("Gilded Dragon")&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Vianen_%28ship%29" title="Vianen (ship)"&gt;Vianen&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;span href="/wiki/Flying_Dutchman" title="Flying Dutchman"&gt;&lt;i&gt;Vliegende Hollander&lt;/i&gt;&lt;/span&gt; ("&lt;span href="/wiki/Flying_Dutchman" title="Flying Dutchman"&gt;Flying Dutchman&lt;/span&gt;")&lt;br /&gt; &lt;span href="/w/index.php?title=Vliegende_Swaan&amp;amp;action=edit" class="new" title="Vliegende Swaan"&gt;&lt;i&gt;Vliegende Swaan&lt;/i&gt;&lt;/span&gt; ("Flying Swan")&lt;br /&gt; &lt;span href="/wiki/Wapen_van_Hoorn" title="Wapen van Hoorn"&gt;&lt;i&gt;Wapen van Hoorn&lt;/i&gt;&lt;/span&gt; ("Arms of Hoorn")&lt;br /&gt; &lt;span href="/w/index.php?title=Wezel&amp;amp;action=edit" class="new" title="Wezel"&gt;&lt;i&gt;Wezel&lt;/i&gt;&lt;/span&gt; ("Weasel")&lt;br /&gt; &lt;span href="/w/index.php?title=VOC_ship_Zeehaen&amp;amp;action=edit" class="new" title="VOC ship Zeehaen"&gt;&lt;i&gt;Zeehaen&lt;/i&gt;&lt;/span&gt; ("Sea Cock")&lt;br /&gt; &lt;span href="/w/index.php?title=VOC_ship_Zeemeeuw&amp;amp;action=edit" class="new" title="VOC ship Zeemeeuw"&gt;&lt;i&gt;Zeemeeuw&lt;/i&gt;&lt;/span&gt; ("Seagull")&lt;br /&gt; &lt;span href="/wiki/Zuytdorp" title="Zuytdorp"&gt;&lt;i&gt;Zuytdorp&lt;/i&gt;&lt;/span&gt; ("South Village")   &lt;b&gt; Notable VOC ships&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Jan_Pieterszoon_Coen" title="Jan Pieterszoon Coen"&gt;Jan Pieterszoon Coen&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Chartered_companies" title="Chartered companies"&gt;Chartered companies&lt;/span&gt;&lt;br /&gt; The &lt;span href="/wiki/British_East_India_Company" title="British East India Company"&gt;British East India Company&lt;/span&gt;, founded in &lt;span href="/wiki/1600" title="1600"&gt;1600&lt;/span&gt;&lt;br /&gt; The &lt;span href="/wiki/Danish_East_India_Company" title="Danish East India Company"&gt;Danish East India Company&lt;/span&gt;, founded in &lt;span href="/wiki/1616" title="1616"&gt;1616&lt;/span&gt;&lt;br /&gt; The &lt;span href="/wiki/Dutch_West_India_Company" title="Dutch West India Company"&gt;Dutch West India Company&lt;/span&gt;, founded in &lt;span href="/wiki/1621" title="1621"&gt;1621&lt;/span&gt;&lt;br /&gt; The &lt;span href="/wiki/French_East_India_Company" title="French East India Company"&gt;French East India Company&lt;/span&gt;, founded in &lt;span href="/wiki/1664" title="1664"&gt;1664&lt;/span&gt;&lt;br /&gt; The &lt;span href="/wiki/Swedish_East_India_Company" title="Swedish East India Company"&gt;Swedish East India Company&lt;/span&gt;, founded in &lt;span href="/wiki/1731" title="1731"&gt;1731&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Spice_wars" title="Spice wars"&gt;Spice wars&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Engelbert_Kaempfer" title="Engelbert Kaempfer"&gt;Engelbert Kaempfer&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Carl_Peter_Thunberg" title="Carl Peter Thunberg"&gt;Carl Peter Thunberg&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Isaac_Titsingh" title="Isaac Titsingh"&gt;Isaac Titsingh&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Philipp_Franz_von_Siebold" title="Philipp Franz von Siebold"&gt;Philipp Franz von Siebold&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3704609397969210875?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3704609397969210875/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3704609397969210875' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3704609397969210875'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3704609397969210875'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/dutch-east-india-company-vereenigde.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-6379706213919814023</id><published>2008-04-06T09:26:00.001-07:00</published><updated>2008-04-06T09:26:56.316-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://content.answers.com/main/content/wp/en-commons/thumb/8/8a/280px-Elizabeth-Bridge.jpg"  alt="Megyeri Bridge"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Megyeri Bridge&lt;/b&gt;, previously known as the &lt;b&gt;Northern M0 Danube bridge&lt;/b&gt;, is a new &lt;span href="/wiki/Cable-stayed_bridge" title="Cable-stayed bridge"&gt;cable-stayed&lt;/span&gt; &lt;span href="/wiki/Viaduct" title="Viaduct"&gt;road bridge&lt;/span&gt; currently under construction that will span the &lt;span href="/wiki/Danube" title="Danube"&gt;River Danube&lt;/span&gt; between &lt;span href="/wiki/Buda" title="Buda"&gt;Buda&lt;/span&gt; and &lt;span href="/wiki/Pest_%28city%29" title="Pest (city)"&gt;Pest&lt;/span&gt;, respectively the west and east sides of &lt;span href="/wiki/Budapest" title="Budapest"&gt;Budapest&lt;/span&gt;, the capital of &lt;span href="/wiki/Hungary" title="Hungary"&gt;Hungary&lt;/span&gt;. As a continuation of the &lt;span href="/wiki/M0_motorway_%28Hungary%29" title="M0 motorway (Hungary)"&gt;M0 motorway&lt;/span&gt;, it will be the last section to complete the M0 &lt;span href="/wiki/Beltway" title="Beltway"&gt;ringroad&lt;/span&gt; around Budapest. The bridge will be 4 km long and will cost 61.9 billion &lt;span href="/wiki/Hungarian_forint" title="Hungarian forint"&gt;forints&lt;/span&gt; (approx. &lt;span href="/wiki/United_States_dollar" title="United States dollar"&gt;US$&lt;/span&gt;300M). It is due to open in August 2008. It has received much media attention due to the naming poll started to name the bridge.&lt;br /&gt; &lt;span name="Naming_poll" id="Naming_poll"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Results&lt;/b&gt;&lt;br /&gt;  On &lt;span href="/wiki/September_28" title="September 28"&gt;September 28&lt;/span&gt;, &lt;span href="/wiki/2006" title="2006"&gt;2006&lt;/span&gt;, it was announced that the bridge will be named "&lt;b&gt;Megyeri Bridge&lt;/b&gt;", even though that name did not make it to the second round. The Hungarian Geographical Name Committee justified the final name by explaining that the bridge connects Káposztás&lt;i&gt;megyer&lt;/i&gt; and Békás&lt;i&gt;megyer&lt;/i&gt;.&lt;br /&gt; &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-6379706213919814023?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/6379706213919814023/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=6379706213919814023' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/6379706213919814023'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/6379706213919814023'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/megyeri-bridge-previously-known-as.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-1438619530562348880</id><published>2008-04-05T10:31:00.001-07:00</published><updated>2008-04-05T10:31:58.111-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://reviews.cnet.com/i/bto/20070109/SD-P1750_L_270x270.jpg"  alt="SD"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;SD&lt;/b&gt; may refer to:&lt;br /&gt; &lt;span href="/wiki/South_Dakota" title="South Dakota"&gt;South Dakota&lt;/span&gt;, United States postal abbreviation&lt;br /&gt; &lt;span href="/wiki/San_Diego" title="San Diego"&gt;San Diego&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;The &lt;span href="/wiki/San_Diego_Padres" title="San Diego Padres"&gt;San Diego Padres&lt;/span&gt;, or &lt;span href="/wiki/San_Diego_Chargers" title="San Diego Chargers"&gt;San Diego Chargers&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Sales" title="Sales"&gt;Sales&lt;/span&gt; and &lt;span href="/wiki/Distribution_%28business%29" title="Distribution (business)"&gt;Distribution&lt;/span&gt;, business&lt;br /&gt; &lt;span href="/wiki/SanDisk" title="SanDisk"&gt;SanDisk&lt;/span&gt;, US-based multinational corporation which designs and markets flash memory card products&lt;br /&gt; &lt;span href="/wiki/SafeDisc" title="SafeDisc"&gt;SafeDisc&lt;/span&gt;, a CD/DVD copy protection solution by Macrovision Corporation&lt;br /&gt; &lt;span href="/wiki/Secure_Digital_card" title="Secure Digital card"&gt;Secure Digital card&lt;/span&gt;, flash memory card format used in portable device, including digital cameras and handheld computers&lt;br /&gt; &lt;span href="/wiki/Self_Destruct" title="Self Destruct"&gt;Self Destruct&lt;/span&gt;, in some video games.&lt;br /&gt; &lt;span href="/wiki/Siamese_Dream" title="Siamese Dream"&gt;Siamese Dream&lt;/span&gt;, a rock music album from the band The Smashing Pumpkins&lt;br /&gt; &lt;span href="/wiki/Sicherheitsdienst" title="Sicherheitsdienst"&gt;Sicherheitsdienst&lt;/span&gt;, Security Police, the intelligence service of the Nazi SS&lt;br /&gt; &lt;span href="/wiki/Sindhi_language" title="Sindhi language"&gt;Sindhi language&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Snare_drum" title="Snare drum"&gt;Snare drum&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Social_Democrats_%28Slovenia%29" title="Social Democrats (Slovenia)"&gt;Social Democrats (Slovenia)&lt;/span&gt;, a left-wing Slovenian political party&lt;br /&gt; &lt;span href="/wiki/Software_Distributor" title="Software Distributor"&gt;Software Distributor&lt;/span&gt;, an HP-UX software package management system&lt;br /&gt; &lt;span href="/wiki/Standard-definition_television" title="Standard-definition television"&gt;Standard-definition television&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Standard_Deviation" title="Standard Deviation"&gt;Standard Deviation&lt;/span&gt;, statistics&lt;br /&gt; &lt;span href="/wiki/Stronnictwo_Demokratyczne" title="Stronnictwo Demokratyczne"&gt;Stronnictwo Demokratyczne&lt;/span&gt;, a defunct Polish party&lt;br /&gt; &lt;span href="/w/index.php?title=Structured_design&amp;amp;action=edit" class="new" title="Structured design"&gt;Structured design&lt;/span&gt;, a computer programming concept&lt;br /&gt; &lt;span href="/w/index.php?title=Sub-Divisions_of_India&amp;amp;action=edit" class="new" title="Sub-Divisions of India"&gt;Sub-Divisions of India&lt;/span&gt;, an &lt;span href="/wiki/Subdivisions_of_India" title="Subdivisions of India"&gt;administrative unit&lt;/span&gt; of certain states of India&lt;br /&gt; &lt;span href="/wiki/Sudan" title="Sudan"&gt;Sudan&lt;/span&gt;, ISO country code&lt;br /&gt; &lt;span href="/wiki/Sudan_Airways" title="Sudan Airways"&gt;Sudan Airways&lt;/span&gt;, IATA airline designator&lt;br /&gt; &lt;span href="/wiki/Super_Dave_Osborne" title="Super Dave Osborne"&gt;Super Dave Osborne&lt;/span&gt;, an alter-ego of comedian Bob Einstein&lt;br /&gt; &lt;span href="/wiki/Super_deformed" title="Super deformed"&gt;Super deformed&lt;/span&gt;, an exaggerated drawing style used in anime and manga&lt;br /&gt; &lt;span href="/wiki/Super_Dollfie" title="Super Dollfie"&gt;Super Dollfie&lt;/span&gt;, a doll by Japanese company Volks&lt;br /&gt; &lt;span href="/wiki/Suppressor" title="Suppressor"&gt;Suppressed&lt;/span&gt;, a suffix placed at the end of a firearm's model name to note it is fitted with a suppressor.&lt;br /&gt; &lt;span href="/wiki/Sustainable_Development" title="Sustainable Development"&gt;Sustainable Development&lt;/span&gt;, Environmental, economic and social development that meets the needs of the present without compromising the needs of future generations&lt;br /&gt; &lt;span href="/wiki/Significant_digits" title="Significant digits"&gt;Significant digits&lt;/span&gt;, a method of expressing error in measurement&lt;br /&gt; &lt;span href="/wiki/SharpDevelop" title="SharpDevelop"&gt;SharpDevelop&lt;/span&gt;, a free and open source IDE for the C# Visual Basic .NET programming languages&lt;br /&gt; &lt;span href="/wiki/Snoop_Dog" title="Snoop Dog"&gt;Snoop Dog&lt;/span&gt; (famous rapper)&lt;br /&gt; &lt;span href="/wiki/Scooby_Doo" title="Scooby Doo"&gt;Scooby Doo&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-1438619530562348880?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/1438619530562348880/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=1438619530562348880' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1438619530562348880'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1438619530562348880'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/sd-may-refer-to-south-dakota-united.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-5053807768921629226</id><published>2008-04-04T09:29:00.001-07:00</published><updated>2008-04-04T09:29:59.793-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;John Russell&lt;/b&gt; (&lt;span href="/wiki/January_3" title="January 3"&gt;January 3&lt;/span&gt;, &lt;span href="/wiki/1921" title="1921"&gt;1921&lt;/span&gt; – &lt;span href="/wiki/January_19" title="January 19"&gt;January 19&lt;/span&gt;, &lt;span href="/wiki/1991" title="1991"&gt;1991&lt;/span&gt;) was an &lt;span href="/wiki/United_States" title="United States"&gt;American&lt;/span&gt; actor most noted for playing Marshal Dan Troop in the &lt;span href="/wiki/Western_%28genre%29" title="Western (genre)"&gt;western&lt;/span&gt; television series &lt;i&gt;&lt;span href="/wiki/Lawman_%28TV_series%29" title="Lawman (TV series)"&gt;Lawman&lt;/span&gt;&lt;/i&gt; from 1958 to 1962.&lt;br /&gt; Born &lt;b&gt;John Lawrence Russell&lt;/b&gt; in &lt;span href="/wiki/Los_Angeles%2C_California" title="Los Angeles, California"&gt;Los Angeles, California&lt;/span&gt;, he fit the &lt;span href="/wiki/Hollywood" title="Hollywood"&gt;Hollywood&lt;/span&gt; image of tall, dark, and handsome. He attended the &lt;span href="/wiki/UCLA" title="UCLA"&gt;University of California&lt;/span&gt; as a student athlete. Following the outbreak of &lt;span href="/wiki/World_War_II" title="World War II"&gt;World War II&lt;/span&gt;, he joined the &lt;span href="/wiki/United_States_Marines" title="United States Marines"&gt;United States Marines&lt;/span&gt;, received a battlefield commission as lieutenant at Guadalcanal, and returned home after the war, a highly decorated veteran.&lt;br /&gt; He was discovered by a talent agent while in a Beverly Hills restaurant and made his film debut in 1945. Russell was contracted to &lt;span href="/wiki/20th_Century_Fox" title="20th Century Fox"&gt;20th Century Fox&lt;/span&gt; in several supporting roles, and later was signed with &lt;span href="/wiki/Republic_Pictures" title="Republic Pictures"&gt;Republic Pictures&lt;/span&gt;. He primarily played secondary roles, often in &lt;span href="/wiki/Western_film" title="Western film"&gt;western films&lt;/span&gt;, but in 1952 starred opposite &lt;span href="/wiki/Judy_Canova" title="Judy Canova"&gt;Judy Canova&lt;/span&gt; in &lt;i&gt;&lt;span href="/w/index.php?title=Oklahoma_Annie&amp;amp;action=edit" class="new" title="Oklahoma Annie"&gt;Oklahoma Annie&lt;/span&gt;&lt;/i&gt;. In 1955 Russell was given the lead role in a television drama called "&lt;i&gt;&lt;span href="/w/index.php?title=Soldiers_of_Fortune_%28TV%29&amp;amp;action=edit" class="new" title="Soldiers of Fortune (TV)"&gt;Soldiers of Fortune&lt;/span&gt;&lt;/i&gt;." The half-hour adventure show placed him and his sidekick, played by &lt;span href="/w/index.php?title=Chick_Chandler&amp;amp;action=edit" class="new" title="Chick Chandler"&gt;Chick Chandler&lt;/span&gt;, in a dangerous jungle setting. While the show proved popular with young boys, it did not draw enough adult viewers to its prime slot and was canceled in 1957.&lt;br /&gt; A year later, Russell was cast in his most memorable role as Marshal Dan Troop, the lead character in &lt;i&gt;&lt;span href="/wiki/Lawman_%28TV_series%29" title="Lawman (TV series)"&gt;Lawman&lt;/span&gt;&lt;/i&gt;, an &lt;span href="/wiki/American_Broadcasting_Company" title="American Broadcasting Company"&gt;ABC&lt;/span&gt; western series that ran for five years. Co-starring with &lt;span href="/wiki/Peter_Brown_%28actor%29" title="Peter Brown (actor)"&gt;Peter Brown&lt;/span&gt;, who played Deputy Johnny McKay, Russell played a U.S. frontier peace officer mentoring his younger compatriot.&lt;br /&gt; Russell appeared in other motion pictures, notably as a supporting player in the &lt;span href="/wiki/Howard_Hawks" title="Howard Hawks"&gt;Howard Hawks&lt;/span&gt; 1959 western, &lt;i&gt;&lt;span href="/wiki/Rio_Bravo" title="Rio Bravo"&gt;Rio Bravo&lt;/span&gt;&lt;/i&gt;, which starred &lt;span href="/wiki/John_Wayne" title="John Wayne"&gt;John Wayne&lt;/span&gt;, &lt;span href="/wiki/Dean_Martin" title="Dean Martin"&gt;Dean Martin&lt;/span&gt;, and &lt;span href="/wiki/Walter_Brennan" title="Walter Brennan"&gt;Walter Brennan&lt;/span&gt;. Through the 1960s to the 1980s, he returned to secondary roles, appearing in more than twenty films including three directed by his friend &lt;span href="/wiki/Clint_Eastwood" title="Clint Eastwood"&gt;Clint Eastwood&lt;/span&gt;.&lt;br /&gt; Russell appeared in the second season of the &lt;span href="/wiki/Filmation" title="Filmation"&gt;Filmation&lt;/span&gt; childrens science fiction series &lt;span href="/wiki/Jason_of_Star_Command" title="Jason of Star Command"&gt;Jason of Star Command&lt;/span&gt;. He played the role of Commander Stone, a blue skinned alien from Alpha Centauri. He replaced &lt;span href="/wiki/James_Doohan" title="James Doohan"&gt;James Doohan&lt;/span&gt; who played the Commander in the previous season but left to start working on &lt;span href="/wiki/Star_Trek_The_Motion_Picture" title="Star Trek The Motion Picture"&gt;Star Trek The Motion Picture&lt;/span&gt;.&lt;br /&gt; John Russell died from &lt;span href="/wiki/Emphysema" title="Emphysema"&gt;emphysema&lt;/span&gt; in 1991 and was interred in the &lt;span href="/wiki/Los_Angeles_National_Cemetery" title="Los Angeles National Cemetery"&gt;Los Angeles National Cemetery&lt;/span&gt;, a former &lt;span href="/wiki/U.S._Department_of_Veterans_Affairs" title="U.S. Department of Veterans Affairs"&gt;U.S. Veterans Administration&lt;/span&gt; cemetery in Los Angeles, California.&lt;br /&gt; &lt;img src="http://www.mytalk.com.au/NewDesign/PublishingImages/watchvideo-john-laws.jpg"  alt="John Russell (actor)"  align="left" style="padding:10px"  /&gt; &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-5053807768921629226?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/5053807768921629226/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=5053807768921629226' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/5053807768921629226'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/5053807768921629226'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/john-russell-january-3-1921-january-19.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-2993560463586366909</id><published>2008-04-03T10:34:00.001-07:00</published><updated>2008-04-03T10:34:14.438-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.citv.co.uk/static/jungle1.jpg"  alt="Michael Underwood"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Michael Paul Underwood&lt;/b&gt; is a &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;British&lt;/span&gt; &lt;span href="/wiki/Television_presenter" title="Television presenter"&gt;television presenter&lt;/span&gt; who famously won a six week CBBC presenting contract on &lt;span href="/wiki/Gaby_Roslin" title="Gaby Roslin"&gt;Gaby Roslin's&lt;/span&gt; &lt;span href="/wiki/BBC" title="BBC"&gt;BBC&lt;/span&gt; television show &lt;i&gt;Whatever You Want&lt;/i&gt;. He had previously made it to the last four in interviews for the &lt;i&gt;&lt;span href="/wiki/Blue_Peter" title="Blue Peter"&gt;Blue Peter&lt;/span&gt;&lt;/i&gt; vacancy subsequently filled by &lt;span href="/wiki/Simon_Thomas_%28television_presenter%29" title="Simon Thomas (television presenter)"&gt;Simon Thomas&lt;/span&gt;. Michael graduated from Plymouth University's Rolle College, &lt;span href="/wiki/Exmouth%2C_Devon" title="Exmouth, Devon"&gt;Exmouth&lt;/span&gt; with a BEd (Hons) Drama &amp;amp; Performance.&lt;br /&gt; &lt;span name="TV_appearances" id="TV_appearances"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-2993560463586366909?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/2993560463586366909/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=2993560463586366909' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2993560463586366909'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2993560463586366909'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/michael-paul-underwood-is-british.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-8220580531910895675</id><published>2008-04-02T08:19:00.001-07:00</published><updated>2008-04-02T08:19:25.289-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Curtis Martin&lt;/b&gt; (born &lt;span href="/wiki/May_1" title="May 1"&gt;May 1&lt;/span&gt;, &lt;span href="/wiki/1973" title="1973"&gt;1973&lt;/span&gt; in &lt;span href="/wiki/Pittsburgh%2C_Pennsylvania" title="Pittsburgh, Pennsylvania"&gt;Pittsburgh, Pennsylvania&lt;/span&gt;) is a former &lt;span href="/wiki/American_football" title="American football"&gt;American football&lt;/span&gt; &lt;span href="/wiki/Running_back" title="Running back"&gt;running back&lt;/span&gt;. He is an alumnus of &lt;span href="/wiki/Taylor_Allderdice_High_School" title="Taylor Allderdice High School"&gt;Taylor Allderdice High School&lt;/span&gt; in Pittsburgh and the &lt;span href="/wiki/University_of_Pittsburgh" title="University of Pittsburgh"&gt;University of Pittsburgh&lt;/span&gt;. Martin played in the &lt;span href="/wiki/National_Football_League" title="National Football League"&gt;National Football League&lt;/span&gt; (NFL) for the &lt;span href="/wiki/New_England_Patriots" title="New England Patriots"&gt;New England Patriots&lt;/span&gt; and the &lt;span href="/wiki/New_York_Jets" title="New York Jets"&gt;New York Jets&lt;/span&gt;. He officially announced his retirement from the NFL on &lt;span href="/wiki/July_26" title="July 26"&gt;July 26&lt;/span&gt;, &lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;, &lt;span href="http://www.nypost.com/seven/11022006/sports/jets/done_for_season__career_likely_over_jets_michael_morrissey.htm?page=0" class="external autonumber" title="http://www.nypost.com/seven/11022006/sports/jets/done_for_season__career_likely_over_jets_michael_morrissey.htm?page=0" rel="nofollow"&gt;[1]&lt;/span&gt; ranking fourth overall among NFL rushing backs in rushing yards all-time.&lt;br /&gt; &lt;span name="New_England_Patriots" id="New_England_Patriots"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/New_England_Patriots" title="New England Patriots"&gt;New England Patriots&lt;/span&gt; (1995-1997)&lt;br /&gt; &lt;span href="/wiki/New_York_Jets" title="New York Jets"&gt;New York Jets&lt;/span&gt; (1998-2006)&lt;br /&gt; &lt;span href="/wiki/Pro_Bowl" title="Pro Bowl"&gt;Pro Bowl&lt;/span&gt; (x5)&lt;br /&gt; 3,518 career rushing attempts (3rd all-time)&lt;br /&gt; 14,101 career rushing yards (4th all-time)&lt;br /&gt; 17,430 career yards from scrimmage (7th all-time)&lt;br /&gt; 90 career rushing touchdowns (12th all-time)&lt;br /&gt; 100 career rushing/receiving touchdowns (19th all-time)&lt;br /&gt; Led league in Rushing Yards 1 time&lt;br /&gt; Led league in Rushing Attempts 1 time &lt;img src="http://www.nydailynews.com/img/2007/11/11/amd_curtis-martin2.jpg"  alt="Curtis Martin"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; New England Patriots&lt;/b&gt;&lt;br /&gt;  Following the &lt;span href="/wiki/1997" title="1997"&gt;1997&lt;/span&gt; season, Martin was a restricted free agent, and signed an offer sheet with the &lt;span href="/wiki/New_York_Jets" title="New York Jets"&gt;New York Jets&lt;/span&gt; for $36 million over six years. The Patriots, who had the opportunity to match the offer, declined to do so and instead received a first and third round draft pick from the Jets&lt;span href="http://www.southcoasttoday.com/daily/03-98/03-21-98/c01sp112.htm" class="external autonumber" title="http://www.southcoasttoday.com/daily/03-98/03-21-98/c01sp112.htm" rel="nofollow"&gt;[2]&lt;/span&gt; This reunited Martin with his former Patriot coach &lt;span href="/wiki/Bill_Parcells" title="Bill Parcells"&gt;Bill Parcells&lt;/span&gt;. In his first seven seasons with the Jets, Martin missed only one game, in Week 6 of the &lt;span href="/wiki/1998" title="1998"&gt;1998&lt;/span&gt; season, and earned three more &lt;span href="/wiki/Pro_Bowl" title="Pro Bowl"&gt;Pro Bowl&lt;/span&gt; selections. In 1998, Martin led the Jets to the &lt;span href="/wiki/AFC_Championship_Game" title="AFC Championship Game"&gt;AFC Championship Game&lt;/span&gt;, gaining 182 yards from scrimmage and scoring two touchdowns against the &lt;span href="/wiki/Jacksonville_Jaguars" title="Jacksonville Jaguars"&gt;Jacksonville Jaguars&lt;/span&gt; in a Jets playoff win. Martin won the &lt;span href="/wiki/NFL" title="NFL"&gt;NFL&lt;/span&gt; rushing title in the &lt;span href="/wiki/2004_NFL_season" title="2004 NFL season"&gt;2004 NFL season&lt;/span&gt; with 1,697 yards (one more than runner-up &lt;span href="/wiki/Shaun_Alexander" title="Shaun Alexander"&gt;Shaun Alexander&lt;/span&gt;, the closest margin in NFL history). He also won the &lt;span href="/wiki/FedEx" title="FedEx"&gt;FedEx&lt;/span&gt; Ground Player of the Year Award in &lt;span href="/wiki/2004" title="2004"&gt;2004&lt;/span&gt;.&lt;br /&gt; In 2005, Martin failed in his quest to become the first running back in NFL history to start his career with 11 straight 1,000 rushing yard seasons. He missed the December 11th game vs. the Oakland Raiders with a knee injury and was placed on injured reserve shortly thereafter, meaning that he also missed the final three games of the regular season. Martin finished with 735 rushing yards, giving him a career total of 14,101 rushing yards. Martin began the 2006 campaign on the Physically Unable to Perform list due to complications from the injury. On &lt;span href="/wiki/November_1" title="November 1"&gt;November 1&lt;/span&gt;, &lt;span href="/wiki/2006" title="2006"&gt;2006&lt;/span&gt;, it was announced that he would miss the rest of the regular season with a bone-on-bone condition in his right knee. Curtis officially announced his retirement on &lt;span href="/wiki/July_26" title="July 26"&gt;July 26&lt;/span&gt;, &lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;. He will be eligible for the &lt;span href="/wiki/Pro_Football_Hall_of_Fame" title="Pro Football Hall of Fame"&gt;Pro Football Hall of Fame&lt;/span&gt; in 2011.&lt;br /&gt; &lt;span name="Accomplishments" id="Accomplishments"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.sportsteamlayouts.com/layout-small/nyjets2.jpg"  alt="Curtis Martin"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; New York Jets&lt;/b&gt;&lt;br /&gt;  Martin rushed for over 1,000 yards in his first 10 professional seasons, a feat previously accomplished only by &lt;span href="/wiki/Barry_Sanders" title="Barry Sanders"&gt;Barry Sanders&lt;/span&gt;. On &lt;span href="/wiki/November_6" title="November 6"&gt;November 6&lt;/span&gt;, &lt;span href="/wiki/2005" title="2005"&gt;2005&lt;/span&gt;, he scored his 100th career touchdown, joining an elite group of only 16 players to do so. Martin is currently 4th on the all-time rushing yardage list, and on &lt;span href="/wiki/November_27" title="November 27"&gt;November 27&lt;/span&gt;, &lt;span href="/wiki/2005" title="2005"&gt;2005&lt;/span&gt;, in the first quarter against the &lt;span href="/wiki/New_Orleans_Saints" title="New Orleans Saints"&gt;New Orleans Saints&lt;/span&gt;, he became the 4th running back in &lt;span href="/wiki/NFL" title="NFL"&gt;NFL&lt;/span&gt; history, behind &lt;span href="/wiki/Emmitt_Smith" title="Emmitt Smith"&gt;Emmitt Smith&lt;/span&gt;, &lt;span href="/wiki/Walter_Payton" title="Walter Payton"&gt;Walter Payton&lt;/span&gt;, and &lt;span href="/wiki/Barry_Sanders" title="Barry Sanders"&gt;Barry Sanders&lt;/span&gt;, to pass the 14,000-yard rushing mark. He is the all-time Jets leader with 10,302 rushing yards with the team.&lt;span href="http://www.angelfire.com/sd/slopitch/jet.html" class="external autonumber" title="http://www.angelfire.com/sd/slopitch/jet.html" rel="nofollow"&gt;[3]&lt;/span&gt; He is also fourth in the same category for the Patriots with 3799 yards.&lt;span href="http://www.geocities.com/pfsikh/rushingleaders.html" class="external autonumber" title="http://www.geocities.com/pfsikh/rushingleaders.html" rel="nofollow"&gt;[4]&lt;/span&gt; Additionally, Martin happens to have a 'perfect' &lt;span href="/wiki/Passer_rating" title="Passer rating"&gt;passer rating&lt;/span&gt; of 158.3: 2 completions on 2 pass attempts, 2 TD passes, and an average of 18.0 yards per attempt. The New York Jets will honor Curtis Martin at half time against the Steelers on November 18th.&lt;br /&gt; &lt;span name="Personal" id="Personal"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-8220580531910895675?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/8220580531910895675/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=8220580531910895675' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8220580531910895675'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8220580531910895675'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/curtis-martin-born-may-1-1973-in.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-6072327128641950102</id><published>2008-04-01T10:43:00.001-07:00</published><updated>2008-04-01T10:43:33.882-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;"The Will to Believe"&lt;/b&gt; is the title of &lt;span href="/wiki/William_James" title="William James"&gt;William James&lt;/span&gt;'s classic lecture (published in 1897) defending the adoption of beliefs as &lt;span href="/wiki/Hypotheses" title="Hypotheses"&gt;hypotheses&lt;/span&gt; and self-fulfilling prophecies even without prior evidence of their truth. James' idea that people have a right to do so is an uncontroversial part of his doctrine since many philosophers would agree with him that we have a right to hypothesize and adopt self-fulfilling beliefs without evidence. However, James extends this idea to argue that, using this doctrine, adopting beliefs like &lt;span href="/wiki/God" title="God"&gt;God&lt;/span&gt;, &lt;span href="/wiki/Freewill" title="Freewill"&gt;freewill&lt;/span&gt;, &lt;span href="/wiki/Possibility" title="Possibility"&gt;possibility&lt;/span&gt;, and &lt;span href="/wiki/Morality" title="Morality"&gt;morality&lt;/span&gt; would cause evidence to come, thus verifying beliefs that could not have been verified otherwise. James' rationale for this more controversial idea is in combining it with his &lt;span href="/wiki/Pragmatic_theory_of_truth" title="Pragmatic theory of truth"&gt;pragmatic theory of truth&lt;/span&gt;, the idea that a belief is verified if it causes better interaction with the world. For example, while no evidence can justify the initial adoption of a belief in &lt;span href="/wiki/God" title="God"&gt;God&lt;/span&gt;, the adoption of such a belief as a hypothesis without evidence would cause one to succeed better in the world, thus verifying the belief. This does not entail that it will be verified for everyone, but rather, for many, that it would cause their lives to be better, thus making it true &lt;i&gt;for them&lt;/i&gt; (see James' &lt;span href="/wiki/Pluralism_%28philosophy%29" title="Pluralism (philosophy)"&gt;pluralism&lt;/span&gt; regarding truth).&lt;br /&gt; &lt;span name="The_doctrine" id="The_doctrine"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.mizpahchristianretreat.org/images/signatentrance.gif"  alt="Will to Believe Doctrine"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-6072327128641950102?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/6072327128641950102/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=6072327128641950102' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/6072327128641950102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/6072327128641950102'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/04/will-to-believe-is-title-of-william.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-8348874881129462647</id><published>2008-03-29T09:24:00.001-07:00</published><updated>2008-03-29T09:24:02.185-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;The Courier &amp;amp; Advertiser&lt;/b&gt;, more commonly known as simply &lt;i&gt;&lt;b&gt;The Courier&lt;/b&gt;&lt;/i&gt;, is a &lt;span href="/wiki/Broadsheet" title="Broadsheet"&gt;broadsheet&lt;/span&gt; &lt;span href="/wiki/Newspaper" title="Newspaper"&gt;newspaper&lt;/span&gt; published by &lt;span href="/wiki/DC_Thomson" title="DC Thomson"&gt;DC Thomson&lt;/span&gt; in &lt;span href="/wiki/Dundee" title="Dundee"&gt;Dundee&lt;/span&gt;, &lt;span href="/wiki/Scotland" title="Scotland"&gt;Scotland&lt;/span&gt;. It is printed in six daily editions: the Early edition, and regional editions for &lt;span href="/wiki/Fife" title="Fife"&gt;Fife&lt;/span&gt;, north-east Fife, &lt;span href="/wiki/Perth%2C_Scotland" title="Perth, Scotland"&gt;Perth&lt;/span&gt;, &lt;span href="/wiki/Angus" title="Angus"&gt;Angus&lt;/span&gt; and Dundee.&lt;br /&gt; Established in &lt;span href="/wiki/1801" title="1801"&gt;1801&lt;/span&gt; as the &lt;i&gt;Dundee Courier &amp;amp; Argus&lt;/i&gt;, the entire front page of &lt;i&gt;The Courier&lt;/i&gt; used to contain classified advertisements - a traditional newspaper format for many years. As one of the UK's biggest selling morning regional newspapers &lt;span href="http://www.abc.org.uk/cgi-bin/gen5?runprog=nav/abc&amp;amp;noc=y" class="external autonumber" title="http://www.abc.org.uk/cgi-bin/gen5?runprog=nav/abc&amp;amp;noc=y" rel="nofollow"&gt;[1]&lt;/span&gt; with daily circulation of around 80,000 &lt;span href="http://www.abc.org.uk/cgi-bin/gen5?runprog=nav/abc&amp;amp;noc=y" class="external autonumber" title="http://www.abc.org.uk/cgi-bin/gen5?runprog=nav/abc&amp;amp;noc=y" rel="nofollow"&gt;[2]&lt;/span&gt;, &lt;i&gt;The Courier&lt;/i&gt; was unusual in maintaining this format until &lt;span href="/wiki/1992" title="1992"&gt;1992&lt;/span&gt;, when it adopted a conventional 'headline news' format.&lt;br /&gt; The editorials, in particular, used to be noted for their brevity, with a separate paragraph for each short sentence and no long words - which probably made it one of the easiest to read, or most straightforward, of broadsheet newspapers.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://pictopia.com/perl/get_image%3Fprovider_id%3D231%26size%3D550x550_mb%26ptp_photo_id%3D2280572"  alt="The Courier"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_link" id="External_link"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_newspapers_in_Scotland" title="List of newspapers in Scotland"&gt;List of newspapers in Scotland&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-8348874881129462647?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/8348874881129462647/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=8348874881129462647' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8348874881129462647'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8348874881129462647'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/courier-advertiser-more-commonly-known.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-6641982778914818785</id><published>2008-03-28T10:19:00.001-07:00</published><updated>2008-03-28T10:19:51.790-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  A &lt;b&gt;workflow&lt;/b&gt; is a reliably repeatable pattern of activity enabled by a systematic organization of &lt;span href="/wiki/Resources" title="Resources"&gt;resources&lt;/span&gt;, defined &lt;span href="/wiki/Roles" title="Roles"&gt;roles&lt;/span&gt; and &lt;span href="/wiki/Mass" title="Mass"&gt;mass&lt;/span&gt;, &lt;span href="/wiki/Energy" title="Energy"&gt;energy&lt;/span&gt; and &lt;span href="/wiki/Information" title="Information"&gt;information&lt;/span&gt; flows, into a &lt;i&gt;work process&lt;/i&gt; that can be documented and learned. Workflows are always designed to achieve processing intents of some sort, such as physical transformation, &lt;span href="/wiki/Service" title="Service"&gt;service&lt;/span&gt; provision, or &lt;span href="/wiki/Information_processing" title="Information processing"&gt;information processing&lt;/span&gt;.&lt;br /&gt; Workflows are closely related to other concepts used to describe organizational structure, such as &lt;span href="/wiki/Information_silo" title="Information silo"&gt;silos&lt;/span&gt;, functions, teams, projects, policies and hierarchies. Workflows may be viewed as one primitive building block of organizations. The relationships among these concepts are described later in this entry.&lt;br /&gt; &lt;span name="Related_concepts" id="Related_concepts"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Related concepts&lt;/b&gt;&lt;br /&gt;  Workflows are a distinctly modern phenomenon. While one might imagine individual efforts in rational organization of labor in the construction of historical artifacts such as the &lt;span href="/wiki/Pyramids" title="Pyramids"&gt;pyramids&lt;/span&gt;, the idea that one can create &lt;span href="/wiki/Value_%28economics%29" title="Value (economics)"&gt;value&lt;/span&gt; by studying the nature of work itself and organizing it better is a distinctly modern one that should probably be attributed to &lt;span href="/wiki/Adam_Smith" title="Adam Smith"&gt;Adam Smith&lt;/span&gt;. It is easiest to understand the development of the notions of workflow in terms of loosely defined eras, with a great deal of overlap.&lt;br /&gt; &lt;b&gt;Beginnings in Manufacturing (1900-1950)&lt;/b&gt;: Notions of workflow are best understood in terms of the historical development of the conceptualization of work itself. The modern history of workflows can be traced to &lt;span href="/wiki/Frederick_Winslow_Taylor" title="Frederick Winslow Taylor"&gt;F. W. Taylor&lt;/span&gt; (Taylor, 1919) and &lt;span href="/wiki/Henry_Gantt" title="Henry Gantt"&gt;H. Gantt&lt;/span&gt;. Together they launched the study of the deliberate, rational organization of work, in the context of &lt;span href="/wiki/Manufacturing" title="Manufacturing"&gt;manufacturing&lt;/span&gt;. The types of workflow of concern to Taylor and his contemporaries primarily involved mass and energy flows, and these were studied and improved using &lt;span href="/wiki/Time_and_motion_studies" title="Time and motion studies"&gt;time and motion studies&lt;/span&gt;. Information-based workflows, however, did begin to grow in the same era. A particularly influential figure was Melvil Dewey who, besides inventing the eponymous Dewey Decimal System, was also responsible for the development of the &lt;span href="/wiki/Hanging_file_folder" title="Hanging file folder"&gt;hanging file folder&lt;/span&gt;. While the assembly line remains the most famous example of a workflow from this era, the early thinking around work was far more sophisticated than is commonly understood, and the notion of &lt;i&gt;flow&lt;/i&gt; was more than a sequential breakdown of processing. The common conceptual models of modern operations research, including flow shops, job shops and queuing systems (Pinedo, 2001) can be found in evolved forms in early 20th century industry. That said, this early era was still limited by its relatively inflexible notions of &lt;i&gt;information&lt;/i&gt; flow and thus is identified with the simplest notions of workflow optimization and productivity: throughput and resource utilization. The cultural impact of this era of workflows can be understood through films such as Chaplin's classic &lt;i&gt;Modern Times.&lt;/i&gt; These concepts did not stay confined to the shop floor (one magazine invited housewives to puzzle over the fastest way to toast three slices of bread on a one-side, two-slice grill). The popular &lt;i&gt;&lt;span href="/wiki/Cheaper_by_the_dozen" title="Cheaper by the dozen"&gt;cheaper by the dozen&lt;/span&gt;&lt;/i&gt; introduced the emerging concepts to the context of family life.&lt;br /&gt; &lt;b&gt;Maturation and Growth (1950-1980)&lt;/b&gt;: The invention of the &lt;span href="/wiki/Typewriter" title="Typewriter"&gt;typewriter&lt;/span&gt; and the &lt;span href="/wiki/Copier" title="Copier"&gt;copier&lt;/span&gt; allowed the principles of rational organization of labor, first discovered in the manufacturing shop floor. Paper, filing systems and sophisticated systems of managing physically manifest information flows evolved. Alongside this increasing scope of formalized workflows to information work, two other events provided a huge impetus for the development of thought around workflows. These were the development of mathematical optimization techniques and the maturation of the field of optimization and the impact of &lt;span href="/wiki/World_War_II" title="World War II"&gt;World War II&lt;/span&gt; and the &lt;span href="/wiki/Apollo" title="Apollo"&gt;Apollo&lt;/span&gt; program, both unprecedented in their demands for the rational organization of work. In cultural terms, the classic management tome, &lt;i&gt;The Organization Man&lt;/i&gt; documented the nature of work in this era.&lt;br /&gt; &lt;b&gt;The Quality Era (1980-1995)&lt;/b&gt;: By 1980 two glaring flaws in the nature of the supposedly &lt;i&gt;scientific&lt;/i&gt; organization of workflows became apparent. The first was that the methods pioneered by Taylor only applied to humans conceptualized as one-dimensional automatons. Considered in the light of human needs for self-actualization, creative engagement in work and growth (&lt;span href="/wiki/Maslow%27s_hierarchy_of_needs" title="Maslow's hierarchy of needs"&gt;the Maslow hierarchy&lt;/span&gt; became a popular tool in this critique), the classical industrial-style organization of work was critiqued as being both dehumanizing and suboptimal in its use of the potential of human beings. The second critique had to do with quality. Workflows conceptualized to be rational with respect at a given time, even with the best of intentions, were understood to acquire inertia and rigidity, rendering them irrational with respect to changing work conditions. The first critique did not gain much traction other than acknowledgement as an issue, but quality, in both analytic and synthetic manifestations, transformed the nature of work through a variety of movements ranging from total quality management to six sigma to more qualitative notions of business process re-engineering (Hammers and Champy, 1991). Under the influence of the quality movement, workflows became the subject of much scrutiny and optimization efforts. Acknowledgement of the dynamic and changing nature of the demands on workflows came in the form of recognition of the phenomena associated with critical paths and moving bottlenecks (Goldratt, E., 1996).&lt;br /&gt; &lt;b&gt;The Information Era (1990 - 2002)&lt;/b&gt;: The experiences with the quality movement made it clear that information flows are fundamentally different from the mass and energy flows which inspired the first forms of rational workflows. The low cost and adaptability of information flows were seen as enabling workflows that were at once highly rational in their organization and highly flexible, adaptable and responsive. These insights unleashed a whole range of information technology at workflows in manufacturing, services and pure information work. Flexible manufacturing systems, just in time inventory management and other highly agile and adaptable systems of workflow are products of this era.&lt;br /&gt; &lt;b&gt;The Virtual Workflow Era (2002)&lt;/b&gt;: The Internet bust of the early years of the 21st century led to a period of caution towards ambitious conceptualizations of smart workflows. Today, a variety of actors in the economy are returning to a consideration of the problem of developing models of work that are at once rational, flexible and capable of taking advantage of globalization, distributed work practices, while allowing the humans embedded in them to realize their full creative potential. Among the most exciting developments are the serious thought given to apparently anarchic systems of organization that have evolved in the open source software community.&lt;br /&gt; &lt;span name="Examples" id="Examples"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.photoshopsupport.com/photoshop-blog/06/08/ib/photoshop-workflow-setups.jpg"  alt="Workflow"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Historical development&lt;/b&gt;&lt;br /&gt;  The following examples illustrate the variety of workflows seen in various contexts:&lt;br /&gt; &lt;span name="Features_and_phenomenology" id="Features_and_phenomenology"&gt;&lt;/span&gt;&lt;br /&gt; In military planning, a &lt;span href="/wiki/Concept_of_Operations" title="Concept of Operations"&gt;Concept of Operations&lt;/span&gt; (CONOPS) is a workflow that defines particular mission types&lt;br /&gt; In machine shops, particularly job shops and flow shops, the flow of a part through the various processing stations is a work flow&lt;br /&gt; Insurance claims processing is an example of an information-intensive, document-driven workflow&lt;br /&gt; Wikipedia editing is an example of a stochastic workflow&lt;br /&gt; The Getting Things Done (&lt;span href="/wiki/GTD" title="GTD"&gt;GTD&lt;/span&gt;) system is a model of personal workflow management for information workers   &lt;b&gt; Features and phenomenology&lt;/b&gt;&lt;br /&gt;  The key driver to gain benefit from the understanding of the workflow process in a business context is that the throughput of the workstream path is modelled in such a way as to evaluate the efficiency of the flow route through internal silos with a view to increasing discrete control of uniquely identified business attributes and rules and reducing potential low efficiency drivers. Evaluation of resources, both physical and human is essential to evaluate hand-off points and potential to create smoother transitions between tasks. Several workflow improvement theories have been proposed and implemented in the modern workplace. These include:&lt;br /&gt; As a way of bridging the gap between the two, significant effort is being put into defining &lt;i&gt;&lt;span href="/wiki/Workflow_patterns" title="Workflow patterns"&gt;workflow patterns&lt;/span&gt;&lt;/i&gt; that can be used to compare and contrast different workflow engines across both of these domains.&lt;br /&gt; &lt;span name="Workflow_components" id="Workflow_components"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Six_Sigma" title="Six Sigma"&gt;Six Sigma&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Total_Quality_Management" title="Total Quality Management"&gt;Total Quality Management&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Business_process_reengineering" title="Business process reengineering"&gt;Business process reengineering&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Lean" title="Lean"&gt;Lean&lt;/span&gt; systems   &lt;b&gt; Workflow improvement theories&lt;/b&gt;&lt;br /&gt;  A workflow can usually be described using formal or informal flow diagramming techniques, showing directed flows between processing steps. Single processing steps or components of a workflow can basically be defined by three parameters:&lt;br /&gt; Components can only be plugged together if the output of one previous (set of) component(s) is equal to the mandatory input requirements of the following component. Thus, the essential description of a component actually comprises only in- and output that are described fully in terms of &lt;span href="/wiki/Data_type" title="Data type"&gt;data types&lt;/span&gt; and their meaning (&lt;span href="/wiki/Semantics" title="Semantics"&gt;semantics&lt;/span&gt;). The algorithms' or rules' description need only be included when there are several alternative ways to transform one type of input into one type of output - possibly with different accuracy, speed, etc..&lt;br /&gt; Especially when the components are non-local services that are invoked remotely via a computer network, like &lt;span href="/wiki/Web_service" title="Web service"&gt;Web services&lt;/span&gt;, additional descriptors like &lt;span href="/wiki/Quality_of_service" title="Quality of service"&gt;QoS&lt;/span&gt;, &lt;span href="/wiki/Availability" title="Availability"&gt;availability&lt;/span&gt;, etc. have to be considered, too.&lt;br /&gt; &lt;span name="Workflow_applications" id="Workflow_applications"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Input" title="Input"&gt;input&lt;/span&gt; description: the information, material and energy required to complete the step&lt;br /&gt; transformation rules, &lt;span href="/wiki/Algorithm" title="Algorithm"&gt;algorithms&lt;/span&gt;, which may be carried out by associated human roles or machines, or a combination&lt;br /&gt; &lt;span href="/wiki/Output" title="Output"&gt;output&lt;/span&gt; description: the information, material and energy produced by the step and provided as input to downstream steps.   &lt;b&gt; Workflow components&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;Main article: &lt;span href="/wiki/Workflow_application" title="Workflow application"&gt;Workflow application&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; Many software systems to support workflows in particular domains exist. Such systems manage tasks such as automatic routing, partially automated processing and integration between different functional software applications and hardware systems that contribute to the value-addition process underlying the workflow.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;   &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-6641982778914818785?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/6641982778914818785/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=6641982778914818785' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/6641982778914818785'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/6641982778914818785'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/workflow-is-reliably-repeatable-pattern.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-8187424236552038668</id><published>2008-03-27T09:23:00.001-07:00</published><updated>2008-03-27T09:23:46.164-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.laughingbridemedia.com/lbm003.jpg"  alt="Beta (letter)"  align="center" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Beta&lt;/b&gt; (uppercase &lt;b&gt;Β&lt;/b&gt;, lowercase &lt;b&gt;β&lt;/b&gt; and internal &lt;b&gt;ϐ&lt;/b&gt;) is the second letter of the &lt;span href="/wiki/Greek_alphabet" title="Greek alphabet"&gt;Greek alphabet&lt;/span&gt;. In the system of &lt;span href="/wiki/Greek_numerals" title="Greek numerals"&gt;Greek numerals&lt;/span&gt; it has a value of 2. It was derived from the &lt;span href="/wiki/Phoenician_alphabet" title="Phoenician alphabet"&gt;Phoenician letter&lt;/span&gt; &lt;span href="/wiki/Beth_%28letter%29" title="Beth (letter)"&gt;Beth&lt;/span&gt; &lt;span href="/wiki/Image:Phoenician_beth.png" class="image" title="Beth"&gt;&lt;img alt="Beth" src="http://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Phoenician_beth.png/20px-Phoenician_beth.png" width="20" height="20" border="0" /&gt;&lt;/span&gt;. Letters that arose from Beta include the Roman &lt;span href="/wiki/B" title="B"&gt;B&lt;/span&gt; and the Cyrillic letters &lt;span href="/wiki/Be_%28Cyrillic%29" title="Be (Cyrillic)"&gt;Б&lt;/span&gt; and &lt;span href="/wiki/Ve_%28Cyrillic%29" title="Ve (Cyrillic)"&gt;В&lt;/span&gt;.&lt;br /&gt; In &lt;span href="/wiki/Greek_language" title="Greek language"&gt;Modern Greek&lt;/span&gt;, it represents a &lt;span href="/wiki/Voiced_labiodental_fricative" title="Voiced labiodental fricative"&gt;voiced labiodental fricative&lt;/span&gt; &lt;span title="Pronunciation in IPA" class="IPA"&gt;/v/&lt;/span&gt;, but in &lt;span href="/wiki/Ancient_Greek" title="Ancient Greek"&gt;Ancient Greek&lt;/span&gt;, it represented a &lt;span title="Pronunciation in IPA" class="IPA"&gt;/b/&lt;/span&gt;.&lt;br /&gt; Beta should not be confused with the &lt;span href="/wiki/German_alphabet" title="German alphabet"&gt;German&lt;/span&gt; &lt;span href="/wiki/Ligature_%28typography%29" title="Ligature (typography)"&gt;ligature&lt;/span&gt; &lt;b&gt;eszett&lt;/b&gt; (&lt;span href="/wiki/%C3%9F" title="ß"&gt;ß&lt;/span&gt;), which closely resembles the lower case letter beta but is otherwise unrelated.&lt;br /&gt; The Modern Greek name of the letter is &lt;span title="Pronunciation in IPA" class="IPA"&gt;[ˈviˑta]&lt;/span&gt;. The American pronunciation is &lt;span title="Pronunciation in IPA" class="IPA"&gt;[ˈbeɪɾə]&lt;/span&gt; whereas the British pronunciation is &lt;span title="Pronunciation in IPA" class="IPA"&gt;[ˈbiːtə]&lt;/span&gt;. See: &lt;span href="/wiki/American_and_British_English_pronunciation_differences" title="American and British English pronunciation differences"&gt;American and British English pronunciation differences&lt;/span&gt;, &lt;span href="/wiki/International_Phonetic_Alphabet_for_English" title="International Phonetic Alphabet for English"&gt;IPA&lt;/span&gt;&lt;br /&gt; In high-quality print, a variant of the letter is sometimes used that does not have a &lt;span href="/wiki/Descender" title="Descender"&gt;descender&lt;/span&gt; except at the beginning of a word: "βίβλος" is written "βίϐλος".&lt;br /&gt; &lt;span name="Use_as_a_symbol_or_name" id="Use_as_a_symbol_or_name"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-8187424236552038668?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/8187424236552038668/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=8187424236552038668' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8187424236552038668'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/8187424236552038668'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/beta-uppercase-lowercase-and-internal.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-1431101208852389483</id><published>2008-03-26T08:04:00.001-07:00</published><updated>2008-03-26T08:04:47.550-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt; Background&lt;/b&gt;&lt;br /&gt;  MacMahon assembled the Ulster army in &lt;span href="/wiki/Loughgall" title="Loughgall"&gt;Loughgall&lt;/span&gt; in south &lt;span href="/wiki/Armagh" title="Armagh"&gt;Armagh&lt;/span&gt;, with 4000 infantry and 600 cavalry. They were, however short of ammunition and over half of their men carried &lt;span href="/wiki/Pike_%28weapon%29" title="Pike (weapon)"&gt;pikes&lt;/span&gt; rather than &lt;span href="/wiki/Muskets" title="Muskets"&gt;muskets&lt;/span&gt; (whereas the norm at the time was one pike for two muskets). His aim was to march through the centre of Ulster and drive a wedge between Coote's garrison at &lt;span href="/wiki/Derry" title="Derry"&gt;Derry&lt;/span&gt; in the west of province and Venables' command at &lt;span href="/wiki/Carrickfergus" title="Carrickfergus"&gt;Carrickfergus&lt;/span&gt; in the east. With the Parliamentarian troops tied down by the activities of Irish guerrillas or "tories", the Ulster army marched up to &lt;span href="/wiki/Ballycastle" title="Ballycastle"&gt;Ballycastle&lt;/span&gt; on the northern coast of Ulster and left a string of garrisons along the centre of the province. They then marched west, towards Coote's army , which was in Lifford, near Derry. Fending off an attack by the English cavalry as they crossed the river Finn, the Irish encamped on a mountain side at Scarrifholis, south of &lt;span href="/wiki/Letterkenny" title="Letterkenny"&gt;Letterkenny&lt;/span&gt; along the road to &lt;span href="/wiki/Donegal" title="Donegal"&gt;Donegal&lt;/span&gt; town and near the river &lt;span href="/wiki/Swilly" title="Swilly"&gt;Swilly&lt;/span&gt;. The local Protestant population fled to the fortified towns in the area, as the war in Ulster had, from its outset, been characterised by atrocities committed against civilians by both sides. Meanwhile, Parliamentarian reinforcements had joined Coote from eastern Ulster, bringing his forces up to 3000 men, compared to 4000 Irish. However, the British force had more ammunition and more &lt;span href="/wiki/Cavalry" title="Cavalry"&gt;cavalry&lt;/span&gt; than their enemies. MacMahon's officers warned him not to leave their strong defensive position and risk battle, as the Parliamentary army was tactically superior to them. Rather, they should stay put and wait for the enemy to disperse when their supplies ran out, leaving the Irish free to march back to their stronghold along the border with &lt;span href="/wiki/Leinster" title="Leinster"&gt;Leinster&lt;/span&gt;. MacMahon however refused to listen to military advice and ordered his troops down from their mountain camp to give battle to the Parliamentary army.&lt;br /&gt; &lt;span name="The_battle" id="The_battle"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://upload.wikimedia.org/wikipedia/en/thumb/9/94/RockOfCashel.jpg/300px-RockOfCashel.jpg"  alt="Battle of Scarrifholis"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; The battle&lt;/b&gt;&lt;br /&gt;  The battle was a decisive victory for Coote and British Parliamentarians. Over 3000 of the Ulster army were killed – 2000 on the field and another 1000 in the pursuit – about 75% of their total numbers. The Parliamentarians lost only around 100 soldiers killed. Coote ordered that Irish wounded and prisoners taken were to be killed, including Henry O'Neill, &lt;span href="/wiki/Owen_Roe_O%27Neill" title="Owen Roe O'Neill"&gt;Owen Roe O'Neill&lt;/span&gt;'s son, who had surrendered on terms. MacMahon was captured a week later at &lt;span href="/wiki/Enniskillen" title="Enniskillen"&gt;Enniskillen&lt;/span&gt; and hanged.&lt;br /&gt; The battle marked the destruction of the Ulster army, not only because of the loss of manpower, which could be replaced, but because of the loss of many experienced officers and virtually all their weapons and equipment, which could not. In addition to O'Neill and MacMahon, the Irish lost 9 colonels, 4 lieutenant colonels, 3 majors, 20 captains and hundreds of other junior officers. This represented a huge cull of the Ulster Irish Catholic land-owning class, far bigger than in the famous &lt;span href="/wiki/Flight_of_the_Earls" title="Flight of the Earls"&gt;Flight of the Earls&lt;/span&gt; in &lt;span href="/wiki/1607" title="1607"&gt;1607&lt;/span&gt;. For this reason, the battle has been described as "Ulster's &lt;span href="/wiki/Battle_of_Aughrim" title="Battle of Aughrim"&gt;Aughrim&lt;/span&gt;" – a battle marking the extermination of the province's native aristocracy and assuring the continued existence and supremacy of its Protestant settler population.&lt;br /&gt; Coote went on to march south, taking &lt;span href="/wiki/Sligo" title="Sligo"&gt;Sligo&lt;/span&gt; and then &lt;span href="/wiki/Galway" title="Galway"&gt;Galway&lt;/span&gt; after a long &lt;span href="/wiki/Siege_of_Galway" title="Siege of Galway"&gt;siege&lt;/span&gt; in &lt;span href="/wiki/1652" title="1652"&gt;1652&lt;/span&gt;. The surrender of this city marked the effective end of the Irish resistance to the &lt;span href="/wiki/Cromwellian_conquest_of_Ireland" title="Cromwellian conquest of Ireland"&gt;Cromwellian conquest of Ireland&lt;/span&gt;.&lt;br /&gt; &lt;span name="Sources" id="Sources"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-1431101208852389483?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/1431101208852389483/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=1431101208852389483' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1431101208852389483'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1431101208852389483'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/background-macmahon-assembled-ulster.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-1172923308117125469</id><published>2008-03-25T10:34:00.001-07:00</published><updated>2008-03-25T10:34:06.508-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;For the &lt;span href="/wiki/Non-alcoholic_beverage" title="Non-alcoholic beverage"&gt;non-alcoholic beverage&lt;/span&gt;, see &lt;span href="/wiki/Freddie_Bartholomew_%28cocktail%29" title="Freddie Bartholomew (cocktail)"&gt;Freddie Bartholomew (cocktail)&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;b&gt;Freddie Bartholomew&lt;/b&gt; (&lt;span href="/wiki/March_28" title="March 28"&gt;March 28&lt;/span&gt;, &lt;span href="/wiki/1924" title="1924"&gt;1924&lt;/span&gt; – &lt;span href="/wiki/January_23" title="January 23"&gt;January 23&lt;/span&gt;, &lt;span href="/wiki/1992" title="1992"&gt;1992&lt;/span&gt;) was a &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;British&lt;/span&gt; &lt;span href="/wiki/Child_actor" title="Child actor"&gt;child actor&lt;/span&gt;, popular in &lt;span href="/wiki/1930s" title="1930s"&gt;1930s&lt;/span&gt; &lt;span href="/wiki/Hollywood" title="Hollywood"&gt;Hollywood&lt;/span&gt; &lt;span href="/wiki/Film" title="Film"&gt;films&lt;/span&gt;.&lt;br /&gt; Born &lt;b&gt;Frederick Llewellyn March&lt;/b&gt; in &lt;span href="/wiki/Dublin" title="Dublin"&gt;Dublin&lt;/span&gt;, &lt;span href="/wiki/Ireland" title="Ireland"&gt;Ireland&lt;/span&gt;, Bartholomew was abandoned by his parents while a baby, and was raised in &lt;span href="/wiki/London" title="London"&gt;London&lt;/span&gt; by his aunt, whose name he took. While visiting the &lt;span href="/wiki/United_States" title="United States"&gt;United States&lt;/span&gt;, Bartholomew was reportedly seen by film producer &lt;span href="/wiki/David_O._Selznick" title="David O. Selznick"&gt;David O. Selznick&lt;/span&gt; who was soon to film &lt;span href="/wiki/Charles_Dickens" title="Charles Dickens"&gt;Charles Dickens&lt;/span&gt;' &lt;i&gt;&lt;span href="/wiki/Personal_History%2C_Adventures%2C_Experience%2C_and_Observation_of_David_Copperfield_the_Younger" title="Personal History, Adventures, Experience, and Observation of David Copperfield the Younger"&gt;David Copperfield&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1935_in_film" title="1935 in film"&gt;1935&lt;/span&gt;). Selznick had already cast American boy &lt;span href="/wiki/David_Jack_Holt" title="David Jack Holt"&gt;David Holt&lt;/span&gt; in the role, but after meeting Bartholomew realised that the character would benefit from being played by a British actor. The all-star film was a success and Bartholomew was cast in a succession of prestigious film productions with some of the most popular stars of the day.&lt;br /&gt; Among his successes of the &lt;span href="/wiki/1930s" title="1930s"&gt;1930s&lt;/span&gt; were &lt;i&gt;&lt;span href="/wiki/Anna_Karenina" title="Anna Karenina"&gt;Anna Karenina&lt;/span&gt;&lt;/i&gt; (1935), with &lt;span href="/wiki/Greta_Garbo" title="Greta Garbo"&gt;Greta Garbo&lt;/span&gt; and &lt;span href="/wiki/Fredric_March" title="Fredric March"&gt;Fredric March&lt;/span&gt;, &lt;i&gt;&lt;span href="/w/index.php?title=Professional_Soldier&amp;amp;action=edit" class="new" title="Professional Soldier"&gt;Professional Soldier&lt;/span&gt;&lt;/i&gt; (1935) with &lt;span href="/wiki/Gloria_Stuart" title="Gloria Stuart"&gt;Gloria Stuart&lt;/span&gt;, &lt;i&gt;&lt;span href="/wiki/Little_Lord_Fauntleroy" title="Little Lord Fauntleroy"&gt;Little Lord Fauntleroy&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1936_in_film" title="1936 in film"&gt;1936&lt;/span&gt;) with &lt;span href="/wiki/Dolores_Costello" title="Dolores Costello"&gt;Dolores Costello&lt;/span&gt;, &lt;i&gt;&lt;span href="/wiki/Lloyds_of_London" title="Lloyds of London"&gt;Lloyds of London&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1937_in_film" title="1937 in film"&gt;1937&lt;/span&gt;) with &lt;span href="/wiki/Madeleine_Carroll" title="Madeleine Carroll"&gt;Madeleine Carroll&lt;/span&gt; and &lt;span href="/wiki/Tyrone_Power" title="Tyrone Power"&gt;Tyrone Power&lt;/span&gt;, and &lt;i&gt;&lt;span href="/wiki/Captains_Courageous_%28film%29" title="Captains Courageous (film)"&gt;Captains Courageous&lt;/span&gt;&lt;/i&gt; (1937) with &lt;span href="/wiki/Spencer_Tracy" title="Spencer Tracy"&gt;Spencer Tracy&lt;/span&gt;.&lt;br /&gt; By this time Bartholomew's success and level of fame had caused his parents to attempt to gain custody of him. A protracted legal battle saw much of the wealth Bartholomew had amassed spent on legal fees. He continued acting into the &lt;span href="/wiki/1940s" title="1940s"&gt;1940s&lt;/span&gt; but was much less popular as a teenaged actor, and by the early &lt;span href="/wiki/1950s" title="1950s"&gt;1950s&lt;/span&gt; had retired from film.&lt;br /&gt; He established a career in &lt;span href="/wiki/Advertising" title="Advertising"&gt;advertising&lt;/span&gt; and distanced himself from Hollywood. Bartholomew was said to have been bitter over his lost fortune and his experiences in Hollywood, but by the early &lt;span href="/wiki/1980s" title="1980s"&gt;1980s&lt;/span&gt; he was working as a producer for the &lt;span href="/wiki/Soap_opera" title="Soap opera"&gt;soap opera&lt;/span&gt; &lt;i&gt;&lt;span href="/wiki/As_The_World_Turns" title="As The World Turns"&gt;As The World Turns&lt;/span&gt;&lt;/i&gt;. Shortly before his death he allowed an interview for the &lt;span href="/wiki/Television" title="Television"&gt;television&lt;/span&gt; &lt;span href="/wiki/Documentary_film" title="Documentary film"&gt;documentary&lt;/span&gt; &lt;i&gt;&lt;span href="/w/index.php?title=MGM:_When_the_Lion_Roars&amp;amp;action=edit" class="new" title="MGM: When the Lion Roars"&gt;MGM: When the Lion Roars&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1992_in_television" title="1992 in television"&gt;1992&lt;/span&gt;).&lt;br /&gt; He died from &lt;span href="/wiki/Emphysema" title="Emphysema"&gt;emphysema&lt;/span&gt; in &lt;span href="/wiki/Sarasota%2C_Florida" title="Sarasota, Florida"&gt;Sarasota, Florida&lt;/span&gt;.&lt;br /&gt; Freddie Bartholomew has a star on the &lt;span href="/wiki/Hollywood_Walk_of_Fame" title="Hollywood Walk of Fame"&gt;Hollywood Walk of Fame&lt;/span&gt; for his contribution to motion pictures, at 6667 &lt;span href="/wiki/Hollywood_Boulevard" title="Hollywood Boulevard"&gt;Hollywood Boulevard&lt;/span&gt;.&lt;br /&gt; &lt;img src="http://www.gazillionmovies.com/Actor/F/Fr/Pictures/fred-savage.jpg"  alt="Freddie Bartholomew"  align="center" style="padding:10px"  /&gt; &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-1172923308117125469?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/1172923308117125469/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=1172923308117125469' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1172923308117125469'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/1172923308117125469'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/for-non-alcoholic-beverage-see-freddie.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-4388034016371345644</id><published>2008-03-24T09:02:00.000-07:00</published><updated>2008-03-24T09:03:01.140-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;   &lt;b&gt;&lt;span href="/wiki/India" title="India"&gt;India&lt;/span&gt;&lt;/b&gt; has an extensive diplomatic network, reflecting its significant influence in the world and particuarly in the region in borders - &lt;span href="/wiki/Central_Asia" title="Central Asia"&gt;Central Asia&lt;/span&gt;, the &lt;span href="/wiki/Middle_East" title="Middle East"&gt;Middle East&lt;/span&gt;, &lt;span href="/wiki/East_Africa" title="East Africa"&gt;East Africa&lt;/span&gt;, &lt;span href="/wiki/Southeast_Asia" title="Southeast Asia"&gt;Southeast Asia&lt;/span&gt; and the &lt;span href="/wiki/Indian_subcontinent" title="Indian subcontinent"&gt;Indian subcontinent&lt;/span&gt;. There are also far-flung missions in the &lt;span href="/wiki/Caribbean" title="Caribbean"&gt;Caribbean&lt;/span&gt; and the &lt;span href="/wiki/Pacific" title="Pacific"&gt;Pacific&lt;/span&gt;, locations of historical &lt;span href="/wiki/Indian_diaspora" title="Indian diaspora"&gt;Indian diaspora&lt;/span&gt; communities.&lt;br /&gt; As a &lt;span href="/wiki/Commonwealth_of_Nations" title="Commonwealth of Nations"&gt;Commonwealth&lt;/span&gt; country, India has &lt;span href="/wiki/High_Commission" title="High Commission"&gt;High Commissions&lt;/span&gt; in the capitals of other member states. In other cities of Commonwealth countries India calls some of its consulates "Assistant High Commissions".&lt;br /&gt; &lt;span name="Europe" id="Europe"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Europe&lt;/b&gt;&lt;br /&gt;  &lt;span name="South_America" id="South_America"&gt;&lt;/span&gt;&lt;br /&gt; Canada&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Ottawa" title="Ottawa"&gt;Ottawa&lt;/span&gt; (High Commission)&lt;br /&gt; &lt;span href="/wiki/Toronto" title="Toronto"&gt;Toronto&lt;/span&gt; (Consulate General)&lt;br /&gt; &lt;span href="/wiki/Vancouver" title="Vancouver"&gt;Vancouver&lt;/span&gt; (Consulate General)&lt;br /&gt; Cuba&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Havana" title="Havana"&gt;Havana&lt;/span&gt; (Embassy)&lt;br /&gt; Jamaica&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Kingston%2C_Jamaica" title="Kingston, Jamaica"&gt;Kingston&lt;/span&gt; (High Commission)&lt;br /&gt; Mexico&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Mexico_City" title="Mexico City"&gt;Mexico City&lt;/span&gt; (Embassy)&lt;br /&gt; Panama&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Panama_City" title="Panama City"&gt;Panama City&lt;/span&gt; (Embassy)&lt;br /&gt; Trinidad and Tobago&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Port_of_Spain" title="Port of Spain"&gt;Port of Spain&lt;/span&gt; (High Commission)&lt;br /&gt; United States&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Washington_DC" title="Washington DC"&gt;Washington DC&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Chicago" title="Chicago"&gt;Chicago&lt;/span&gt; (Consulate-General)&lt;br /&gt; &lt;span href="/wiki/Houston" title="Houston"&gt;Houston&lt;/span&gt; (Consulate-General)&lt;br /&gt; &lt;span href="/wiki/New_York_City" title="New York City"&gt;New York&lt;/span&gt; (Consulate-General)&lt;br /&gt; &lt;span href="/wiki/San_Francisco" title="San Francisco"&gt;San Francisco&lt;/span&gt; (Consulate-General)   &lt;b&gt; North America&lt;/b&gt;&lt;br /&gt;  &lt;span name="Asia" id="Asia"&gt;&lt;/span&gt;&lt;br /&gt; Argentina&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Buenos_Aires" title="Buenos Aires"&gt;Buenos Aires&lt;/span&gt; (Embassy)&lt;br /&gt; Brazil&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Bras%C3%ADlia" title="Brasília"&gt;Brasília&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/S%C3%A3o_Paulo" title="São Paulo"&gt;São Paulo&lt;/span&gt; (Consulate-General)&lt;br /&gt; Chile&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Santiago%2C_Chile" title="Santiago, Chile"&gt;Santiago&lt;/span&gt; (Embassy)&lt;br /&gt; Colombia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Bogot%C3%A1" title="Bogotá"&gt;Bogotá&lt;/span&gt; (Embassy)&lt;br /&gt; Guyana&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Georgetown%2C_Guyana" title="Georgetown, Guyana"&gt;Georgetown&lt;/span&gt; (High Commission)&lt;br /&gt; Peru&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Lima" title="Lima"&gt;Lima&lt;/span&gt; (Embassy)&lt;br /&gt; Suriname&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Paramaribo" title="Paramaribo"&gt;Paramaribo&lt;/span&gt; (Embassy)&lt;br /&gt; Venezuela&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Caracas" title="Caracas"&gt;Caracas&lt;/span&gt; (Embassy) &lt;img src="http://www.bechna.com/img/site/nav.gif"  alt="Indian diplomatic missions"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; South America&lt;/b&gt;&lt;br /&gt;  &lt;span name="Middle_East" id="Middle_East"&gt;&lt;/span&gt;&lt;br /&gt; Afghanistan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Kabul" title="Kabul"&gt;Kabul&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Herat" title="Herat"&gt;Herat&lt;/span&gt; (Consulate-General)&lt;br /&gt; &lt;span href="/wiki/Jalalabad" title="Jalalabad"&gt;Jalalabad&lt;/span&gt; (Consulate-General)&lt;br /&gt; &lt;span href="/wiki/Khandahar" title="Khandahar"&gt;Khandahar&lt;/span&gt; (Consulate-General)&lt;br /&gt; &lt;span href="/wiki/Mazari_Sharif" title="Mazari Sharif"&gt;Mazari Sharif&lt;/span&gt; (Consulate-General)&lt;br /&gt; Bangladesh&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Dhaka" title="Dhaka"&gt;Dhaka&lt;/span&gt; (High Commission)&lt;br /&gt; &lt;span href="/wiki/Chittagong" title="Chittagong"&gt;Chittagong&lt;/span&gt; (Assistant High Commission)&lt;br /&gt; &lt;span href="/wiki/Rajshahi" title="Rajshahi"&gt;Rajshahi&lt;/span&gt; (Assistant High Commission)&lt;br /&gt; Bhutan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Thimphu" title="Thimphu"&gt;Thimphu&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Phuntsholing" title="Phuntsholing"&gt;Phuntsholing&lt;/span&gt; (Liaison Office)&lt;br /&gt; Brunei&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Bandar_Seri_Begawan" title="Bandar Seri Begawan"&gt;Bandar Seri Begawan&lt;/span&gt; (High Commission)&lt;br /&gt; Cambodia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Phnom_Penh" title="Phnom Penh"&gt;Phnom Penh&lt;/span&gt; (Embassy)&lt;br /&gt; China&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Beijing" title="Beijing"&gt;Beijing&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Hong_Kong" title="Hong Kong"&gt;Hong Kong&lt;/span&gt; (Consulate-General)&lt;br /&gt; &lt;span href="/wiki/Shanghai" title="Shanghai"&gt;Shanghai&lt;/span&gt; (Consulate-General)&lt;br /&gt; Indonesia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Jakarta" title="Jakarta"&gt;Jakarta&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Medan" title="Medan"&gt;Medan&lt;/span&gt; (Consulate-General)&lt;br /&gt; Japan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Tokyo" title="Tokyo"&gt;Tokyo&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Osaka" title="Osaka"&gt;Osaka&lt;/span&gt; (Consulate-General)&lt;br /&gt; Kazakhstan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Almaty" title="Almaty"&gt;Almaty&lt;/span&gt; (Embassy)&lt;br /&gt; Korea, North&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Pyongyang" title="Pyongyang"&gt;Pyongyang&lt;/span&gt; (Embassy)&lt;br /&gt; Korea, South&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Seoul" title="Seoul"&gt;Seoul&lt;/span&gt; (Embassy)&lt;br /&gt; Kyrgyzstan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Bishkek" title="Bishkek"&gt;Bishkek&lt;/span&gt; (Embassy)&lt;br /&gt; Laos&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Vientiane" title="Vientiane"&gt;Vientiane&lt;/span&gt; (Embassy)&lt;br /&gt; Malaysia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Kuala_Lumpur" title="Kuala Lumpur"&gt;Kuala Lumpur&lt;/span&gt; (High Commission)&lt;br /&gt; Maldives&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Male" title="Male"&gt;Male&lt;/span&gt; (High Commission)&lt;br /&gt; Mongolia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Ulaanbaatar" title="Ulaanbaatar"&gt;Ulaanbaatar&lt;/span&gt; (Embassy)&lt;br /&gt; Myanmar&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Yangon" title="Yangon"&gt;Yangon&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Mandalay" title="Mandalay"&gt;Mandalay&lt;/span&gt; (Consulate-General)&lt;br /&gt; Nepal&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Kathmandu" title="Kathmandu"&gt;Kathmandu&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Birgunj" title="Birgunj"&gt;Birgunj&lt;/span&gt; (Consulate)&lt;br /&gt; Pakistan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Islamabad" title="Islamabad"&gt;Islamabad&lt;/span&gt; (High Commission)&lt;br /&gt; &lt;span href="/wiki/Karachi" title="Karachi"&gt;Karachi&lt;/span&gt; (Assistant High Commission)&lt;br /&gt; Philippines&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Manila" title="Manila"&gt;Manila&lt;/span&gt; (Embassy)&lt;br /&gt; Singapore&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Singapore" title="Singapore"&gt;Singapore&lt;/span&gt; (High Commission)&lt;br /&gt; Sri Lanka&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Colombo" title="Colombo"&gt;Colombo&lt;/span&gt; (High Commission)&lt;br /&gt; &lt;span href="/wiki/Kandy" title="Kandy"&gt;Kandy&lt;/span&gt; (Assistant High Commission)&lt;br /&gt; Tajikistan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Dushanbe" title="Dushanbe"&gt;Dushanbe&lt;/span&gt; (Embassy)&lt;br /&gt; Thailand&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Bangkok" title="Bangkok"&gt;Bangkok&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Chiang_Mai" title="Chiang Mai"&gt;Chiang Mai&lt;/span&gt; (Consulate-General)&lt;br /&gt; Turkmenistan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Ashkabad" title="Ashkabad"&gt;Ashkabad&lt;/span&gt; (Embassy)&lt;br /&gt; Uzbekistan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Tashkent" title="Tashkent"&gt;Tashkent&lt;/span&gt; (Embassy)&lt;br /&gt; Vietnam&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Hanoi" title="Hanoi"&gt;Hanoi&lt;/span&gt; (Embassy)&lt;br /&gt; &lt;span href="/wiki/Ho_Chi_Minh_City" title="Ho Chi Minh City"&gt;Ho Chi Minh City&lt;/span&gt; (Consulate-General)   &lt;b&gt; Middle East&lt;/b&gt;&lt;br /&gt;  &lt;span name="Oceania" id="Oceania"&gt;&lt;/span&gt;&lt;br /&gt; Algeria&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Algiers" title="Algiers"&gt;Algiers&lt;/span&gt; (Embassy)&lt;br /&gt; Angola&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Luanda" title="Luanda"&gt;Luanda&lt;/span&gt; (Embassy)&lt;br /&gt; Botswana&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Gaborone" title="Gaborone"&gt;Gaborone&lt;/span&gt; (High Commission)&lt;br /&gt; Burkina Faso&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Ouagadougou" title="Ouagadougou"&gt;Ouagadougou&lt;/span&gt; (Embassy)&lt;br /&gt; Cote d'Ivoire&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Abidjan" title="Abidjan"&gt;Abidjan&lt;/span&gt; (Embassy)&lt;br /&gt; Egypt&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Cairo" title="Cairo"&gt;Cairo&lt;/span&gt; (Embassy)&lt;br /&gt; Ethiopia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Addis_Ababa" title="Addis Ababa"&gt;Addis Ababa&lt;/span&gt; (Embassy)&lt;br /&gt; Ghana&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Accra" title="Accra"&gt;Accra&lt;/span&gt; (High Commission)&lt;br /&gt; Kenya&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Nairobi" title="Nairobi"&gt;Nairobi&lt;/span&gt; (High Commission)&lt;br /&gt; &lt;span href="/wiki/Mombassa" title="Mombassa"&gt;Mombassa&lt;/span&gt; (Assistant High Commission)&lt;br /&gt; Libya&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Tripoli" title="Tripoli"&gt;Tripoli&lt;/span&gt; (Embassy)&lt;br /&gt; Madagascar&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Antananarivo" title="Antananarivo"&gt;Antananarivo&lt;/span&gt; (Embassy)&lt;br /&gt; Mauritius&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Port_Louis" title="Port Louis"&gt;Port Louis&lt;/span&gt; (High Commission)&lt;br /&gt; Morocco&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Rabat" title="Rabat"&gt;Rabat&lt;/span&gt; (Embassy)&lt;br /&gt; Mozambique&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Maputo" title="Maputo"&gt;Maputo&lt;/span&gt; (High Commission)&lt;br /&gt; Namibia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Windhoek" title="Windhoek"&gt;Windhoek&lt;/span&gt; (High Commission)&lt;br /&gt; Nigeria&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Abuja" title="Abuja"&gt;Abuja&lt;/span&gt; (High Commission)&lt;br /&gt; &lt;span href="/wiki/Lagos" title="Lagos"&gt;Lagos&lt;/span&gt; (Assistant High Commission)&lt;br /&gt; Senegal&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Dakar" title="Dakar"&gt;Dakar&lt;/span&gt; (Embassy)&lt;br /&gt; Seychelles&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Victoria%2C_Seychelles" title="Victoria, Seychelles"&gt;Victoria, Seychelles&lt;/span&gt; (High Commission)&lt;br /&gt; South Africa&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Pretoria" title="Pretoria"&gt;Pretoria&lt;/span&gt; (High Commission)&lt;br /&gt; &lt;span href="/wiki/Cape_Town" title="Cape Town"&gt;Cape Town&lt;/span&gt; (High Commission/Consulate-General)&lt;br /&gt; &lt;span href="/wiki/Durban" title="Durban"&gt;Durban&lt;/span&gt; (Consulate-General)&lt;br /&gt; &lt;span href="/wiki/Johannesburg" title="Johannesburg"&gt;Johannesburg&lt;/span&gt; (Consulate-General)&lt;br /&gt; Sudan&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Khartoum" title="Khartoum"&gt;Khartoum&lt;/span&gt; (Embassy)&lt;br /&gt; Tanzania&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Dar_es_Salam" title="Dar es Salam"&gt;Dar es Salam&lt;/span&gt; (High Commission)&lt;br /&gt; &lt;span href="/wiki/Zanzibar" title="Zanzibar"&gt;Zanzibar&lt;/span&gt; (Consulate-General)&lt;br /&gt; Tunisia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Tunis" title="Tunis"&gt;Tunis&lt;/span&gt; (Embassy)&lt;br /&gt; Uganda&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Kampala" title="Kampala"&gt;Kampala&lt;/span&gt; (High Commission)&lt;br /&gt; Zambia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Lusaka" title="Lusaka"&gt;Lusaka&lt;/span&gt; (High Commission)&lt;br /&gt; Zimbabwe&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Harare" title="Harare"&gt;Harare&lt;/span&gt; (Embassy)   &lt;b&gt; Africa&lt;/b&gt;&lt;br /&gt;  &lt;span name="Multilateral_organisations" id="Multilateral_organisations"&gt;&lt;/span&gt;&lt;br /&gt; Australia&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Canberra" title="Canberra"&gt;Canberra&lt;/span&gt; (High Commission)&lt;br /&gt; &lt;span href="/wiki/Sydney" title="Sydney"&gt;Sydney&lt;/span&gt; (Consulate-General)&lt;br /&gt; Fiji&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Suva" title="Suva"&gt;Suva&lt;/span&gt; (High Commission)&lt;br /&gt; New Zealand&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Wellington" title="Wellington"&gt;Wellington&lt;/span&gt; (High Commission)&lt;br /&gt; Papua New Guinea&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Port_Morseby" title="Port Morseby"&gt;Port Morseby&lt;/span&gt; (High Commission) &lt;img src="http://www.panthic.org/data/images/news/categories/cat_123/2005-07-03_USAprotest3.jpg"  alt="Indian diplomatic missions"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Multilateral organisations&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_References" id="External_References"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/India" title="India"&gt;India&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Foreign_relations_of_India" title="Foreign relations of India"&gt;Foreign relations of India&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-4388034016371345644?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/4388034016371345644/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=4388034016371345644' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/4388034016371345644'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/4388034016371345644'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/india-has-extensive-diplomatic-network.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-153925642140779131</id><published>2008-03-23T09:13:00.001-07:00</published><updated>2008-03-23T09:13:17.242-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Blue Jay&lt;/b&gt; (&lt;i&gt;Cyanocitta cristata&lt;/i&gt;) is a &lt;span href="/wiki/Passerine" title="Passerine"&gt;passerine&lt;/span&gt; bird and member of the crow family &lt;span href="/wiki/Corvidae" title="Corvidae"&gt;Corvidae&lt;/span&gt; native to &lt;span href="/wiki/North_America" title="North America"&gt;North America&lt;/span&gt;. It is adaptable, aggressive and &lt;span href="/wiki/Omnivorous" title="Omnivorous"&gt;omnivorous&lt;/span&gt;.&lt;br /&gt; &lt;span name="Description" id="Description"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.cellinifinegifts.com/lenoximages/lx_bluejay_dogwood.jpg"  alt="Blue Jay"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Distribution and habitat&lt;/b&gt;&lt;br /&gt;  The Blue Jay is generally aggressive toward other birds, and it will chase birds from feeders or other food sources. It may chase birds of prey, such as hawks and owls, which occasionally prey on jays, and will scream if it sees a predator within its territory. It may also be aggressive towards humans who come close to its nest, and if an owl roosts near the nest during the daytime, the Blue Jay attacks it until it takes a new roost. The Blue jay is a slow flier and an easy prey for hawks and owls, when it flies in open lands. It flies with body and tail held level, with slow wing beats.&lt;br /&gt; &lt;span name="Vocalization" id="Vocalization"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Behavior&lt;/b&gt;&lt;br /&gt;  The voice is typical of most jays in being varied, but the most commonly recognized sound is the alarm call, which is a loud, almost &lt;span href="/wiki/Gull" title="Gull"&gt;gull&lt;/span&gt;-like scream. There is also a high-pitched &lt;i&gt;jayer-jayer&lt;/i&gt; call that increases in speed as the bird becomes more agitated. Blue Jays will use these calls to band together to drive a predator such as a &lt;span href="/wiki/Hawk" title="Hawk"&gt;hawk&lt;/span&gt; away from their nest.&lt;br /&gt; Blue Jays also have quiet, almost subliminal calls which they use among themselves in proximity. One of the most distinctive calls of this type is often referred to as the "rusty pump" owing to its squeaky resemblance to the sound of an old hand-operated water pump. In fact, they can make a large variety of sounds, and individuals may vary perceptibly in their calling style. Like other &lt;span href="/wiki/Corvid" title="Corvid"&gt;corvids&lt;/span&gt;, blue jays may learn to mimic human speech. &lt;span href="http://www.sunnews.com/news/suburbs/berea/1998/talkingjay.htm" class="external autonumber" title="http://www.sunnews.com/news/suburbs/berea/1998/talkingjay.htm" rel="nofollow"&gt;[1]&lt;/span&gt;&lt;br /&gt; &lt;span name="Diet" id="Diet"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Diet&lt;/b&gt;&lt;br /&gt;  The breeding season begins in mid-March, peaks in mid-April to May, and extends into July. Any suitable tree or large bush may be used for nesting, though an evergreen is preferred, and the nest is built at a height of 3 to 10 m.The adults build a cup-shaped nest of twigs, small roots, bark strips, moss, other plant material, cloth, paper, and feathers, with occasional mud added to the cup.&lt;br /&gt; &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-153925642140779131?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/153925642140779131/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=153925642140779131' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/153925642140779131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/153925642140779131'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/blue-jay-cyanocitta-cristata-is.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3715292345092412799</id><published>2008-03-22T08:05:00.001-07:00</published><updated>2008-03-22T08:05:50.008-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Johannes Peter "Honus" Wagner&lt;/b&gt; (&lt;span href="/wiki/February_24" title="February 24"&gt;February 24&lt;/span&gt;, &lt;span href="/wiki/1874" title="1874"&gt;1874&lt;/span&gt; - &lt;span href="/wiki/December_6" title="December 6"&gt;December 6&lt;/span&gt;, &lt;span href="/wiki/1955" title="1955"&gt;1955&lt;/span&gt;), nicknamed "The Flying Dutchman", was an &lt;span href="/wiki/United_States" title="United States"&gt;American&lt;/span&gt; &lt;span href="/wiki/Baseball_player" title="Baseball player"&gt;baseball player&lt;/span&gt; who played during the &lt;span href="/wiki/1890s" title="1890s"&gt;1890s&lt;/span&gt; until the &lt;span href="/wiki/1910s" title="1910s"&gt;1910s&lt;/span&gt;. In &lt;span href="/wiki/1936_in_baseball" title="1936 in baseball"&gt;1936&lt;/span&gt;, the &lt;span href="/wiki/National_Baseball_Hall_of_Fame_and_Museum" title="National Baseball Hall of Fame and Museum"&gt;Baseball Hall of Fame&lt;/span&gt; inducted Wagner as one of the first five members. Although &lt;span href="/wiki/Ty_Cobb" title="Ty Cobb"&gt;Ty Cobb&lt;/span&gt; is frequently cited as the greatest player of the &lt;span href="/wiki/Dead-ball_era" title="Dead-ball era"&gt;dead-ball era&lt;/span&gt;, some contemporaries regarded Wagner as the better all-around player, and most baseball historians consider Wagner to be the greatest &lt;span href="/wiki/Shortstop" title="Shortstop"&gt;shortstop&lt;/span&gt; ever. Cobb himself called Wagner "maybe the greatest star ever to take the diamond." (&lt;i&gt;My Life in Baseball: The True Record&lt;/i&gt;, Ty Cobb and Al Stump, Doubleday, 1961, p.123)&lt;br /&gt; &lt;span name="Early_life_and_Family" id="Early_life_and_Family"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Louisville_Colonels" title="Louisville Colonels"&gt;Louisville Colonels&lt;/span&gt; (1897-1899)&lt;br /&gt; &lt;span href="/wiki/Pittsburgh_Pirates" title="Pittsburgh Pirates"&gt;Pittsburgh Pirates&lt;/span&gt; (1900-1917)&lt;br /&gt; World Series Champion: 1909&lt;br /&gt; National League Pennant: 1903, 1909&lt;br /&gt; &lt;span href="/wiki/List_of_Major_League_Baseball_batting_champions#National_League" title="List of Major League Baseball batting champions"&gt;NL batting titles&lt;/span&gt; (x8)&lt;br /&gt; &lt;span href="/wiki/List_of_Major_League_Baseball_RBI_champions" title="List of Major League Baseball RBI champions"&gt;NL RBI title&lt;/span&gt; (x5)&lt;br /&gt; Led the &lt;span href="/wiki/National_League" title="National League"&gt;NL&lt;/span&gt; in &lt;span href="/wiki/Stolen_base" title="Stolen base"&gt;stolen bases&lt;/span&gt; (x4)&lt;br /&gt; 200-hit seasons (x2)   &lt;b&gt; Early life and Family&lt;/b&gt;&lt;br /&gt;  Wagner began his career with the &lt;span href="/wiki/Louisville_Colonels" title="Louisville Colonels"&gt;Louisville Colonels&lt;/span&gt; in 1897, and by the next season was already one of the best hitters in the National League. After the 1899 season, the NL contracted from twelve to eight teams, and the Colonels were one of the teams eliminated. Many of the Colonels, including Wagner, were assigned to the &lt;span href="/wiki/Pittsburgh_Pirates" title="Pittsburgh Pirates"&gt;Pittsburgh Pirates&lt;/span&gt;, and Wagner played the next 18 seasons for his hometown team.&lt;br /&gt; Wagner helped the Pirates win NL pennants in 1901, 1902 and 1903. In 1903 the Pirates played the Boston Puritans (soon to be renamed the &lt;span href="/wiki/Boston_Red_Sox" title="Boston Red Sox"&gt;Boston Red Sox&lt;/span&gt;) in the first &lt;span href="/wiki/World_Series" title="World Series"&gt;World Series&lt;/span&gt;, losing five games to three in a best-of-nine series to a team led by pitcher &lt;span href="/wiki/Cy_Young" title="Cy Young"&gt;Cy Young&lt;/span&gt; and third baseman-manager &lt;span href="/wiki/Jimmy_Collins" title="Jimmy Collins"&gt;Jimmy Collins&lt;/span&gt;. In 1909 Wagner led the Pirates to another pennant, and they defeated the &lt;span href="/wiki/Detroit_Tigers" title="Detroit Tigers"&gt;Detroit Tigers&lt;/span&gt;, led by &lt;span href="/wiki/Ty_Cobb" title="Ty Cobb"&gt;Ty Cobb&lt;/span&gt;, to win their first World Series.&lt;br /&gt; Wagner was hailed as the best-fielding shortstop of his day, and spent significant time in the outfield as well. He would eventually play every position except catcher, even making two appearances as a pitcher.&lt;br /&gt; He led the NL in batting average eight times (only Cobb and Tony Gwynn have led a league in batting that often), slugging percentage six times, on-base percentage four times, total bases six times, doubles seven times, triples three times runs batted in five times and stolen bases five times, despite being bow-legged to the point where a contemporary sportswriter described his running as "resembling the gambols of a caracoling elephant."&lt;br /&gt; His batting average peaked at .381 in 1900, his runs batted in at 126 in 1901, and twice, despite playing his entire career in the pre-1920 "Dead Ball Era," he hit 10 home runs in a season. His career totals include a .327 lifetime batting average, 640 doubles, 722 stolen bases, and a career total of 3,415 hits, a major league record until it was surpassed by Cobb in the 1920s and a National League record until it was surpassed by &lt;span href="/wiki/Stan_Musial" title="Stan Musial"&gt;Stan Musial&lt;/span&gt; in 1961. He was 2nd player (since MLB officially began in 1876) to reach 3000 hits, joining Cap Anson in the magic circle.&lt;br /&gt; Wagner was the final out of the first World Series ever. He struck out.&lt;br /&gt; &lt;span name="Later_life" id="Later_life"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Playing career&lt;/b&gt;&lt;br /&gt;  Wagner served as the Pirates' manager briefly in 1917, but resigned the position after only 5 games. He returned to the Pirates as a coach, most notably as a hitting instructor from &lt;span href="/wiki/1933" title="1933"&gt;1933&lt;/span&gt; to &lt;span href="/wiki/1952" title="1952"&gt;1952&lt;/span&gt;. &lt;span href="/wiki/Arky_Vaughan" title="Arky Vaughan"&gt;Arky Vaughan&lt;/span&gt;, &lt;span href="/wiki/Kiki_Cuyler" title="Kiki Cuyler"&gt;Kiki Cuyler&lt;/span&gt;, &lt;span href="/wiki/Ralph_Kiner" title="Ralph Kiner"&gt;Ralph Kiner&lt;/span&gt; and player/manager from 1934-1939, &lt;span href="/wiki/Pie_Traynor" title="Pie Traynor"&gt;Pie Traynor&lt;/span&gt;, all future Hall of Famers were notable "pupils" of Wagner. During this time, he wore uniform number 14, but later changed it to his more famous 33, which was later retired for him. (His entire playing career was in the days before uniform numbers were worn.)&lt;br /&gt; Wagner lived out the remainder of his life in Pittsburgh, where he was well-known as a friendly figure around town. He died on December 6, &lt;span href="/wiki/1955" title="1955"&gt;1955&lt;/span&gt; at the age of 81, and is buried at Jefferson Memorial Cemetery in the South Hills area of &lt;span href="/wiki/Pittsburgh%2C_Pennsylvania" title="Pittsburgh, Pennsylvania"&gt;Pittsburgh&lt;/span&gt;.&lt;br /&gt; &lt;span name="Honors" id="Honors"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.baseball-almanac.com/treasure/honuswagner.jpg"  alt="Honus Wagner"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Honors&lt;/b&gt;&lt;br /&gt;  The &lt;span href="/wiki/T206" title="T206"&gt;T206&lt;/span&gt; Honus Wagner card has long been the most famous &lt;span href="/wiki/Baseball_card" title="Baseball card"&gt;baseball card&lt;/span&gt; in existence. Known as the "Holy Grail" and the "Mona Lisa of baseball cards", an example of this card was the first baseball card to be sold for over a million dollars. On August 3, 2007 an SGC 10 graded card offered by Mastro Auctions sold for $192,000 to Robert Klevens of Prestige Collectibles, LLC acting on behalf of a client from Japan.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="Further_reading" id="Further_reading"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3715292345092412799?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3715292345092412799/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3715292345092412799' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3715292345092412799'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3715292345092412799'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/johannes-peter-honus-wagner-february-24.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-5182422453365332153</id><published>2008-03-21T09:41:00.001-07:00</published><updated>2008-03-21T09:41:40.392-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.scandasia.com/php/news_images/short_news_1304.jpg"  alt="Asia and South Pacific Design Automation Conference"  align="left" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Asia and South Pacific Design Automation Conference&lt;/b&gt;, or &lt;b&gt;ASP-DAC&lt;/b&gt; is a yearly conference on the topic of &lt;span href="/wiki/Electronic_design_automation" title="Electronic design automation"&gt;electronic design automation&lt;/span&gt;. It is typically held in late January in the Far East, as the name implies. It is sponsored by the &lt;span href="/wiki/IEEE_Circuits_and_Systems_Society" title="IEEE Circuits and Systems Society"&gt;IEEE Circuits and Systems Society&lt;/span&gt; (IEEE CASS), the Association for Computing Machinery (ACM)'s Special Interest Group on Design Automation &lt;span href="/wiki/SIGDA" title="SIGDA"&gt;SIGDA&lt;/span&gt;, and the &lt;span href="http://www.ieek.or.kr/" class="external text" title="http://www.ieek.or.kr/" rel="nofollow"&gt;Institute of Electronics Engineers of Korea&lt;/span&gt; (IEEK).&lt;br /&gt; ASP-DAC is a combination of a trade show and a technical conference.&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-5182422453365332153?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/5182422453365332153/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=5182422453365332153' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/5182422453365332153'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/5182422453365332153'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/asia-and-south-pacific-design.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-4253106396947898969</id><published>2008-03-20T09:35:00.001-07:00</published><updated>2008-03-20T09:35:50.237-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt; Transmitted programmes&lt;/b&gt;&lt;br /&gt;   &lt;span name="FM-Radio_Programmes" id="FM-Radio_Programmes"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://upload.wikimedia.org/wikipedia/en/5/52/LC_Adventure_Small.jpg"  alt="FM- and TV-mast Olsztyn-Pieczewo"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; FM-Radio Programmes&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_masts" title="List of masts"&gt;List of masts&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-4253106396947898969?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/4253106396947898969/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=4253106396947898969' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/4253106396947898969'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/4253106396947898969'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/transmitted-programmes-fm-radio.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-2372166628695661090</id><published>2008-03-19T09:21:00.001-07:00</published><updated>2008-03-19T09:21:50.602-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;small&gt;This article is part of the series:&lt;/small&gt;&lt;img src="http://www.parlimen.gov.my/images/logo.kerajaan.gif"  alt="Parliament of Malaysia"  align="left" style="padding:10px"  /&gt; &lt;b&gt;&lt;span href="/wiki/Politics_of_Malaysia" title="Politics of Malaysia"&gt;Politics and government of Malaysia&lt;/span&gt;&lt;/b&gt;&lt;br /&gt; The &lt;b&gt;Parliament of Malaysia&lt;/b&gt; is the national &lt;span href="/wiki/Legislature" title="Legislature"&gt;legislature&lt;/span&gt; of &lt;span href="/wiki/Malaysia" title="Malaysia"&gt;Malaysia&lt;/span&gt;, based on the &lt;span href="/wiki/Westminster_system" title="Westminster system"&gt;Westminster system&lt;/span&gt; of &lt;span href="/wiki/Parliament" title="Parliament"&gt;Parliament&lt;/span&gt;. It consists of the &lt;i&gt;&lt;span href="/wiki/Dewan_Rakyat" title="Dewan Rakyat"&gt;Dewan Rakyat&lt;/span&gt;&lt;/i&gt; (House of Representatives or literally "People's Hall") and the &lt;i&gt;&lt;span href="/wiki/Dewan_Negara" title="Dewan Negara"&gt;Dewan Negara&lt;/span&gt;&lt;/i&gt; (literally "Nation's Hall"; commonly referred to as the Senate). Members of the Dewan Rakyat are known as &lt;span href="/wiki/Members_of_Parliament" title="Members of Parliament"&gt;members of Parliament&lt;/span&gt; (MPs) while members of the &lt;i&gt;Dewan Negara&lt;/i&gt; are called &lt;span href="/wiki/Senate" title="Senate"&gt;senators&lt;/span&gt;.&lt;br /&gt; A &lt;span href="/wiki/Malaysian_General_Election" title="Malaysian General Election"&gt;general election&lt;/span&gt; is held every four or five years to elect representatives to the Dewan Rakyat; members of the Dewan Negara, like those of the &lt;span href="/wiki/House_of_Lords" title="House of Lords"&gt;House of Lords&lt;/span&gt; in the &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;United Kingdom&lt;/span&gt;, are appointed. Members of Parliament are commonly referred to as MPs.&lt;br /&gt; The Parliament assembles in the &lt;span href="/wiki/Malaysian_Houses_of_Parliament" title="Malaysian Houses of Parliament"&gt;Malaysian Houses of Parliament&lt;/span&gt;, located in the national &lt;span href="/wiki/Capital_city" title="Capital city"&gt;capital city&lt;/span&gt; of &lt;span href="/wiki/Kuala_Lumpur" title="Kuala Lumpur"&gt;Kuala Lumpur&lt;/span&gt;.&lt;br /&gt; &lt;span name="History" id="History"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Constitution_of_Malaysia" title="Constitution of Malaysia"&gt;Constitution&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Social_contract_%28Malaysia%29" title="Social contract (Malaysia)"&gt;Social contract&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Yang_di-Pertuan_Agong" title="Yang di-Pertuan Agong"&gt;Yang di-Pertuan Agong&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Mizan_Zainal_Abidin" title="Mizan Zainal Abidin"&gt;Mizan Zainal Abidin&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Cabinet_of_Malaysia" title="Cabinet of Malaysia"&gt;Cabinet&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Prime_Minister_of_Malaysia" title="Prime Minister of Malaysia"&gt;Prime Minister&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Abdullah_Ahmad_Badawi" title="Abdullah Ahmad Badawi"&gt;Abdullah Ahmad Badawi&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Deputy_Prime_Minister_of_Malaysia" title="Deputy Prime Minister of Malaysia"&gt;Deputy Prime Minister&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Najib_Tun_Razak" title="Najib Tun Razak"&gt;Najib Tun Razak&lt;/span&gt;&lt;br /&gt; &lt;strong class="selflink"&gt;Parliament&lt;/strong&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Dewan_Negara" title="Dewan Negara"&gt;Dewan Negara&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Dewan_Rakyat" title="Dewan Rakyat"&gt;Dewan Rakyat&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Courts_of_Malaysia" title="Courts of Malaysia"&gt;Judiciary&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Opposition_%28Malaysia%29" title="Opposition (Malaysia)"&gt;The Opposition&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Elections_in_Malaysia" title="Elections in Malaysia"&gt;Elections&lt;/span&gt;&lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;&lt;span href="/wiki/Election_Commission_of_Malaysia" title="Election Commission of Malaysia"&gt;Election Commission&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/List_of_political_parties_in_Malaysia" title="List of political parties in Malaysia"&gt;Political parties&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/States_of_Malaysia" title="States of Malaysia"&gt;States&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Foreign_relations_of_Malaysia" title="Foreign relations of Malaysia"&gt;Foreign relations&lt;/span&gt;   &lt;b&gt; Scope&lt;/b&gt;&lt;br /&gt;  Parliament meets from Monday to Thursday when it is in session, as Friday is part of the weekend in certain states such as &lt;span href="/wiki/Kelantan" title="Kelantan"&gt;Kelantan&lt;/span&gt;. &lt;br /&gt; &lt;span name="Relationship_with_the_government" id="Relationship_with_the_government"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Procedure&lt;/b&gt;&lt;br /&gt;  In theory, based on the &lt;span href="/wiki/Constitution_of_Malaysia" title="Constitution of Malaysia"&gt;Constitution of Malaysia&lt;/span&gt;, the government is accountable to Parliament. However, there has been substantial controversy over the independence of the Malaysian Parliament, with many viewing it simply as a &lt;span href="/wiki/Rubber_stamp" title="Rubber stamp"&gt;rubber stamp&lt;/span&gt;, approving the &lt;span href="/wiki/Executive_branch" title="Executive branch"&gt;executive branch&lt;/span&gt;'s decisions. Constitutional scholar &lt;span href="/wiki/Shad_Saleem_Faruqi" title="Shad Saleem Faruqi"&gt;Shad Saleem Faruqi&lt;/span&gt; has calculated that 80% of all bills the government introduced from 1991 to 1995 were passed without a single amendment. According to him, another 15% were withdrawn due to pressure from &lt;span href="/wiki/Non-governmental_organisation" title="Non-governmental organisation"&gt;non-governmental organisations&lt;/span&gt; (NGOs) or other countries, while only 5% were amended or otherwise altered by Parliament. Shad concludes that "the legislative process is basically an executive process, not a parliamentary process." &lt;br /&gt; &lt;span name="Checks_and_balances" id="Checks_and_balances"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Relationship with the government&lt;/b&gt;&lt;br /&gt;  Theoretically, the executive branch of the government is held in check by the legislative and &lt;span href="/wiki/Courts_of_Malaysia" title="Courts of Malaysia"&gt;judiciary&lt;/span&gt; branches. Parliament largely exerts control on the government through question time, where MPs question members of the cabinet on government policy, and through &lt;span href="/wiki/Select_Committee_%28Westminster_System%29" title="Select Committee (Westminster System)"&gt;Select Committees&lt;/span&gt; that are formed to look into a particular issue.&lt;br /&gt; Formally, Parliament exercises control over legislation and financial affairs. However, the legislature has been condemned as having a "tendency to confer wide powers on ministers to enact &lt;span href="/wiki/Delegated_legislation" title="Delegated legislation"&gt;delegated legislation&lt;/span&gt;", and a substantial portion of the government's revenue is not under Parliament's purview; government-linked companies, such as &lt;span href="/wiki/Petronas" title="Petronas"&gt;Petronas&lt;/span&gt;, are generally not accountable to Parliament.&lt;br /&gt; &lt;span name="Department_of_Parliament_controversy" id="Department_of_Parliament_controversy"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Checks and balances&lt;/b&gt;&lt;br /&gt;  In early October of 2005 the Minister in the Prime Minister's Department in charge of parliamentary affairs, &lt;span href="/wiki/Nazri_Aziz" title="Nazri Aziz"&gt;Nazri Aziz&lt;/span&gt;, announced the formation of a Department of Parliament to oversee its day-to-day running. The leader of the Opposition, &lt;span href="/wiki/Lim_Kit_Siang" title="Lim Kit Siang"&gt;Lim Kit Siang&lt;/span&gt;, immediately announced a "Save Parliament" campaign to "ensure that Parliament does not become a victim in the second most serious assault on the doctrine of &lt;span href="/wiki/Separation_of_powers" title="Separation of powers"&gt;separation of powers&lt;/span&gt; in the 48-year history of the nation". &lt;br /&gt; &lt;span name="Current_composition" id="Current_composition"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Current composition&lt;/b&gt;&lt;br /&gt;  &lt;span name="Notes_and_references" id="Notes_and_references"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Politics_of_Malaysia" title="Politics of Malaysia"&gt;Politics of Malaysia&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Malaysian_Houses_of_Parliament" title="Malaysian Houses of Parliament"&gt;Malaysian Houses of Parliament&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-2372166628695661090?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/2372166628695661090/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=2372166628695661090' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2372166628695661090'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2372166628695661090'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/this-article-is-part-of-series-politics.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3454475754170355923</id><published>2008-03-18T10:19:00.001-07:00</published><updated>2008-03-18T10:19:29.120-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.112petition.eu/images/support/kauppi.jpg"  alt="European People's Party–European Democrats"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;European People's Party (Christian Democrats) and European Democrats&lt;/b&gt; is a group in the &lt;span href="/wiki/European_Parliament" title="European Parliament"&gt;European Parliament&lt;/span&gt;. It comprises the &lt;b&gt;&lt;span href="/wiki/European_People%27s_Party" title="European People's Party"&gt;European People's Party&lt;/span&gt;&lt;/b&gt; and the non-party subgroup &lt;b&gt;&lt;span href="/wiki/European_Democrats" title="European Democrats"&gt;European Democrats&lt;/span&gt;&lt;/b&gt; (not to be confused with the centrist &lt;span href="/wiki/European_Democratic_Party" title="European Democratic Party"&gt;European Democratic Party&lt;/span&gt;). The abbreviated name is &lt;b&gt;EPP-ED&lt;/b&gt; Group.&lt;br /&gt; The EPP-ED Group is a parliamentary faction of &lt;span href="/wiki/Christian_democrat" title="Christian democrat"&gt;Christian democrat&lt;/span&gt; and &lt;span href="/wiki/Conservatism" title="Conservatism"&gt;conservative&lt;/span&gt; parliamentarians. Virtually all parties represented in the EPP-ED Group belong to the &lt;span href="/wiki/European_People%27s_Party" title="European People's Party"&gt;European People's Party&lt;/span&gt; (EPP), the first-ever transnational political party to be formed at European level. The remaining parliamentarians, namely the United Kingdom &lt;span href="/wiki/Conservative_Party_%28UK%29" title="Conservative Party (UK)"&gt;Conservative Party&lt;/span&gt; and the Czech &lt;span href="/wiki/Civic_Democratic_Party" title="Civic Democratic Party"&gt;Civic Democratic Party&lt;/span&gt; (ODS) form the European Democrats and sit as allied Members of the Group.&lt;br /&gt; Previously called the 'EPP Group', the EPP-ED nomenclature was adopted in 1999 to accommodate the institutional reservations of the British Conservative Party. After the &lt;span href="/wiki/European_Parliament_election%2C_1999" title="European Parliament election, 1999"&gt;European Parliament elections in 1999&lt;/span&gt;, it became the largest faction with 233 of the 626 seats. After the elections of &lt;span href="/wiki/European_Parliament_election%2C_2004" title="European Parliament election, 2004"&gt;2004 elections&lt;/span&gt;, it remained the largest party group with 268 of the 732 seats. Since the accession of Bulgaria and Romania to the EU in January 2007, it now has 277 of the 785 seats (35%).&lt;br /&gt; The present chair of the EPP–ED Group is French &lt;span href="/wiki/Member_of_the_European_Parliament" title="Member of the European Parliament"&gt;Member of the European Parliament&lt;/span&gt; (MEP) &lt;span href="/wiki/Joseph_Daul" title="Joseph Daul"&gt;Joseph Daul&lt;/span&gt;, who was elected to that post on &lt;span href="/wiki/January_9" title="January 9"&gt;9 January&lt;/span&gt; &lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;.&lt;br /&gt; On &lt;span href="/wiki/July_13" title="July 13"&gt;13 July&lt;/span&gt; &lt;span href="/wiki/2006" title="2006"&gt;2006&lt;/span&gt;, &lt;span href="/wiki/David_Cameron" title="David Cameron"&gt;David Cameron&lt;/span&gt;, the leader of the British Conservative Party, and &lt;span href="/wiki/Czech_Republic" title="Czech Republic"&gt;Czech&lt;/span&gt; &lt;span href="/wiki/Prime_Minister" title="Prime Minister"&gt;Prime Minister&lt;/span&gt;-designate &lt;span href="/wiki/Mirek_Topol%C3%A1nek" title="Mirek Topolánek"&gt;Mirek Topolánek&lt;/span&gt;, leader of the &lt;span href="/wiki/Civic_Democratic_Party" title="Civic Democratic Party"&gt;Civic Democratic Party&lt;/span&gt;, announced that their parties will leave the EPP-ED Group and form the &lt;span href="/wiki/Movement_for_European_Reform" title="Movement for European Reform"&gt;Movement for European Reform&lt;/span&gt; following the European Parliament elections in &lt;span href="/wiki/2009" title="2009"&gt;2009&lt;/span&gt;. Nevertheless, this attempt has remained limited to these two parties and has been snubbed by all major EPP member-parties. Most analysts doubt that Mr Cameron will be able to surpass the threshold values of MEPs needed from at least six nations, which is required for formal recognition and receipt of funding by the European Parliament.&lt;br /&gt; &lt;span name="Group_members" id="Group_members"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Chairmen&lt;/b&gt;&lt;br /&gt;  &lt;span name="External_links" id="External_links"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Political_parties_of_the_world" title="Political parties of the world"&gt;Political parties of the world&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Members_of_the_European_Parliament_2004-2009" title="Members of the European Parliament 2004-2009"&gt;Members of the European Parliament 2004-2009&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3454475754170355923?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3454475754170355923/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3454475754170355923' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3454475754170355923'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3454475754170355923'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/european-peoples-party-christian.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-7811231566465165363</id><published>2008-03-17T08:09:00.001-07:00</published><updated>2008-03-17T08:09:48.186-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Philosophy of mathematics&lt;/b&gt; is the branch of &lt;span href="/wiki/Philosophy" title="Philosophy"&gt;philosophy&lt;/span&gt; that studies the philosophical assumptions, foundations, and implications of &lt;span href="/wiki/Mathematics" title="Mathematics"&gt;mathematics&lt;/span&gt;.&lt;br /&gt; Recurrent themes include:&lt;br /&gt; &lt;br /&gt; &lt;ul&gt;&lt;br /&gt; &lt;li&gt;What are the sources of mathematical subject matter?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What is the &lt;span href="/wiki/Ontology" title="Ontology"&gt;ontological&lt;/span&gt; status of mathematical entities?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What does it mean to refer to a mathematical object?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What is the character of a mathematical proposition?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What is the relation between &lt;span href="/wiki/Logic" title="Logic"&gt;logic&lt;/span&gt; and mathematics?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What is the role of &lt;span href="/wiki/Hermeneutics" title="Hermeneutics"&gt;hermeneutics&lt;/span&gt; in mathematics?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What kinds of inquiry play a role in mathematics?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What are the objectives of mathematical inquiry?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What gives mathematics its hold on &lt;span href="/wiki/Experience" title="Experience"&gt;experience&lt;/span&gt;?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What are the &lt;span href="/wiki/Human_trait" title="Human trait"&gt;human traits&lt;/span&gt; behind mathematics?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What is &lt;span href="/wiki/Mathematical_beauty" title="Mathematical beauty"&gt;mathematical beauty&lt;/span&gt;?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What is the source and nature of mathematical truth?&lt;/li&gt;&lt;br /&gt; &lt;li&gt;What is the relationship between the abstract world of mathematics and the material universe?&lt;/li&gt;&lt;br /&gt; &lt;/ul&gt;&lt;br /&gt; &lt;br /&gt; The terms &lt;i&gt;philosophy of mathematics&lt;/i&gt; and &lt;i&gt;mathematical philosophy&lt;/i&gt; are frequently used as synonyms. The latter, however, may be used to mean at least three other things. One sense refers to a project of formalizing a philosophical subject matter, say, &lt;span href="/wiki/Aesthetics" title="Aesthetics"&gt;aesthetics&lt;/span&gt;, &lt;span href="/wiki/Ethics" title="Ethics"&gt;ethics&lt;/span&gt;, &lt;span href="/wiki/Logic" title="Logic"&gt;logic&lt;/span&gt;, &lt;span href="/wiki/Metaphysics" title="Metaphysics"&gt;metaphysics&lt;/span&gt;, or &lt;span href="/wiki/Theology" title="Theology"&gt;theology&lt;/span&gt;, in a purportedly more exact and rigorous form, as for example the labors of &lt;span href="/wiki/Scholastic" title="Scholastic"&gt;Scholastic&lt;/span&gt; theologians, or the systematic aims of &lt;span href="/wiki/Leibniz" title="Leibniz"&gt;Leibniz&lt;/span&gt; and &lt;span href="/wiki/Spinoza" title="Spinoza"&gt;Spinoza&lt;/span&gt;. Another sense refers to the working philosophy of an individual practitioner or a like-minded community of practicing mathematicians. Additionally, some understand the term mathematical philosophy to be an allusion to the approach taken by &lt;span href="/wiki/Bertrand_Russell" title="Bertrand Russell"&gt;Bertrand Russell&lt;/span&gt; in his book &lt;i&gt;&lt;span href="/wiki/Introduction_to_Mathematical_Philosophy" title="Introduction to Mathematical Philosophy"&gt;Introduction to Mathematical Philosophy&lt;/span&gt;&lt;/i&gt;.&lt;br /&gt; &lt;span name="Historical_overview" id="Historical_overview"&gt;&lt;/span&gt;&lt;br /&gt; What are the sources of mathematical subject matter?&lt;br /&gt; What is the &lt;span href="/wiki/Ontology" title="Ontology"&gt;ontological&lt;/span&gt; status of mathematical entities?&lt;br /&gt; What does it mean to refer to a mathematical object?&lt;br /&gt; What is the character of a mathematical proposition?&lt;br /&gt; What is the relation between &lt;span href="/wiki/Logic" title="Logic"&gt;logic&lt;/span&gt; and mathematics?&lt;br /&gt; What is the role of &lt;span href="/wiki/Hermeneutics" title="Hermeneutics"&gt;hermeneutics&lt;/span&gt; in mathematics?&lt;br /&gt; What kinds of inquiry play a role in mathematics?&lt;br /&gt; What are the objectives of mathematical inquiry?&lt;br /&gt; What gives mathematics its hold on &lt;span href="/wiki/Experience" title="Experience"&gt;experience&lt;/span&gt;?&lt;br /&gt; What are the &lt;span href="/wiki/Human_trait" title="Human trait"&gt;human traits&lt;/span&gt; behind mathematics?&lt;br /&gt; What is &lt;span href="/wiki/Mathematical_beauty" title="Mathematical beauty"&gt;mathematical beauty&lt;/span&gt;?&lt;br /&gt; What is the source and nature of mathematical truth?&lt;br /&gt; What is the relationship between the abstract world of mathematics and the material universe?   &lt;b&gt; Historical overview&lt;/b&gt;&lt;br /&gt;  A perennial issue in the philosophy of mathematics concerns the relationship between logic and mathematics at their joint foundations. While &lt;span href="/wiki/20th_century" title="20th century"&gt;20th century&lt;/span&gt; philosophers continued to ask the questions mentioned at the outset of this article, the philosophy of mathematics in the 20th century was characterized by a predominant interest in &lt;span href="/wiki/Formal_logic" title="Formal logic"&gt;formal logic&lt;/span&gt;, &lt;span href="/wiki/Set_theory" title="Set theory"&gt;set theory&lt;/span&gt;, and foundational issues.&lt;br /&gt; It is a profound puzzle that on the one hand mathematical truths seem to have a compelling inevitability, but on the other hand the source of their 'truthfullness' remains elusive. Investigations into this issue are known as the &lt;span href="/wiki/Foundations_of_mathematics" title="Foundations of mathematics"&gt;foundations of mathematics&lt;/span&gt; program.&lt;br /&gt; At the start of the century, philosophers of mathematics were already beginning to divide into various schools of thought about all these questions, broadly distinguished by their pictures of mathematical &lt;span href="/wiki/Epistemology" title="Epistemology"&gt;epistemology&lt;/span&gt; and &lt;span href="/wiki/Ontology" title="Ontology"&gt;ontology&lt;/span&gt;. Three schools, &lt;span href="/wiki/Formalism" title="Formalism"&gt;formalism&lt;/span&gt;, &lt;span href="/wiki/Intuitionism" title="Intuitionism"&gt;intuitionism&lt;/span&gt;, and &lt;span href="/wiki/Logicism" title="Logicism"&gt;logicism&lt;/span&gt;, emerged at this time, partly in response to the increasingly widespread worry that mathematics as it stood, and &lt;span href="/wiki/Mathematical_analysis" title="Mathematical analysis"&gt;analysis&lt;/span&gt; in particular, did not live up to the standards of &lt;span href="/wiki/Certainty" title="Certainty"&gt;certainty&lt;/span&gt; and &lt;span href="/wiki/Rigor" title="Rigor"&gt;rigor&lt;/span&gt; that had been taken for granted. Each school addressed the issues that came to the fore at that time, either attempting to resolve them or claiming that mathematics is not entitled to its status as our most trusted knowledge.&lt;br /&gt; Surprising and counterintuitive developments in &lt;span href="/wiki/Formal_logic" title="Formal logic"&gt;formal logic&lt;/span&gt; and &lt;span href="/wiki/Set_theory" title="Set theory"&gt;set theory&lt;/span&gt; early in the 20th century led to new questions concerning what was traditionally called the &lt;i&gt;&lt;span href="/wiki/Foundations_of_mathematics" title="Foundations of mathematics"&gt;foundations of mathematics&lt;/span&gt;&lt;/i&gt;. As the century unfolded, the initial focus of concern expanded to an open exploration of the fundamental axioms of mathematics, the axiomatic approach having been taken for granted since the time of &lt;span href="/wiki/Euclid" title="Euclid"&gt;Euclid&lt;/span&gt; as the natural basis for mathematics. Core concepts such as &lt;span href="/wiki/Axiom" title="Axiom"&gt;axiom&lt;/span&gt;, &lt;span href="/wiki/Order_theory" title="Order theory"&gt;order&lt;/span&gt;, and &lt;span href="/wiki/Set" title="Set"&gt;set&lt;/span&gt; received fresh emphasis. In mathematics as in physics, new and unexpected ideas had arisen and significant changes were coming. Inquiries into the &lt;span href="/wiki/Consistency_proof" title="Consistency proof"&gt;consistency&lt;/span&gt; of mathematical theories led to the development of a new level of study, a reflective critique in which the theory under review "becomes itself the object of a mathematical study", what &lt;span href="/wiki/Hilbert" title="Hilbert"&gt;Hilbert&lt;/span&gt; called &lt;i&gt;&lt;span href="/wiki/Metamathematics" title="Metamathematics"&gt;metamathematics&lt;/span&gt;&lt;/i&gt; or &lt;i&gt;&lt;span href="/wiki/Proof_theory" title="Proof theory"&gt;proof theory&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/Stephen_Cole_Kleene" title="Stephen Cole Kleene"&gt;Kleene&lt;/span&gt;, 55).&lt;br /&gt; At the midpoint of the century, a new mathematical theory known as &lt;span href="/wiki/Category_theory" title="Category theory"&gt;category theory&lt;/span&gt; arose as a new contender for the natural language of mathematical thinking (Mac Lane 1998). As the 20th century progressed, however, philosophical opinions diverged as to just how well-founded were the questions about foundations that were raised at its opening. &lt;span href="/wiki/Hilary_Putnam" title="Hilary Putnam"&gt;Hilary Putnam&lt;/span&gt; summed up one common view of the situation in the last third of the century by saying:&lt;br /&gt; When philosophy discovers something wrong with science, sometimes science has to be changed — &lt;span href="/wiki/Russell%27s_paradox" title="Russell's paradox"&gt;Russell's paradox&lt;/span&gt; comes to mind, as does &lt;span href="/wiki/George_Berkeley" title="George Berkeley"&gt;Berkeley&lt;/span&gt;'s attack on the actual &lt;span href="/wiki/Infinitesimal" title="Infinitesimal"&gt;infinitesimal&lt;/span&gt; — but more often it is philosophy that has to be changed. I do not think that the difficulties that philosophy finds with classical mathematics today are genuine difficulties; and I think that the philosophical interpretations of mathematics that we are being offered on every hand are wrong, and that 'philosophical interpretation' is just what mathematics doesn't need. (Putnam, 169–170).&lt;br /&gt; Philosophy of mathematics today proceeds along several different lines of inquiry, by philosophers of mathematics, logicians, and mathematicians, and there are many schools of thought on the subject. The schools are addressed separately in the next section, and their assumptions explained.&lt;br /&gt; &lt;span name="Contemporary_schools_of_thought" id="Contemporary_schools_of_thought"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Philosophy of mathematics in the 20th century&lt;/b&gt;&lt;br /&gt;  &lt;span name="Mathematical_realism" id="Mathematical_realism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Contemporary schools of thought&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;Mathematical realism&lt;/i&gt;, like &lt;span href="/wiki/Philosophical_realism" title="Philosophical realism"&gt;realism&lt;/span&gt; in general, holds that mathematical entities exist independently of the human &lt;span href="/wiki/Mind" title="Mind"&gt;mind&lt;/span&gt;. Thus humans do not invent mathematics, but rather discover it, and any other intelligent beings in the universe would presumably do the same. In this point of view, there is really one sort of mathematics that can be discovered: &lt;span href="/wiki/Triangle" title="Triangle"&gt;Triangles&lt;/span&gt;, for example, are real entities, not the creations of the human mind.&lt;br /&gt; Many working mathematicians have been mathematical realists; they see themselves as discoverers of naturally occurring objects. Examples include &lt;span href="/wiki/Paul_Erd%C5%91s" title="Paul Erdős"&gt;Paul Erdős&lt;/span&gt; and &lt;span href="/wiki/Kurt_G%C3%B6del" title="Kurt Gödel"&gt;Kurt Gödel&lt;/span&gt;. Gödel believed in an objective mathematical reality that could be perceived in a manner analogous to sense perception. Certain principles (e.g., for any two objects, there is a collection of objects consisting of precisely those two objects) could be directly seen to be true, but some conjectures, like the &lt;span href="/wiki/Continuum_hypothesis" title="Continuum hypothesis"&gt;continuum hypothesis&lt;/span&gt;, might prove undecidable just on the basis of such principles. Gödel suggested that quasi-empirical methodology could be used to provide sufficient evidence to be able to reasonably assume such a conjecture.&lt;br /&gt; Within realism, there are distinctions depending on what sort of existence one takes mathematical entities to have, and how we know about them.&lt;br /&gt; &lt;span name="Platonism" id="Platonism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Mathematical realism&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;Platonism&lt;/i&gt; is the form of realism that suggests that mathematical entities are abstract, have no spatiotemporal or causal properties, and are eternal and unchanging. This is often claimed to be the naive view most people have of numbers. The term &lt;i&gt;Platonism&lt;/i&gt; is used because such a view is seen to parallel &lt;span href="/wiki/Plato" title="Plato"&gt;Plato&lt;/span&gt;'s belief in a "World of Ideas", an unchanging ultimate reality that the everyday world can only imperfectly approximate. The two ideas have a meaningful, not just a superficial connection, because Plato probably derived his understanding from the &lt;i&gt;&lt;span href="/wiki/Pythagoreans" title="Pythagoreans"&gt;Pythagoreans&lt;/span&gt;&lt;/i&gt; of ancient Greece, who believed that the world was, quite literally, generated by &lt;span href="/wiki/Number" title="Number"&gt;numbers&lt;/span&gt;.&lt;br /&gt; The major problem of mathematical platonism is this: precisely where and how do the mathematical entities exist, and how do we know about them? Is there a world, completely separate from our physical one, which is occupied by the mathematical entities? How can we gain access to this separate world and discover truths about the entities? One answer might be &lt;span href="/wiki/Ultimate_ensemble" title="Ultimate ensemble"&gt;Ultimate ensemble&lt;/span&gt;, which is a theory that postulates all structures that exist mathematically also exist physically in their own universe.&lt;br /&gt; Gödel's platonism postulates a special kind of mathematical intuition that lets us perceive mathematical objects directly. (This view bears resemblances to many things &lt;span href="/wiki/Husserl" title="Husserl"&gt;Husserl&lt;/span&gt; said about mathematics, and supports &lt;span href="/wiki/Kant" title="Kant"&gt;Kant&lt;/span&gt;'s idea that mathematics is &lt;span href="/wiki/Analytic-synthetic_distinction#Conceptual_containment" title="Analytic-synthetic distinction"&gt;synthetic&lt;/span&gt; &lt;span href="/wiki/A_priori_and_a_posteriori_%28philosophy%29" title="A priori and a posteriori (philosophy)"&gt;a priori&lt;/span&gt;.) &lt;span href="/wiki/Philip_J._Davis" title="Philip J. Davis"&gt;Davis&lt;/span&gt; and &lt;span href="/wiki/Reuben_Hersh" title="Reuben Hersh"&gt;Hersh&lt;/span&gt; have suggested in their book &lt;i&gt;The Mathematical Experience&lt;/i&gt; that most mathematicians act as though they are Platonists, even though, if pressed to defend the position carefully, they may retreat to formalism (see below).&lt;br /&gt; Some mathematicians hold opinions that amount to more nuanced versions of Platonism. These ideas are sometimes described as &lt;span href="/wiki/Neoplatonism" title="Neoplatonism"&gt;Neo-Platonism&lt;/span&gt;.&lt;br /&gt; &lt;span name="Logicism" id="Logicism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Platonism&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;Logicism&lt;/i&gt; is the thesis that mathematics is reducible to logic, and hence nothing but a part of logic (Carnap 1931/1883, 41). Logicists hold that mathematics can be known &lt;i&gt;a priori&lt;/i&gt;, but suggest that our knowledge of mathematics is just part of our knowledge of logic in general, and is thus &lt;span href="/wiki/Analytic_proposition" title="Analytic proposition"&gt;analytic&lt;/span&gt;, not requiring any special faculty of mathematical intuition. In this view, &lt;span href="/wiki/Logic" title="Logic"&gt;logic&lt;/span&gt; is the proper foundation of mathematics, and all mathematical statements are necessary logical truths.&lt;br /&gt; &lt;span href="/wiki/Rudolf_Carnap" title="Rudolf Carnap"&gt;Rudolf Carnap&lt;/span&gt; (1931) presents the logicist thesis in two parts:&lt;br /&gt; &lt;br /&gt; &lt;table&gt;&lt;br /&gt; &lt;tr valign="top"&gt;&lt;br /&gt; &lt;td&gt;1.&lt;/td&gt;&lt;br /&gt; &lt;td&gt;The &lt;i&gt;concepts&lt;/i&gt; of mathematics can be derived from logical concepts through explicit definitions.&lt;/td&gt;&lt;br /&gt; &lt;/tr&gt;&lt;br /&gt; &lt;tr valign="top"&gt;&lt;br /&gt; &lt;td&gt;2.&lt;/td&gt;&lt;br /&gt; &lt;td&gt;The &lt;i&gt;theorems&lt;/i&gt; of mathematics can be derived from logical axioms through purely logical deduction.&lt;/td&gt;&lt;br /&gt; &lt;/tr&gt;&lt;br /&gt; &lt;/table&gt;&lt;br /&gt; &lt;br /&gt; &lt;span href="/wiki/Gottlob_Frege" title="Gottlob Frege"&gt;Gottlob Frege&lt;/span&gt; was the founder of logicism. In his seminal &lt;i&gt;Die Grundgesetze der Arithmetik&lt;/i&gt; (&lt;i&gt;Basic Laws of Arithmetic&lt;/i&gt;) he built up &lt;span href="/wiki/Arithmetic" title="Arithmetic"&gt;arithmetic&lt;/span&gt; from a system of logic with a general principle of comprehension, which he called "Basic Law V" (for concepts &lt;i&gt;F&lt;/i&gt; and &lt;i&gt;G&lt;/i&gt;, the extension of &lt;i&gt;F&lt;/i&gt; equals the extension of &lt;i&gt;G&lt;/i&gt; if and only if for all objects &lt;i&gt;a&lt;/i&gt;, &lt;i&gt;Fa&lt;/i&gt; if and only if &lt;i&gt;Ga&lt;/i&gt;), a principle that he took to be acceptable as part of logic.&lt;br /&gt; But Frege's construction was flawed. &lt;span href="/wiki/Bertrand_Russell" title="Bertrand Russell"&gt;Russell&lt;/span&gt; discovered that Basic Law V is inconsistent (this is &lt;span href="/wiki/Russell%27s_paradox" title="Russell's paradox"&gt;Russell's paradox&lt;/span&gt;). Frege abandoned his logicist program soon after this, but it was continued by Russell and &lt;span href="/wiki/Alfred_North_Whitehead" title="Alfred North Whitehead"&gt;Whitehead&lt;/span&gt;. They attributed the paradox to "vicious circularity" and built up what they called &lt;span href="/wiki/Ramified_type_theory" title="Ramified type theory"&gt;ramified type theory&lt;/span&gt; to deal with it. In this system, they were eventually able to build up much of modern mathematics but in an altered, and excessively complex, form (for example, there were different natural numbers in each type, and there were infinitely many types). They also had to make several compromises in order to develop so much of mathematics, such as an "&lt;span href="/wiki/Axiom_of_reducibility" title="Axiom of reducibility"&gt;axiom of reducibility&lt;/span&gt;". Even Russell said that this axiom did not really belong to logic.&lt;br /&gt; Modern logicists (like &lt;span href="/w/index.php?title=Bob_Hale_%28philosopher%29&amp;amp;action=edit" class="new" title="Bob Hale (philosopher)"&gt;Bob Hale&lt;/span&gt;, &lt;span href="/wiki/Crispin_Wright" title="Crispin Wright"&gt;Crispin Wright&lt;/span&gt;, and perhaps others) have returned to a program closer to Frege's. They have abandoned Basic Law V in favour of abstraction principles such as &lt;span href="/wiki/Hume%27s_principle" title="Hume's principle"&gt;Hume's principle&lt;/span&gt; (the number of objects falling under the concept &lt;i&gt;F&lt;/i&gt; equals the number of objects falling under the concept &lt;i&gt;G&lt;/i&gt; if and only if the extension of &lt;i&gt;F&lt;/i&gt; and the extension of &lt;i&gt;G&lt;/i&gt; can be put into &lt;span href="/wiki/Bijection" title="Bijection"&gt;one-to-one correspondence&lt;/span&gt;). Frege required Basic Law V to be able to give an explicit definition of the numbers, but all the properties of numbers can be derived from Hume's principle. This would not have been enough for Frege because (to paraphrase him) it does not exclude the possibility that the number 3 is in fact Julius Caesar. In addition, many of the weakened principles that they have had to adopt to replace Basic Law V no longer seem so obviously analytic, and thus purely logical.&lt;br /&gt; If mathematics is a part of logic, then questions about mathematical objects reduce to questions about logical objects. But what, one might ask, are the objects of logical concepts? In this sense, logicism can be seen as shifting questions about the philosophy of mathematics to questions about logic without fully answering them.&lt;br /&gt; &lt;span name="Empiricism" id="Empiricism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Logicism&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;Empiricism&lt;/i&gt; is a form of realism that denies that mathematics can be known &lt;span href="/wiki/A_priori_and_a_posteriori_%28philosophy%29" title="A priori and a posteriori (philosophy)"&gt;a priori&lt;/span&gt; at all. It says that we discover mathematical facts by &lt;span href="/wiki/Empirical" title="Empirical"&gt;empirical&lt;/span&gt; research, just like facts in any of the other sciences. It is not one of the classical three positions advocated in the early 20th century, but primarily arose in the middle of the century. However, an important early proponent of a view like this was &lt;span href="/wiki/John_Stuart_Mill" title="John Stuart Mill"&gt;John Stuart Mill&lt;/span&gt;. Mill's view was widely criticized, because it makes statements like "2 + 2 = 4" come out as uncertain, contingent truths, which we can only learn by observing instances of two pairs coming together and forming a quartet.&lt;br /&gt; Contemporary mathematical empiricism, formulated by &lt;span href="/wiki/W.V._Quine" title="W.V. Quine"&gt;Quine&lt;/span&gt; and &lt;span href="/wiki/Hilary_Putnam" title="Hilary Putnam"&gt;Putnam&lt;/span&gt;, is primarily supported by the &lt;i&gt;indispensability argument&lt;/i&gt;: mathematics is indispensable to all empirical sciences, and if we want to believe in the reality of the phenomena described by the sciences, we ought also believe in the reality of those entities required for this description. That is, since physics needs to talk about &lt;span href="/wiki/Electron" title="Electron"&gt;electrons&lt;/span&gt; to say why light bulbs behave as they do, then electrons must exist. Since physics needs to talk about numbers in offering any of its explanations, then numbers must exist. In keeping with Quine and Putnam's overall philosophies, this is a naturalistic argument. It argues for the existence of mathematical entities as the best explanation for experience, thus stripping mathematics of some of its distinctness from the other sciences.&lt;br /&gt; Putnam strongly rejected the term "&lt;span href="/wiki/Platonist" title="Platonist"&gt;Platonist&lt;/span&gt;" as implying an overly-specific &lt;span href="/wiki/Ontology" title="Ontology"&gt;ontology&lt;/span&gt; that was not necessary to &lt;span href="/wiki/Mathematical_practice" title="Mathematical practice"&gt;mathematical practice&lt;/span&gt; in any real sense. He advocated a form of "pure realism" that rejected mystical notions of &lt;span href="/wiki/Truth" title="Truth"&gt;truth&lt;/span&gt; and accepted much &lt;span href="/wiki/Quasi-empiricism_in_mathematics" title="Quasi-empiricism in mathematics"&gt;quasi-empiricism in mathematics&lt;/span&gt;. Putnam was involved in coining the term "pure realism" (see below).&lt;br /&gt; The most important criticism of empirical views of mathematics is approximately the same as that raised against Mill. If mathematics is just as empirical as the other sciences, then this suggests that its results are just as fallible as theirs, and just as contingent. In Mill's case the empirical justification comes directly, while in Quine's case it comes indirectly, through the coherence of our scientific theory as a whole. Quine suggests that mathematics seems completely certain because the role it plays in our web of belief is incredibly central, and that it would be extremely difficult for us to revise it, though not impossible.&lt;br /&gt; For a philosophy of mathematics that attempts to overcome some of the shortcomings of Quine and Gödel's approaches by taking aspects of each see &lt;span href="/wiki/Penelope_Maddy" title="Penelope Maddy"&gt;Penelope Maddy&lt;/span&gt;'s &lt;i&gt;Realism in Mathematics&lt;/i&gt;. Another example of a realist theory is the &lt;span href="/w/index.php?title=Embodied_mind_theory&amp;amp;action=edit" class="new" title="Embodied mind theory"&gt;embodied mind theory&lt;/span&gt; (see below).&lt;br /&gt; For experimental evidence suggesting that one-day-old babies can do elementary arithmetic, see &lt;span href="/w/index.php?title=Brian_Butterworth&amp;amp;action=edit" class="new" title="Brian Butterworth"&gt;Brian Butterworth&lt;/span&gt;.&lt;br /&gt; &lt;span name="Formalism" id="Formalism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Empiricism&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;Formalism&lt;/i&gt; holds that mathematical statements may be thought of as statements about the consequences of certain string manipulation rules. For example, in the "game" of &lt;span href="/wiki/Euclidean_geometry" title="Euclidean geometry"&gt;Euclidean geometry&lt;/span&gt; (which is seen as consisting of some strings called "axioms", and some "rules of inference" to generate new strings from given ones), one can prove that the &lt;span href="/wiki/Pythagorean_theorem" title="Pythagorean theorem"&gt;Pythagorean theorem&lt;/span&gt; holds (that is, you can generate the string corresponding to the Pythagorean theorem). Mathematical truths are not about numbers and sets and triangles and the like — in fact, they aren't "about" anything at all!&lt;br /&gt; Another version of formalism is often known as &lt;span href="/w/index.php?title=Deductivism&amp;amp;action=edit" class="new" title="Deductivism"&gt;deductivism&lt;/span&gt;. In deductivism, the Pythagorean theorem is not an absolute truth, but a relative one: &lt;i&gt;if&lt;/i&gt; you assign meaning to the strings in such a way that the rules of the game become true (ie, true statements are assigned to the axioms and the rules of inference are truth-preserving), &lt;i&gt;then&lt;/i&gt; you have to accept the theorem, or, rather, the interpretation you have given it must be a true statement. The same is held to be true for all other mathematical statements. Thus, formalism need not mean that mathematics is nothing more than a meaningless symbolic game. It is usually hoped that there exists some interpretation in which the rules of the game hold. (Compare this position to &lt;span href="/wiki/Structuralism#Structuralism_in_the_philosophy_of_mathematics" title="Structuralism"&gt;structuralism&lt;/span&gt;.) But it does allow the working mathematician to continue in his or her work and leave such problems to the philosopher or scientist. Many formalists would say that in practice, the axiom systems to be studied will be suggested by the demands of science or other areas of mathematics.&lt;br /&gt; A major early proponent of formalism was &lt;span href="/wiki/David_Hilbert" title="David Hilbert"&gt;David Hilbert&lt;/span&gt;, whose &lt;span href="/wiki/Hilbert%27s_program" title="Hilbert's program"&gt;program&lt;/span&gt; was intended to be a &lt;span href="/wiki/G%C3%B6del%27s_completeness_theorem" title="Gödel's completeness theorem"&gt;complete&lt;/span&gt; and &lt;span href="/wiki/Consistency_proof" title="Consistency proof"&gt;consistent&lt;/span&gt; axiomatization of all of mathematics. ("Consistent" here means that no contradictions can be derived from the system.) Hilbert aimed to show the consistency of mathematical systems from the assumption that the "finitary arithmetic" (a subsystem of the usual &lt;span href="/wiki/Arithmetic" title="Arithmetic"&gt;arithmetic&lt;/span&gt; of the positive &lt;span href="/wiki/Integers" title="Integers"&gt;integers&lt;/span&gt;, chosen to be philosophically uncontroversial) was consistent. Hilbert's goals of creating a system of mathematics that is both complete and consistent was dealt a fatal blow by the second of &lt;span href="/wiki/G%C3%B6del%27s_incompleteness_theorem" title="Gödel's incompleteness theorem"&gt;Gödel's incompleteness theorems&lt;/span&gt;, which states that sufficiently expressive consistent axiom systems can never prove their own consistency. Since any such axiom system would contain the finitary arithmetic as a subsystem, Gödel's theorem implied that it would be impossible to prove the system's consistency relative to that (since it would then prove its own consistency, which Gödel had shown was impossible). Thus, in order to show that any axiomatic system of mathematics is in fact consistent, one needs to first assume the consistency of a system of mathematics that is in a sense stronger than the system to be proven consistent.&lt;br /&gt; Hilbert was initially a deductivist, but, as may be clear from above, he considered certain metamathematical methods to yield intrinsically meaningful results and was a realist with respect to the finitary arithmetic. Later, he held the opinion that there was no other meaningful mathematics whatsoever, regardless of interpretation.&lt;br /&gt; Other formalists, such as &lt;span href="/wiki/Rudolf_Carnap" title="Rudolf Carnap"&gt;Rudolf Carnap&lt;/span&gt;, &lt;span href="/wiki/Alfred_Tarski" title="Alfred Tarski"&gt;Alfred Tarski&lt;/span&gt; and &lt;span href="/wiki/Haskell_Curry" title="Haskell Curry"&gt;Haskell Curry&lt;/span&gt;, considered mathematics to be the investigation of formal axiom systems. &lt;span href="/wiki/Mathematical_logic" title="Mathematical logic"&gt;Mathematical logicians&lt;/span&gt; study formal systems but are just as often realists as they are formalists.&lt;br /&gt; Formalists are usually very tolerant and inviting to new approaches to logic, non-standard number systems, new set theories etc. The more games we study, the better. However, in all three of these examples, motivation is drawn from existing mathematical or philosophical concerns. The "games" are usually not arbitrary.&lt;br /&gt; The main critique of formalism is that the actual mathematical ideas that occupy mathematicians are far removed from the minute string manipulation games mentioned above. While published proofs (if correct) could in principle be formulated in terms of these games, the effort required in space and time would be prohibitive (witness &lt;i&gt;&lt;span href="/wiki/Principia_Mathematica" title="Principia Mathematica"&gt;Principia Mathematica&lt;/span&gt;&lt;/i&gt;.) In addition, the rules are certainly not substantial to the initial creation of those proofs. Formalism is also silent to the question of which axiom systems ought to be studied.&lt;br /&gt; &lt;span name="Intuitionism" id="Intuitionism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Formalism&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;div class="noprint"&gt;&lt;i&gt;Main article: &lt;span href="/wiki/Mathematical_intuitionism" title="Mathematical intuitionism"&gt;Mathematical intuitionism&lt;/span&gt;&lt;/i&gt;  &lt;b&gt; Intuitionism&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;div class="noprint"&gt;&lt;i&gt;Main article: &lt;span href="/wiki/Mathematical_constructivism" title="Mathematical constructivism"&gt;Mathematical constructivism&lt;/span&gt;&lt;/i&gt;  &lt;b&gt; Constructivism&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;Fictionalism&lt;/i&gt; was introduced in 1980 when &lt;span href="/wiki/Hartry_Field" title="Hartry Field"&gt;Hartry Field&lt;/span&gt; published &lt;i&gt;Science Without Numbers&lt;/i&gt;, which rejected and in fact reversed Quine's indispensability argument. Where Quine suggested that mathematics was indispensable for our best scientific theories, and therefore should be accepted as a body of truths talking about independently existing entities, Field suggested that mathematics was dispensable, and therefore should be considered as a body of falsehoods not talking about anything real. He did this by giving a complete axiomatization of &lt;span href="/wiki/Newtonian_mechanics" title="Newtonian mechanics"&gt;Newtonian mechanics&lt;/span&gt; that didn't reference numbers or functions at all. He started with the "betweenness" of &lt;span href="/wiki/Hilbert%27s_axioms" title="Hilbert's axioms"&gt;Hilbert's axioms&lt;/span&gt; to characterize space without coordinatizing it, and then added extra relations between points to do the work formerly done by &lt;span href="/wiki/Vector_field" title="Vector field"&gt;vector fields&lt;/span&gt;. Hilbert's geometry is mathematical, because it talks about abstract points, but in Field's theory, these points are the concrete points of physical space, so no special mathematical objects at all are needed.&lt;br /&gt; Having shown how to do science without using mathematics, he proceeded to rehabilitate mathematics as a kind of &lt;span href="/w/index.php?title=Useful_fiction&amp;amp;action=edit" class="new" title="Useful fiction"&gt;useful fiction&lt;/span&gt;. He showed that mathematical physics is a &lt;span href="/wiki/Conservative_extension" title="Conservative extension"&gt;conservative extension&lt;/span&gt; of his non-mathematical physics (that is, every physical fact provable in mathematical physics is already provable from his system), so that the mathematics is a reliable process whose physical applications are all true, even though its own statements are false. Thus, when doing mathematics, we can see ourselves as telling a sort of story, talking as if numbers existed. For Field, a statement like "2&amp;#160;+&amp;#160;2&amp;#160;=&amp;#160;4" is just as false as "&lt;span href="/wiki/Sherlock_Holmes" title="Sherlock Holmes"&gt;Sherlock Holmes&lt;/span&gt; lived at 221B Baker Street" — but both are true according to the relevant fictions.&lt;br /&gt; By this account, there are no metaphysical or epistemological problems special to mathematics. The only worries left are the general worries about non-mathematical physics, and about &lt;span href="/wiki/Fiction" title="Fiction"&gt;fiction&lt;/span&gt; in general. Field's approach has been very influential, but is widely rejected. This is in part because of the requirement of strong fragments of &lt;span href="/wiki/Second-order_logic" title="Second-order logic"&gt;second-order logic&lt;/span&gt; to carry out his reduction, and because the statement of conservativity seems to require &lt;span href="/wiki/Quantification" title="Quantification"&gt;quantification&lt;/span&gt; over abstract models or deductions. Another objection is that it is not clear how one could have certain results in science, such as quantum theory or the periodic table, without mathematics. If what distinguishes one element from another is *precisely* the number of electrons, neutrons and protons, how does one distinguish between elements without a concept of number?&lt;br /&gt; &lt;span name="Embodied_mind_theories" id="Embodied_mind_theories"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Fictionalism&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;Embodied mind theories&lt;/i&gt; hold that mathematical thought is a natural outgrowth of the human cognitive apparatus which finds itself in our physical universe. For example, the abstract concept of &lt;span href="/wiki/Number" title="Number"&gt;number&lt;/span&gt; springs from the experience of counting discrete objects. It is held that mathematics is not universal and does not exist in any real sense, other than in human brains. Humans construct, but do not discover, mathematics.&lt;br /&gt; With this view, the physical universe can thus be seen as the ultimate foundation of mathematics: it guided the evolution of the brain and later determined which questions this brain would find worthy of investigation. However, the human mind has no special claim on reality or approaches to it built out of math. If such constructs as &lt;span href="/wiki/Euler%27s_identity" title="Euler's identity"&gt;Euler's identity&lt;/span&gt; are true then they are true as a map of the human mind and &lt;span href="/wiki/Cognition" title="Cognition"&gt;cognition&lt;/span&gt;.&lt;br /&gt; Embodied mind theorists thus explain the effectiveness of mathematics — mathematics was constructed by the brain in order to be effective in this universe.&lt;br /&gt; The most accessible, famous, and infamous treatment of this perspective is &lt;i&gt;&lt;span href="/wiki/Where_Mathematics_Comes_From" title="Where Mathematics Comes From"&gt;Where Mathematics Comes From&lt;/span&gt;&lt;/i&gt;, by &lt;span href="/wiki/George_Lakoff" title="George Lakoff"&gt;George Lakoff&lt;/span&gt; and &lt;span href="/wiki/Rafael_E._N%C3%BA%C3%B1ez" title="Rafael E. Núñez"&gt;Rafael E. Núñez&lt;/span&gt;. In addition, mathematician &lt;span href="/wiki/Keith_Devlin" title="Keith Devlin"&gt;Keith Devlin&lt;/span&gt; has investigated similar concepts with his book &lt;span href="/w/index.php?title=The_Math_Instinct&amp;amp;action=edit" class="new" title="The Math Instinct"&gt;The Math Instinct&lt;/span&gt;. For more on the science that inspired this perspective, see &lt;span href="/wiki/Cognitive_science_of_mathematics" title="Cognitive science of mathematics"&gt;cognitive science of mathematics&lt;/span&gt;.&lt;br /&gt; &lt;span name="Social_constructivism_or_social_realism" id="Social_constructivism_or_social_realism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Embodied mind theories&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;Social constructivism&lt;/i&gt; or &lt;i&gt;social realism&lt;/i&gt; theories see mathematics primarily as a &lt;span href="/wiki/Social_construct" title="Social construct"&gt;social construct&lt;/span&gt;, as a product of culture, subject to correction and change. Like the other sciences, mathematics is viewed as an empirical endeavor whose results are constantly evaluated and may be discarded. However, while on an empiricist view the evaluation is some sort of comparison with 'reality', social constructivists emphasize that the direction of mathematical research is dictated by the fashions of the social group performing it or by the needs of the society financing it. However, although such external forces may change the direction of some mathematical research, there are strong internal constraints- the mathematical traditions, methods, problems, meanings and values into which mathematicians are enculturated- that work to conserve the historically defined discipline.&lt;br /&gt; This runs counter to the traditional beliefs of working mathematicians, that mathematics is somehow pure or objective. But social constructivists argue that mathematics is in fact grounded by much uncertainty: as &lt;span href="/wiki/Mathematical_practice" title="Mathematical practice"&gt;mathematical practice&lt;/span&gt; evolves, the status of previous mathematics is cast into doubt, and is corrected to the degree it is required or desired by the current mathematical community. This can be seen in the development of analysis from reexamination of the calculus of Leibniz and Newton. They argue further that finished mathematics is often accorded too much status, and &lt;span href="/wiki/Folk_mathematics" title="Folk mathematics"&gt;folk mathematics&lt;/span&gt; not enough, due to an over-emphasis on axiomatic proof and peer review as practices. However, this might be seen as merely saying that rigorously proven results are overemphasized, and then "look how chaotic and uncertain the rest of it all is!"&lt;br /&gt; The social nature of mathematics is highlighted in its &lt;span href="/wiki/Subculture" title="Subculture"&gt;subcultures&lt;/span&gt;. Major discoveries can be made in one branch of mathematics and be relevant to another, yet the relationship goes undiscovered for lack of social contact between mathematicians. Social constructivists argue each speciality forms its own &lt;span href="/wiki/Epistemic_community" title="Epistemic community"&gt;epistemic community&lt;/span&gt; and often has great difficulty communicating, or motivating the investigation of &lt;span href="/wiki/Unifying_conjecture" title="Unifying conjecture"&gt;unifying conjectures&lt;/span&gt; that might relate different areas of mathematics. Social constructivists see the process of 'doing mathematics' as actually creating the meaning, while social realists see a deficiency either of human capacity to abstractify, or of human's &lt;span href="/wiki/Cognitive_bias" title="Cognitive bias"&gt;cognitive bias&lt;/span&gt;, or of mathematicians' &lt;span href="/wiki/Collective_intelligence" title="Collective intelligence"&gt;collective intelligence&lt;/span&gt; as preventing the comprehension of a real universe of mathematical objects. Social constructivists sometimes reject the search for foundations of mathematics as bound to fail, as pointless or even meaningless. Some social scientists also argue that mathematics is not real or objective at all, but is affected by &lt;span href="/wiki/Racism" title="Racism"&gt;racism&lt;/span&gt; and &lt;span href="/wiki/Ethnocentrism" title="Ethnocentrism"&gt;ethnocentrism&lt;/span&gt;. Some of these ideas are close to &lt;span href="/wiki/Postmodernism" title="Postmodernism"&gt;postmodernism&lt;/span&gt;.&lt;br /&gt; Contributions to this school have been made by &lt;span href="/wiki/Imre_Lakatos" title="Imre Lakatos"&gt;Imre Lakatos&lt;/span&gt; and &lt;span href="/wiki/Thomas_Tymoczko" title="Thomas Tymoczko"&gt;Thomas Tymoczko&lt;/span&gt;, although it is not clear that either would endorse the title. More recently &lt;span href="/wiki/Paul_Ernest" title="Paul Ernest"&gt;Paul Ernest&lt;/span&gt; has explicitly formulated a social constructivist philosophy of mathematics. &lt;span href="http://www.people.ex.ac.uk/PErnest/pome12/article2.htm" class="external autonumber" title="http://www.people.ex.ac.uk/PErnest/pome12/article2.htm" rel="nofollow"&gt;[1]&lt;/span&gt; Some consider the work of &lt;span href="/wiki/Paul_Erd%C5%91s" title="Paul Erdős"&gt;Paul Erdős&lt;/span&gt; as a whole to have advanced this view (although he personally rejected it) because of his uniquely broad collaborations, which prompted others to see and study "mathematics as a social activity", e.g. via the &lt;span href="/wiki/Erd%C5%91s_number" title="Erdős number"&gt;Erdős number&lt;/span&gt;. &lt;span href="/wiki/Reuben_Hersh" title="Reuben Hersh"&gt;Reuben Hersh&lt;/span&gt; has also promoted the social view of mathematics, calling it a 'humanistic' approach &lt;span href="http://edge.org/documents/archive/edge5.html" class="external autonumber" title="http://edge.org/documents/archive/edge5.html" rel="nofollow"&gt;[2]&lt;/span&gt;, similar to but not quite the same as that associated with Alvin White &lt;span href="http://mathforum.org/mathed/humanistic.math.html" class="external autonumber" title="http://mathforum.org/mathed/humanistic.math.html" rel="nofollow"&gt;[3]&lt;/span&gt;; one of Hersh's co-authors, &lt;span href="/wiki/Philip_J._Davis" title="Philip J. Davis"&gt;Philip J. Davis&lt;/span&gt;, has expressed sympathy for the social view as well.&lt;br /&gt; A criticism of this approach is that it is trivial, based on the trivial observation that mathematics is a human activity. To observe that rigorous proof comes only after unrigorous conjecture, experimentation and speculation is true, but it is trivial and noone would deny this. So it's a bit of a stretch to characterize a philosophy of mathematics in this way, on something trivially true. The calculus of Leibniz and Newton was reexamined by mathematicians such as Weierstrauss in order to rigorously prove the theorems thereof. There is nothing special or interesting about this, as it fits in with the more general trend of unrigorous ideas which are later made rigorous. There needs to be a clear distinction between the objects of study of mathematics and the study of the objects of study of mathematics. The former doesn't seem to change a great deal; the latter is forever in flux. The latter is what the Social theory is about, and the former is what Platonism et al. are about.&lt;br /&gt; &lt;span name="Beyond_the_traditional_schools" id="Beyond_the_traditional_schools"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Social constructivism or social realism&lt;/b&gt;&lt;br /&gt;  Rather than focus on narrow debates about the true nature of mathematical &lt;span href="/wiki/Truth" title="Truth"&gt;truth&lt;/span&gt;, or even on practices unique to mathematicians such as the &lt;span href="/wiki/Mathematical_proof" title="Mathematical proof"&gt;proof&lt;/span&gt;, a growing movement from the &lt;span href="/wiki/1960s" title="1960s"&gt;1960s&lt;/span&gt; to the &lt;span href="/wiki/1990s" title="1990s"&gt;1990s&lt;/span&gt; began to question the idea of seeking foundations or finding any one right answer to why mathematics works. The starting point for this was &lt;span href="/wiki/Eugene_Wigner" title="Eugene Wigner"&gt;Eugene Wigner&lt;/span&gt;'s famous &lt;span href="/wiki/1960" title="1960"&gt;1960&lt;/span&gt; paper &lt;i&gt;&lt;span href="/wiki/The_Unreasonable_Effectiveness_of_Mathematics_in_the_Natural_Sciences" title="The Unreasonable Effectiveness of Mathematics in the Natural Sciences"&gt;The Unreasonable Effectiveness of Mathematics in the Natural Sciences&lt;/span&gt;&lt;/i&gt;, in which he argued that the happy coincidence of mathematics and physics being so well matched seemed to be unreasonable and hard to explain.&lt;br /&gt; The embodied-mind or cognitive school and the social school were responses to this challenge, but the debates raised were difficult to confine to those.&lt;br /&gt; &lt;span name="Quasi-empiricism" id="Quasi-empiricism"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Beyond the traditional schools&lt;/b&gt;&lt;br /&gt;  One parallel concern that does not actually challenge the schools directly but instead questions their focus is the notion of &lt;span href="/wiki/Quasi-empiricism_in_mathematics" title="Quasi-empiricism in mathematics"&gt;quasi-empiricism in mathematics&lt;/span&gt;. This grew from the increasingly popular assertion in the late 20th century that no one &lt;span href="/wiki/Foundation_of_mathematics" title="Foundation of mathematics"&gt;foundation of mathematics&lt;/span&gt; could be ever proven to exist. It is also sometimes called 'postmodernism in mathematics' although that term is considered overloaded by some and insulting by others. Quasi-empiricism argues that in doing their research, mathematicians test hypotheses as well as proving theorems. A mathematical argument can transmit falsity from the conclusion to the premises just as well as it can transmit truth from the premises to the conclusion. &lt;span href="/wiki/Quasi-empiricism" title="Quasi-empiricism"&gt;Quasi-empiricism&lt;/span&gt; was developed by &lt;span href="/wiki/Imre_Lakatos" title="Imre Lakatos"&gt;Imre Lakatos&lt;/span&gt;, inspired by the philosophy of science of &lt;span href="/wiki/Karl_Popper" title="Karl Popper"&gt;Karl Popper&lt;/span&gt;.&lt;br /&gt; &lt;span href="/wiki/Imre_Lakatos" title="Imre Lakatos"&gt;Lakatos&lt;/span&gt;'s philosophy of mathematics is sometimes regarded as a kind of social constructivism, but this was not his intention.&lt;br /&gt; Such methods have always been part of &lt;span href="/wiki/Folk_mathematics" title="Folk mathematics"&gt;folk mathematics&lt;/span&gt; by which great feats of calculation and measurement are sometimes achieved. Indeed, such methods may be the only notion of proof a culture has.&lt;br /&gt; &lt;span href="/wiki/Hilary_Putnam" title="Hilary Putnam"&gt;Hilary Putnam&lt;/span&gt; has argued that any theory of mathematical realism would include quasi-empirical methods. He proposed that an alien species doing mathematics might well rely on quasi-empirical methods primarily, being willing often to forgo rigorous and axiomatic proofs, and still be doing mathematics - at perhaps a somewhat greater risk of failure of their calculations. He gave a detailed argument for this in &lt;i&gt;New Directions&lt;/i&gt; (ed. Tymockzo, 1998).&lt;br /&gt; &lt;span name="Action" id="Action"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.myebookshare.com/img/2007/11/0387715711.jpg"  alt="Philosophy of mathematics"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Quasi-empiricism&lt;/b&gt;&lt;br /&gt;  Some practitioners and scholars who are not engaged primarily in proof-oriented approaches have suggested an interesting and important theory about the nature of mathematics. For example, &lt;span href="/wiki/Judea_Pearl" title="Judea Pearl"&gt;Judea Pearl&lt;/span&gt; claimed that all of mathematics as presently understood was based on an &lt;b&gt;algebra of seeing&lt;/b&gt; - and proposed an &lt;b&gt;algebra of doing&lt;/b&gt; to complement it - this is a central concern of the &lt;span href="/wiki/Philosophy_of_action" title="Philosophy of action"&gt;philosophy of action&lt;/span&gt; and other studies of how &lt;span href="/wiki/Knowledge" title="Knowledge"&gt;knowledge&lt;/span&gt; relates to &lt;span href="/wiki/Action_%28philosophy%29" title="Action (philosophy)"&gt;action&lt;/span&gt;. The most important output of this was new theories of &lt;span href="/wiki/Truth" title="Truth"&gt;truth&lt;/span&gt;, notably those appropriate to &lt;span href="/wiki/Activism" title="Activism"&gt;activism&lt;/span&gt; and grounding &lt;span href="/wiki/Empirical_methods" title="Empirical methods"&gt;empirical methods&lt;/span&gt;.&lt;br /&gt; &lt;span name="Unification" id="Unification"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Action&lt;/b&gt;&lt;br /&gt;  Few philosophers are able to penetrate mathematical notations and culture to relate conventional notions of &lt;span href="/wiki/Metaphysics" title="Metaphysics"&gt;metaphysics&lt;/span&gt; to the more specialized metaphysical notions of the schools above. This may lead to a disconnection in which some mathematicians continue to profess discredited philosophy as a justification for their continued belief in a world-view promoting their work.&lt;br /&gt; Although the social theories and quasi-empiricism, and especially the embodied mind theory, have focused more attention on the &lt;span href="/wiki/Epistemology" title="Epistemology"&gt;epistemology&lt;/span&gt; implied by current mathematical practices, they fall far short of actually relating this to ordinary human &lt;span href="/wiki/Perception" title="Perception"&gt;perception&lt;/span&gt; and everyday understandings of &lt;span href="/wiki/Knowledge" title="Knowledge"&gt;knowledge&lt;/span&gt;.&lt;br /&gt; &lt;span name="Language" id="Language"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.swarthmore.edu/Images/academics/philosophy/baker_profile.jpg"  alt="Philosophy of mathematics"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Unification&lt;/b&gt;&lt;br /&gt;  Innovations in the &lt;span href="/wiki/Philosophy_of_language" title="Philosophy of language"&gt;philosophy of language&lt;/span&gt; during the 20th century renewed interest in the question as to whether mathematics is, as if often said, the &lt;i&gt;language&lt;/i&gt; of science. Although most mathematicians and physicists (and many philosophers) would accept the statement "&lt;span href="/wiki/Mathematics_as_a_language" title="Mathematics as a language"&gt;mathematics is a language&lt;/span&gt;", linguists believe that the implications of such a statement must be considered. For example, the tools of &lt;span href="/wiki/Linguistics" title="Linguistics"&gt;linguistics&lt;/span&gt; are not generally applied to the symbol systems of mathematics, that is, mathematics is studied in a markedly different way than other languages. If mathematics is a language, it is a different type of language than &lt;span href="/wiki/Natural_languages" title="Natural languages"&gt;natural languages&lt;/span&gt;. Indeed, because of the need for clarity and specificity, the language of mathematics is far more constrained than natural languages studied by linguists. However, the methods developed by &lt;span href="/wiki/Gottlob_Frege" title="Gottlob Frege"&gt;Gottlob Frege&lt;/span&gt; and &lt;span href="/wiki/Alfred_Tarski" title="Alfred Tarski"&gt;Alfred Tarski&lt;/span&gt; for the study of mathematical language have been extended greatly by Tarski's student &lt;span href="/wiki/Richard_Montague" title="Richard Montague"&gt;Richard Montague&lt;/span&gt; and other linguists working in &lt;span href="/wiki/Formal_semantics" title="Formal semantics"&gt;formal semantics&lt;/span&gt; to show that the distinction between mathematical language and natural language may not be as great as it seems.&lt;br /&gt; See also &lt;span href="/wiki/Philosophy_of_language" title="Philosophy of language"&gt;philosophy of language&lt;/span&gt;.&lt;br /&gt; &lt;span name="Aesthetics" id="Aesthetics"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Language&lt;/b&gt;&lt;br /&gt;  Many practising mathematicians have been drawn to their subject because of a sense of &lt;span href="/wiki/Mathematical_beauty" title="Mathematical beauty"&gt;beauty&lt;/span&gt; they perceive in it. One sometimes hears the sentiment that mathematicians would like to leave philosophy to the philosophers and get back to mathematics- where, presumably, the beauty lies.&lt;br /&gt; In his work on the &lt;span href="/wiki/Divine_proportion" title="Divine proportion"&gt;divine proportion&lt;/span&gt;, H. E. Huntley relates the feeling of reading and understanding someone else's proof of a theorem of mathematics to that of a viewer of a masterpiece of art - the reader of a proof has a similar sense of exhilaration at understanding as the original author of the proof, much as, he argues, the viewer of a masterpiece has a sense of exhilaration similar to the original painter or sculptor. Indeed, one can study mathematical and scientific writings as &lt;span href="/wiki/Literature" title="Literature"&gt;literature&lt;/span&gt;.&lt;br /&gt; Philip Davis and Reuben Hersh have commented that the sense of mathematical beauty is universal amongst practicing mathematicians. By way of example, they provide two proofs of the irrationality of the &lt;span href="/wiki/Square_root_of_2" title="Square root of 2"&gt;√2&lt;/span&gt;. The first is the traditional proof by &lt;span href="/wiki/Contradiction" title="Contradiction"&gt;contradiction&lt;/span&gt;, ascribed to &lt;span href="/wiki/Euclid" title="Euclid"&gt;Euclid&lt;/span&gt;; the second is a more direct proof involving the &lt;span href="/wiki/Fundamental_theorem_of_arithmetic" title="Fundamental theorem of arithmetic"&gt;fundamental theorem of arithmetic&lt;/span&gt; that, they argue, gets to the heart of the issue. Davis and Hersh argue that mathematicians find the second proof more aesthetically appealing because it gets closer to the nature of the problem.&lt;br /&gt; &lt;span href="/wiki/Paul_Erd%C5%91s" title="Paul Erdős"&gt;Paul Erdős&lt;/span&gt; was well-known for his notion of a hypothetical "Book" containing the most elegant or beautiful mathematical proofs. There is not universal agreement that a result has one "most elegant" proof; &lt;span href="/wiki/Gregory_Chaitin" title="Gregory Chaitin"&gt;Gregory Chaitin&lt;/span&gt; has argued against this idea.&lt;br /&gt; Philosophers have sometimes criticized mathematicians' sense of beauty or elegance as being, at best, vaguely stated. By the same token, however, philosophers of mathematics have sought to characterize what makes one proof more desirable than another when both are logically sound.&lt;br /&gt; Another aspect of aesthetics concerning mathematics is mathematicians' views towards the possible uses of mathematics for purposes deemed unethical or inappropriate. The best-known exposition of this view occurs in &lt;span href="/wiki/G.H._Hardy" title="G.H. Hardy"&gt;G.H. Hardy&lt;/span&gt;'s book &lt;span href="/wiki/A_Mathematician%27s_Apology" title="A Mathematician's Apology"&gt;A Mathematician's Apology&lt;/span&gt;, in which Hardy argues that pure mathematics is superior in beauty to &lt;span href="/wiki/Applied_mathematics" title="Applied mathematics"&gt;applied mathematics&lt;/span&gt; precisely because it cannot be used for war and similar ends. Some later mathematicians have characterized Hardy's views as mildly dated&lt;br /&gt; &lt;span name="See_also" id="See_also"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Aesthetics&lt;/b&gt;&lt;br /&gt;  &lt;span name="Related_topics" id="Related_topics"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; See also&lt;/b&gt;&lt;br /&gt;  &lt;span name="Related_works" id="Related_works"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Axiomatic_set_theory" title="Axiomatic set theory"&gt;Axiomatic set theory&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Axiomatic_system" title="Axiomatic system"&gt;Axiomatic system&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Category_theory" title="Category theory"&gt;Category theory&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Formal_language" title="Formal language"&gt;Formal language&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Formal_system" title="Formal system"&gt;Formal system&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Foundations_of_mathematics" title="Foundations of mathematics"&gt;Foundations of mathematics&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Golden_ratio" title="Golden ratio"&gt;Golden ratio&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/History_of_mathematics" title="History of mathematics"&gt;History of mathematics&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Intuitionistic_logic" title="Intuitionistic logic"&gt;Intuitionistic logic&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Logic" title="Logic"&gt;Logic&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Mathematical_beauty" title="Mathematical beauty"&gt;Mathematical beauty&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Mathematical_constructivism" title="Mathematical constructivism"&gt;Mathematical constructivism&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Mathematical_logic" title="Mathematical logic"&gt;Mathematical logic&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Mathematical_proof" title="Mathematical proof"&gt;Mathematical proof&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Metamathematics" title="Metamathematics"&gt;Metamathematics&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Model_theory" title="Model theory"&gt;Model theory&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Naive_set_theory" title="Naive set theory"&gt;Naive set theory&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Non-standard_analysis" title="Non-standard analysis"&gt;Non-standard analysis&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Philosophy_of_language" title="Philosophy of language"&gt;Philosophy of language&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Philosophy_of_science" title="Philosophy of science"&gt;Philosophy of science&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Philosophy_of_probability" title="Philosophy of probability"&gt;Philosophy of probability&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Proof_theory" title="Proof theory"&gt;Proof theory&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Rule_of_inference" title="Rule of inference"&gt;Rule of inference&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Science_studies" title="Science studies"&gt;Science studies&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Scientific_method" title="Scientific method"&gt;Scientific method&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Set_theory" title="Set theory"&gt;Set theory&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Truth" title="Truth"&gt;Truth&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Unreasonable_Effectiveness_of_Mathematics_in_the_Natural_Sciences" title="The Unreasonable Effectiveness of Mathematics in the Natural Sciences"&gt;The Unreasonable Effectiveness of Mathematics in the Natural Sciences&lt;/span&gt;&lt;/i&gt;   &lt;b&gt; Related topics&lt;/b&gt;&lt;br /&gt;  &lt;span name="Historical_topics" id="Historical_topics"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Analyst" title="The Analyst"&gt;The Analyst&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;span href="/wiki/Euclid%27s_Elements" title="Euclid's Elements"&gt;Euclid's &lt;i&gt;Elements&lt;/i&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Original_proof_of_G%C3%B6del%27s_completeness_theorem" title="Original proof of Gödel's completeness theorem"&gt;Gödel's completeness theorem&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Introduction_to_Mathematical_Philosophy" title="Introduction to Mathematical Philosophy"&gt;Introduction to Mathematical Philosophy&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;span href="/wiki/Kaina_Stoicheia" title="Kaina Stoicheia"&gt;Kaina Stoicheia&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/New_Foundations" title="New Foundations"&gt;New Foundations&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Principia_Mathematica" title="Principia Mathematica"&gt;Principia Mathematica&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Simplest_Mathematics" title="The Simplest Mathematics"&gt;The Simplest Mathematics&lt;/span&gt;&lt;/i&gt;   &lt;b&gt; Related works&lt;/b&gt;&lt;br /&gt;  &lt;span name="Further_reading" id="Further_reading"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/History_and_philosophy_of_science" title="History and philosophy of science"&gt;History and philosophy of science&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/History_of_mathematics" title="History of mathematics"&gt;History of mathematics&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/History_of_philosophy" title="History of philosophy"&gt;History of philosophy&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-7811231566465165363?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/7811231566465165363/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=7811231566465165363' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7811231566465165363'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7811231566465165363'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/philosophy-of-mathematics-is-branch-of.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-438762186510442365</id><published>2008-03-16T10:14:00.001-07:00</published><updated>2008-03-16T10:14:36.347-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Falmouth and Camborne&lt;/b&gt; is a &lt;span href="/wiki/County_constituency" title="County constituency"&gt;county constituency&lt;/span&gt; represented in the &lt;span href="/wiki/British_House_of_Commons" title="British House of Commons"&gt;House of Commons&lt;/span&gt; of the &lt;span href="/wiki/Parliament_of_the_United_Kingdom" title="Parliament of the United Kingdom"&gt;Parliament of the United Kingdom&lt;/span&gt;. It elects one &lt;span href="/wiki/Member_of_Parliament" title="Member of Parliament"&gt;Member of Parliament&lt;/span&gt; (MP) by the &lt;span href="/wiki/First_past_the_post" title="First past the post"&gt;first past the post&lt;/span&gt; system of election.&lt;br /&gt; &lt;span name="Boundaries" id="Boundaries"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://upload.wikimedia.org/wikipedia/en/thumb/6/6c/Bodmin_1918.PNG/300px-Bodmin_1918.PNG"  alt="Falmouth and Camborne (UK Parliament constituency)"  align="left" style="padding:10px"  /&gt;  &lt;b&gt; Boundaries&lt;/b&gt;&lt;br /&gt;  Following its review of parliamentary representation in &lt;span href="/wiki/Cornwall" title="Cornwall"&gt;Cornwall&lt;/span&gt;, the &lt;span href="/wiki/Boundary_Commission_for_England" title="Boundary Commission for England"&gt;Boundary Commission for England&lt;/span&gt; has created a new constituency of &lt;span href="/wiki/Camborne_and_Redruth_%28UK_Parliament_constituency%29" title="Camborne and Redruth (UK Parliament constituency)"&gt;Camborne and Redruth&lt;/span&gt;, which takes many electoral wards from this seat.&lt;br /&gt; &lt;span name="Members_of_Parliament" id="Members_of_Parliament"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-438762186510442365?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/438762186510442365/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=438762186510442365' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/438762186510442365'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/438762186510442365'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/falmouth-and-camborne-is-county.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-7089174156362275501</id><published>2008-03-15T09:24:00.001-07:00</published><updated>2008-03-15T09:24:22.861-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.virginia.edu/topnews/12_06_2005/images/publication_feature_photo.jpg"  alt="Louis Auchincloss"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Louis Stanton Auchincloss&lt;/b&gt; (born &lt;span href="/wiki/September_27" title="September 27"&gt;September 27&lt;/span&gt;, &lt;span href="/wiki/1917" title="1917"&gt;1917&lt;/span&gt;) is a prolific American novelist, historian, and essayist. Born in &lt;span href="/wiki/New_York_City" title="New York City"&gt;New York City&lt;/span&gt;, he grew up in the privileged classes about whom he would write, attending &lt;span href="/wiki/St._Bernard%27s_School" title="St. Bernard's School"&gt;St. Bernard's School&lt;/span&gt;, &lt;span href="/w/index.php?title=The_Groton_School&amp;amp;action=edit" class="new" title="The Groton School"&gt;The Groton School&lt;/span&gt;, and &lt;span href="/wiki/Yale_University" title="Yale University"&gt;Yale University&lt;/span&gt;, where he was editor of the Yale Literary Magazine, and a member of &lt;span href="/wiki/Scroll_and_Key" title="Scroll and Key"&gt;Scroll and Key&lt;/span&gt; Society. After serving in the &lt;span href="/wiki/Navy" title="Navy"&gt;Navy&lt;/span&gt; in &lt;span href="/wiki/World_War_II" title="World War II"&gt;World War II&lt;/span&gt;, Auchincloss wondered whether to become a writer or a lawyer; finally, he realised both (despite not completing undergraduate studies at Yale, he was admitted to and attended law school of the &lt;span href="/wiki/University_of_Virginia" title="University of Virginia"&gt;University of Virginia&lt;/span&gt;), writing a novel per year whilst working as a wills and trusts attorney with Hawkins, Delafield &amp;amp; Wood.&lt;br /&gt; Among Auchincloss's best-known books are the multi-generational sagas &lt;i&gt;&lt;span href="/w/index.php?title=The_House_of_Five_Talents&amp;amp;action=edit" class="new" title="The House of Five Talents"&gt;The House of Five Talents&lt;/span&gt;&lt;/i&gt;; &lt;i&gt;&lt;span href="/w/index.php?title=Portrait_in_Brownstone&amp;amp;action=edit" class="new" title="Portrait in Brownstone"&gt;Portrait in Brownstone&lt;/span&gt;&lt;/i&gt;, and &lt;i&gt;&lt;span href="/w/index.php?title=East_Side_Story_%28novel%29&amp;amp;action=edit" class="new" title="East Side Story (novel)"&gt;East Side Story&lt;/span&gt;&lt;/i&gt;; &lt;i&gt;&lt;span href="/w/index.php?title=The_Rector_of_Justin&amp;amp;action=edit" class="new" title="The Rector of Justin"&gt;The Rector of Justin&lt;/span&gt;&lt;/i&gt;, the tale of the beloved headmaster of a school like Groton trying to deal with changing times; and &lt;i&gt;&lt;span href="/w/index.php?title=The_Embezzler&amp;amp;action=edit" class="new" title="The Embezzler"&gt;The Embezzler&lt;/span&gt;&lt;/i&gt;, a look at white-collar crime. Auchincloss has patterned his writing after that of &lt;span href="/wiki/Henry_James" title="Henry James"&gt;Henry James&lt;/span&gt; and &lt;span href="/wiki/Edith_Wharton" title="Edith Wharton"&gt;Edith Wharton&lt;/span&gt;.&lt;br /&gt; Auchincloss was elected to the &lt;span href="/wiki/American_Academy_of_Arts_and_Letters" title="American Academy of Arts and Letters"&gt;American Academy of Arts and Letters&lt;/span&gt; in &lt;span href="/wiki/1965" title="1965"&gt;1965&lt;/span&gt;. He received the &lt;span href="/wiki/National_Medal_of_Arts" title="National Medal of Arts"&gt;National Medal of Arts&lt;/span&gt; in &lt;span href="/wiki/2005_in_art" title="2005 in art"&gt;2005&lt;/span&gt;.&lt;br /&gt; &lt;span name="Selected_works" id="Selected_works"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Selected works&lt;/b&gt;&lt;br /&gt;  &lt;span name="Short_stories" id="Short_stories"&gt;&lt;/span&gt;&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Indifferent_Children&amp;amp;action=edit" class="new" title="The Indifferent Children"&gt;The Indifferent Children&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1947" title="1947"&gt;1947&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Sybil_%28Auchincloss%29&amp;amp;action=edit" class="new" title="Sybil (Auchincloss)"&gt;Sybil&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1952" title="1952"&gt;1952&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=A_Law_for_the_Lion&amp;amp;action=edit" class="new" title="A Law for the Lion"&gt;A Law for the Lion&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1953" title="1953"&gt;1953&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Great_World_and_Timothy_Colt&amp;amp;action=edit" class="new" title="The Great World and Timothy Colt"&gt;The Great World and Timothy Colt&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1956" title="1956"&gt;1956&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Venus_in_Sparta&amp;amp;action=edit" class="new" title="Venus in Sparta"&gt;Venus in Sparta&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1958" title="1958"&gt;1958&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Pursuit_of_the_Prodigal&amp;amp;action=edit" class="new" title="Pursuit of the Prodigal"&gt;Pursuit of the Prodigal&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1959" title="1959"&gt;1959&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_House_of_Five_Talents&amp;amp;action=edit" class="new" title="The House of Five Talents"&gt;The House of Five Talents&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1960" title="1960"&gt;1960&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Portrait_in_Brownstone&amp;amp;action=edit" class="new" title="Portrait in Brownstone"&gt;Portrait in Brownstone&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1962" title="1962"&gt;1962&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Rector_of_Justin&amp;amp;action=edit" class="new" title="The Rector of Justin"&gt;The Rector of Justin&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1964" title="1964"&gt;1964&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Embezzler&amp;amp;action=edit" class="new" title="The Embezzler"&gt;The Embezzler&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1966" title="1966"&gt;1966&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=A_World_of_Profit&amp;amp;action=edit" class="new" title="A World of Profit"&gt;A World of Profit&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1968" title="1968"&gt;1968&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=I_Come_as_a_Thief&amp;amp;action=edit" class="new" title="I Come as a Thief"&gt;I Come as a Thief&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1972" title="1972"&gt;1972&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Dark_Lady" title="The Dark Lady"&gt;The Dark Lady&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1977" title="1977"&gt;1977&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Country_Cousin&amp;amp;action=edit" class="new" title="The Country Cousin"&gt;The Country Cousin&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1978" title="1978"&gt;1978&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_House_of_the_Prophet&amp;amp;action=edit" class="new" title="The House of the Prophet"&gt;The House of the Prophet&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1980" title="1980"&gt;1980&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/The_Cat_and_the_King" title="The Cat and the King"&gt;The Cat and the King&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1981" title="1981"&gt;1981&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Watchfires&amp;amp;action=edit" class="new" title="Watchfires"&gt;Watchfires&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1982" title="1982"&gt;1982&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Exit_Lady_Masham&amp;amp;action=edit" class="new" title="Exit Lady Masham"&gt;Exit Lady Masham&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1983" title="1983"&gt;1983&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Book_Class&amp;amp;action=edit" class="new" title="The Book Class"&gt;The Book Class&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1984" title="1984"&gt;1984&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Honourable_Men&amp;amp;action=edit" class="new" title="Honourable Men"&gt;Honourable Men&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1986" title="1986"&gt;1986&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Diary_of_a_Yuppie&amp;amp;action=edit" class="new" title="Diary of a Yuppie"&gt;Diary of a Yuppie&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1987" title="1987"&gt;1987&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Golden_Calves&amp;amp;action=edit" class="new" title="The Golden Calves"&gt;The Golden Calves&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1988" title="1988"&gt;1988&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Fellow_Passengers:_A_Novel_in_Portraits&amp;amp;action=edit" class="new" title="Fellow Passengers: A Novel in Portraits"&gt;Fellow Passengers: A Novel in Portraits&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1989" title="1989"&gt;1989&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Lady_of_Situations&amp;amp;action=edit" class="new" title="The Lady of Situations"&gt;The Lady of Situations&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1990" title="1990"&gt;1990&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=Three_Lives_%28Auchincloss_book%29&amp;amp;action=edit" class="new" title="Three Lives (Auchincloss book)"&gt;Three Lives&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1993" title="1993"&gt;1993&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Education_of_Oscar_Fairfax&amp;amp;action=edit" class="new" title="The Education of Oscar Fairfax"&gt;The Education of Oscar Fairfax&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/1995" title="1995"&gt;1995&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/wiki/Her_Infinite_Variety" title="Her Infinite Variety"&gt;Her Infinite Variety&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/2000" title="2000"&gt;2000&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Scarlet_Letters&amp;amp;action=edit" class="new" title="The Scarlet Letters"&gt;The Scarlet Letters&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/2003" title="2003"&gt;2003&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=East_Side_Story_%28novel%29&amp;amp;action=edit" class="new" title="East Side Story (novel)"&gt;East Side Story&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/2004" title="2004"&gt;2004&lt;/span&gt;)&lt;br /&gt; &lt;i&gt;&lt;span href="/w/index.php?title=The_Headmaster%27s_Dilemma&amp;amp;action=edit" class="new" title="The Headmaster's Dilemma"&gt;The Headmaster's Dilemma&lt;/span&gt;&lt;/i&gt; (&lt;span href="/wiki/2007" title="2007"&gt;2007&lt;/span&gt;)  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-7089174156362275501?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/7089174156362275501/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=7089174156362275501' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7089174156362275501'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7089174156362275501'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/louis-stanton-auchincloss-born.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-2781412179644546642</id><published>2008-03-14T08:43:00.001-07:00</published><updated>2008-03-14T08:43:04.146-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;French Air Force&lt;/b&gt;, officially the &lt;b&gt;Armée de l'Air&lt;/b&gt; (&lt;i&gt;Army of the Air&lt;/i&gt;), is the air force branch of the &lt;span href="/wiki/Military_of_France" title="Military of France"&gt;French Armed Forces&lt;/span&gt;. Formed in &lt;span href="/wiki/1909" title="1909"&gt;1909&lt;/span&gt;, it is the oldest air force in the world.&lt;br /&gt; &lt;span name="General_description" id="General_description"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; General description&lt;/b&gt;&lt;br /&gt;  As the chief of the Armed Forces, the President of France makes defense policy. The Prime Minister is responsible for national defense. The Minister for Defense is responsible for the execution of military policy. He is advised by the Head of Staff of Armies (CEMA) with regard to the use of forces and the control of military operations. The Head Of Staff of the Air Force (CEMAA) determines doctrine for the Air Force and advises the CEMA on how to use French aerial forces. He is also responsible for the preparation and support of the Air Force. The CEMAA is assisted by the staff of the Air Force (EMAA), directed by the general major general (GMG), and by the services of the police headquarters, responsible for military staff management of the Air Force (DPMAA), service of the police station of the air, service of the material of the Air Force, service of the infrastructure of the air, and the integrated structure of maintenance in operational condition of the aeronautical materials of Defense (SIMMAD). Finally, the CEMAA is assisted by two inspections: the inspection of the Air Force (IAA) and the inspection of the health services of the Air Force (ISSAA).&lt;br /&gt; &lt;span name="Second_level:_Main_commands" id="Second_level:_Main_commands"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; First level: the central level of command&lt;/b&gt;&lt;br /&gt;  The French Air Force is founded on the principle of separation of responsibilities between two main types of &lt;span href="/wiki/Command_%28military_formation%29" title="Command (military formation)"&gt;commands&lt;/span&gt;: operational commands (responsible for force projection) and organic commands (in charge of conditioning and logistical support).&lt;br /&gt; &lt;span name="Third_level:_air_bases" id="Third_level:_air_bases"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Second level: Main commands&lt;/b&gt;&lt;br /&gt;  The air base is the essential combat tool of the Air Force, whose operational activity never ceases.&lt;br /&gt; The commander of an air base has authority over all units stationed on the base, approximately 600 to 3,500 people. He supervises their conditioning and the execution of orders. Flying activity in France is carried out by a network of bases, platforms and radars of air defense. It is supported by a dozen bases, which are supervised and maintained by staff, centers of operations, warehouses, workshops, and schools.&lt;br /&gt; The bases are organized for flexibility and rapid response. Both in France and abroad, bases have similar infrastructure to provide standardized support. Naval units are spread to give themselves certainty that, on all air bases, they will find the necessary means to execute their missions. This operational mode allows for fast and easy creation of air bases outside of France.&lt;br /&gt; Overseas, a collection of fighters, transport aircraft, and helicopters allow for quick responses to any request for assistance that falls within international agreements. It also ensures the defense of French interests. On average, a base platform, made up of about 2,200 men and women (or nearly 5,500 people including family members), provides an economic boost of about 60 million euros per annum. Consequently, determining the sites for air bases constitutes a major part of regional planning.&lt;br /&gt; &lt;span name="History" id="History"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; History&lt;/b&gt;&lt;br /&gt;  The French Air Force operates a wide-ranging fleet of aircraft, everything from fighters to transport aircraft and passenger transports to helicopters. It currently maintains some 560 aircraft. 150 comprise the air mobility force (CFAP) and include aircraft such as the &lt;span href="/wiki/Transall_C-160" title="Transall C-160"&gt;C-160&lt;/span&gt; and the &lt;span href="/wiki/C-130_Hercules" title="C-130 Hercules"&gt;C-130 Hercules&lt;/span&gt;. The CFAP also includes 80 helicopters like the &lt;span href="/wiki/Eurocopter_Super_Puma" title="Eurocopter Super Puma"&gt;Super Puma&lt;/span&gt; and the &lt;span href="/wiki/Eurocopter_Ecureuil" title="Eurocopter Ecureuil"&gt;Ecureuil&lt;/span&gt;. 330 fighter aircraft are incorporated into 19 squadrons charged with different missions. Finally, the French Air Force has a fleet of aircraft, including &lt;span href="/wiki/Alpha_Jet" title="Alpha Jet"&gt;Alpha Jet&lt;/span&gt;, Xingu, Epsilon, and &lt;span href="/wiki/Tucano" title="Tucano"&gt;Tucano&lt;/span&gt;, to meet training requirements. These air assets are supported by ground units and a sophisticated infrastructure.&lt;br /&gt; The &lt;span href="/w/index.php?title=%22Future_French_Forces_2015%22&amp;amp;action=edit" class="new" title="&amp;quot;Future French Forces 2015&amp;quot;"&gt;"Future French Forces 2015"&lt;/span&gt; concept allows for 300 front-line fighters, mainly composed of the new generation fighter, the &lt;span href="/wiki/Dassault_Rafale" title="Dassault Rafale"&gt;Rafale&lt;/span&gt;.&lt;br /&gt; &lt;span name="Bases" id="Bases"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://bp0.blogger.com/_9DNO7THJzGc/Rpz_vKianhI/AAAAAAAAC98/kLJRo-wWC7c/s320/14%2B07%2B2007%2B-%2BNATIONAL%2BDAY%2BIN%2BFRANCE%2B-%2BFRENCH%2BAIR%2BFORCE%2BDEMONSTRATION%2B%26%2BNOTRE%2BDAMME%2B-%2BDSCF0017.JPG"  alt="French Air Force"  align="right" style="padding:10px"  /&gt;  &lt;b&gt; Aircraft inventory&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;div class="noprint"&gt;&lt;i&gt;Main article: &lt;span href="/wiki/List_of_French_Air_Force_bases" title="List of French Air Force bases"&gt;List of French Air Force bases&lt;/span&gt;&lt;/i&gt;  &lt;b&gt; Bases&lt;/b&gt;&lt;br /&gt;  &lt;br /&gt; &lt;div class="noprint"&gt;&lt;i&gt;Main article: &lt;span href="/wiki/List_of_French_Air_Force_aircraft_squadrons" title="List of French Air Force aircraft squadrons"&gt;List of French Air Force aircraft squadrons&lt;/span&gt;&lt;/i&gt;  &lt;b&gt; Units&lt;/b&gt;&lt;br /&gt;  The surveillance and communications command is charged with detection and communication.&lt;br /&gt; &lt;span name="Strategic_air_command_.28CFAS.29" id="Strategic_air_command_.28CFAS.29"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Strategic air command (CFAS)&lt;/b&gt;&lt;br /&gt;  &lt;span name="References" id="References"&gt;&lt;/span&gt;&lt;br /&gt; 2/3 &lt;span href="/wiki/Normandie-Niemen" title="Normandie-Niemen"&gt;Normandie-Niemen&lt;/span&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-2781412179644546642?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/2781412179644546642/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=2781412179644546642' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2781412179644546642'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/2781412179644546642'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/french-air-force-officially-arme-de.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_9DNO7THJzGc/Rpz_vKianhI/AAAAAAAAC98/kLJRo-wWC7c/s72-c/14%2B07%2B2007%2B-%2BNATIONAL%2BDAY%2BIN%2BFRANCE%2B-%2BFRENCH%2BAIR%2BFORCE%2BDEMONSTRATION%2B%26%2BNOTRE%2BDAMME%2B-%2BDSCF0017.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-7390046887187098091</id><published>2008-03-13T08:45:00.001-07:00</published><updated>2008-03-13T08:45:13.872-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.personalitypathways.com/images/estp-house.gif"  alt="ESTP"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;See also &lt;span href="/wiki/%C3%89cole_sp%C3%A9ciale_des_travaux_publics" title="École spéciale des travaux publics"&gt;École spéciale des travaux publics&lt;/span&gt;&lt;/i&gt;&lt;br /&gt; &lt;b&gt;ESTP&lt;/b&gt; (Extroverted Sensing Thinking Perceiving) is one of the sixteen personality types from the &lt;span href="/wiki/Myers-Briggs_Type_Indicator" title="Myers-Briggs Type Indicator"&gt;Myers-Briggs Type Indicator&lt;/span&gt; (MBTI), and the &lt;span href="/wiki/Keirsey_Temperament_Sorter" title="Keirsey Temperament Sorter"&gt;Keirsey Temperament Sorter&lt;/span&gt;.&lt;br /&gt; Referring to &lt;span href="/wiki/David_Keirsey" title="David Keirsey"&gt;Keirsey&lt;/span&gt;, ESTPs belong to the &lt;span href="/wiki/Artisan_%28Temperament%29" title="Artisan (Temperament)"&gt;Artisan&lt;/span&gt; temperament and are called "Promoters".&lt;br /&gt; &lt;span name="Myers-Briggs_Characteristics" id="Myers-Briggs_Characteristics"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Myers-Briggs Characteristics&lt;/b&gt;&lt;br /&gt;  According to Keirsey, ESTPs, or "Promoter Artisans", are the most adept among the types at manipulating other people. The ESTP knows everyone who matters and everything there is to do. They like to indulge themselves in the finer things in life and to bring other people with them. Their goal in life is to sell themselves and their ideas to others. Dramatic and debonair, they are gifted at earning others' confidence.&lt;br /&gt; &lt;span name="MBTI_cognitive_functions" id="MBTI_cognitive_functions"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-7390046887187098091?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/7390046887187098091/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=7390046887187098091' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7390046887187098091'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/7390046887187098091'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/see-also-cole-spciale-des-travaux.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3272948264217626763</id><published>2008-03-12T09:08:00.001-07:00</published><updated>2008-03-12T09:08:26.946-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://faq.macedonia.org/images/justinian.small.jpg"  alt="Macedonian dynasty"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The following is a list of emperors of the &lt;span href="/wiki/Byzantine_Empire" title="Byzantine Empire"&gt;Byzantine Empire&lt;/span&gt; belonging to the &lt;b&gt;Macedonian dynasty&lt;/b&gt;, who were of &lt;span href="/wiki/Greeks" title="Greeks"&gt;Greek&lt;/span&gt; and &lt;span href="/wiki/Armenians" title="Armenians"&gt;Armenian&lt;/span&gt; descent and which is associated with the &lt;span href="/wiki/Macedonian_Renaissance" title="Macedonian Renaissance"&gt;Macedonian Renaissance&lt;/span&gt;:&lt;br /&gt; &lt;span name="Non-dynastic" id="Non-dynastic"&gt;&lt;/span&gt;&lt;br /&gt; &lt;span href="/wiki/Basil_I" title="Basil I"&gt;Basil I&lt;/span&gt; the Macedonian (Βασίλειος Α') (&lt;span href="/wiki/811" title="811"&gt;811&lt;/span&gt; - &lt;span href="/wiki/886" title="886"&gt;886&lt;/span&gt;, ruled &lt;span href="/wiki/867" title="867"&gt;867&lt;/span&gt; - &lt;span href="/wiki/886" title="886"&gt;886&lt;/span&gt;) - married &lt;span href="/wiki/Eudokia_Ingerina" title="Eudokia Ingerina"&gt;Eudokia Ingerina&lt;/span&gt;, mistress of &lt;span href="/wiki/Michael_III" title="Michael III"&gt;Michael III&lt;/span&gt;; died in hunting accident&lt;br /&gt; &lt;span href="/wiki/Leo_VI_the_Wise" title="Leo VI the Wise"&gt;Leo VI the Wise&lt;/span&gt; (Λέων ΣΤ' ο Σοφός) (&lt;span href="/wiki/866" title="866"&gt;866&lt;/span&gt; - &lt;span href="/wiki/912" title="912"&gt;912&lt;/span&gt;, ruled &lt;span href="/wiki/886" title="886"&gt;886&lt;/span&gt; - &lt;span href="/wiki/912" title="912"&gt;912&lt;/span&gt;) – likely either son of Basil I or Michael III;&lt;br /&gt; &lt;span href="/wiki/Alexander_of_Byzantium" title="Alexander of Byzantium"&gt;Alexander&lt;/span&gt; (Αλέξανδρος του Βυζαντίου) (&lt;span href="/wiki/870" title="870"&gt;870&lt;/span&gt; - &lt;span href="/wiki/913" title="913"&gt;913&lt;/span&gt;, ruled &lt;span href="/wiki/912" title="912"&gt;912&lt;/span&gt; - &lt;span href="/wiki/913" title="913"&gt;913&lt;/span&gt;) – son of Basil I, regent for nephew&lt;br /&gt; &lt;span href="/wiki/Constantine_VII" title="Constantine VII"&gt;Constantine VII&lt;/span&gt; the Purple-born (Κωνσταντίνος Ζ' ο Πορφυρογέννητος) (&lt;span href="/wiki/905" title="905"&gt;905&lt;/span&gt;-&lt;span href="/wiki/959" title="959"&gt;959&lt;/span&gt;, ruled &lt;span href="/wiki/913" title="913"&gt;913&lt;/span&gt; - &lt;span href="/wiki/959" title="959"&gt;959&lt;/span&gt;) – son of Leo VI&lt;br /&gt; &lt;span href="/wiki/Romanos_I" title="Romanos I"&gt;Romanos I&lt;/span&gt; Lekapenos (Ρωμανός Α' ο Λεκαπηνός) (&lt;span href="/wiki/870" title="870"&gt;870&lt;/span&gt; - &lt;span href="/wiki/948" title="948"&gt;948&lt;/span&gt;, ruled &lt;span href="/wiki/919" title="919"&gt;919&lt;/span&gt; - &lt;span href="/wiki/944" title="944"&gt;944&lt;/span&gt;) – father-in-law of Constantine VII; coemperor, deposed by his sons &amp;amp; entered monastery&lt;br /&gt; &lt;span href="/wiki/Romanos_II" title="Romanos II"&gt;Romanos II&lt;/span&gt; the Purple-born (Ρωμανός Β' ο Πορφυρογέννητος) (&lt;span href="/wiki/939" title="939"&gt;939&lt;/span&gt; - &lt;span href="/wiki/963" title="963"&gt;963&lt;/span&gt;, ruled &lt;span href="/wiki/959" title="959"&gt;959&lt;/span&gt; - &lt;span href="/wiki/963" title="963"&gt;963&lt;/span&gt;) – son of Constantine VII&lt;br /&gt; &lt;span href="/wiki/Nikephoros_II" title="Nikephoros II"&gt;Nikephoros II&lt;/span&gt; Phocas (Νικηφόρος Β' Φωκάς ή Νικηφόρος Β' ο Φωκάς) (&lt;span href="/wiki/912" title="912"&gt;912&lt;/span&gt; - &lt;span href="/wiki/969" title="969"&gt;969&lt;/span&gt;, ruled &lt;span href="/wiki/963" title="963"&gt;963&lt;/span&gt; - &lt;span href="/wiki/969" title="969"&gt;969&lt;/span&gt;) – Strategos; married Romanus II's widow, regent for Basil; assassinated&lt;br /&gt; &lt;span href="/wiki/John_I_Tzimiskes" title="John I Tzimiskes"&gt;John I Tzimiskes&lt;/span&gt; (Ιωάννης Α' Κουρκούας ο Τσιμισκής) (&lt;span href="/wiki/925" title="925"&gt;925&lt;/span&gt; - &lt;span href="/wiki/976" title="976"&gt;976&lt;/span&gt;, ruled &lt;span href="/wiki/969" title="969"&gt;969&lt;/span&gt; - &lt;span href="/wiki/976" title="976"&gt;976&lt;/span&gt;) – brother-in-law of Romanus II, lover of Nicephorus's wife but banned from marriage, regent for Basil&lt;br /&gt; &lt;span href="/wiki/Basil_II" title="Basil II"&gt;Basil II&lt;/span&gt; the Bulgar-slayer (Βασίλειος Β' ο Βουλγαροκτόνος) (&lt;span href="/wiki/958" title="958"&gt;958&lt;/span&gt; - &lt;span href="/wiki/1025" title="1025"&gt;1025&lt;/span&gt;, ruled &lt;span href="/wiki/976" title="976"&gt;976&lt;/span&gt; - &lt;span href="/wiki/1025" title="1025"&gt;1025&lt;/span&gt;) – son of Romanus II&lt;br /&gt; &lt;span href="/wiki/Constantine_VIII" title="Constantine VIII"&gt;Constantine VIII&lt;/span&gt; (Κωνσταντίνος Η')(&lt;span href="/wiki/960" title="960"&gt;960&lt;/span&gt;-&lt;span href="/wiki/1028" title="1028"&gt;1028&lt;/span&gt;, ruled &lt;span href="/wiki/1025" title="1025"&gt;1025&lt;/span&gt; - &lt;span href="/wiki/1028" title="1028"&gt;1028&lt;/span&gt;) – son of Romanus II; silent coemperor with Basil II&lt;br /&gt; &lt;span href="/wiki/Zoe_%28empress%29" title="Zoe (empress)"&gt;Zoe I&lt;/span&gt; (Ζωή Α') ((c. &lt;span href="/wiki/978" title="978"&gt;978&lt;/span&gt; - &lt;span href="/wiki/1050" title="1050"&gt;1050&lt;/span&gt;, ruled &lt;span href="/wiki/1028" title="1028"&gt;1028&lt;/span&gt; - &lt;span href="/wiki/1050" title="1050"&gt;1050&lt;/span&gt;) – daughter of Constantine VIII&lt;br /&gt; &lt;span href="/wiki/Romanos_III" title="Romanos III"&gt;Romanos III&lt;/span&gt; Argyros (Ρωμανός Γ' ο Αργυρός) (&lt;span href="/wiki/968" title="968"&gt;968&lt;/span&gt; - &lt;span href="/wiki/1034" title="1034"&gt;1034&lt;/span&gt;, ruled &lt;span href="/wiki/1028" title="1028"&gt;1028&lt;/span&gt; - &lt;span href="/wiki/1034" title="1034"&gt;1034&lt;/span&gt;) – eparch of Constantinople; Zoe's first husband, arranged by Constantine VIII; murdered&lt;br /&gt; &lt;span href="/wiki/Michael_IV" title="Michael IV"&gt;Michael IV&lt;/span&gt; the Paphlagonian (Μιχαήλ Δ' ο Παφλαγών) (&lt;span href="/wiki/1010" title="1010"&gt;1010&lt;/span&gt; - &lt;span href="/wiki/1041" title="1041"&gt;1041&lt;/span&gt;, ruled &lt;span href="/wiki/1034" title="1034"&gt;1034&lt;/span&gt; - &lt;span href="/wiki/1041" title="1041"&gt;1041&lt;/span&gt;) – Zoe's second husband&lt;br /&gt; &lt;span href="/wiki/Michael_V" title="Michael V"&gt;Michael V&lt;/span&gt; the Caulker (Μιχαήλ Ε' ο Καλαφάτης) (&lt;span href="/wiki/1015" title="1015"&gt;1015&lt;/span&gt; - &lt;span href="/wiki/1042" title="1042"&gt;1042&lt;/span&gt;, ruled &lt;span href="/wiki/1041" title="1041"&gt;1041&lt;/span&gt; - &lt;span href="/wiki/1042" title="1042"&gt;1042&lt;/span&gt;) – Michael IV's nephew, Zoe's adopted son&lt;br /&gt; &lt;span href="/wiki/Theodora_%2811th_century%29" title="Theodora (11th century)"&gt;Theodora&lt;/span&gt; (Θεοδώρα) (&lt;span href="/wiki/980" title="980"&gt;980&lt;/span&gt; - &lt;span href="/wiki/1056" title="1056"&gt;1056&lt;/span&gt;, ruled &lt;span href="/wiki/1042" title="1042"&gt;1042&lt;/span&gt;) – daughter of Constantine VIII, coempress with Zoe&lt;br /&gt; &lt;span href="/wiki/Constantine_IX" title="Constantine IX"&gt;Constantine IX&lt;/span&gt; Monomachos (Κωνσταντίνος Θ' ο Μονομάχος) (&lt;span href="/wiki/1000" title="1000"&gt;1000&lt;/span&gt; - &lt;span href="/wiki/1055" title="1055"&gt;1055&lt;/span&gt;, ruled &lt;span href="/wiki/1042" title="1042"&gt;1042&lt;/span&gt; - &lt;span href="/wiki/1055" title="1055"&gt;1055&lt;/span&gt;) – Zoe's third husband&lt;br /&gt; &lt;span href="/wiki/Theodora_%2811th_century%29" title="Theodora (11th century)"&gt;Theodora&lt;/span&gt; (Θεοδώρα) (ruled &lt;span href="/wiki/1055" title="1055"&gt;1055&lt;/span&gt; - &lt;span href="/wiki/1056" title="1056"&gt;1056&lt;/span&gt;) – restored  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3272948264217626763?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3272948264217626763/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3272948264217626763' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3272948264217626763'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3272948264217626763'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/following-is-list-of-emperors-of.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-4444185567938595163</id><published>2008-03-11T10:25:00.001-07:00</published><updated>2008-03-11T10:25:53.273-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://www.archive.official-documents.co.uk/img/rarsmblk.gif"  alt="Committee on Standards in Public Life"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  The &lt;b&gt;Committee on Standards in Public Life&lt;/b&gt; is an advisory &lt;span href="/wiki/Non-departmental_public_body" title="Non-departmental public body"&gt;non-departmental public body&lt;/span&gt; of the United Kingdom Government.&lt;br /&gt; The committee was established in &lt;span href="/wiki/1994" title="1994"&gt;1994&lt;/span&gt; by &lt;span href="/wiki/Prime_Minister" title="Prime Minister"&gt;Prime Minister&lt;/span&gt; &lt;span href="/wiki/John_Major" title="John Major"&gt;John Major&lt;/span&gt; in response to concerns that conduct by some politicians was unethical - for example, allegations of taking cash for &lt;span href="/wiki/Cash-for-questions_affair" title="Cash-for-questions affair"&gt;putting down parliamentary questions&lt;/span&gt;.&lt;br /&gt; The Committee's original terms of reference were:&lt;br /&gt; 'To examine current concerns about standards of conduct of all holders of &lt;span href="/wiki/Public_office" title="Public office"&gt;public office&lt;/span&gt;, including arrangements relating to financial and commercial activities, and make recommendations as to any changes in present arrangements which might be required to ensure the highest standards of propriety in public life.'&lt;br /&gt; Public Office covers &lt;span href="/wiki/Minister_%28government%29" title="Minister (government)"&gt;Ministers&lt;/span&gt;, &lt;span href="/wiki/Civil_servant" title="Civil servant"&gt;civil servants&lt;/span&gt; and advisers; &lt;span href="/wiki/Members_of_Parliament" title="Members of Parliament"&gt;Members of Parliament&lt;/span&gt; and UK Members of the &lt;span href="/wiki/European_Parliament" title="European Parliament"&gt;European Parliament&lt;/span&gt;; Members and senior officers of all non-departmental public bodies and of national health service bodies; non-ministerial office holders; members and other senior officers of other bodies discharging publicly-funded functions; and elected members and senior officers of local authorities'&lt;br /&gt; In 1997 &lt;span href="/wiki/Tony_Blair" title="Tony Blair"&gt;Tony Blair&lt;/span&gt; extended the Committee's terms of reference 'To review issues in relation to the funding of political parties, and to make recommendations as to any changes in present arrangements'&lt;br /&gt; The Committee on Standards in Public Life is constituted as a standing body with its members appointed for up to three years. Sir &lt;span href="/wiki/Alistair_Graham" title="Alistair Graham"&gt;Alistair Graham&lt;/span&gt; succeeded Sir &lt;span href="/w/index.php?title=Nigel_Wicks&amp;amp;action=edit" class="new" title="Nigel Wicks"&gt;Nigel Wicks&lt;/span&gt; as Chair on 26 April 2004. Sir Nigel succeeded &lt;span href="/wiki/Patrick_Neill%2C_Baron_Neill_of_Bladen" title="Patrick Neill, Baron Neill of Bladen"&gt;Lord Neill&lt;/span&gt; as Chairman on 1 March 2001, and Lord Neill succeeded &lt;span href="/wiki/Lord_Nolan" title="Lord Nolan"&gt;Lord Nolan&lt;/span&gt;, the Committee's first Chairman, on 10 November 1997.&lt;br /&gt; &lt;span name="Principles_of_Public_Life" id="Principles_of_Public_Life"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-4444185567938595163?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/4444185567938595163/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=4444185567938595163' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/4444185567938595163'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/4444185567938595163'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/committee-on-standards-in-public-life.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-3979753263911816959</id><published>2008-03-10T08:56:00.001-07:00</published><updated>2008-03-10T08:56:23.498-07:00</updated><title type='text'></title><content type='html'>&lt;img src="http://upload.wikimedia.org/wikipedia/en/thumb/9/97/Historical_Population_Patras.PNG/300px-Historical_Population_Patras.PNG"  alt="Nikos Barlos"  align="right" style="padding:10px"  /&gt;  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;b&gt;Nikos Barlos&lt;/b&gt; (&lt;span href="/wiki/Greek_language" title="Greek language"&gt;Greek&lt;/span&gt;: &lt;b&gt;Νίκος Μπάρλος&lt;/b&gt;; born &lt;span href="/wiki/July_12" title="July 12"&gt;July 12&lt;/span&gt;, &lt;span href="/wiki/1979" title="1979"&gt;1979&lt;/span&gt; in &lt;span href="/wiki/Patras%2C_Greece" title="Patras, Greece"&gt;Patras, Greece&lt;/span&gt;) is a &lt;span href="/wiki/Greece" title="Greece"&gt;Greek&lt;/span&gt; professional &lt;span href="/wiki/Basketball" title="Basketball"&gt;basketball&lt;/span&gt; player who currently plays for &lt;span href="/wiki/AEK_Athens_BC" title="AEK Athens BC"&gt;AEK Athens BC&lt;/span&gt;. He was a member of the national team that won the silver medal in the &lt;span href="/wiki/2005_Mediterranean_Games" title="2005 Mediterranean Games"&gt;2005 Mediterranean Games&lt;/span&gt;&lt;br /&gt; &lt;span name="Player_career" id="Player_career"&gt;&lt;/span&gt;&lt;br /&gt;   &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2548245778643600912-3979753263911816959?l=deserttrikkes.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://deserttrikkes.blogspot.com/feeds/3979753263911816959/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2548245778643600912&amp;postID=3979753263911816959' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3979753263911816959'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2548245778643600912/posts/default/3979753263911816959'/><link rel='alternate' type='text/html' href='http://deserttrikkes.blogspot.com/2008/03/nikos-barlos-greek-born-july-12-1979-in.html' title=''/><author><name>allenwoow</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2548245778643600912.post-6160300256794248869</id><published>2008-03-09T08:43:00.001-07:00</published><updated>2008-03-09T08:43:51.681-07:00</updated><title type='text'></title><content type='html'>  &lt;b&gt;&lt;/b&gt;&lt;br /&gt;  &lt;i&gt;This article refers to Langtry, Lillie. For other uses, see &lt;span href="/wiki/Langtry_%28disambiguation%29" title="Langtry (disambiguation)"&gt;Langtry (disambiguation)&lt;/span&gt;.&lt;/i&gt;&lt;br /&gt; &lt;b&gt;Lillie Langtry&lt;/b&gt; (née &lt;b&gt;Emilie Charlotte &lt;span href="/wiki/Richard_le_Breton" title="Richard le Breton"&gt;Le Breton&lt;/span&gt;&lt;/b&gt;, nicknamed &lt;i&gt;the Jersey Lily&lt;/i&gt;) (&lt;span href="/wiki/October_13" title="October 13"&gt;13 October&lt;/span&gt; &lt;span href="/wiki/1853" title="1853"&gt;1853&lt;/span&gt; – &lt;span href="/wiki/February_12" title="February 12"&gt;12 February&lt;/span&gt; &lt;span href="/wiki/1929" title="1929"&gt;1929&lt;/span&gt;) was a &lt;span href="/wiki/United_Kingdom" title="United Kingdom"&gt;British&lt;/span&gt; &lt;span href="/wiki/Actor" title="Actor"&gt;actress&lt;/span&gt; born on the island of &lt;span href="/wiki/Jersey" title="Jersey"&gt;Jersey&lt;/span&gt; in &lt;span href="/wiki/1853" title="1853"&gt;1853&lt;/span&gt;.&lt;br /&gt; Emilie Le Breton was the only daughter of the &lt;span href="/wiki/Dean_%28religion%29" title="Dean (religion)"&gt;Dean&lt;/span&gt; of &lt;span href="/wiki/Jersey" title="Jersey"&gt;Jersey&lt;/span&gt;, Rev. William Corbet le Breton, having six brothers. She was educated by a French governess, her brothers' tutor.&lt;br /&gt; &lt;span name="Marriage" id="Marriage"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Marriage&lt;/b&gt;&lt;br /&gt;  Langtry had many notable lovers, most of them prominent and well-connected men of the time. Her heyday as a society beauty culminated in her becoming a semi-official mistress to the &lt;span href="/wiki/Prince_of_Wales" title="Prince of Wales"&gt;Prince of Wales&lt;/span&gt;, &lt;span href="/wiki/Victoria_of_the_United_Kingdom" title="Victoria of the United Kingdom"&gt;Queen Victoria&lt;/span&gt;'s son Albert Edward ("Bertie"), the future king &lt;span href="/wiki/Edward_VII_of_the_United_Kingdom" title="Edward VII of the United Kingdom"&gt;Edward VII&lt;/span&gt;. Her relationship with Edward cooled when she infuriated him by becoming intoxicated at a party and slipping and falling after stepping on a piece of ice. &lt;br /&gt; Other lovers included wealthy Britons Robert Peel and George Baird. Among her friends were the Irish writer &lt;span href="/wiki/Oscar_Wilde" title="Oscar Wilde"&gt;Oscar Wilde&lt;/span&gt; and the American artist &lt;span href="/wiki/James_McNeill_Whistler" title="James McNeill Whistler"&gt;James McNeill Whistler&lt;/span&gt;. She was for a time the manager of the Imperial Theatre and also produced red wine at her 4,200 acre (17 km²) &lt;span href="/wiki/Winery" title="Winery"&gt;winery&lt;/span&gt; in &lt;span href="/wiki/Lake_County%2C_California" title="Lake County, California"&gt;Lake County&lt;/span&gt;, &lt;span href="/wiki/California" title="California"&gt;California&lt;/span&gt;, which she purchased in &lt;span href="/wiki/1888" title="1888"&gt;1888&lt;/span&gt; and sold in &lt;span href="/wiki/1906" title="1906"&gt;1906&lt;/span&gt;.&lt;br /&gt; &lt;span name="American_citizenship_and_after" id="American_citizenship_and_after"&gt;&lt;/span&gt;&lt;br /&gt;  &lt;img src="http://www.jerseyheritagetrust.org/collections/fame/images/lillie_travelcase.jpg"  alt="Lillie Langtry"  align="center" style="padding:10px"  /&gt;  &lt;b&gt; Relationships, affairs and scandals&lt;/b&gt;&lt;br /&gt;  In &lt;span href="/wiki/1887" title="1887"&gt;1887&lt;/span&gt;, Langtry became an &lt;span href="/wiki/US_citizenship" title="US citizenship"&gt;American citizen&lt;/span&gt;, and &lt;span href="/wiki/Divorce" title="Divorce"&gt;divorced&lt;/span&gt; her husband the same year in &lt;span href="/wiki/California" title="California"&gt;California&lt;/span&gt;. A letter of condolence written by her to a widow reads in part: "I too have lost a husband, but alas! it was no great loss",  In &lt;span href="/wiki/1899" title="1899"&gt;1899&lt;/span&gt;, she married the much younger Hugo Gerald de Bathe, who would inherit a baronetcy, and became a leading owner in the &lt;span href="/wiki/Horse-racing" title="Horse-racing"&gt;horse-racing&lt;/span&gt; world, before retiring to &lt;span href="/wiki/Monte_Carlo" title="Monte Carlo"&gt;Monte Carlo&lt;/span&gt;. Her last years of acting were performed in &lt;span href="/wiki/Vaudeville" title="Vaudeville"&gt;vaudeville&lt;/span&gt;.&lt;br /&gt; She resided during her final years in a home in &lt;span href="/wiki/Monaco" title="Monaco"&gt;Monaco&lt;/span&gt;, with her husband living separate from her a short distance away. During this period the two saw one another only when she called on him for social gatherings, or in brief private encounters. Her constant companion during this time was her close friend, Mathilda Peat, the widow of Lillie's deceased &lt;span href="/wiki/Butler" title="Butler"&gt;butler&lt;/span&gt;. Langtry died in Monaco in 1929, and was buried in the graveyard of St. Saviour's Church in Jersey – the church of which her father had been rector.&lt;br /&gt; &lt;span name="Cultural_influence" id="Cultural_influence"&gt;&lt;/span&gt;&lt;br /&gt;    &lt;b&gt; Cultural influence&lt;/b&gt;&lt;br /&gt;  The town of &lt;span href="/wiki/Langtry%2C_Texas" title="Langtry, Texas"&gt;Langtry, Texas&lt;/span&gt;, was not named for her, although its most illustrious inhabitant, Judge &lt;span href="/wiki/Roy_Bean" title="Roy Bean"&gt;Roy Bean&lt;/span&gt;, was an ardent admirer, naming the saloon where he held court "The Jersey Lily". Bean himself spread the rumor about the town's name. He also built an &lt;span href="/wiki/Opera_house" title="Opera house"&gt;opera house&lt;/span&gt; in anticipation of a visit, and Mrs. Langtry appeared there after Bean's death. (The town was named for railroad supervisor &lt;span href="/w/index.php?title=George_Langtry&amp;amp;action=edit" class="new" title="George Langtry"&gt;George Langtry&lt;/span&gt;.) The Langtry Manor hotel in &lt;span href="/wiki/Bournemouth" title="Bournemouth"&gt;Bournemouth&lt;/span&gt;, Dorset, was built as a romantic r
